CallNumber ImageLabel ItemNo Date (Narrative) Date (range) Start Date (range) end Image width x height Notes Support Material Language Place of Origin Script Creator CreatorRole Provenance Details FolioNumber CallNumberOrder CallNumberSort CallNumberVariant FolioNumber2 TIFFLocation TIFFBitDepth TIFFScanResolution imgSeq Manuscript Name
Lewis E M 1:2 Lewis E M 1.2 front mcai010021 1400 1450 100 x 161 mm These illuminated initials have been removed from the same manuscript. On the reverse are passages of text typically found in a breviary Parchment Latin Italy front 1 Lewis E M 1:02 a front cd 5091 2111 7988 48-bit color 600 ppi 1 Breviary
Lewis E M 1:2 Lewis E M 1.2 reverse mcai010022 1400 1450 100 x 161 mm These show the reverse of four cuttings with decorated intials from a breviary. A rubric in the uppermost cutting indicates that the text is part of the Office for the Vigil of St. Andrew. Parchment Latin Italy Gothic bookhand reverse 2 Lewis E M 1:02 b reverse cd 5091 2111 7988 48-bit color 600 ppi 2 Breviary
Lewis E M 1:3 Lewis E M 1.3 front mcai010031 1400 1450 52 x 141 mm These illuminated initials have been removed from the same manuscript. On the reverse are passages of text typically found in a breviary. Parchment Latin Italy front 1 Lewis E M 1:03 a front cd 5091 2111 7988 48-bit color 600 ppi 1 Breviary
Lewis E M 1:3 Lewis E M 1.3 reverse mcai010032 1400 1450 52 x 141 mm These cuttings show the reverse of four illuminated initials cut from a breviary. Parchment Latin Italy Gothic bookhand reverse 2 Lewis E M 1:03 b reverse cd 5091 2111 7989 48-bit color 600 ppi 2 Breviary
Lewis E M 1:4 Lewis E M 1.4 front mcai010041 1450 1475 226 x 161 mm This cutting originally belonged in an antiphonary. It begins the antiphon for the 1st Nocturn for the feast of St. Andrew. Parchment Latin Austria (northern) Gothic bookhand front 1 Lewis E M 1:04 a front cd 5091 2111 7989 48-bit color 600 ppi 1 Antiphonary
Lewis E M 1:4 Lewis E M 1.4 reverse mcai010042 1450 1475 226 x 161 mm This image shows the reverse of a cutting with a decorated initial taken from an antiphonary. Parchment Latin Austria (northern) Gothic bookhand reverse 2 Lewis E M 1:04 b reverse cd 5091 2111 7989 48-bit color 600 ppi 2 Antiphonary
Lewis E M 1:5 Lewis E M 1.5 front mcai010051 1400 1499 46 x 134 mm Rubrics on the reverse of these cuttings indicate that they were originally part of a breviary. Parchment Latin Italy Gothic bookhand front 1 Lewis E M 1:05 front cd 5091 2111 7989 48-bit color 600 ppi 1 Breviary
Lewis E M 1:5 Lewis E M 1.5 reverse mcai010052 1400 1499 46 x 134 mm This image shows the reverse of two cuttings of decorated initials taken from a breviary. Parchment Latin Italy Gothic bookhand reverse 2 Lewis E M 1:05 reverse cd 5091 2111 7989 48-bit color 600 ppi 2 Breviary
Lewis E M 1:6 Lewis E M 1.6 front mcai010061 1485 1499 122 x 167 mm The place in the liturgy from which this image derives is yet to be determined. On the revers, the text has been erased, but is still perceptible. Parchment Latin Augsburg, Germany front 1 Lewis E M 1:06 front cd 5091 2111 7989 48-bit color 600 ppi 1 Choir book
Lewis E M 1:6 Lewis E M 1.6 reverse mcai010062 1485 1499 122 x 167 mm This image shows the reverse of a cutting from a choir book. The text has been erased, but is still perceptible. Parchment Latin Augsburg, Germany reverse 2 Lewis E M 1:06 reverse cd 5091 2111 7991 48-bit color 600 ppi 2 Choir book
Lewis E M 1:7 Lewis E M 1.7 front mcai010071 1400 1499 133 x 175 mm This cutting comes from a choir book, most likely an antiphonary or a gradual. The text has yet to be identified. Parchment Latin Germany Gothic bookhand front 1 Lewis E M 1:07 front cd 5091 2111 7991 48-bit color 600 ppi 1 Choir book
Lewis E M 1:7 Lewis E M 1.7 reverse mcai010072 1400 1499 133 x 175 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Germany Gothic bookhand reverse 2 Lewis E M 1:07 reverse cd 5091 2111 7991 48-bit color 600 ppi 2 Choir book
Lewis E M 1:8 Lewis E M 1.8 front mcai010081 1400 1415 110 x 86 mm Initial L Parchment Latin Italy Cursiva formata Augustine of Hippo Author front 1 Lewis E M 1:08 front cd 5091 2111 7991 48-bit color 600 ppi 1 Enarrationes in psalmos (Expositions on the Psalms)
Lewis E M 1:8 Lewis E M 1.8 reverse mcai010082 1400 1415 110 x 86 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Italy Augustine of Hippo Author reverse 2 Lewis E M 1:08 reverse cd 5091 2111 7991 48-bit color 600 ppi 2 Enarrationes in psalmos (Expositions on the Psalms)
Lewis E M 1:9 Lewis E M 1.9 front mcai010091 1490 1510 130 x 170 mm This illuminated initial begins the Introit for the first Sunday after Pentecost, "Domine in tua misericordia speravi..." (Lord, I cast myself on thy mercy). Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 1:09 front cd 5091 2111 7991 48-bit color 600 ppi 1 Missal
Lewis E M 1:9 Lewis E M 1.9 reverse mcai010092 1490 1510 130 x 170 mm This image shows the reverse of a cutting with an illuminated initial from a missal. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 1:09 reverse cd 5091 2111 7992 48-bit color 600 ppi 2 Missal
Lewis E M 1:10 Lewis E M 1.10 front mcai010101 1400 1499 122 x 112 mm This decorated initial originally belonged to a choir book, most likely an antiphonary or a gradual. The text has yet to be determined. Parchment Latin Germany or Austria Gothic bookhand front 1 Lewis E M 1:10 front cd 5091 2111 7992 48-bit color 600 ppi 1 Choir book
Lewis E M 1:10 Lewis E M 1.10 reverse mcai010102 1400 1499 122 x 112 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Germany or Austria Gothic bookhand reverse 2 Lewis E M 1:10 reverse cd 5091 2111 7992 48-bit color 600 ppi 2 Choir book
Lewis E M 1:11 Lewis E M 1.11 front mcai010111 1440 1460 95 x 252 mm Initial F with the Anna Selbdritt Parchment German Vienna, Austria Cursive Mosemaster Artist front 1 Lewis E M 1:11 front cd 5091 2111 7992 48-bit color 600 ppi 1 Lives of the Saints
Lewis E M 1:11 Lewis E M 1.11 reverse mcai010112 1440 1460 95 x 252 mm This image shows the reverse of a cutting with an historiated initial from an unidentified hagiographic text, possible a Saint's Lives. Parchment German Vienna, Austria Cursive reverse 2 Lewis E M 1:11 reverse cd 5091 2111 7992 48-bit color 600 ppi 2 Lives of the Saints
Lewis E M 1:12 Lewis E M 1.12 front mcai010121 1440 1460 73 x 157 mm Initial D with a female saint, possibly St. Dorothy Parchment German Vienna, Austria Cursive Augustinus Master Artist front 1 Lewis E M 1:12 front cd 5091 2111 7992 48-bit color 600 ppi 1 Lives of the Saints
Lewis E M 1:12 Lewis E M 1.12 reverse mcai010122 1440 1460 73 x 157 mm This image shows the reverse of a cutting with an historiated initial from a hagiographic text, possibly a Saint's Lives. Parchment German Vienna, Austria Cursive reverse 2 Lewis E M 1:12 reverse cd 5091 2111 7993 48-bit color 600 ppi 2 Lives of the Saints
Lewis E M 1:13 Lewis E M 1.13 front mcai010131 1440 1460 85 x 182 mm This initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine. This initial may have begun the legends associated with the feast of the Annunciation. Parchment German Vienna, Austria Maximilian Schoolbooks Master Artist front 1 Lewis E M 1:13 front cd 5091 2111 7993 48-bit color 600 ppi 1 Lives of the Saints
Lewis E M 1:14 Lewis E M 1.14 reverse mcai010141 1440 1460 75 x 165 mm Initial D with St. Augustine of Hippo Parchment Vienna, Austria Augustinus Master Artist recto 1 Lewis E M 1:14 recto cd 5091 2111 7993 48-bit color 600 ppi 1 Lives of the Saints
Lewis E M 1:15 Lewis E M 1.15 mcai010151 1400 1499 76 x 115 mm Initial D with St. Peter Parchment Latin Vienna?, Austria front 1 Lewis E M 1:15 front cd 5091 2111 7993 48-bit color 600 ppi 1 Lives of the Saints
Lewis E M 1:15A Lewis E M 1.15A mcai010153 1475 1499 124 x 217 mm Initial P with the Nativity and Annunciation to the Shepherds and St. Helena holding the True Cross Parchment Latin Middle Rhine, Germany recto 1 Lewis E M 1:15A recto cd 5091 2111 7993 48-bit color 600 ppi 1 Gradual
Lewis E M 1:16 Lewis E M 1.16 front mcai010161 1485 1499 72 x 85 mm This initial originally belonged in some type of choir book, probably a gradual or an antiphonary. Parchment Latin Austria ? Gothic bookhand front 1 Lewis E M 1:16 front cd 5091 2111 7993 48-bit color 600 ppi 1 Choir book
Lewis E M 1:16 Lewis E M 1.16 reverse mcai010162 1485 1499 72 x 85 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Austria ? reverse 2 Lewis E M 1:16 reverse cd 5091 2111 7993 48-bit color 600 ppi 2 Choir book
Lewis E M 1:17 Lewis E M 1.17 front a mcai010173 1500 1515 109 x 107 mm Textual evidence indicates that this initial originally belonged in a gradual. Parchment Latin Augsburg, Germany Gothic bookhand front a 1 Lewis E M 1:17 front a cd 5091 2111 7994 48-bit color 600 ppi 1 Missal
Lewis E M 1:17 Lewis E M 1.17 reverse a mcai010174 1500 1515 109 x 107 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Augsburg, Germany Gothic bookhand reverse a 2 Lewis E M 1:17 reverse a cd 5091 2111 7994 48-bit color 600 ppi 2 Missal
Lewis E M 1:17 Lewis E M 1.17 front b mcai010175 1500 1515 102 x 96 mm Textual evidence indicates that this initial originally belonged in a gradual. Parchment Latin Augsburg, Germany Gothic bookhand front b 3 Lewis E M 1:17 front b cd 5091 2111 7994 48-bit color 600 ppi 3 Missal
Lewis E M 1:17 Lewis E M 1.17 reverse b mcai010176 1500 1515 102 x 96 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Augsburg, Germany Gothic bookhand reverse b 4 Lewis E M 1:17 reverse b cd 5091 2111 7994 48-bit color 600 ppi 4 Missal
Lewis E M 1:18 Lewis E M 1.18 front mcai010181 1500 1525 63 x 101 mm The Virgin and Child Parchment Nuremberg, Germany front 1 Lewis E M 1:18 front cd 5091 2111 7994 48-bit color 600 ppi 1 Devotional Image (Andachtsbild)
Lewis E M 1:18 Lewis E M 1.18 reverse mcai010182 1500 1525 Reverse of a cutting of The Virgin and Child<br /> This cutting can be dated to ca. 1520. Parchment Nuremberg, Germany 2 Lewis E M 1:18 cd 5091 2111 7994 Devotional Image (Andachtsbild)
Lewis E M 1:19 Lewis E M 1.19 front mcai010191 1525 1550 190 x 210 mm Initial A with the Expulsion of Adam and Eve from Paradise Parchment Latin Poland Liturgical bookhand front 1 Lewis E M 1:19 front cd 5091 2111 7996 48-bit color 600 ppi 1 Gradual
Lewis E M 1:19 Lewis E M 1.19 reverse mcai010192 1525 1550 190 x 210 mm This image shows the reverse of an historiated initial from a gradual. The text is from a prayer said during Mass for the First Sunday in Advent. Parchment Latin Poland Liturgical bookhand reverse 2 Lewis E M 1:19 reverse cd 5091 2111 7996 48-bit color 600 ppi 2 Gradual
Lewis E M 1:20 Lewis E M 1.20 front mcai010201 1525 1550 194 x 287 mm This initial begins the Introit for the First Mass of Christmas Day, "Domin[us] [di]xit ad me ..." (The Lord said to me). Parchment Latin Poland Liturgical bookhand front 1 Lewis E M 1:20 front cd 5091 2111 7996 48-bit color 600 ppi 1 Gradual
Lewis E M 1:20 Lewis E M 1.20 reverse mcai010202 1525 1550 194 x 287 mm This image shows the reverse of an historiated initial from a gradual. The text is from a prayer said during the First Mass of Christmas Day. Parchment Latin Poland Liturgical bookhand reverse 2 Lewis E M 1:20 reverse cd 5091 2111 7937 48-bit color 600 ppi 2 Gradual
Lewis E M 1:21 Lewis E M 1.21 front mcai010211 1500 1599 265 x 186 mm This initial begins Introit for the feast of All Saints, "Gaudeamus omnes in Domino ..." (Rejoice we all in the Lord). Parchment Latin Poland Liturgical bookhand front 1 Lewis E M 1:21 front cd 5091 2111 7937 48-bit color 600 ppi 1 Gradual
Lewis E M 1:21 Lewis E M 1.21 reverse mcai010212 1500 1599 265 x 186 mm This image shows the reverse of an historiated initial from a gradual. Parchment Latin Poland Liturgical bookhand reverse 2 Lewis E M 1:21 reverse cd 5091 2111 7937 48-bit color 600 ppi 2 Gradual
Lewis E M 1:22 Lewis E M 1.22 front mcai010221 1525 1550 279 x 279 mm Initial S with kneeling figures receiving a vision of the Virgin and Child Parchment Latin Poland Gothic bookhand front 1 Lewis E M 1:22 front cd 5091 2111 7938 48-bit color 600 ppi 1 Gradual
Lewis E M 1:22 Lewis E M 1.22 reverse mcai010222 1525 1550 246 x 279 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Poland Gothic bookhand reverse 2 Lewis E M 1:22 reverse cd 5091 2111 7938 48-bit color 600 ppi 2 Gradual
Lewis E M 1:23 Lewis E M 1.23 mcai010231 1600 1750 Parchment Latin Unknown Roman 1 Lewis E M 1:23 cd 5091 2111 7938 St. Notburga
Lewis E M 1:24 Lewis E M 1.24 front mcai010241 1450 1499 163 x 236 mm This initial begins the Introit for the feast of the Ascension, "Viri Galilei quid admiramini aspicientes in celum ..." (Ye men of Galilee, why wonder you, looking up to heaven). Parchment Latin Nuremberg, Germany Gothic bookhand front 1 Lewis E M 1:24 front cd 5091 2111 7939 48-bit color 600 ppi 1 Missal
Lewis E M 1:24 Lewis E M 1.24 reverse mcai010242 1450 1499 163 x 236 mm This image shows the reverse of an historiated initial from a missal. Parchment Latin Nuremberg, Germany Gothic bookhand reverse 2 Lewis E M 1:24 reverse cd 5091 2111 7939 48-bit color 600 ppi 2 Missal
Lewis E M 1:25 Lewis E M 1.25 front mcai010251 1400 1499 160 x 234 mm Initial S with the Resurrected Christ appearing to the Virgin Parchment Latin Tyrol?, Austria Hybrida front 1 Lewis E M 1:25 front cd 5091 2111 7939 48-bit color 600 ppi 1 Missal
Lewis E M 1:25 Lewis E M 1.25 reverse mcai010252 1400 1499 160 x 234 mm This image shows the reverse of a leaf from a missal that was re-used in the binding of another book. Parchment Latin Tyrol?, Austria Hybrida reverse 2 Lewis E M 1:25 reverse cd 5091 2111 7939 48-bit color 600 ppi 2 Missal
Lewis E M 1:26 Lewis E M 1.26 front mcai010261 1450 1499 158 x 287 mm This initial is from an undetermined type of choir book. The coat of arms held by the angel and the initial's place within the liturgy have yet to be identified. Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 1:26 front cd 5091 2111 7942 48-bit color 600 ppi 1 Choir book
Lewis E M 1:26 Lewis E M 1.26 reverse mcai010262 1450 1499 158 x 287 mm This image shows the reverse of a leaf from a choir book. Parchment Latin Germany (southern) Gothic reverse 2 Lewis E M 1:26 reverse cd 5091 2111 7942 48-bit color 600 ppi 2 Choir book
Lewis E M 1:27 Lewis E M 1.27 front mcai010271 1475 1499 187 x 266 mm Initial L Parchment Latin Augsburg, Germany Rotunda Baemler, follower of Artist front 1 Lewis E M 1:27 front cd 5091 2111 7942 48-bit color 600 ppi 1 Breviary
Lewis E M 1:27 Lewis E M 1.27 reverse mcai010272 1475 1499 187 x 266 mm This image shows the reverse of a leaf from a breviary. Parchment Latin Augsburg, Germany Rotunda reverse 2 Lewis E M 1:27 reverse cd 5091 2111 7943 48-bit color 600 ppi 2 Breviary
Lewis E M 1:28 Lewis E M 1.28 front mcai010281 1475 1499 153 x 186 mm Initial G Parchment Latin Augsburg, Germany Gothic bookhand front 1 Lewis E M 1:28 front cd 5091 2111 7943 48-bit color 600 ppi 1 Missal
Lewis E M 1:28 Lewis E M 1.28 reverse mcai010282 1475 1499 153 x 186 mm This image shows the reverse of a cutting with a decorated initial from a missal. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 1:28 reverse cd 5091 2111 7943 48-bit color 600 ppi 2 Missal
Lewis E M 1:29 Lewis E M 1.29 front mcai010291 1485 1499 208 x 140 mm In this initial, St. Andrew holds a book inscribed with both Latin and Greek verses. Parchment Latin Austria front 1 Lewis E M 1:29 front cd 5091 2111 7943 48-bit color 600 ppi 1 Choir book
Lewis E M 1:29 Lewis E M 1.29 reverse mcai010292 1485 1499 208 x 140 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Austria reverse 2 Lewis E M 1:29 reverse cd 5091 2111 7945 48-bit color 600 ppi 2 Choir book
Lewis E M 2:1 Lewis E M 2.1 front mcai020011 1400 1499 104 x 124 mm This initial begins the first response of the first nocturn of Matins for the First Sunday in Advent, "Aspiciens a longe ..." (Long had I been watching). Parchment Latin Germany? Liturgical bookhand front 1 Lewis E M 2:01 front cd 5091 2111 7961 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:1 Lewis E M 2.1 reverse mcai020012 1400 1499 104 x 124 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany? reverse 2 Lewis E M 2:01 reverse cd 5091 2111 7961 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:2 Lewis E M 2.2 front mcai020021 1325 1350 95 x 250 mm This initial is from the same antiphonary as Lewis E M 2:3, 4, and 6. Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 2:02 front cd 5091 2111 7961 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:2 Lewis E M 2.2 reverse mcai020022 1325 1350 95 x 250 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 2:02 reverse cd 5091 2111 7961 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:3 Lewis E M 2.3 front mcai020031 1325 1350 106 x 217 mm This initial is from the same antiphonary as Lewis E M 2:2,4, and 6. It is not clear what the two figures are doing. The female figure holds a ring, which can symbolize virginity. Parchment Latin Germany (southern) Liturgical bookhand front 1 Lewis E M 2:03 front cd 5091 2111 7961 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:3 Lewis E M 2.3 reverse mcai020032 1325 1350 106 x 217 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany (southern) reverse 2 Lewis E M 2:03 reverse cd 5091 2111 7962 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:4 Lewis E M 2.4 front mcai020041 1325 1350 160 x 163 mm This initial is from the same manuscript as Lewis E M 2:2, 3, and 6. Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 2:04 front cd 5091 2111 7962 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:4 Lewis E M 2.4 reverse mcai020042 1325 1350 160 x 163 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 2:04 reverse cd 5091 2111 7962 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:5 Lewis E M 2.5 front mcai020051 1385 1399 113 x 196 mm These decorated initials are from a missal and an antiphonary. The reverse of each one contains text that identify their source. Parchment Latin Bohemia? Gothic bookhand front 1 Lewis E M 2:05 front cd 5091 2111 7962 48-bit color 600 ppi 1 Choir books
Lewis E M 2:5 Lewis E M 2.5 reverse mcai020052 1385 1399 113 x 196 mm This image shows the reverse of two decorated initials. The upper cutting contains the Introit for the Mass for Third Sunday in Lent. The lower cutting contains a rubric from an antiphonary. The text remains undetermined. Parchment Latin Bohemia? reverse 2 Lewis E M 2:05 reverse cd 5091 2111 7962 48-bit color 600 ppi 2 Choir books
Lewis E M 2:6 Lewis E M 2.6 front mcai020061 1325 1350 155 x 245 mm Initial E Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 2:06 front cd 5091 2111 7963 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:6 Lewis E M 2.6 reverse mcai020062 1325 1350 155 x 245 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 2:06 reverse cd 5091 2111 7963 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:7 Lewis E M 2.7 mcai020071 1200 1215 175 x 263 mm Border ornament Parchment Latin Germany (southern) recto 1 Lewis E M 2:07 recto cd 5091 2111 7963 48-bit color 600 ppi 1 Undetermined
Lewis E M 2:8 Lewis E M 2.8 reverse d mcai020080 1400 1499 70 x 83 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Bohemia? reverse 8 Lewis E M 2:08 reverse cd 5091 2111 7963 48-bit color 600 ppi 2 Gradual
Lewis E M 2:8 Lewis E M 2.8 front a mcai020083 1485 1499 84 x 97 mm Initial S Parchment Latin Austria ? Gothic bookhand front 1 Lewis E M 2:08 front cd 5091 2111 7963 48-bit color 600 ppi 1 Gradual
Lewis E M 2:8 Lewis E M 2.8 reverse a mcai020084 1485 1499 84 x 97 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Austria ? reverse 2 Lewis E M 2:08 reverse cd 5091 2111 7964 48-bit color 600 ppi 2 Gradual
Lewis E M 2:8 Lewis E M 2.8 front b mcai020085 1400 1499 98 x 91 mm The remaining text on the reverse is from the Proper of the Mass for the First Sunday of Lent,indicating that this initial came from a gradual. Parchment Latin Bohemia? Gothic bookhand front 3 Lewis E M 2:08 front cd 5091 2111 7964 48-bit color 600 ppi 1 Gradual
Lewis E M 2:8 Lewis E M 2.8 reverse b mcai020086 1400 1499 98 x 91 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Bohemia? reverse 4 Lewis E M 2:08 reverse cd 5091 2111 7964 48-bit color 600 ppi 2 Gradual
Lewis E M 2:8 Lewis E M 2.8 front c mcai020087 1300 1350 99 x 105 mm Initial D Parchment Latin Germany? Gothic bookhand front 5 Lewis E M 2:08 front cd 5091 2111 7964 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:8 Lewis E M 2.8 reverse c mcai020088 1300 1350 99 x 105 mm This image shows the reverse of a cutting with a decorated initial. Textual evidence indicates that it originally belonged in an antiphonary. Parchment Latin Germany? Gothic bookhand reverse 6 Lewis E M 2:08 reverse cd 5091 2111 7964 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:8 Lewis E M 2.8 front d mcai020089 1400 1499 70 x 83 mm Initial E Parchment Latin Bohemia? front 7 Lewis E M 2:08 front cd 5091 2111 7964 48-bit color 600 ppi 1 Gradual
Lewis E M 2:9 Lewis E M 2.9 front mcai020091 1400 1499 100 x 295 mm Initial U Parchment Latin Bohemia? Gothic bookhand front 1 Lewis E M 2:09 front cd 5091 2111 7966 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:9 Lewis E M 2.9 reverse mcai020092 1400 1499 100 x 295 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Bohemia? Gothic bookhand reverse 2 Lewis E M 2:09 reverse cd 5091 2111 7966 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:10 Lewis E M 2.10 front mcai020101 1400 1425 121 x 169 mm Initial S Parchment Latin Bohemia Gothic bookhand front 1 Lewis E M 2:10 front cd 5091 2111 7966 48-bit color 600 ppi 1 Missal
Lewis E M 2:10 Lewis E M 2.10 reverse mcai020102 1400 1425 121 x 169 mm This image shows the reverse of a cutting with a decorated initial from a missal. Parchment Latin Bohemia Gothic bookhand reverse 2 Lewis E M 2:10 reverse cd 5091 2111 7966 48-bit color 600 ppi 2 Missal
Lewis E M 2:11 Lewis E M 2.11 front mcai020111 1400 1499 106 x 121 mm Initial S Parchment Latin Bohemia? Gothic bookhand front 1 Lewis E M 2:11 front cd 5091 2111 7966 48-bit color 600 ppi 1 Choir book
Lewis E M 2:11 Lewis E M 2.11 reverse mcai020112 1400 1499 106 x 121 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Bohemia? Gothic bookhand reverse 2 Lewis E M 2:11 reverse cd 5091 2111 7969 48-bit color 600 ppi 2 Choir book
Lewis E M 2:12 Lewis E M 2.12 front mcai020121 1450 1475 135 x 151 mm The iconography of this initial suggests that it once began the musical chant for a feast dedicated to the Virgin. Parchment Latin Bodensee?, Germany Gothic bookhand front 1 Lewis E M 2:12 front cd 5091 2111 7969 48-bit color 600 ppi 1 Choir book
Lewis E M 2:12 Lewis E M 2.12 reverse mcai020122 1450 1475 135 x 151 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Bodensee?, Germany Gothic bookhand reverse 2 Lewis E M 2:12 reverse cd 5091 2111 7969 48-bit color 600 ppi 2 Choir book
Lewis E M 2:13 Lewis E M 2.13 front mcai020131 1400 1499 173 x 164 mm Initial E Parchment Latin Bohemia? Gothic bookhand front 1 Lewis E M 2:13 front cd 5091 2111 7969 48-bit color 600 ppi 1 Antiphonary
Lewis E M 2:13 Lewis E M 2.13 reverse mcai020132 1400 1499 173 x 164 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Bohemia? Gothic bookhand reverse 2 Lewis E M 2:13 reverse cd 5091 2111 7969 48-bit color 600 ppi 2 Antiphonary
Lewis E M 2:14 Lewis E M 2.14 front mcai020141 1450 1475 151 x 171 mm This initial probably begins the Introit for the feast of Pentecost, "Spiritus Domini replevit orbam terrarum?" (The Spirit of the Lord fills the whole world). Parchment Latin Franconia?, Germany Gothic bookhand front 1 Lewis E M 2:14 front cd 5091 2111 7970 48-bit color 600 ppi 1 Gradual
Lewis E M 2:14 Lewis E M 2.14 reverse mcai020142 1450 1475 151 x 171 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin Franconia?, Germany Gothic bookhand reverse 2 Lewis E M 2:14 reverse cd 5091 2111 7970 48-bit color 600 ppi 2 Gradual
Lewis E M 3:1 Lewis E M 3.1 front mcai030011 1250 1275 27 x 76 mm Initial O Parchment Latin Mosan, Belgium front 1 Lewis E M 3:01 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:2 Lewis E M 3.2 reverse mcai030021 1250 1275 34 x 52 mm Initial D Parchment Latin Mosan, Belgium front 1 Lewis E M 3:02 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:3 Lewis E M 3.3 mcai030031 1250 1275 33 x 64 mm Initial D Parchment Latin Mosan, Belgium front 1 Lewis E M 3:03 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:4 Lewis E M 3.4 mcai030041 1250 1275 35 x 152 mm Initial A Parchment Latin Mosan, Belgium front 1 Lewis E M 3:04 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:5 Lewis E M 3.5 mcai030051 1250 1275 70 x 159 mm Five initial Ms Parchment Latin Mosan, Belgium front 1 Lewis E M 3:05 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:6 Lewis E M 3.6 mcai030061 1250 1275 65 x 115 mm Initials U, D, D, and X Parchment Latin Mosan, Belgium front 1 Lewis E M 3:06 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:7 Lewis E M 3.7 mcai030071 1250 1275 71 x 95 mm Initials U, A, S, and T Parchment Latin Mosan, Belgium front 1 Lewis E M 3:07 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:8 Lewis E M 3.8 mcai030081 1250 1275 70 x 154 mm Initials A, A, D, and P and D Parchment Latin Mosan, Belgium front 1 Lewis E M 3:08 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:9 Lewis E M 3.9 mcai030091 1250 1275 33 x 122 mm Initials C, T, and A and D Parchment Latin Mosan, Belgium front 1 Lewis E M 3:09 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:10 Lewis E M 3.10 mcai030101 1250 1275 66 x 94 mm Initials D, D, N, and P Parchment Latin Mosan, Belgium front 1 Lewis E M 3:10 front cd 5091 2111 7955 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:11 Lewis E M 3.11 mcai030111 1250 1275 63 x 94 mm Initials A and M, D, and B Parchment Latin Mosan, Belgium 3 cuttings 1 Lewis E M 3:11 3 cuttings cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:12 Lewis E M 3.12 mcai030121 1250 1275 34 x 108 mm Initial E, O, and D Parchment Latin Mosan, Belgium recto 1 Lewis E M 3:12 recto cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:13 Lewis E M 3.13 mcai030131 1250 1275 62 x 113 mm This cutting can be dated to ca. 1270. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:13 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:14 Lewis E M 3.14 mcai030141 1250 1275 67 x 116 mm These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:14 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:15 Lewis E M 3.15 mcai030151 1250 1275 65 x 108 mm These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:15 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:16 Lewis E M 3.16 mcai030161 1250 1275 30 x 103 mm These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:16 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:17 Lewis E M 3.17 mcai030171 1250 1275 34 x 89 mm This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:17 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:18 Lewis E M 3.18 mcai030181 1250 1275 59 x 113 mm Initials A and A, and T Parchment Latin Mosan, Belgium front 1 Lewis E M 3:18 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:19 Lewis E M 3.19 mcai030191 1250 1275 70 x 97 mm Initials A, C, D, and D Parchment Latin Mosan, Belgium front 1 Lewis E M 3:19 front cd 5091 2111 7956 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:20 Lewis E M 3.20 mcai030201 1250 1275 63 x 114 mm Three initial D's and a U Parchment Latin Mosan, Belgium front 1 Lewis E M 3:20 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:21 Lewis E M 3.21 mcai030211 1250 1275 71 x 103 mm Initials D, A, B, three Es, D, and O Parchment Latin Mosan, Belgium front 1 Lewis E M 3:21 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:22 Lewis E M 3.22 mcai030221 1250 1275 70 x 96 mm Initials A, D, C, U, D, and C Parchment Latin Mosan, Belgium front 1 Lewis E M 3:22 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:23 Lewis E M 3.23 mcai030231 1250 1275 31 x 86 mm This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:23 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:24 Lewis E M 3.24 mcai030241 1250 1275 32 x 99 mm Initial P Parchment Latin Mosan, Belgium front 1 Lewis E M 3:24 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:25 Lewis E M 3.25 mcai030251 1250 1275 66 x 93 mm Initials H, P, S, C, and E (backwards) Parchment Latin Mosan, Belgium front 1 Lewis E M 3:25 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:26 Lewis E M 3.26 mcai030261 1250 1275 63 x 96 mm Initials E, U, O, B Parchment Latin Mosan, Belgium front 1 Lewis E M 3:26 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:27 Lewis E M 3.27 mcai030271 1250 1275 66 x 98 mm These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. Parchment Latin Mosan, Belgium front 1 Lewis E M 3:27 front cd 5091 2111 7958 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 3:28 Lewis E M 3.28 mcai030281 1250 1275 65 x 90 mm Initials C, D, Q, and Q Parchment Latin Mosan, Belgium front 1 Lewis E M 3:28 front cd 5091 2111 7960 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 4:1 Lewis E M 4.1 front mcai040011 1240 1260 162 x 297 mm Initial A with Judith beheading Holofernes, beginning the Book of Judith Parchment Latin Paris, France Gothic bookhand front 1 Lewis E M 4:01 front cd 5091 2111 7665 48-bit color 600 ppi 1 Bible
Lewis E M 4:1 Lewis E M 4.1 reverse mcai040012 1240 1260 162 x 297 mm This image shows the reverse of a leaf with an historiated initial from a Bible. Parchment Latin Paris, France reverse 2 Lewis E M 4:01 reverse cd 5091 2111 7665 48-bit color 600 ppi 2 Bible
Lewis E M 4:2 Lewis E M 4.2 front mcai040021 1250 1275 197 x 245 mm Initial A, beginning Psalm 27 Parchment Latin Cambrai, diocese of, France (northeastern) Gothic bookhand front 1 Lewis E M 4:02 front cd 5091 2111 7665 48-bit color 600 ppi 1 Psalter
Lewis E M 4:2 Lewis E M 4.2 reverse mcai040022 1250 1275 197 x 245 mm This image shows the reverse of a leaf with an inhabited initial. Parchment Latin Cambrai, diocese of, France (northeastern) reverse 2 Lewis E M 4:02 reverse cd 5091 2111 7673 48-bit color 600 ppi 2 Psalter
Lewis E M 4:3 Lewis E M 4.3 front mcai040031 1300 1350 97 x 106 mm Initial Q with Sts. Peter and Paul Parchment Latin Cologne, Germany Gothic bookhand Johannes von Valkenburg, follower of Artist front 1 Lewis E M 4:03 front cd 5091 2111 7673 48-bit color 600 ppi 1 Antiphonary
Lewis E M 4:3 Lewis E M 4.3 reverse mcai040032 1300 1350 97 x 106 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Cologne, Germany reverse 2 Lewis E M 4:03 reverse cd 5091 2111 7673 48-bit color 600 ppi 2 Antiphonary
Lewis E M 4:4 Lewis E M 4.4 front a mcai040043 1400 1499 72 x 220 mm Marginal sketches of a king (a Magus?) Parchment Latin England Gothic bookhand front 1 Lewis E M 4:04 front cd 5091 2111 7673 48-bit color 600 ppi 1 Legal treatise
Lewis E M 4:4 Lewis E M 4.4 reverse a mcai040044 1400 1499 72 x 220 mm This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early fourteenth-century hand with contemporary glosses. Parchment Latin England Gothic bookhand and cursive reverse 2 Lewis E M 4:04 reverse cd 5091 2111 7673 48-bit color 600 ppi 2 Legal treatise
Lewis E M 4:4 Lewis E M 4.4 front b mcai040045 1400 1499 91 x 107 mm Marginal sketch of a ship with a crow's nest Parchment Latin England Gothic bookhand and cursive front 3 Lewis E M 4:04 front cd 5091 2111 7673 48-bit color 600 ppi 1 Legal treatise
Lewis E M 4:4 Lewis E M 4.4 reverse b mcai040046 1400 1499 91 x 107 mm This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early-fourteenth century hand with contemporary glosses. Parchment Latin England Gothic bookhand and cursive reverse 4 Lewis E M 4:04 reverse cd 5091 2111 7709 48-bit color 600 ppi 2 Legal treatise
Lewis E M 4:4 Lewis E M 4.4 front c mcai040047 1400 1499 83 x 61 mm Marginal sketch of cross pattée with two horses Parchment Latin England Gothic bookhand front 5 Lewis E M 4:04 front cd 5091 2111 7709 48-bit color 600 ppi 1 Legal treatise
Lewis E M 4:4 Lewis E M 4.4 reverse c mcai040048 1400 1499 83 x 61 mm This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early-fourteenth century hand with contemporary glosses. Parchment Latin England Gothic bookhand reverse 6 Lewis E M 4:04 reverse cd 5091 2111 7709 48-bit color 600 ppi 2 Legal treatise
Lewis E M 4:5 Lewis E M 4.5 mcai040053 This is a cutting from a manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. It is unclear what this figure is supposed to be doing. Parchment Unknown 1 Lewis E M 4:05 cd 5091 2111 7709 Undetermined
Lewis E M 4:5 Lewis E M 4.5 mcai040054 1300 1399 100 x 145 mm This a cutting from an unknown manuscript.&nbsp; It is the reverse of a marginalia drawing. Parchment Unknown 2 Lewis E M 4:05 cd 5091 2111 7709 Undetermined
Lewis E M 4:5 Lewis E M 4.5 mcai040055 1300 1399 140 x 63 mm This is a margin drawing at the base of a page of an unknown manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. Parchment England? 3 Lewis E M 4:05 cd 5091 2111 7709 Undetermined
Lewis E M 4:5 Lewis E M 4.5 mcai040056 140 x 63 mm This is a cutting from an unknown manuscript.&nbsp; It is the reverse of a marginalia drawing. Parchment Unknown 4 Lewis E M 4:05 cd 5091 2111 7709 Unknown
Lewis E M 4:5 Lewis E M 4.5 mcai040057 1300 1399 144 x 65 mm This is a marginalia decoration at the base of a page of an unknown manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. Here two men who appear to have horses in tow approach a man standing next to his castle. Parchment England? 5 Lewis E M 4:05 cd 5091 2111 7709 Unknown
Lewis E M 4:5 Lewis E M 4.5 mcai040058 1300 1399 144 x 65 mm This is a cutting of an unknown manuscript.&nbsp; It is the reverse of a marginalia drawing. Parchment England? 6 Lewis E M 4:05 cd 5091 2111 7762 Unknown
Lewis E M 4:6 Lewis E M 4.6 front mcai040061 1300 1399 These four cuttings from an unknown manuscript show marginalia drawings from the borders of the manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. Parchment England? 1 Lewis E M 4:06 cd 5091 2111 7762 Unknown
Lewis E M 4:6 Lewis E M 4.6 reverse mcai040062 1300 1399 These four cuttings are the reverse of marginalia drawings from a manuscript. Parchment England? 2 Lewis E M 4:06 cd 5091 2111 7762 Undetermined
Lewis E M 4:7 Lewis E M 4.7 front mcai040071 1375 1399 132 x 175 mm St. Michael Archangel slaying the dragon Parchment Latin France Gothic bookhand front 1 Lewis E M 4:07 front cd 5091 2111 7762 48-bit color 600 ppi 1 Book of Hours
Lewis E M 4:7 Lewis E M 4.7 reverse mcai040072 1375 1399 132 x 175 mm This image shows the reverse of a leaf with a miniature from a book of hours. The text contains the end of the Suffrage to St. Michael the Archangel. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 4:07 reverse cd 5091 2111 7781 48-bit color 600 ppi 2 Book of Hours
Lewis E M 4:8 Lewis E M 4.8 front mcai040081 1375 1399 131 x 174 mm This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage of St. Matthew the Evangelist, who is portrayed in the miniature beside the opening of the prayer. Parchment Latin France Gothic bookhand front 1 Lewis E M 4:08 front cd 5091 2111 7781 48-bit color 600 ppi 1 Book of Hours
Lewis E M 4:8 Lewis E M 4.8 reverse mcai040082 1375 1399 131 x 174 mm This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage of St. Mark the Evangelist, who is portrayed in the miniature beside the opening of the prayer. The Evangelist's head has been abraded, making it difficult to see. The rubric "De sancto Marco" allows us to identify the saint as Mark. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 4:08 reverse cd 5091 2111 7781 48-bit color 600 ppi 2 Book of Hours
Lewis E M 4:9 Lewis E M 4.9 front mcai040091 1375 1399 132 x 171 mm This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage to St. Christopher, once the patron saint of travelers. Parchment Latin France Gothic bookhand front 1 Lewis E M 4:09 front cd 5091 2111 7781 48-bit color 600 ppi 1 Book of Hours
Lewis E M 4:9 Lewis E M 4.9 reverse mcai040092 1375 1399 132 x 171 mm This image shows the reverse of a leaf from a book of hours. Parchment Latin France reverse 2 Lewis E M 4:09 reverse cd 5091 2111 7781 48-bit color 600 ppi 2 Book of Hours
Lewis E M 4:10 Lewis E M 4.10 front mcai040101 1325 1350 85 x 78 mm The subject of this initial suggests that it may have once belonged in a gradual where it began the Introit for the Vigil of the Assumption of the Virgin, "Vultum tuum deprecabuntur omnes divites plebis..." (All that are rich among the citizens will be courting thy favor). Parchment Latin Tournai or Ghent?, Flanders Gothic bookhand front 1 Lewis E M 4:10 front cd 5091 2111 7781 48-bit color 600 ppi 1 Choir book
Lewis E M 4:10 Lewis E M 4.10 reverse mcai040102 1325 1350 85 x 78 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Tournai or Ghent?, Flanders reverse 2 Lewis E M 4:10 reverse cd 5091 2111 9304 48-bit color 600 ppi 2 Choir book
Lewis E M 4:11 Lewis E M 4.11 front mcai040111 1300 1315 202 x 277 mm This leaf was once part of a book of hours. The initial begins Lauds of the Hours of the Virgin, which was typically illustrated with the Visitation. Parchment Latin Franco-Flemish, Flanders? Gothic bookhand front 1 Lewis E M 4:11 front cd 5091 2111 9304 48-bit color 600 ppi 1 Book of Hours
Lewis E M 4:11 Lewis E M 4.11 reverse mcai040112 1300 1315 202 x 277 mm This image shows the reverse of a leaf with an historiated initial from a book of hours. Parchment Latin Franco-Flemish, Flanders? Gothic bookhand reverse 2 Lewis E M 4:11 reverse cd 5091 2111 9304 48-bit color 600 ppi 2 Book of Hours
Lewis E M 4:12 Lewis E M 4.12 front mcai040121 1300 1350 95 x 138 mm This leaf was once part of a psalter. This initial begins Psalm 148, "Laudate dominum de celis..." (Praise ye the Lord from the heavens). Parchment Latin England? Gothic bookhand front 1 Lewis E M 4:12 front cd 5091 2111 9304 48-bit color 600 ppi 1 Psalter
Lewis E M 4:12 Lewis E M 4.12 reverse mcai040122 1300 1350 95 x 138 mm This image shows the reverse of a leaf with a decorated initial from a psalter. Parchment Latin England? Gothic bookhand reverse 2 Lewis E M 4:12 reverse cd 5091 2111 2365 48-bit color 600 ppi 2 Psalter
Lewis E M 4:13 Lewis E M 4.13 front mcai040131 1325 1350 233 x 321 mm This leaf was once part of a pontifical, a liturgical book containing the services administered exclusively by popes or bishops. The blessing of the incense used during Mass was one of these services. This leaf is from the same manuscript as Lewis E M 42:18-19. Parchment Latin France (southern) Rotunda front 1 Lewis E M 4:13 front cd 5091 2111 2365 48-bit color 600 ppi 1 Pontifical
Lewis E M 4:13 Lewis E M 4.13 reverse mcai040132 1325 1350 233 x 321 mm This image shows the reverse of a leaf with an historiated initial. The text contains part of the service for the blessing of the incense. Parchment Latin France (southern) Rotunda reverse 2 Lewis E M 4:13 reverse cd 5091 2111 2365 48-bit color 600 ppi 2 Pontifical
Lewis E M 4:14 Lewis E M 4.14 front mcai040141 1650 1750 Parchment English Unknown Cursive front 1 Lewis E M 4:14 front cd 5091 2111 6505 Dominican friar
Lewis E M 4:14 Lewis E M 4.14 reverse mcai040142 Parchment Unknown reverse 2 Lewis E M 4:14 reverse cd 5091 2111 6505 Dominican friar
Lewis E M 5:1 Lewis E M 5.1 front mcai050011 1140 1160 106 x 111 mm This initial begins a commentary on the Book of Exodus by Rabanus Maurus, a Benedictine monk and an archbishop of Mainz who died in 856 A.D. He is considered one of the most important scholars and theologians of Carolingian era. The manuscript from which this cutting was taken was produced in the twelfth century. The vine-scroll decoration is typical of Romanesque illumination. Parchment Latin France (eastern) Transitional script (praegothica) Rabanus Maurus Author front 1 Lewis E M 5:01 front cd 5091 2111 4234 48-bit color 600 ppi 1 Biblical commentary
Lewis E M 5:1 Lewis E M 5.1 reverse mcai050012 1140 1160 106 x 111 mm This image shows the reverse of a decorated initial from a manuscript containing a commentary on Exodus. Parchment Latin France (eastern) Transitional script (praegothica) Rabanus Maurus Author reverse 2 Lewis E M 5:01 reverse cd 5091 2111 4234 48-bit color 600 ppi 2 Biblical commentary
Lewis E M 5:2 Lewis E M 5.2 front mcai050021 1140 1160 105 x 162 mm Initial H Parchment Latin France (eastern) Transitional script (praegothica) Rabanus Maurus Author front 1 Lewis E M 5:02 front cd 5091 2111 4234 48-bit color 600 ppi 1 Biblical commentary
Lewis E M 5:2 Lewis E M 5.2 reverse mcai050022 1140 1160 105 x 162 mm This image shows the reverse of a decorated initial from a manuscript containing a commentary on Exodus. Parchment Latin France (eastern) Transitional script (praegothica) Rabanus Maurus Author reverse 2 Lewis E M 5:02 reverse cd 5091 2111 4234 48-bit color 600 ppi 2 Biblical commentary
Lewis E M 5:3 Lewis E M 5.3 front mcai050031 1325 1350 106 x 87 mm This initial comes from a psalter with musical notation. It begins Psalm 109, "Dixit Dominus Domino meo sede a dextris meis..." (The Lord said to my Lord, sit thou at my right hand). Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 5:03 front cd 5091 2111 4234 48-bit color 600 ppi 1 Psalter, noted
Lewis E M 5:3 Lewis E M 5.3 reverse mcai050032 1325 1350 106 x 87 mm This image shows the reverse of a cutting with an historiated initial from a psalter. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 5:03 reverse cd 5091 2111 4234 48-bit color 600 ppi 2 Psalter, noted
Lewis E M 5:4 Lewis E M 5.4 front mcai050041 1300 1399 97 x 142 mm The intricate penwork of this initial is typical of minor initial decoration in late medieval manuscripts. Parchment Latin Flanders? Gothic bookhand front 1 Lewis E M 5:04 front cd 5091 2111 4234 48-bit color 600 ppi 1 Choir book
Lewis E M 5:4 Lewis E M 5.4 reverse mcai050042 1300 1399 97 x 142 mm This is the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Flanders? Gothic bookhand reverse 2 Lewis E M 5:04 reverse cd 5091 2111 3345 48-bit color 600 ppi 2 Choir book
Lewis E M 5:5 Lewis E M 5.5 front mcai050051 1300 1399 148 x 206 mm The intricate penwork of this initial is typical of minor initial decoration in late medieval manuscripts. Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 5:05 front cd 5091 2111 3345 48-bit color 600 ppi 1 Antiphonary
Lewis E M 5:5 Lewis E M 5.5 reverse mcai050052 1300 1399 148 x 206 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 5:05 reverse cd 5091 2111 3345 48-bit color 600 ppi 2 Antiphonary
Lewis E M 5:6 Lewis E M 5.6 front mcai050061 1400 1499 137 x 126 mm The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts. Parchment Latin Flanders? Liturgical bookhand front 1 Lewis E M 5:06 front cd 5091 2111 3345 48-bit color 600 ppi 1 Antiphonary
Lewis E M 5:6 Lewis E M 5.6 reverse mcai050062 1400 1499 137 x 126 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. The signature of John Frederick Lewis is visible in the lower right corner. Parchment Latin Flanders? Liturgical bookhand reverse 2 Lewis E M 5:06 reverse cd 5091 2111 3345 48-bit color 600 ppi 2 Antiphonary
Lewis E M 5:7 Lewis E M 5.7 mcai050071 1385 1399 197 x 228 mm In the central miniature, God sits between two altars. On the altar to his right is a chalice with the Host, representing the New Law. On the altar to his left are the tablets of the Ten Commandments, representing the Old Law. The two initials may have come from the same manuscript. The one in the upper right was pasted onto its present mat board upside down. Parchment Latin Avignon?, France front 1 Lewis E M 5:07 front cd 5091 2111 3293 48-bit color 600 ppi 1 Undetermined
Lewis E M 5:8 Lewis E M 5.8 front a mcai050083 1400 1499 77 x 67 mm This decorated initial is one of three taken from a gradual. Parchment Latin Flanders? Gothic bookhand front a 1 Lewis E M 5:08 front a cd 5091 2111 3293 48-bit color 600 ppi 1 Gradual
Lewis E M 5:8 Lewis E M 5.8 reverse a mcai050084 1400 1499 77 x 67 mm This image shows the reverse of a decorated initial from a gradual. Parchment Latin Flanders? Gothic bookhand reverse a 2 Lewis E M 5:08 reverse a cd 5091 2111 3293 48-bit color 600 ppi 2 Gradual
Lewis E M 5:8 Lewis E M 5.8 front b mcai050085 1400 1499 72 x 63 mm This decorated initial is one of three taken from a gradual. Parchment Latin Flanders? Gothic bookhand front b 3 Lewis E M 5:08 front b cd 5091 2111 3293 48-bit color 600 ppi 3 Gradual
Lewis E M 5:8 Lewis E M 5.8 reverse b mcai050086 1400 1499 72 x 63 mm This image shows the reverse of a decorated initial from a gradual. Parchment Latin Flanders? Gothic bookhand reverse b 4 Lewis E M 5:08 reverse b cd 5091 2111 3293 48-bit color 600 ppi 4 Gradual
Lewis E M 5:8 Lewis E M 5.8 front c mcai050087 1400 1499 110 x 96 mm This decorated initial is one of three taken from a gradual. Parchment Latin Flanders? Gothic bookhand front c 5 Lewis E M 5:08 front c cd 5091 2111 3293 48-bit color 600 ppi 5 Gradual
Lewis E M 5:8 Lewis E M 5.8 reverse c mcai050088 1400 1499 110 x 96 mm This image shows the reverse of a decorated initial from a gradual. Parchment Latin Flanders? Gothic bookhand reverse c 6 Lewis E M 5:08 reverse c cd 5091 2111 3232 48-bit color 600 ppi 6 Gradual
Lewis E M 5:9 Lewis E M 5.9 front mcai050091 1400 1499 92 x 99 mm The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts. The type of choir book from which this initial comes cannot be identified. Parchment Latin Flanders? front 1 Lewis E M 5:09 front cd 5091 2111 3232 48-bit color 600 ppi 1 Choir book
Lewis E M 5:9 Lewis E M 5.9 reverse mcai050092 1400 1499 92 x 99 mm this is the reverse of cutting with a decorated intial from a choir book. Parchment Latin Flanders? reverse 2 Lewis E M 5:09 reverse cd 5091 2111 3232 48-bit color 600 ppi 2 Choir book
Lewis E M 5:10 Lewis E M 5.10 front a mcai050103 1400 1499 86 x 115 mm Initial A Parchment Latin Flanders? front a 1 Lewis E M 5:10 front a cd 5091 2111 3232 48-bit color 600 ppi 1 Service book
Lewis E M 5:10 Lewis E M 5.10 reverse a mcai050104 1400 1499 86 x 115 mm This is the reverse for a cutting with a decorated letter from a choir book. Parchment Latin Flanders? reverse a 2 Lewis E M 5:10 reverse a cd 5091 2111 3232 48-bit color 600 ppi 2 Service book
Lewis E M 5:10 Lewis E M 5.10 front b mcai050105 1400 1499 87 x 110 mm Initial R Parchment Latin Flanders? Gothic bookhand front b 3 Lewis E M 5:10 front b cd 5091 2111 3232 48-bit color 600 ppi 3 Service book
Lewis E M 5:10 Lewis E M 5.10 reverse b mcai050106 1400 1499 87 x 110 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Flanders? Gothic bookhand reverse b 4 Lewis E M 5:10 reverse b cd 5091 2111 3232 48-bit color 600 ppi 4 Service book
Lewis E M 5:11 Lewis E M 5.11 front mcai050111 1300 1399 45 x 39 mm Initial D Parchment Latin Franco-Flemish, Flanders? front 1 Lewis E M 5:11 front cd 5091 2111 3232 48-bit color 600 ppi 1 Undetermined
Lewis E M 5:11 Lewis E M 5.11 reverse mcai050112 1300 1399 45 x 39 mm This image shows the reverse of a cutting with a decorated letter from a service book. Parchment Latin Franco-Flemish, Flanders? Gothic bookhand reverse 2 Lewis E M 5:11 reverse cd 5091 2111 3232 48-bit color 600 ppi 2 Undetermined
Lewis E M 5:12 Lewis E M 5.12 front mcai050121 1300 1399 60 x 57 mm Initial C (?) Parchment Latin Flanders? front 1 Lewis E M 5:12 front cd 5091 2111 3136 48-bit color 600 ppi 1 Undetermined
Lewis E M 5:12 Lewis E M 5.12 reverse mcai050122 1300 1399 60 x 57 mm This is the reverse for a cutting with a decorated letter from a choir book. Parchment Latin Flanders? reverse 2 Lewis E M 5:12 reverse cd 5091 2111 3136 48-bit color 600 ppi 2 Undetermined
Lewis E M 5:13 Lewis E M 5.13 mcai050133 1475 1499 182 x 111 mm Suffrages in books of hours were prayers dedicated to various saints. St. Barbara was a third-century saint martyred at the hands of her own father, a pagan. According to her legend, her father locked her away in a tower to keep her from her suitors. Her attribute is, therefore, a tower with three windows. The three windows commemorate the Trinity.St. Nicholas of Myra, a town in modern day Turkey, is a fourth century saint. His legend contains many accounts of gift-giving, a trait that made him the inspiration for the character of St. Nicholas who brings presents to children during Christmastime. Parchment Latin Bruges, Belgium Hybrida ff. 2v-3r 3 Lewis E M 5:13 ff. 2v-3r cd 5091 2111 3136 48-bit color 600 ppi 3 Book of Hours
Lewis E M 5:13 Lewis E M 5.13 mcai050135 1475 1499 150 x 111 mm Initial U with St. Catherine of Alexandria, beginning her Suffrage Parchment Latin Bruges, Belgium Hybrida ff. 1v-2r 2 Lewis E M 5:13 ff. 1v-2r cd 5091 2111 3136 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:13 Lewis E M 5.13 mcai050137 1475 1499 77 x 111 mm Text page Parchment Latin Bruges, Belgium Hybrida f. 1r 1 Lewis E M 5:13 f. 1r cd 5091 2111 3136 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:13 Lewis E M 5.13 mcai050139 1475 1499 78 x 108 mm Initial M with Mary Magdalene, beginning her Suffrage Parchment Latin Bruges, Belgium Hybrida f. 3v 4 Lewis E M 5:13 f. 3v cd 5091 2111 3136 48-bit color 600 ppi 4 Book of Hours
Lewis E M 5:14 Lewis E M 5.14 front mcai050141 1440 1460 144 x 200 mm The Mocking of Christ (Crowning of Thorns), beginning Terce of the Hours of the Cross Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 5:14 front cd 5091 2111 3136 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:14 Lewis E M 5.14 reverse mcai050142 1440 1460 144 x 200 mm This image shows the reverse of leaf with an historiated initial from a Book of Hours. The text contains the final prayers of Prime of the Hours of the Cross. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 5:14 reverse cd 5091 2111 7920 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:15 Lewis E M 5.15 front mcai050151 1440 1460 144 x 201 mm St. Barbara, beginning her Suffrage Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 5:15 front cd 5091 2111 7920 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:15 Lewis E M 5.15 reverse mcai050152 1440 1460 144 x 201 mm St. Margaret, beginning her Suffrage Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 5:15 reverse cd 5091 2111 7920 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:16 Lewis E M 5.16 mcai050163 1440 1460 148 x 200 mm The Holy Trinity, beginning the Suffrage to the Holy Trinity Parchment Latin Flanders Gothic bookhand f. 2v 3 Lewis E M 5:16 f. 2v cd 5091 2111 7920 48-bit color 600 ppi 3 Book of Hours
Lewis E M 5:16 Lewis E M 5.16 mcai050165 1440 1460 148 x 200 mm Text page with additional prayers for the Hours of the Virgin Parchment Latin Flanders Gothic bookhand f. 1 1 Lewis E M 5:16 f. 1 cd 5091 2111 7920 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:16 Lewis E M 5.16 mcai050167 1440 1460 288 x 200 mm This opening was the 81st and 86th folio of the original manuscript. The text on this opening is not continuous and lacks four leaves that would have fit between the two pages. Parchment Latin Flanders Gothic bookhand ff. 1v-2r 2 Lewis E M 5:16 ff. 1v-2r cd 5091 2111 7974 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:17 Lewis E M 5.17 front mcai050171 1400 1499 171 x 174 mm The Resurrected Christ appearing to the Virgin Mary Parchment Latin Germany front 1 Lewis E M 5:17 front cd 5091 2111 7974 48-bit color 600 ppi 1 Undetermined
Lewis E M 5:17 Lewis E M 5.17 reverse mcai050172 1400 1499 171 x 174 mm This is the reverse of a cutting with a miniature from a manuscript. Parchment Latin Germany reverse 2 Lewis E M 5:17 reverse cd 5091 2111 7974 48-bit color 600 ppi 2 Undetermined
Lewis E M 5:18 Lewis E M 5.18 front mcai050181 1450 1499 250 x 220 mm This is a miniature of a priest offering a lamb in sacrifice.&nbsp; It is from a text of commentary on the altar of the temple. Parchment Flanders? 1 Lewis E M 5:18 cd 5091 2111 3593 Commentary on the altar at the temple
Lewis E M 5:18 Lewis E M 5.18 reverse mcai050182 250 x 220 mm This is a cutting from a text of commentary on the altar of the temple. The reverse is a miniature of a priest sacrificing a lamb. Parchment Flanders? 2 Lewis E M 5:18 cd 5091 2111 3593 Commentary on the altar of the temple
Lewis E M 5:19 Lewis E M 5.19 front mcai050191 1425 1450 126 x 180 mm The Martyrdom of St. Ursula Parchment Latin Flanders Master of Guillebert of Metz Artist front 1 Lewis E M 5:19 front cd 5091 2111 3593 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:19 Lewis E M 5.19 reverse mcai050192 1425 1450 126 x 180 mm This image shows the reverse of a fragment with a full-page miniature from a book of hours. The Latin text is an excerpt of a prayer. Parchment Latin Flanders Hybrida reverse 2 Lewis E M 5:19 reverse cd 5091 2111 3593 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:20 Lewis E M 5.20 front mcai050201 1400 1450 124 x 180 mm St. Christopher Carrying the Christ Child Parchment Latin Flanders Master of Guillebert of Metz Artist front (true verso) 1 Lewis E M 5:20 front (true verso) cd 5091 2111 3515 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:20 Lewis E M 5.20 reverse mcai050202 1400 1450 124 x 180 mm This image shows the reverse of a fragment with a full-page miniature from a book of hours. The Latin text is an excerpt of a prayer. Parchment Latin Flanders Hybrida reverse 2 Lewis E M 5:20 reverse cd 5091 2111 3515 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:21 Lewis E M 5.21 front mcai050211 1400 1499 147 x 176 mm Initial S Parchment Latin Germany Liturgical bookhand front 1 Lewis E M 5:21 front cd 5091 2111 3515 48-bit color 600 ppi 1 Choir book
Lewis E M 5:21 Lewis E M 5.21 reverse mcai050212 1400 1499 147 x 176 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Germany Liturgical bookhand reverse 2 Lewis E M 5:21 reverse cd 5091 2111 3515 48-bit color 600 ppi 2 Choir book
Lewis E M 5:21A Lewis E M 5.21A front mcai050213 1440 1460 73 x 118 mm Virgin and Child enthroned with Angels Parchment Latin Flanders front 1 Lewis E M 5:21A front cd 5091 2111 3515 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:21A Lewis E M 5.21A reverse mcai050214 1440 1460 73 x 118 mm This is the reverse of a cutting with a miniature which probably comes from a book of hours. Parchment Latin Flanders reverse 2 Lewis E M 5:21A reverse cd 5091 2111 3515 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:22 Lewis E M 5.22 front mcai050221 1425 1450 160 x 230 mm The Massacre of the Innocents Parchment Latin Bruges, Belgium Gold Scrolls Group Artist front 1 Lewis E M 5:22 front cd 5091 2111 3462 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:22 Lewis E M 5.22 reverse mcai050222 1425 1450 159 x 227 mm This image shows the reverse of a leaf with a miniature that may have come from a book of hours. Parchment Latin Bruges, Belgium reverse 2 Lewis E M 5:22 reverse cd 5091 2111 3462 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:23 Lewis E M 5.23 front mcai050231 1425 1450 160 x 227 mm Annunciation to the Shepherds Parchment Bruges, Belgium Gold Scrolls Group Artist front 1 Lewis E M 5:23 front cd 5091 2111 3462 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:23 Lewis E M 5.23 reverse mcai050232 1425 1450 160 x 227 mm This image shows the reverse of a leaf with a miniature that may have come from a book of hours. Parchment Bruges, Belgium reverse 2 Lewis E M 5:23 reverse cd 5091 2111 3462 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:24 Lewis E M 5.24 front mcai050241 1425 1450 162 x 227 mm Presentation in the Temple Parchment Bruges, Belgium Gold Scrolls Group Artist front 1 Lewis E M 5:24 front cd 5091 2111 6633 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:24 Lewis E M 5.24 reverse mcai050242 1425 1450 162 x 227 mm This image shows the reverse of a leaf with a miniature that may have come from a book of hours. Parchment Bruges, Belgium reverse 2 Lewis E M 5:24 reverse cd 5091 2111 6633 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:25 Lewis E M 5.25 front mcai050251 1425 1450 159 x 229 mm Flight into Egypt Parchment Latin Bruges, Belgium Gold Scrolls Group Artist front 1 Lewis E M 5:25 front cd 5091 2111 6633 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:25 Lewis E M 5.25 reverse mcai050252 1425 1450 159 x 229 mm This image shows the reverse of a leaf with a miniature that may have come from a book of hours. Parchment Latin Bruges, Belgium reverse 2 Lewis E M 5:25 reverse cd 5091 2111 6633 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:26 Lewis E M 5.26 front mcai050261 1425 1450 158 x 229 mm Death of the Virgin Parchment Latin Bruges, Belgium Gold Scrolls Group Artist front 1 Lewis E M 5:26 front cd 5091 2111 6676 48-bit color 600 ppi 1 Book of Hours
Lewis E M 5:26 Lewis E M 5.26 reverse mcai050262 1425 1450 158 x 229 mm This image shows the reverse of a leaf with a minaiture that may have come from a book of hours. Parchment Latin Bruges, Belgium reverse 2 Lewis E M 5:26 reverse cd 5091 2111 6676 48-bit color 600 ppi 2 Book of Hours
Lewis E M 5:27 Lewis E M 5.27 front mcai050271 1485 1499 45 x 134 mm Initials C, D, and O Parchment Latin Flanders front 1 Lewis E M 5:27 front cd 5091 2111 6676 48-bit color 600 ppi 1 Breviary
Lewis E M 5:27 Lewis E M 5.27 reverse mcai050272 1485 1499 45 x 134 mm This image shows the reverse of three cuttings with decorated initials. Parchment Latin Flanders Hybrida reverse 2 Lewis E M 5:27 reverse cd 5091 2111 6676 48-bit color 600 ppi 2 Breviary
Lewis E M 6:1 Lewis E M 6.1 front mcai060011 1500 1525 132 x 181 mm The Instruments of the Passion, the Last Judgment, the Resurrection of the Elect, and the Parable of the Fig Tree Parchment Spanish Bruges, Flanders Simon Bening Artist front 1 Lewis E M 6:01 front cd 5091 2111 7903 48-bit color 600 ppi 1 Prayer book
Lewis E M 6:1 Lewis E M 6.1 reverse mcai060012 1500 1525 132 x 181 mm This image shows the reverse of a leaf with miniatures by the Flemish illuminator Simon Bening. The text comes from an unknown series of prayers. Parchment Spanish Bruges, Flanders Rotunda reverse 2 Lewis E M 6:01 reverse cd 5091 2111 7903 48-bit color 600 ppi 2 Prayer book
Lewis E M 6:2 Lewis E M 6.2 front mcai060021 1500 1525 133 x 186 mm The Pentecost, the Mocking of the Apostles, and St. Peter preaching Parchment Latin Bruges, Flanders Simon Bening Artist front 1 Lewis E M 6:02 front cd 5091 2111 7903 48-bit color 600 ppi 1 Prayer book
Lewis E M 6:2 Lewis E M 6.2 reverse mcai060022 1500 1525 133 x 186 mm This is the reverse of a cutting from a prayer book. Parchment Latin Bruges, Flanders reverse 2 Lewis E M 6:02 reverse cd 5091 2111 7903 48-bit color 600 ppi 2 Prayer book
Lewis E M 6:3 Lewis E M 6.3 front mcai060031 1485 1499 120 x 105 mm Initial E from a choir book Parchment Latin Flanders Liturgical bookhand front 1 Lewis E M 6:03 front cd 5091 2111 7903 48-bit color 600 ppi 1 Choir book
Lewis E M 6:3 Lewis E M 6.3 reverse mcai060032 1485 1499 120 x 105 mm This image shows the reverse of a decorated initial. It contains part of the text: "Tolle puerum, et matrem eius, et vade in terram Iuda defuncti sunt..." (Take with thee the child and his mother and return to the land of Judah). This passage can occur within the Office celebrating the Purification of the Virgin or in the Mass for Sunday after Christmas Day. The exact liturgical identification of this cutting remains to be determined. Parchment Latin Flanders Liturgical bookhand reverse 2 Lewis E M 6:03 reverse cd 5091 2111 7904 48-bit color 600 ppi 2 Choir book
Lewis E M 6:4 Lewis E M 6.4 front mcai060041 1500 1525 133 x 137 mm Initial B with the Penitent David Parchment Latin Rouen?, France Morgan 85 Master Artist front 1 Lewis E M 6:04 front cd 5091 2111 7904 48-bit color 600 ppi 1 Psalter
Lewis E M 6:4 Lewis E M 6.4 reverse mcai060042 1500 1525 133 x 137 mm This image shows the reverse of a cutting from a psalter. The text is from Psalm 2. Parchment Latin Rouen?, France Gothic bookhand reverse 2 Lewis E M 6:04 reverse cd 5091 2111 7904 48-bit color 600 ppi 2 Psalter
Lewis E M 6:5 Lewis E M 6.5 front mcai060051 1500 1599 143 x 143 mm In this initial, St. Andrew is identified by his attribute, the saltire, or X-shaped, cross he carries underneath his left arm. According to his legend, St. Andrew was martyred by crucifixion on such a cross. He points to a scroll inscribed with the words "Invenimus Messiam" (We have found Christ) from John 1:41. These are the words that he says to his brother Simon Peter in John after meeting Christ for the first time. The initial begins the first antiphon for this feast (Nov. 3). Parchment Latin Flanders front 1 Lewis E M 6:05 front cd 5091 2111 7904 48-bit color 600 ppi 1 Antiphonary
Lewis E M 6:5 Lewis E M 6.5 reverse mcai060052 1500 1599 143 x 143 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 6:05 reverse cd 5091 2111 7904 48-bit color 600 ppi 2 Antiphonary
Lewis E M 6:6 Lewis E M 6.6 front mcai060061 1500 1599 99 x 92 mm Initial T with the Dream of Jacob Parchment Latin Flanders front 1 Lewis E M 6:06 front cd 5091 2111 7654 48-bit color 600 ppi 1 Gradual
Lewis E M 6:6 Lewis E M 6.6 reverse mcai060062 1500 1599 99 x 92 mm This image shows the reverse of a cutting of an historiated initial from a gradual. The text is from the liturgy celebrating the dedication of a Church. Parchment Latin Flanders Liturgical bookhand reverse 2 Lewis E M 6:06 reverse cd 5091 2111 7654 48-bit color 600 ppi 2 Gradual
Lewis E M 6:7 Lewis E M 6.7 front mcai060071 1800 1850 Parchment Unknown 1 Lewis E M 6:07 cd 5091 2111 7654 St. Martha
Lewis E M 6:7 Lewis E M 6.7 reverse mcai060072 Parchment Unknown reverse 2 Lewis E M 6:07 reverse cd 5091 2111 7654 St. Martha
Lewis E M 7:1 Lewis E M 7.1 front mcai070011 1250 1299 180 x 284 mm Initials Parchment Latin France (southern) Rotunda Gregory IX Author front 1 Lewis E M 7:01 front cd 5091 2111 7972 48-bit color 600 ppi 1 Decretals
Lewis E M 7:1 Lewis E M 7.1 reverse mcai070012 1250 1299 180 x 284 mm This image shows the reverse of several cuttings with decorated initials from a copy of the Decretals of Pope Gregory IX. Parchment Latin France (southern) Rotunda Gregory IX Author reverse 2 Lewis E M 7:01 reverse cd 5091 2111 7972 48-bit color 600 ppi 2 Decretals
Lewis E M 7:2 Lewis E M 7.2 front mcai070021 1400 1499 123 x 164 mm Leaf with the hymn, antiphon, and Psalm 125 from None of the Hours of the Virgin Parchment Latin France Gothic bookhand one leaf 1 Lewis E M 7:02 one leaf cd 5091 2111 7972 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:2 Lewis E M 7.2 reverse mcai070022 1400 1499 123 x 164 mm This leaf comes from same manuscript as Lewis E M 7:3. Parchment Latin France reverse 2 Lewis E M 7:02 reverse cd 5091 2111 7973 48-bit color 600 ppi 2 Book of Hours
Lewis E M 7:3 Lewis E M 7.3 front mcai070031 1400 1499 123 x 164 mm Leaf with Psalm 126 from None of the Hours of the Virgin Parchment Latin France Gothic bookhand front 1 Lewis E M 7:03 front cd 5091 2111 7973 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:3 Lewis E M 7.3 reverse mcai070032 1400 1499 123 x 164 mm Leaf with Psalm 126 from None of the Hours of the Virgin Parchment Latin France Gothic bookhand reverse 2 Lewis E M 7:03 reverse cd 5091 2111 7973 48-bit color 600 ppi 2 Book of Hours
Lewis E M 7:4 Lewis E M 7.4 mcai070041 1400 1499 257 x 172 mm Initials Parchment Latin France? Gothic bookhand front 1 Lewis E M 7:04 front cd 5091 2111 7973 48-bit color 600 ppi 1 Undetermined
Lewis E M 7:5 Lewis E M 7.5 mcai070051 1400 1499 33 x 62 mm Initial D Parchment Latin France Gothic bookhand front 1 Lewis E M 7:05 front cd 5091 2111 7973 48-bit color 600 ppi 1 Undetermined
Lewis E M 7:6a-l Lewis E M 7.6a-l mcai070061 1400 1499 268 x 178 mm Initials Parchment Latin France front 1 Lewis E M 7:06 front cd 5091 2111 7975 48-bit color 600 ppi 1 Undetermined
Lewis E M 7:7a-j Lewis E M 7.7a-j front mcai070071 1400 1499 169 x 155 mm Initials Parchment Latin France Gothic bookhand front 1 Lewis E M 7:07 front cd 5091 2111 7975 48-bit color 600 ppi 1 Service book
Lewis E M 7:7a-j Lewis E M 7.7a-j reverse mcai070072 1400 1499 169 x 155 mm This image shows the reverses of a cuttings with decorated letters from a service book. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 7:07 reverse cd 5091 2111 7975 48-bit color 600 ppi 2 Service book
Lewis E M 7:8 Lewis E M 7.8 front mcai070081 1400 1499 161 x 229 mm Leaf beginning Matins of the Hours of the Virgin for Rome use Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 7:08 front cd 5091 2111 7977 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:8 Lewis E M 7.8 reverse mcai070082 1400 1499 161 x 229 mm This leaf is from the same manuscript as Lewis E M 7:9-11. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 7:08 reverse cd 5091 2111 7977 48-bit color 600 ppi 2 Book of Hours
Lewis E M 7:9 Lewis E M 7.9 front mcai070091 1400 1499 164 x 229 mm Leaf beginning Matins of the Hours of the Holy Spirit Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 7:09 front cd 5091 2111 7977 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:9 Lewis E M 7.9 reverse mcai070092 1400 1499 164 x 229 mm Leaf beginning Matins of the Hours of the Holy Spirit Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 7:09 reverse cd 5091 2111 7898 48-bit color 600 ppi 2 Book of Hours
Lewis E M 7:10 Lewis E M 7.10 front mcai070101 1400 1499 161 x 229 mm Leaf beginning the Penitential Psalms Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 7:10 front cd 5091 2111 7898 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:10 Lewis E M 7.10 reverse mcai070102 1400 1499 161 x 229 mm Leaf beginning the Penitential Psalms Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 7:10 reverse cd 5091 2111 7898 48-bit color 600 ppi 2 Book of Hours
Lewis E M 7:11 Lewis E M 7.11 front mcai070111 1400 1499 160 x 229 mm Leaf beginning Matins of the Hours of the Cross Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 7:11 front cd 5091 2111 7902 48-bit color 600 ppi 1 Book of Hours
Lewis E M 7:11 Lewis E M 7.11 reverse mcai070112 1400 1499 160 x 229 mm Leaf beginning Matins of the Hours of the Cross Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 7:11 reverse cd 5091 2111 7902 48-bit color 600 ppi 2 Book of Hours
Lewis E M 8:1 Lewis E M 8.1 front mcai080011 1250 1275 55 x 47 mm Initial C with St. Catherine of Alexandria and suppliants Parchment Latin Mosan, Belgium front 1 Lewis E M 8:01 front cd 5091 2111 7946 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 8:1 Lewis E M 8.1 reverse mcai080012 1250 1275 55 x 47 mm This image shows the reverse of a cutting with an historiated initial from a psalter-hours. Parchment Latin Mosan, Belgium Gothic bookhand reverse 2 Lewis E M 8:01 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Psalter-Hours
Lewis E M 8:2 Lewis E M 8.2 front mcai080021 1250 1275 56 x 55 mm Initial C with the Torture of the Empress Faustina Parchment Latin Mosan, Belgium front 1 Lewis E M 8:02 front cd 5091 2111 7946 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 8:2 Lewis E M 8.2 reverse mcai080022 1250 1275 56 x 55 mm This image shows the reverse of a cutting with an historiated initial from a psalter-hours. Parchment Latin Mosan, Belgium Gothic bookhand reverse 2 Lewis E M 8:02 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Psalter-Hours
Lewis E M 8:3 Lewis E M 8.3 front mcai080031 1250 1275 40 x 38 mm Initial D with Christ before Pilate Parchment Latin Mosan, France front 1 Lewis E M 8:03 front cd 5091 2111 7946 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 8:3 Lewis E M 8.3 reverse mcai080032 1250 1275 40 x 38 mm This image shows the reverse of a cutting with an historiated initial from a psalter-hours. Parchment Latin Mosan, France Gothic bookhand reverse 2 Lewis E M 8:03 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Psalter-Hours
Lewis E M 8:4 Lewis E M 8.4 front mcai080041 1250 1275 37 x 37 mm Initial C with the Harrowing of Hell Parchment Latin Mosan, Belgium Gothic bookhand front 1 Lewis E M 8:04 front cd 5091 2111 7946 48-bit color 600 ppi 1 Psalter-Hours
Lewis E M 8:4 Lewis E M 8.4 reverse mcai080042 1250 1275 37 x 37 mm This image shows the reverse of a cutting with an historiated initial from a psalter-hours. Parchment Latin Mosan, Belgium Gothic bookhand reverse 2 Lewis E M 8:04 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Psalter-Hours
Lewis E M 8:5 Lewis E M 8.5 front mcai080051 1325 1350 82 x 76 mm Initial A with the Resurrection Parchment Latin France Gothic bookhand front 1 Lewis E M 8:05 front cd 5091 2111 7946 48-bit color 600 ppi 1 Antiphonary
Lewis E M 8:5 Lewis E M 8.5 reverse mcai080052 1325 1350 82 x 76 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:05 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Antiphonary
Lewis E M 8:6 Lewis E M 8.6 front mcai080061 1325 1350 80 x 89 mm Initial O with an unidentified saint Parchment Latin France Gothic bookhand front 1 Lewis E M 8:06 front cd 5091 2111 7946 48-bit color 600 ppi 1 Antiphonary
Lewis E M 8:6 Lewis E M 8.6 reverse mcai080062 1325 1350 80 x 89 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:06 reverse cd 5091 2111 7946 48-bit color 600 ppi 2 Antiphonary
Lewis E M 8:7 Lewis E M 8.7 front mcai080071 1250 1275 137 x 203 mm Initial F with the Anointing of David and David and Goliath, beginning I Kings (1 Samuel) Parchment Latin France Gothic bookhand front 1 Lewis E M 8:07 front cd 5091 2111 7946 48-bit color 600 ppi 1 Bible
Lewis E M 8:7 Lewis E M 8.7 reverse mcai080072 1250 1275 137 x 203 mm This image shows the reverse of a leaf from a Bible. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:07 reverse cd 5091 2111 7947 48-bit color 600 ppi 2 Bible
Lewis E M 8:8 Lewis E M 8.8 front mcai080081 1250 1275 138 x 202 mm Initial I depicting Queen Esther before Ahasuerus and the Death of Haman, beginning the Book of Esther Parchment Latin France Gothic bookhand front 1 Lewis E M 8:08 front cd 5091 2111 7947 48-bit color 600 ppi 1 Bible
Lewis E M 8:8 Lewis E M 8.8 reverse mcai080082 1250 1275 138 x 202 mm This images shows the reverse of a leaf from a Bible. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:08 reverse cd 5091 2111 7947 48-bit color 600 ppi 2 Bible
Lewis E M 8:9 Lewis E M 8.9 front mcai080091 1250 1299 160 x 224 mm Leaf with an excised initial Parchment Latin France Gothic bookhand front 1 Lewis E M 8:09 front cd 5091 2111 7947 48-bit color 600 ppi 1 Bible
Lewis E M 8:9 Lewis E M 8.9 reverse mcai080092 1250 1299 160 x 224 mm This image shows the reverse of a leaf with an excised initial from a Bible. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:09 reverse cd 5091 2111 7948 48-bit color 600 ppi 2 Bible
Lewis E M 8:10 Lewis E M 8.10 front mcai080101 1300 1350 95 x 146 mm Solomon teaching Parchment French France Gothic bookhand Guiart des Moulins Author front 1 Lewis E M 8:10 front cd 5091 2111 7948 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:10 Lewis E M 8.10 reverse mcai080102 1300 1350 95 x 146 mm This image shows the reverse of a cutting from a Bible historiale. Parchment French France Gothic bookhand Guiart des Moulins Author reverse 2 Lewis E M 8:10 reverse cd 5091 2111 7948 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:11 Lewis E M 8.11 front mcai080111 1285 1299 119 x 264 mm Initial F with Paul preaching to a group of followers Parchment Latin Hainault, Belgium Gothic bookhand front 1 Lewis E M 8:11 front cd 5091 2111 7948 48-bit color 600 ppi 1 Lectionary
Lewis E M 8:11 Lewis E M 8.11 reverse mcai080112 1285 1299 119 x 264 mm This image shows the reverse of a cutting from a lectionary. Parchment Latin Hainault, Belgium Gothic bookhand reverse 2 Lewis E M 8:11 reverse cd 5091 2111 7949 48-bit color 600 ppi 2 Lectionary
Lewis E M 8:12 Lewis E M 8.12 front mcai080121 1290 1310 178 x 237 mm Initial I Parchment Latin France (southern) Gothic bookhand front 1 Lewis E M 8:12 front cd 5091 2111 7949 48-bit color 600 ppi 1 Pontifical
Lewis E M 8:12 Lewis E M 8.12 reverse mcai080122 1290 1310 178 x 237 mm This image is the reverse of a leaf that begins the order of service for Holy Thursday. Parchment Latin France (southern) reverse 2 Lewis E M 8:12 reverse cd 5091 2111 7949 48-bit color 600 ppi 2 Pontifical
Lewis E M 8:13a-d Lewis E M 8.13a-d front d mcai080131 1400 1415 80 x 85 mm Tree of Jesse Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front d 7 Lewis E M 8:13 a-d front d cd 5091 2111 7949 48-bit color 600 ppi 7 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d reverse d mcai080132 1400 1415 80 x 85 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse d 8 Lewis E M 8:13 a-d reverse d cd 5091 2111 7949 48-bit color 600 ppi 8 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d front a mcai080133 1400 1415 81 x 70 mm Zechariah prophesying the coming of Christ Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:13 a-d front a cd 5091 2111 7950 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d reverse a mcai080134 1400 1415 81 x 70 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:13 a-d reverse a cd 5091 2111 7950 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d front b mcai080135 1400 1415 80 x 90 mm St. John on Patmos writing down his visions of the Apocalypse Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:13 a-d front b cd 5091 2111 7950 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d reverse b mcai080136 1400 1415 80 x 90 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:13 a-d reverse b cd 5091 2111 7950 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d front c mcai080137 1400 1415 80 x 63 mm The Birth of Jezreel Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:13 a-d front c cd 5091 2111 7950 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:13a-d Lewis E M 8.13a-d reverse c mcai080138 1400 1415 80 x 63 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse c 6 Lewis E M 8:13 a-d reverse c cd 5091 2111 7950 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d front d mcai080141 1400 1415 80 x 84 mm St. Peter preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front d 7 Lewis E M 8:14 a-d front d cd 5091 2111 7950 48-bit color 600 ppi 7 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d reverse d mcai080142 1400 1415 80 x 84 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse d 8 Lewis E M 8:14 a-d reverse d cd 5091 2111 7950 48-bit color 600 ppi 8 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d front a mcai080143 1400 1415 80 x 72 mm Solomon and the Queen of Sheba Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:14 a-d front a cd 5091 2111 7950 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d reverse a mcai080144 1400 1415 80 x 72 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:14 a-d reverse a cd 5091 2111 7950 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d front b mcai080145 1400 1415 82 x 84 mm St. John the Evangelist preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:14 a-d front b cd 5091 2111 7950 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d reverse b mcai080146 1400 1415 82 x 84 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:14 a-d reverse b cd 5091 2111 7950 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d front c mcai080147 1400 1415 82 x 79 mm Baruch reading his book to the Babylonians Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:14 a-d front c cd 5091 2111 7950 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:14a-d Lewis E M 8.14a-d reverse c mcai080148 1400 1415 82 x 79 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse c 6 Lewis E M 8:14 a-d reverse c cd 5091 2111 7950 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d front d mcai080151 1400 1415 81 x 84 mm Ezekiel's vision of the Tetramorph Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front d 7 Lewis E M 8:15 a-d front d cd 5091 2111 7950 48-bit color 600 ppi 7 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d reverse d mcai080152 1400 1415 81 x 84 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse d 8 Lewis E M 8:15 a-d reverse d cd 5091 2111 7951 48-bit color 600 ppi 8 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d front a mcai080153 1400 1415 78 x 84 mm Daniel receiving his prophecies from God Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:15 a-d front a cd 5091 2111 7951 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d reverse a mcai080154 1400 1415 78 x 84 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:15 a-d reverse a cd 5091 2111 7951 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d front b mcai080155 1400 1415 81 x 82 mm Isaiah holding the saw with which he was martyred Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:15 a-d front b cd 5091 2111 7951 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d reverse b mcai080156 1400 1415 81 x 82 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:15 a-d reverse b cd 5091 2111 7951 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d front c mcai080157 1400 1415 80 x 74 mm Amos threatening one of the cities of Damascus, Gaza, Tyre, Edom, and Ammon Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:15 a-d front c cd 5091 2111 7951 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:15a-d Lewis E M 8.15a-d reverse c mcai080158 1400 1415 80 x 74 mm This image shows the reverse of a cutting with an historiated letter from a bible. Parchment French Paris, France Gothic bookhand Guiart des Moulins Author reverse c 6 Lewis E M 8:15 a-d reverse c cd 5091 2111 7951 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c front a mcai080163 1400 1415 81 x 81 mm St. Paul preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:16 a-c front a cd 5091 2111 7951 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c reverse a mcai080164 1400 1415 81 x 81 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:16 a-c reverse a cd 5091 2111 7951 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c front b mcai080165 1400 1415 81 x 80 mm St. Paul preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:16 a-c front b cd 5091 2111 7951 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c reverse b mcai080166 1400 1415 81 x 80 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:16 a-c reverse b cd 5091 2111 7951 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c front c mcai080167 1400 1415 82 x 69 mm St. Paul sends a letter Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:16 a-c front c cd 5091 2111 7951 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:16a-c Lewis E M 8.16a-c reverse c mcai080168 1400 1415 82 x 69 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse c 6 Lewis E M 8:16 a-c reverse c cd 5091 2111 7951 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c front a mcai080173 1400 1415 80 x 85 mm St. Paul speaks to Timothy about Bishops Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:17 a-c front a cd 5091 2111 7951 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c reverse a mcai080174 1400 1415 80 x 85 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:17 a-c reverse a cd 5091 2111 7951 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c front b mcai080175 1400 1415 80 x 85 mm St. Paul preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:17 a-c front b cd 5091 2111 7954 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c reverse b mcai080176 1400 1415 80 x 85 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:17 a-c reverse b cd 5091 2111 7954 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c front c mcai080177 1400 1415 82 x 96 mm St. Paul preaching to a group of followers Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:17 a-c front c cd 5091 2111 7954 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:17a-c Lewis E M 8.17a-c reverse c mcai080178 1400 1415 82 x 96 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse c 6 Lewis E M 8:17 a-c reverse c cd 5091 2111 7954 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c front a mcai080183 1400 1415 81 x 83 mm St. Paul preaching Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front a 1 Lewis E M 8:18 a-c front a cd 5091 2111 7954 48-bit color 600 ppi 1 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c reverse a mcai080184 1400 1415 81 x 83 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse a 2 Lewis E M 8:18 a-c reverse a cd 5091 2111 7954 48-bit color 600 ppi 2 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c front b mcai080185 1400 1415 80 x 85 mm St. Paul instructs Titus to appoint the Elders Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front b 3 Lewis E M 8:18 a-c front b cd 5091 2111 7954 48-bit color 600 ppi 3 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c reverse b mcai080186 1400 1415 80 x 85 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse b 4 Lewis E M 8:18 a-c reverse b cd 5091 2111 7954 48-bit color 600 ppi 4 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c front c mcai080187 1400 1415 82 x 73 mm St. Paul bequeaths his mission to Timothy Parchment French Paris, France Guiart des Moulins | Virgil Master, workshop of Artist | Author front c 5 Lewis E M 8:18 a-c front c cd 5091 2111 7954 48-bit color 600 ppi 5 Bible historiale
Lewis E M 8:18a-c Lewis E M 8.18a-c reverse c mcai080188 1400 1415 82 x 73 mm This is the reverse of a cutting with a miniature from a Bible. Parchment French Paris, France Guiart des Moulins Author reverse c 6 Lewis E M 8:18 a-c reverse c cd 5091 2111 7954 48-bit color 600 ppi 6 Bible historiale
Lewis E M 8:19 Lewis E M 8.19 front mcai080191 1400 1450 110 x 150 mm This is a cutting from a Book of Hours, showing a miniature of John the Baptist. Parchment France (northern?) 1 Lewis E M 8:19 cd 5091 2111 9984 Book of Hours
Lewis E M 8:19 Lewis E M 8.19 reverse mcai080192 110 x 150 mm This is a cutting from a Book of Hours. It is the reverse of a miniature of John the Baptist. Shown are coats of arms. Some of the arms appear to be English, which indicates probable provenance of the book. It is cut from the same manuscript as Lewis E M 8:20. Parchment France (northern?) 2 Lewis E M 8:19 cd 5091 2111 9984 Book of Hours
Lewis E M 8:20 Lewis E M 8.20 front mcai080201 1400 1450 103 x 150 mm This is a cutting of a miniature from a Book of Hours, depicting St. Anthony Abbot. It is from the same manuscript as Lewis E M 8:19. Parchment France (northern?) 1 Lewis E M 8:20 cd 5091 2111 9984 Book of Hours
Lewis E M 8:20 Lewis E M 8.20 reverse mcai080202 103 x 150 mm This is a cutting from a Book of Hours. It is the reverse of a miniature of St. Anthony Abbot. Shown are coats of arms. Some of the arms appear to be English, which indicates probable provenance of the book. It is cut from the same manuscript as Lewis E M 8:19. Parchment France (northern?) 2 Lewis E M 8:20 cd 5091 2111 9984 Book of Hours
Lewis E M 8:21 Lewis E M 8.21 front mcai080211 1400 1415 119 x 162 mm Christ in Majesty displaying his wounds Parchment Latin Paris, France Gothic bookhand front 1 Lewis E M 8:21 front cd 5091 2111 9984 48-bit color 600 ppi 1 Book of Hours
Lewis E M 8:21 Lewis E M 8.21 reverse mcai080212 1400 1415 119 x 162 mm This image shows the reverse of a cutting with a miniature from a book of hours. Parchment Latin Paris, France Gothic bookhand reverse 2 Lewis E M 8:21 reverse cd 5091 2111 9987 48-bit color 600 ppi 2 Book of Hours
Lewis E M 8:22 Lewis E M 8.22 front mcai080221 1490 1510 96 x 85 mm Initial R with the Annunciation Parchment Latin France Gothic bookhand front 1 Lewis E M 8:22 front cd 5091 2111 9987 48-bit color 600 ppi 1 Gradual
Lewis E M 8:22 Lewis E M 8.22 reverse mcai080222 1490 1510 96 x 85 mm This image shows the reverse of an initial from a choir book, possibly a gradual. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:22 reverse cd 5091 2111 9987 48-bit color 600 ppi 2 Gradual
Lewis E M 8:23 Lewis E M 8.23 front mcai080231 1440 1460 112 x 166 mm Nativity Parchment Latin Paris, France front 1 Lewis E M 8:23 front cd 5091 2111 9987 48-bit color 600 ppi 1 Book of Hours
Lewis E M 8:23 Lewis E M 8.23 reverse mcai080232 1440 1460 112 x 166 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Paris, France Gothic bookhand reverse 2 Lewis E M 8:23 reverse cd 5091 2111 9987 48-bit color 600 ppi 2 Book of Hours
Lewis E M 8:24 Lewis E M 8.24 front mcai080241 1440 1460 115 x 166 mm This miniature marks the beginning of Sext of the Hours of the Virgin. The leaf and two other leaves in the collection, Lewis E M 8:23 and E M 9:13 were originally part of the same book of hours. Parchment Latin France Gothic bookhand front 1 Lewis E M 8:24 front cd 5091 2111 9987 48-bit color 600 ppi 1 Book of Hours
Lewis E M 8:24 Lewis E M 8.24 reverse mcai080242 1440 1460 115 x 166 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 8:24 reverse cd 5091 2111 9989 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:1 Lewis E M 9.1 front mcai090011 1400 1499 125 x 130 mm Initial M Parchment Latin France Gothic bookhand front 1 Lewis E M 9:01 front cd 5091 2111 9993 48-bit color 600 ppi 1 Antiphonary
Lewis E M 9:1 Lewis E M 9.1 reverse mcai090012 1400 1499 125 x 130 mm This image shows the reverse of a cutting with flourished initial containing parts of the liturgy for the feast of St. Andrew. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 9:01 reverse cd 5091 2111 9993 48-bit color 600 ppi 2 Antiphonary
Lewis E M 9:2 Lewis E M 9.2 front mcai090021 1400 1499 92 x 153 mm Crucifixion Parchment Latin France front 1 Lewis E M 9:02 front cd 5091 2111 9993 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:2 Lewis E M 9.2 reverse mcai090022 1400 1499 92 x 153 mm This image shows the reverse of a leaf from a book of hours with a miniature. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 9:02 reverse cd 5091 2111 9993 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:3 Lewis E M 9.3 front mcai090031 1490 1510 85 x 80 mm Initial C with the Procession of the Sacred Host Parchment Latin France (northwestern) front 1 Lewis E M 9:03 front cd 5091 2111 9993 48-bit color 600 ppi 1 Choir book
Lewis E M 9:3 Lewis E M 9.3 reverse mcai090032 1490 1510 85 x 80 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin France (northwestern) Gothic bookhand reverse 2 Lewis E M 9:03 reverse cd 5091 2111 9993 48-bit color 600 ppi 2 Choir book
Lewis E M 9:4 Lewis E M 9.4 front mcai090041 1490 1510 84 x 81 mm Initial C with the Procession of the Sacred Host Parchment Latin France (northwestern) front 1 Lewis E M 9:04 front cd 5091 2111 9993 48-bit color 600 ppi 1 Choir book
Lewis E M 9:4 Lewis E M 9.4 reverse mcai090042 1490 1510 84 x 81 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin France (northwestern) Gothic bookhand reverse 2 Lewis E M 9:04 reverse cd 5091 2111 9993 48-bit color 600 ppi 2 Choir book
Lewis E M 9:5 Lewis E M 9.5 front mcai090051 1490 1510 83 x 80 mm Initial S with the Pentecost Parchment Latin France (northwestern) front 1 Lewis E M 9:05 front cd 5091 2111 9939 48-bit color 600 ppi 1 Choir book
Lewis E M 9:5 Lewis E M 9.5 reverse mcai090052 1490 1510 83 x 80 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin France (northwestern) Gothic bookhand reverse 2 Lewis E M 9:05 reverse cd 5091 2111 9939 48-bit color 600 ppi 2 Choir book
Lewis E M 9:6 Lewis E M 9.6 front mcai090061 1475 1499 95 x 91 mm Initial G with St. Anne with the embryo of the Virgin in her womb Parchment Latin Loire, France front 1 Lewis E M 9:06 front cd 5091 2111 9939 48-bit color 600 ppi 1 Choir book
Lewis E M 9:6 Lewis E M 9.6 reverse mcai090062 1475 1499 95 x 91 mm This image shows the reverse of a cutting from a choir book with an historiated initial. Parchment Latin Loire, France Gothic bookhand reverse 2 Lewis E M 9:06 reverse cd 5091 2111 9939 48-bit color 600 ppi 2 Choir book
Lewis E M 9:6A Lewis E M 9.6A front mcai090063 1425 1450 135 x 186 mm Nativity Parchment Latin Rouen, France Bastarda front 1 Lewis E M 9:06A front cd 5091 2111 9939 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:6A Lewis E M 9.6A reverse mcai090064 1425 1450 135 x 186 mm This image shows the reverse of a leaf with a miniature taken from a book of hours. The initial O begins the final prayer for Prime of the Hours of the Holy Spirit. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 9:06A reverse cd 5091 2111 9939 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:7 Lewis E M 9.7 front mcai090071 1450 1475 105 x 146 mm St. John on Patmos Parchment Latin Langres, France Gothic bookhand Guillaume Hugueniot Artist front 1 Lewis E M 9:07 front cd 5091 2111 9939 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:7 Lewis E M 9.7 reverse mcai090072 1450 1475 105 x 146 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Langres, France Gothic bookhand reverse 2 Lewis E M 9:07 reverse cd 5091 2111 9939 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:8 Lewis E M 9.8 front mcai090081 1450 1475 103 x 147 mm Visitation Parchment Latin Langres, France Bastarda Guillaume Hugueniot Artist front 1 Lewis E M 9:08 front cd 5091 2111 9940 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:8 Lewis E M 9.8 reverse mcai090082 1450 1475 103 x 147 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Langres, France Bastarda reverse 2 Lewis E M 9:08 reverse cd 5091 2111 9940 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:8A Lewis E M 9.8A front mcai090083 1450 1475 105 x 146 mm Flight into Egypt Parchment Latin Langres, France Bastarda Guillaume Hugueniot Artist front 1 Lewis E M 9:08A front cd 5091 2111 9940 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:8A Lewis E M 9.8A reverse mcai090084 1450 1475 105 x 146 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Langres, France Bastarda reverse 2 Lewis E M 9:08A reverse cd 5091 2111 9940 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:8B Lewis E M 9.8B front mcai090085 1475 1499 85 x 136 mm Adoration of the Magi Parchment Latin Bourges, France Bastarda Jean Colombe Artist front 1 Lewis E M 9:08B front cd 5091 2111 9940 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:8B Lewis E M 9.8B reverse mcai090086 1475 1499 85 x 136 mm This image shows the reverse of a miniature by Jean Colombe taken from a book of hours. Parchment Latin Bourges, France Bastarda reverse 2 Lewis E M 9:08B reverse cd 5091 2111 9940 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:8C Lewis E M 9.8C front mcai090087 1450 1499 85 x 120 mm Nativity Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:08C front cd 5091 2111 9942 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:8C Lewis E M 9.8C reverse mcai090088 1450 1499 85 x 120 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:08C reverse cd 5091 2111 9942 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:9 Lewis E M 9.9 front mcai090091 1400 1450 153 x 206 mm Resurrection Parchment Latin France (northern) Gothic bookhand front 1 Lewis E M 9:09 front cd 5091 2111 9942 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:9 Lewis E M 9.9 reverse mcai090092 1400 1450 153 x 206 mm This image shows the reverse of a leaf with a miniature from a book of hours. The rubric marks the beginning of the Hours of the Cross, which begins on the front or true verso. Parchment Latin France (northern) Gothic bookhand reverse 2 Lewis E M 9:09 reverse cd 5091 2111 9942 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:10 Lewis E M 9.10 front mcai090101 1450 1475 107 x 147 mm St. Matthew writing Parchment Latin Langres, France Bastarda Guillaume Hugueniot Artist front 1 Lewis E M 9:10 front cd 5091 2111 9942 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:10 Lewis E M 9.10 reverse mcai090102 1450 1475 107 x 147 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Langres, France Bastarda reverse 2 Lewis E M 9:10 reverse cd 5091 2111 9942 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:11 Lewis E M 9.11 front mcai090111 1475 1499 97 x 136 mm Crucifixion Parchment Latin Bourges?, France Bastarda front 1 Lewis E M 9:11 front cd 5091 2111 9944 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:11 Lewis E M 9.11 reverse mcai090112 1475 1499 97 x 136 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Bourges?, France Bastarda reverse 2 Lewis E M 9:11 reverse cd 5091 2111 9944 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:12 Lewis E M 9.12 front mcai090121 1450 1499 88 x 122 mm Allegory of Death Parchment Latin France Bastarda front 1 Lewis E M 9:12 front cd 5091 2111 9944 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:12 Lewis E M 9.12 reverse mcai090122 1450 1499 88 x 122 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin France Bastarda reverse 2 Lewis E M 9:12 reverse cd 5091 2111 9944 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:13 Lewis E M 9.13 front mcai090131 1440 1460 115 x 166 mm Coronation of the Virgin Parchment Latin Paris, France Gothic bookhand front 1 Lewis E M 9:13 front cd 5091 2111 9944 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:13 Lewis E M 9.13 reverse mcai090132 1440 1460 115 x 166 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Paris, France Gothic bookhand reverse 2 Lewis E M 9:13 reverse cd 5091 2111 9944 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:14 Lewis E M 9.14 front mcai090141 1400 1499 122 x 169 mm Four Evangelists Parchment Latin France (northern) front 1 Lewis E M 9:14 front cd 5091 2111 9944 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:14 Lewis E M 9.14 reverse mcai090142 1400 1499 122 x 169 mm This image shows the reverse of a leaf with a miniature from a book of hours Parchment Latin France (northern) reverse 2 Lewis E M 9:14 reverse cd 5091 2111 9946 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:14A Lewis E M 9.14A front mcai090143 1450 1499 84 x 117 mm Flight into Egypt Parchment Latin France (northern) Gothic bookhand front 1 Lewis E M 9:14A front cd 5091 2111 9946 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:14A Lewis E M 9.14A reverse mcai090144 1450 1499 84 x 117 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin France (northern) Gothic bookhand reverse 2 Lewis E M 9:14A reverse cd 5091 2111 9946 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:15 Lewis E M 9.15 reverse d mcai090150 1490 1510 57 x 57 mm This image shows the reverse of a cutting with a miniature from a Gospel lectionary. Parchment Latin Flanders Gothic bookhand reverse d 8 Lewis E M 9:15 reverse d cd 5091 2111 9946 48-bit color 600 ppi 8 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 front a mcai090153 1490 1510 54 x 58 mm Return of the Prodigal Son Parchment Latin Flanders front a 1 Lewis E M 9:15 front a cd 5091 2111 9946 48-bit color 600 ppi 1 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 reverse a mcai090154 1490 1510 54 x 58 mm This image shows the reverse of a cutting with a miniature from a Gospel lectionary. Parchment Latin Flanders Gothic bookhand reverse a 2 Lewis E M 9:15 reverse a cd 5091 2111 9946 48-bit color 600 ppi 2 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 front b mcai090155 1490 1510 56 x 56 mm Assumption of the Virgin Mary Parchment Latin Flanders front b 3 Lewis E M 9:15 front b cd 5091 2111 9946 48-bit color 600 ppi 3 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 reverse b mcai090156 1490 1510 56 x 56 mm This image shows the reverse of a cutting with a miniature from a Gospel lectionary. Parchment Latin Flanders Gothic bookhand reverse b 4 Lewis E M 9:15 reverse b cd 5091 2111 9946 48-bit color 600 ppi 4 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 front c mcai090157 1490 1510 58 x 58 mm Jesus blessing the persecuted Parchment Latin Flanders front c 5 Lewis E M 9:15 front c cd 5091 2111 9946 48-bit color 600 ppi 5 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 reverse c mcai090158 1490 1510 58 x 58 mm This image shows the reverse of a cutting with a miniature from a Gospel lectionary. Parchment Latin Flanders Gothic bookhand reverse c 6 Lewis E M 9:15 reverse c cd 5091 2111 9946 48-bit color 600 ppi 6 Gospel Lectionary
Lewis E M 9:15 Lewis E M 9.15 front d mcai090159 1490 1510 57 x 57 mm Jesus rebuking the Sadducees Parchment Latin Flanders front d 7 Lewis E M 9:15 front d cd 5091 2111 9946 48-bit color 600 ppi 7 Gospel Lectionary
Lewis E M 9:16a-d Lewis E M 9.16a-d front mcai090161 1490 1510 117 x 118 mm Four cuttings with scenes from the New Testament: (clockwise from top left) the Parable of the Good Man and the Thief, the Calling of Peter, Jesus rebuking the Scribes and the Pharisees, and Jesus healing a blind man Parchment Latin Flanders front 1 Lewis E M 9:16a-d front cd 5091 2111 9946 48-bit color 600 ppi 1 Gospel Lectionary
Lewis E M 9:16a-d Lewis E M 9.16a-d reverse mcai090162 1490 1510 117 x 118 mm This image shows the reverse of four cuttings from a Gospel lectionary. Moving clockwise from the top left, the texts are fragments of John 14:29-30, John 21:15-16, Luke 19:1-2, and Luke 19:16-17. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 9:16a-d reverse cd 5091 2111 9946 48-bit color 600 ppi 2 Gospel Lectionary
Lewis E M 9:16A Lewis E M 9.16A reverse mcai090163 1490 1510 68 x 92 mm This image shows the reverse of a cutting with a miniature from a book of hours. Parchment Latin Burgundy?, France Gothic bookhand reverse 2 Lewis E M 9:16A reverse cd 5091 2111 9946 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:16A Lewis E M 9.16A front mcai090164 1490 1510 68 x 92 mm This miniature once marked the beginning of Sext of the Hours of the Virgin. The Adoration of the Magi was commonly used to illustrate this hour. The hymn and psalm text on the reverse confirms this identification. Parchment Latin Burgundy?, France front 1 Lewis E M 9:16A front cd 5091 2111 9946 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:16B Lewis E M 9.16B front mcai090165 1425 1450 135 x 183 mm Annunciation to the Shepherds Parchment Latin Rouen, France Bastarda front 1 Lewis E M 9:16B front cd 5091 2111 6270 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:16B Lewis E M 9.16B reverse mcai090166 1425 1450 135 x 183 mm This image shows the reverse of a leaf with a miniature taken from a book of hours. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 9:16B reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:17 Lewis E M 9.17 front mcai090171 1490 1510 75 x 95 mm Visitation Parchment Latin Loire, France Bastarda front 1 Lewis E M 9:17 front cd 5091 2111 6270 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:17 Lewis E M 9.17 reverse mcai090172 1490 1510 75 x 95 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Loire, France Bastarda reverse 2 Lewis E M 9:17 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:17A Lewis E M 9.17A front mcai090173 1490 1510 77 x 96 mm This miniature marks the beginning of Sext of the Hours of the Virgin. This leaf is from the same manuscript as Lewis E M 9:17. Parchment Latin Loire, France Bastarda front 1 Lewis E M 9:17A front cd 5091 2111 6270 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:17A Lewis E M 9.17A reverse mcai090174 1490 1510 77 x 96 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Loire, France Bastarda reverse 2 Lewis E M 9:17A reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Book of Hours
Lewis E M 9:18 Lewis E M 9.18 front mcai090181 1450 1499 53 x 95 mm David in the Watery Deep Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:18 front cd 5091 2111 6270 48-bit color 600 ppi 1 Breviary
Lewis E M 9:18 Lewis E M 9.18 reverse mcai090182 1450 1499 53 x 95 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:18 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Breviary
Lewis E M 9:19 Lewis E M 9.19 front mcai090191 1450 1499 64 x 100 mm Massacre of the Innocents Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:19 front cd 5091 2111 6270 48-bit color 600 ppi 1 Breviary
Lewis E M 9:19 Lewis E M 9.19 reverse mcai090192 1450 1499 64 x 100 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:19 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Breviary
Lewis E M 9:20 Lewis E M 9.20 front mcai090201 1450 1499 58 x 83 mm David as Musician Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:20 front cd 5091 2111 6270 48-bit color 600 ppi 1 Breviary
Lewis E M 9:20 Lewis E M 9.20 reverse mcai090202 1450 1499 58 x 83 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:20 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Breviary
Lewis E M 9:21 Lewis E M 9.21 front mcai090211 1450 1499 52 x 79 mm St. Cecilia Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:21 front cd 5091 2111 6270 48-bit color 600 ppi 1 Breviary
Lewis E M 9:21 Lewis E M 9.21 reverse mcai090212 1450 1499 52 x 79 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:21 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Breviary
Lewis E M 9:22 Lewis E M 9.22 front mcai090221 1450 1499 55 x 99 mm Christ addressing the Apostles Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:22 front cd 5091 2111 6270 48-bit color 600 ppi 1 Breviary
Lewis E M 9:22 Lewis E M 9.22 reverse mcai090222 1450 1499 55 x 99 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:22 reverse cd 5091 2111 6270 48-bit color 600 ppi 2 Breviary
Lewis E M 9:23 Lewis E M 9.23 front mcai090231 1450 1499 54 x 74 mm Unknown male saint Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:23 front cd 5091 2111 6271 48-bit color 600 ppi 1 Breviary
Lewis E M 9:23 Lewis E M 9.23 reverse mcai090232 1450 1499 54 x 74 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:23 reverse cd 5091 2111 6271 48-bit color 600 ppi 2 Breviary
Lewis E M 9:24 Lewis E M 9.24 front mcai090241 1450 1499 54 x 62 mm St. Andrew Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:24 front cd 5091 2111 6271 48-bit color 600 ppi 1 Breviary
Lewis E M 9:24 Lewis E M 9.24 reverse mcai090242 1450 1499 54 x 62 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:24 reverse cd 5091 2111 6271 48-bit color 600 ppi 2 Breviary
Lewis E M 9:25 Lewis E M 9.25 front mcai090251 1450 1499 55 x 79 mm Calling of Jeremiah Parchment Latin France Bastarda front 1 Lewis E M 9:25 front cd 5091 2111 6271 48-bit color 600 ppi 1 Breviary
Lewis E M 9:25 Lewis E M 9.25 reverse mcai090252 1450 1499 55 x 79 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France Bastarda reverse 2 Lewis E M 9:25 reverse cd 5091 2111 6271 48-bit color 600 ppi 2 Breviary
Lewis E M 9:26 Lewis E M 9.26 front mcai090261 1450 1499 57 x 101 mm Ezekiel Parchment Latin France (northern) Bastarda front 1 Lewis E M 9:26 front cd 5091 2111 6271 48-bit color 600 ppi 1 Breviary
Lewis E M 9:26 Lewis E M 9.26 reverse mcai090262 1450 1499 57 x 101 mm This image shows the reverse of a cutting with a miniature from a breviary. Parchment Latin France (northern) Bastarda reverse 2 Lewis E M 9:26 reverse cd 5091 2111 6271 48-bit color 600 ppi 2 Breviary
Lewis E M 9:27 Lewis E M 9.27 front mcai090271 1400 1450 113 x 166 mm Adoration of the Magi Parchment Latin France Gothic bookhand (southern textualis) front 1 Lewis E M 9:27 front cd 5091 2111 6271 48-bit color 600 ppi 1 Book of Hours
Lewis E M 9:27 Lewis E M 9.27 reverse mcai090272 1400 1450 113 x 166 mm This image shows the reverse of leaf with a miniature from a book of hours. Parchment Latin France Gothic bookhand (southern textualis) reverse 2 Lewis E M 9:27 reverse cd 5091 2111 6271 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:1 Lewis E M 10.1 front mcai100011 1500 1515 135 x 199 mm Virgin and Child enthroned Parchment Latin France (central) front 1 Lewis E M 10:01 front cd 5091 2111 7466 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:1 Lewis E M 10.1 reverse mcai100012 1500 1515 135 x 199 mm This is the reverse of a cutting with a miniature from a book of hours. Parchment Latin France (central) reverse 2 Lewis E M 10:01 reverse cd 5091 2111 7466 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:2 Lewis E M 10.2 front mcai100021 1500 1515 98 x 146 mm St. Elizabeth of Hungary Parchment Latin France (central) front 1 Lewis E M 10:02 front cd 5091 2111 7466 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:2 Lewis E M 10.2 reverse mcai100022 1500 1515 98 x 146 mm This image shows the reverse of a cutting with a miniature from a book of hours. The rubric at the bottom of the leaf refers to the prayer to St. Elizabeth that would have begun on the next leaf in the original manuscript. Parchment Latin France (central) Bastarda reverse 2 Lewis E M 10:02 reverse cd 5091 2111 7466 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:3 Lewis E M 10.3 front mcai100031 1500 1515 93 x 131 mm This miniature begins the Passion Sequence from the Gospel of John. Christ's Agony in the Garden marks the start of his Passion, which encompasses the events immediately leading up to his death. During his moment of anguish in the garden of Gethsemane, Christ prays to God to "take this cup" from him before finally accepting his fate. In this miniature, the cup, the symbol of his imminent sacrifice, appears on the rocky outcrop before the kneeling figure of Christ. In the foreground, the disciples Peter, James, and John sleep throughout Christ's ordeal. Parchment Latin France (central) Bastarda front 1 Lewis E M 10:03 front cd 5091 2111 7466 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:3 Lewis E M 10.3 reverse mcai100032 1500 1515 93 x 131 mm This image shows the reverse of a cutting with a miniature. The text is from the Passion Sequence of John (John 18:1ff). Parchment Latin France (central) Bastarda reverse 2 Lewis E M 10:03 reverse cd 5091 2111 7466 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:4 Lewis E M 10.4 front mcai100041 1475 1499 134 x 124 mm This initial once marked the beginning of the chant "Benedicta sit sancta Trinitas ..." (Blessed be the Holy Trinity), which was sung during the celebrations for Trinity Sunday. Here, the Trinity is represented by the figures of God the Father, the Dove of the Holy Spirit, and Christ with the wounds he suffered at death visible on his body. Parchment Latin Flanders front 1 Lewis E M 10:04 front cd 5091 2111 7467 48-bit color 600 ppi 1 Choir book
Lewis E M 10:4 Lewis E M 10.4 reverse mcai100042 1475 1499 134 x 124 mm This image shows the reverse of a cutting from a choir book with an illuminated initial. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 10:04 reverse cd 5091 2111 7467 48-bit color 600 ppi 2 Choir book
Lewis E M 10:4A Lewis E M 10.4A front mcai100043 1550 1599 123 x 171 mm This miniature probably came from a book of hours, although no text survives to confirm this identification. The iconography suggests that it may have prefaced Prime of the Hours of the Virgin.This leaf is from the same manuscript as Lewis E M 10:4B Parchment Latin France (northern) front 1 Lewis E M 10:04A front cd 5091 2111 7467 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:4A Lewis E M 10.4A reverse mcai100044 1550 1599 123 x 171 mm This is the reverse of a cutting with a miniature from a book of hours. Parchment Latin France (northern) reverse 2 Lewis E M 10:04A reverse cd 5091 2111 7467 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:4B Lewis E M 10.4B front mcai100045 1475 1499 126 x 167 mm This miniature probably came from a book of hours, although no text survives to confirm this identification. The iconography suggests that it may have prefaced Vespers of the Hours of the Virgin.This leaf is from the same manuscript as Lewis E M 10:4A. Parchment Latin France (northern) front 1 Lewis E M 10:04B front cd 5091 2111 7467 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:4B Lewis E M 10.4B reverse mcai100046 1475 1499 126 x 167 mm This is the reverse of a cutting with a miniature from a book of hours. Parchment Latin France (northern) reverse 2 Lewis E M 10:04B reverse cd 5091 2111 7467 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:5 Lewis E M 10.5 front mcai100051 1485 1499 Parchment Unknown 1 Lewis E M 10:05 cd 5091 2111 7468 Leaf with miniature of Christ blessing a kneeling couple
Lewis E M 10:5 Lewis E M 10.5 reverse mcai100052 1485 1499 Prayer written in a later hand in French. Parchment Unknown 16th-century cursive reverse 2 Lewis E M 10:05 reverse cd 5091 2111 7468 Leaf with miniature of Christ blessing a kneeling couple
Lewis E M 10:6 Lewis E M 10.6 front mcai100061 1485 1499 77 x 112 mm This miniature once marked the beginning of the Gospel Lesson of Mark in a book of hours. Here, as in other examples of Evangelists "portraits" in the Middle Ages, Mark is portrayed as a contemporary scribe seated at a writing desk. He is accompanied by his symbol, the lion. Parchment Latin France front 1 Lewis E M 10:06 front cd 5091 2111 7468 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:6 Lewis E M 10.6 reverse mcai100062 1485 1499 77 x 112 mm This image shows the reverse of a cutting with a miniature from the Gospel Lessons from a book of hours. The text is from the second chapter of the Gospel of Mark. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 10:06 reverse cd 5091 2111 7468 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:7 Lewis E M 10.7 front mcai100071 1490 1510 33 x 35 mm The glance of this curious fellow turns toward a prayer or a psalm text, now cut away, in a book of hours. The artist has playfully composed the man's headgear out of the same foliate motifs that form the letter D, blurring the distinction between art and design. The reverse contains a passage of text from the last prayer said during Vespers of the Hours of the Holy Spirit. It is not clear whether this initial came before or followed that prayer. Parchment Latin France or Flanders front 1 Lewis E M 10:07 front cd 5091 2111 7468 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:7 Lewis E M 10.7 reverse mcai100072 1490 1510 33 x 35 mm This image shows the reverse of a cutting with an initial from a book of hours. The text is from the last prayer of Vespers of the Hours of the Holy Spirit. The word "pletorium" in red is a fragment of the rubric "ad completorium" or "at Compline," the last canonical hour of the day. Parchment Latin France or Flanders Bastarda reverse 2 Lewis E M 10:07 reverse cd 5091 2111 7468 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:8 Lewis E M 10.8 front a mcai100083 1400 1499 77 x 119 mm The large initial D on this leaf begins Prime of the Hours of the Holy Spirit. The text continues on the reverse. Parchment Latin France Cursive front a 1 Lewis E M 10:08 front a cd 5091 2111 7468 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:8 Lewis E M 10.8 reverse a mcai100084 1400 1499 77 x 119 mm This leaf continues the prayers said during Sext of the Hours of the Holy Spirit begun on the front (or true recto) of this leaf. Parchment Latin France Cursive reverse a 2 Lewis E M 10:08 reverse a cd 5091 2111 7468 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:8 Lewis E M 10.8 front b mcai100085 1400 1499 80 x 119 mm The large initial D on this leaf begins Sext of the Hours of the Holy Spirit. The text continues on the reverse. Parchment Latin France Cursive front b 3 Lewis E M 10:08 front b cd 5091 2111 7468 48-bit color 600 ppi 3 Book of Hours
Lewis E M 10:8 Lewis E M 10.8 reverse b mcai100086 1400 1499 80 x 119 mm This leaf continues the prayers said during Sext of the Hours of the Holy Spirit begun on the front (or true recto) of this leaf. Parchment Latin France Cursive reverse b 4 Lewis E M 10:08 reverse b cd 5091 2111 7468 48-bit color 600 ppi 4 Book of Hours
Lewis E M 10:9 Lewis E M 10.9 front mcai100091 1475 1499 84 x 112 mm Initial A with the Resurrection Parchment Latin Flanders front 1 Lewis E M 10:09 front cd 5091 2111 7468 48-bit color 600 ppi 1 Antiphonary
Lewis E M 10:9 Lewis E M 10.9 reverse mcai100092 1475 1499 84 x 112 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 10:09 reverse cd 5091 2111 7468 48-bit color 600 ppi 2 Antiphonary
Lewis E M 10:10 Lewis E M 10.10 front mcai100101 1475 1499 58 x 84 mm Pentecost Parchment Latin France front 1 Lewis E M 10:10 front cd 5091 2111 7468 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:10 Lewis E M 10.10 reverse mcai100102 1475 1499 58 x 84 mm This image shows the reverse of a cutting from a book of hours. The text is from Matins of the Hours of the Holy Spirit. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 10:10 reverse cd 5091 2111 7468 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:11 Lewis E M 10.11 front mcai100111 1475 1499 71 x 120 mm Christ carrying the cross Parchment Latin Bruges, Flanders front 1 Lewis E M 10:11 front cd 5091 2111 7469 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:11 Lewis E M 10.11 reverse mcai100112 1475 1499 71 x 120 mm This is the reverse of a cutting with a miniature from a book of hours. Parchment Latin Bruges, Flanders reverse 2 Lewis E M 10:11 reverse cd 5091 2111 7469 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:12 Lewis E M 10.12 front mcai100121 1475 1499 71 x 119 mm Crucifixion Parchment Latin Bruges, Flanders front 1 Lewis E M 10:12 front cd 5091 2111 7469 48-bit color 600 ppi 1 Book of Hours
Lewis E M 10:12 Lewis E M 10.12 reverse mcai100122 1475 1499 71 x 119 mm This is the reverse of a cutting with a miniature from a book of hours. Parchment Latin Bruges, Flanders reverse 2 Lewis E M 10:12 reverse cd 5091 2111 7469 48-bit color 600 ppi 2 Book of Hours
Lewis E M 10:13 Lewis E M 10.13 front mcai100131 ca. 1510 115 x 176 mm This miniature of the Coronation of Mary is from a printed book of hours. Parchment Latin Unknown Gothic bookhand 1 Lewis E M 10:13 cd 5091 2111 7469 Book of Hours
Lewis E M 10:13 Lewis E M 10.13 reverse mcai100132 Parchment Latin Paris, France Gothic bookhand Pigouchet, Philippe 2 Lewis E M 10:13 cd 5091 2111 7469 Book of Hours
Lewis E M 11:1 Lewis E M 11.1 front mcai110011 1525 1550 49 x 83 mm Stephen Protomartyr guarded by wild beasts Parchment Tours?, France 1520s Hours Workshop Artist front 1 Lewis E M 11:01 front cd 5091 2111 7470 48-bit color 600 ppi 1 Undetermined
Lewis E M 11:1 Lewis E M 11.1 reverse mcai110012 1525 1550 49 x 83 mm This is the reverse of a cutting with a miniature from a manuscript. Parchment Tours?, France reverse 2 Lewis E M 11:01 reverse cd 5091 2111 7470 48-bit color 600 ppi 2 Undetermined
Lewis E M 11:1A Lewis E M 11.1A front mcai110013 1485 1499 56 x 98 mm Adoration of the Magi Parchment Latin Bourges?, France front 1 Lewis E M 11:01A front cd 5091 2111 7470 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:1A Lewis E M 11.1A reverse mcai110014 1485 1499 56 x 98 mm This image shows the reverse of a cutting with a miniature from a book of hours. Parchment Latin Bourges?, France Bastarda reverse 2 Lewis E M 11:01A reverse cd 5091 2111 7470 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:2 Lewis E M 11.2 front mcai110021 1475 1499 116 x 180 mm Annunciation to the Shepherds Parchment Latin Lyons, France Master of Guillaume Lambert Artist front 1 Lewis E M 11:02 front cd 5091 2111 7470 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:2 Lewis E M 11.2 reverse mcai110022 1475 1499 116 x 180 mm This image shows the reverse of a leaf with a miniature from a book of hours. Parchment Latin Lyons, France Bastarda reverse 2 Lewis E M 11:02 reverse cd 5091 2111 7470 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:3 Lewis E M 11.3 front mcai110031 1475 1499 116 x 181 mm Trinity Parchment Latin Lyons, France Master of Guillaume Lambert Artist front 1 Lewis E M 11:03 front cd 5091 2111 7470 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:3 Lewis E M 11.3 reverse mcai110032 1475 1499 116 x 181 mm This image shows the reverse of a leaf from a book of hours with a miniature depicting the Trinity. Parchment Latin Lyons, France Bastarda reverse 2 Lewis E M 11:03 reverse cd 5091 2111 7470 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:4 Lewis E M 11.4 front mcai110041 1490 1510 125 x 170 mm Visitation Parchment Latin Rouen, France front 1 Lewis E M 11:04 front cd 5091 2111 7471 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:4 Lewis E M 11.4 reverse mcai110042 1490 1510 125 x 170 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:04 reverse cd 5091 2111 7471 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:5 Lewis E M 11.5 front mcai110051 1490 1510 125 x 168 mm Adoration of the Magi Parchment Latin Rouen, France front 1 Lewis E M 11:05 front cd 5091 2111 7471 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:5 Lewis E M 11.5 reverse mcai110052 1490 1510 125 x 168 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:05 reverse cd 5091 2111 7471 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:6 Lewis E M 11.6 front mcai110061 1490 1510 127 x 170 mm Coronation of the Virgin Parchment Latin Rouen, France front 1 Lewis E M 11:06 front cd 5091 2111 7471 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:6 Lewis E M 11.6 reverse mcai110062 1490 1510 127 x 170 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:06 reverse cd 5091 2111 7471 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:7 Lewis E M 11.7 front mcai110071 1490 1510 126 x 170 mm Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Hours of the Holy Spirit. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:4-6 and 8-10b) belonged to the same manuscript. Parchment Latin Rouen, France front 1 Lewis E M 11:07 front cd 5091 2111 7202 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:7 Lewis E M 11.7 reverse mcai110072 1490 1510 126 x 170 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:07 reverse cd 5091 2111 7202 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:8 Lewis E M 11.8 front mcai110081 1490 1510 123 x 167 mm The Four Evangelists as scribes Parchment Latin Rouen, France front 1 Lewis E M 11:08 front cd 5091 2111 7202 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:8 Lewis E M 11.8 reverse mcai110082 1490 1510 123 x 167 mm This image shows the reverse of a leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:08 reverse cd 5091 2111 7202 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:9 Lewis E M 11.9 front mcai110091 1490 1510 126 x 169 mm Annunciation Parchment Latin Rouen, France front 1 Lewis E M 11:09 front cd 5091 2111 7202 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:9 Lewis E M 11.9 reverse mcai110092 1490 1510 126 x 169 mm This image shows the reverse of a leaf from a book of hours. The text has been mostly erased. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:09 reverse cd 5091 2111 7202 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:10 Lewis E M 11.10 front mcai110101 1490 1510 125 x 168 mm Lamentation with the owner of the manuscript present Parchment Latin Rouen, France front 1 Lewis E M 11:10 front cd 5091 2111 7203 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:10 Lewis E M 11.10 reverse mcai110102 1490 1510 125 x 168 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:10 reverse cd 5091 2111 7203 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:10A Lewis E M 11.10A front mcai110103 1490 1510 126 x 169 mm David watching Bathsheba at bath Parchment Latin Rouen, France front 1 Lewis E M 11:10A front cd 5091 2111 7203 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:10A Lewis E M 11.10A reverse mcai110104 1490 1510 126 x 169 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:10A reverse cd 5091 2111 7203 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:10B Lewis E M 11.10B front mcai110105 1490 1510 129 x 169 mm Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Office of the Dead. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:5-10a), belonged to the same manuscript. Parchment Latin Rouen, France front 1 Lewis E M 11:10B front cd 5091 2111 7203 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:10B Lewis E M 11.10B reverse mcai110106 1490 1510 129 x 169 mm This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:10B reverse cd 5091 2111 7203 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:11 Lewis E M 11.11 front mcai110111 1485 1499 94 x 85 mm This initial most likely begins the Introit for Mass on Trinity Sunday, ?Benedicta sit sancta Trinitas . . .? (Blessed be the Holy Trinity). Parchment Latin France front 1 Lewis E M 11:11 front cd 5091 2111 7204 48-bit color 600 ppi 1 Gradual
Lewis E M 11:11 Lewis E M 11.11 reverse mcai110112 1485 1499 94 x 85 mm This image shows the reverse of an initial from a gradual. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 11:11 reverse cd 5091 2111 7204 48-bit color 600 ppi 2 Gradual
Lewis E M 11:12 Lewis E M 11.12 front mcai110121 1490 1510 95 x 131 mm This miniature, which was originally from a book of hours and began the Office of the Dead, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:13 and 14) may have been one of his assistants or students. Parchment Latin Tours, France Bastarda Jean Bourdichon, follower of Artist front 1 Lewis E M 11:12 front cd 5091 2111 7204 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:12 Lewis E M 11.12 reverse mcai110122 1490 1510 95 x 131 mm This image shows the reverse of a miniature beginning the Office of the Dead in a book of hours. Parchment Latin Tours, France Bastarda reverse 2 Lewis E M 11:12 reverse cd 5091 2111 7204 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:13 Lewis E M 11.13 front mcai110131 1490 1510 97 x 130 mm This miniature, which was originally from a book of hours and began the Gospel Lesson of Matthew, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:12 and 14) may have been one of his assistants or students. Parchment Latin Tours, France Bastarda Jean Bourdichon, follower of Artist front 1 Lewis E M 11:13 front cd 5091 2111 7204 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:13 Lewis E M 11.13 reverse mcai110132 1490 1510 97 x 130 mm This image shows the reverse of a miniature beginning the Gospel Lesson for Matthew in a book of hours. Parchment Latin Tours, France Bastarda reverse 2 Lewis E M 11:13 reverse cd 5091 2111 7204 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:14 Lewis E M 11.14 front mcai110141 1490 1510 82 x 31.5 mm This cutting, which was originally from a book of hours and began the Gospel Lesson of Luke, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:12 and 13) may have been one of his assistants or students. Parchment Latin France Jean Bourdichon, follower of Artist front 1 Lewis E M 11:14 front cd 5091 2111 7204 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:14 Lewis E M 11.14 reverse mcai110142 1490 1510 62 x 82 mm This image shows the reverse of a cutting beginning the Gospel Lesson for Luke in a book of hours. Parchment Latin France Bastarda reverse 2 Lewis E M 11:14 reverse cd 5091 2111 7204 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:15A Lewis E M 11.15A front mcai110153 1485 1499 54 x 84 mm This miniature was painted by the French illuminator Jean Poyer, active in Tours, ca. 1483-1503. Some scholars believe that the miniature is from a now lost book of hours mentioned in an entry in the accounts of Anne of Brittany (d. 1514), queen of Charles VIII of France (r. 1483-1498) and patron of Jean Poyer. The document records a payment made to the artist in 1497 for 23 miniatures, 271 borders, and 1,500 line endings. An inscription on the reverse, believed to be by the hand of Anne of Brittany, tells us that a woman gave this manuscript as a gift to an unknown recipient. Parchment Latin Tours, France Bastarda Jean Poyer Artist cutting a (front) 1 Lewis E M 11:15A cutting a (front) cd 5091 2111 7204 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:15A Lewis E M 11.15A reverse mcai110154 1485 1499 54 x 84 mm This is the reverse of a cutting from a book of hours. Parchment Latin Tours, France Bastarda and cursive Anne of Brittany (cursive) Scribe cutting a (reverse) 2 Lewis E M 11:15A cutting a (reverse) cd 5091 2111 7204 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:15B Lewis E M 11.15B front mcai110155 1490 1510 49 x 49 mm The source of this cutting is unknown, but the naturalistic representation of the deer in a landscape reflects the increasing interest in the observation of the natural world in the Renaissance. Parchment Latin France (northern) front 1 Lewis E M 11:15B front cd 5091 2111 7204 48-bit color 600 ppi 1 Undetermined
Lewis E M 11:15B Lewis E M 11.15B reverse mcai110156 1490 1510 49 x 49 mm This is the reverse of a cutting from a manuscript. Parchment Latin France (northern) reverse 2 Lewis E M 11:15B reverse cd 5091 2111 7204 48-bit color 600 ppi 2 Undetermined
Lewis E M 11:16 Lewis E M 11.16 front mcai110161 1500 1550 102 x 145 mm This miniature precedes Terce of the Hours of the Virgin, the beginning of which can be found on the reverse. The choice of the Old Testament story of Jacob's Dream is unusual. In the Middle Ages, though, the steps of the ladder stood for the virtues. The original manuscript was made for a member of the aristocratic Dinteville family from Burgundy whose coat of arms appears on the reverse in an initial. Parchment Latin Paris, France front 1 Lewis E M 11:16 front cd 5091 2111 7205 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:16 Lewis E M 11.16 reverse mcai110162 1500 1550 102 x 145 mm This image shows the reverse of a full-page miniature. The text begins Terce of the Hours of the Virgin. The arms of the Burgundian Dinteville family appear in the first initial. Parchment Latin Paris, France Humanistic reverse 2 Lewis E M 11:16 reverse cd 5091 2111 7205 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:17 Lewis E M 11.17 front mcai110171 1500 1515 126 x 197 mm This leaf was originally part of a book of hours. The rubric for the Suffrage to St. John the Baptist appears at the bottom of the reverse (true recto). This leaf is from the same manuscript as E M 11:18. Parchment Latin Rouen, France front 1 Lewis E M 11:17 front cd 5091 2111 7205 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:17 Lewis E M 11.17 reverse mcai110172 1500 1515 126 x 197 mm This image shows the reverse of a leaf with a miniature illustrating the Suffrage of St. John the Baptist in a book of hours. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:17 reverse cd 5091 2111 7205 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:18 Lewis E M 11.18 front mcai110181 1500 1515 126 x 198 mm This leaf was originally part of a book of hours. The prayer on the reverse (true verso) begins the Suffrage to St. Barbara, a virgin martyr who was kept shut in a tower by her pagan father. The three windows of the tower held by the figure in the miniature refer to the saint?s insistence on three windows as a way to symbolize the Trinity. This leaf is from the same manuscript as E M 11:17. Parchment Latin Rouen, France front 1 Lewis E M 11:18 front cd 5091 2111 7205 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:18 Lewis E M 11.18 reverse mcai110182 1500 1515 126 x 198 mm This image shows the reverse of a leaf with a miniature illustrating the Suffrage of St. Barbara in a book of hours. Parchment Latin Rouen, France Bastarda reverse 2 Lewis E M 11:18 reverse cd 5091 2111 7205 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:19 Lewis E M 11.19 front mcai110191 1490 1510 145 x 236 mm This leaf comes from a calendar for the feast days celebrated in the month of February. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Warming oneself beside by a fire and preparing to feast were typical labors for the month of February. Parchment Latin Tours, France Bastarda Jean Bourdichon Artist front 1 Lewis E M 11:19 front cd 5091 2111 7134 48-bit color 600 ppi 1 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:19 Lewis E M 11.19 reverse mcai110192 1490 1510 145 x 236 mm The feast days for the month of February are continued here on the verso of the leaf. Parchment Latin Tours, France Bastarda reverse 2 Lewis E M 11:19 reverse cd 5091 2111 7134 48-bit color 600 ppi 2 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:20 Lewis E M 11.20 front mcai110201 1490 1510 149 x 235 mm This leaf comes from a calendar for the feast days celebrated in the month of June. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Mowing hay was a typical labor for the month of June. Parchment Latin Tours, France Bastarda Jean Bourdichon Artist front 1 Lewis E M 11:20 front cd 5091 2111 7134 48-bit color 600 ppi 1 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:20 Lewis E M 11.20 reverse mcai110202 1490 1510 149 x 235 mm Calendar leaf for the month of June Parchment Latin Tours, France Bastarda reverse 2 Lewis E M 11:20 reverse cd 5091 2111 7134 48-bit color 600 ppi 2 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:21 Lewis E M 11.21 front mcai110211 1490 1510 152 x 241 mm Calendar leaf for the month of August Parchment Latin France Bastarda Jean Bourdichon Artist front 1 Lewis E M 11:21 front cd 5091 2111 7136 48-bit color 600 ppi 1 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:21 Lewis E M 11.21 reverse mcai110212 1490 1510 152 x 241 mm Calendar leaf for the month of August Parchment Latin France Bastarda Jean Bourdichon Artist reverse 2 Lewis E M 11:21 reverse cd 5091 2111 7136 48-bit color 600 ppi 2 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:22 Lewis E M 11.22 front mcai110221 1490 1510 149 x 236 mm This leaf comes from a calendar for the feasts days celebrated in the month of September. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Making wine was a typical labor for the month of September. Parchment Latin Tours, France Bastarda Jean Bourdichon Artist front 1 Lewis E M 11:22 front cd 5091 2111 7136 48-bit color 600 ppi 1 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:22 Lewis E M 11.22 reverse mcai110222 1490 1510 149 x 236 mm Calendar leaf for the month of September Parchment Latin Tours, France reverse 2 Lewis E M 11:22 reverse cd 5091 2111 7136 48-bit color 600 ppi 2 Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:23 Lewis E M 11.23 front mcai110231 1500 1599 107 x 159 mm This miniature is from an undetermined part of a book of hours and was painted by a follower of Jean Bourdichon, an illuminator who worked mainly in Tours. Since both Sts. Mark and Jerome have the attributes of a book and a lion, and there is no text visible on the reverse, it is difficult to determine who the saint is with certainty. Mark is usually not shown with two books, as if copying one from another, since the Gospels were divinely inspired. The two books would make sense if it were Jerome, who translated in theory from one book to another. The inscription above Jerome is ?RECE DICTE VU...?, could allude to the Vulgate if "rec"' is read as "recte". Jerome, however, is usually shown in cardinal's dress. Parchment Latin France Jean Bourdichon, follower of Artist front 1 Lewis E M 11:23 front cd 5091 2111 7207 48-bit color 600 ppi 1 Book of Hours
Lewis E M 11:23 Lewis E M 11.23 reverse mcai110232 1500 1599 107 x 159 mm This image shows the reverse of a leaf from a book of hours. Parchment Latin France reverse 2 Lewis E M 11:23 reverse cd 5091 2111 7207 48-bit color 600 ppi 2 Book of Hours
Lewis E M 11:24 Lewis E M 11.24 front mcai110241 1485 1499 159 x 212 mm This leaf may have once been part of a book of hours where it would possibly have prefaced a prayer to Christ wounds, which were popular object of devotion in the late Middle Ages. The image of a chalice holding Christ's wound represents the wine consecrated at the Eucharist that becomes Christ's blood. Parchment Latin France (northern) front 1 Lewis E M 11:24 front cd 5091 2111 7207 48-bit color 600 ppi 1 Prayer book
Lewis E M 11:24 Lewis E M 11.24 reverse mcai110242 1485 1499 159 x 212 mm This image shows the reverse of a cutting with a miniature from a prayer book. Parchment Latin France (northern) reverse 2 Lewis E M 11:24 reverse cd 5091 2111 7207 48-bit color 600 ppi 2 Prayer book
Lewis E M 11:25 Lewis E M 11.25 front mcai110251 1500 1550 61 x 92 mm Jesus addressing his Disciples, possibly ordering the feeding of the multitudes Parchment Latin France front 1 Lewis E M 11:25 front cd 5091 2111 7207 48-bit color 600 ppi 1 Choir book
Lewis E M 11:25 Lewis E M 11.25 reverse mcai110252 1500 1550 61 x 92 mm This image shows the reverse of a cutting with a miniature illustrating Jesus addressing his Disciples. Parchment Latin France reverse 2 Lewis E M 11:25 reverse cd 5091 2111 7207 48-bit color 600 ppi 2 Choir book
Lewis E M 11:26 Lewis E M 11.26 front mcai110261 1500 1550 62 x 80 mm Miracle of the loaves and the fishes Parchment Latin France front 1 Lewis E M 11:26 front cd 5091 2111 7207 48-bit color 600 ppi 1 Choir book
Lewis E M 11:26 Lewis E M 11.26 reverse mcai110262 1500 1550 62 x 80 mm This image shows the reverse of a cutting with a miniature illustrating the Christ?s miracle of the loaves and the fishes. Parchment Latin France reverse 2 Lewis E M 11:26 reverse cd 5091 2111 7207 48-bit color 600 ppi 2 Choir book
Lewis E M 11:27 Lewis E M 11.27 front mcai110271 1500 1550 172 x 163 mm This cutting is from the same manuscript as E M 11:22 and 26. Musical notation on the reverse suggests that it comes from a choir book. Parchment Latin France front 1 Lewis E M 11:27 front cd 5091 2111 7208 48-bit color 600 ppi 1 Choir book
Lewis E M 11:27 Lewis E M 11.27 reverse mcai110272 1500 1550 172 x 163 mm This image shows the reverse of a cutting of an historiated initial from a choir book. Parchment Latin France reverse 2 Lewis E M 11:27 reverse cd 5091 2111 7208 48-bit color 600 ppi 2 Choir book
Lewis E M 11:28 Lewis E M 11.28 front mcai110281 1500 1599 72 x 112 mm The musical notation on the reverse of this cutting suggests that this leaf originally came from a choir book where it would have introduced the feast of Pentecost. Parchment Latin France front 1 Lewis E M 11:28 front cd 5091 2111 7208 48-bit color 600 ppi 1 Choir book
Lewis E M 11:28 Lewis E M 11.28 reverse mcai110282 1500 1599 72 x 112 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin France Gothic reverse 2 Lewis E M 11:28 reverse cd 5091 2111 7208 48-bit color 600 ppi 2 Choir book
Lewis E M 11:29 Lewis E M 11.29 front mcai110291 1800 1850 Parchment Unknown front 1 Lewis E M 11:29 front cd 5091 2111 7208 St. Dominic
Lewis E M 11:29 Lewis E M 11.29 reverse mcai110292 Parchment Unknown reverse 2 Lewis E M 11:29 reverse cd 5091 2111 7208 St. Dominic
Lewis E M 12:1 Lewis E M 12.1 front mcai120011 &nbsp;Earlier attributed to Charles Fournel, an artist who worked in 16th-century France, this is most likely a forgery. (11/26/88, Roger Wieck) Parchment French France Rotunda (imitation) front 1 Lewis E M 12:01 front cd 5091 2111 7209 Forgery
Lewis E M 12:1 Lewis E M 12.1 reverse mcai120012 Parchment France reverse 2 Lewis E M 12:01 reverse cd 5091 2111 7209 Forgery
Lewis E M 12:2 Lewis E M 12.2 front a mcai120023 1400 1499 Parchment Unknown 1 Lewis E M 12:02 cd 5091 2111 7209 Decorated initial I
Lewis E M 12:2 Lewis E M 12.2 reverse a mcai120024 Parchment Unknown reverse 2 Lewis E M 12:02 reverse cd 5091 2111 7209 Decorated initial I
Lewis E M 12:2 Lewis E M 12.2 front b mcai120025 1400 1499 Parchment Latin Unknown Gothic bookhand 3 Lewis E M 12:02 cd 5091 2111 7209 Book of Hours
Lewis E M 12:2 Lewis E M 12.2 reverse b mcai120026 1400 1499 Parchment Latin Unknown Gothic bookhand 4 Lewis E M 12:02 cd 5091 2111 7209 Book of Hours
Lewis E M 12:3 Lewis E M 12.3 front mcai120031 1300 1399 Parchment Unknown 1 Lewis E M 12:03 cd 5091 2111 7209 Inhabited initial S
Lewis E M 12:3 Lewis E M 12.3 reverse mcai120032 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:03 reverse cd 5091 2111 7209 Inhabited initial S
Lewis E M 12:4 Lewis E M 12.4 front mcai120041 1400 1499 Parchment Unknown Gothic bookhand 1 Lewis E M 12:04 cd 5091 2111 7210 Decorated initial Q
Lewis E M 12:4 Lewis E M 12.4 reverse mcai120042 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:04 reverse cd 5091 2111 7210 Decorated initial Q
Lewis E M 12:5 Lewis E M 12.5 front mcai120051 1400 1499 Parchment Unknown Gothic bookhand 1 Lewis E M 12:05 cd 5091 2111 7210 Decorated initial D
Lewis E M 12:5 Lewis E M 12.5 reverse mcai120052 1400 1499 Parchment Unknown Gothic bookhand 2 Lewis E M 12:05 cd 5091 2111 7210 Decorated initial D (reverse)
Lewis E M 12:6 Lewis E M 12.6 front mcai120061 1400 1499 Parchment Latin Unknown Gothic bookhand front 1 Lewis E M 12:06 front cd 5091 2111 7210 Decorated initial T
Lewis E M 12:6 Lewis E M 12.6 reverse mcai120062 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:06 reverse cd 5091 2111 7210 Decorated initial T
Lewis E M 12:7 Lewis E M 12.7 front mcai120071 1400 1499 Parchment Unknown front 1 Lewis E M 12:07 front cd 5091 2111 7210 Decorated initial P
Lewis E M 12:7 Lewis E M 12.7 reverse mcai120072 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:07 reverse cd 5091 2111 7210 Decorated initial P
Lewis E M 12:8 Lewis E M 12.8 front mcai120081 1400 1499 Parchment Unknown Gothic bookhand 1 Lewis E M 12:08 cd 5091 2111 7210 Decorated initial Q
Lewis E M 12:8 Lewis E M 12.8 reverse mcai120082 Parchment Unknown reverse 2 Lewis E M 12:08 reverse cd 5091 2111 7210 Decorated initial Q
Lewis E M 12:9 Lewis E M 12.9 front mcai120091 1400 1499 Parchment Unknown 1 Lewis E M 12:09 cd 5091 2111 7210 Decorated initial P
Lewis E M 12:9 Lewis E M 12.9 reverse mcai120092 1400 1499 Parchment Unknown reverse 2 Lewis E M 12:09 reverse cd 5091 2111 7210 Decorated initial P
Lewis E M 12:10 Lewis E M 12.10 front mcai120101 1400 1499 Parchment Unknown 1 Lewis E M 12:10 cd 5091 2111 7210 Decorated initial S
Lewis E M 12:10 Lewis E M 12.10 reverse mcai120102 Parchment Unknown reverse 2 Lewis E M 12:10 reverse cd 5091 2111 7210 Decorated initial S
Lewis E M 12:11 Lewis E M 12.11 front mcai120111 Parchment Unknown 1 Lewis E M 12:11 cd 5091 2111 7211 Music Fragment
Lewis E M 12:11 Lewis E M 12.11 reverse mcai120112 Parchment Unknown 2 Lewis E M 12:11 cd 5091 2111 7211 Music Fragment
Lewis E M 12:12 Lewis E M 12.12 front mcai120121 1400 1499 Parchment Unknown 1 Lewis E M 12:12 cd 5091 2111 7211 Decorated initial T
Lewis E M 12:12 Lewis E M 12.12 reverse mcai120122 Parchment Unknown reverse 2 Lewis E M 12:12 reverse cd 5091 2111 7211 Decorated initial T
Lewis E M 12:13 Lewis E M 12.13 front mcai120131 1400 1499 Parchment Unknown 1 Lewis E M 12:13 cd 5091 2111 7211 Decorated initial T
Lewis E M 12:13 Lewis E M 12.13 reverse mcai120132 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:13 reverse cd 5091 2111 7211 Decorated initial T
Lewis E M 12:14 Lewis E M 12.14 front mcai120141 1400 1499 Parchment Unknown 1 Lewis E M 12:14 cd 5091 2111 7211 Decorated initial Q
Lewis E M 12:14 Lewis E M 12.14 reverse mcai120142 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:14 reverse cd 5091 2111 7211 Decorated initial Q
Lewis E M 12:15 Lewis E M 12.15 front mcai120151 Parchment Unknown Gothic bookhand 1 Lewis E M 12:15 cd 5091 2111 7211 Decorated initial P
Lewis E M 12:15 Lewis E M 12.15 reverse mcai120152 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:15 reverse cd 5091 2111 7211 Decorated initial P
Lewis E M 12:16 Lewis E M 12.16 mcai120161 1400 1499 Parchment Unknown 1 Lewis E M 12:16 cd 5091 2111 7211 Decorated initial L
Lewis E M 12:17 Lewis E M 12.17 front mcai120171 1400 1499 Parchment Unknown 1 Lewis E M 12:17 cd 5091 2111 7211 Decorated initial L
Lewis E M 12:17 Lewis E M 12.17 reverse mcai120172 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:17 reverse cd 5091 2111 7211 Decorated initial L
Lewis E M 12:18 Lewis E M 12.18 front mcai120181 1400 1499 Parchment Unknown 1 Lewis E M 12:18 cd 5091 2111 7211 Decorated initial M
Lewis E M 12:18 Lewis E M 12.18 reverse mcai120182 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:18 reverse cd 5091 2111 7211 Decorated initial M
Lewis E M 12:19 Lewis E M 12.19 front mcai120191 1400 1499 Parchment Unknown 1 Lewis E M 12:19 cd 5091 2111 7211 Inhabited initial U
Lewis E M 12:19 Lewis E M 12.19 reverse mcai120192 1400 1499 Parchment Unknown Gothic bookhand 2 Lewis E M 12:19 cd 5091 2111 7211 Inhabited initial U
Lewis E M 12:20 Lewis E M 12.20 front mcai120201 1400 1499 Parchment Unknown 1 Lewis E M 12:20 cd 5091 2111 7213 Decorated border detail
Lewis E M 12:20 Lewis E M 12.20 reverse mcai120202 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:20 reverse cd 5091 2111 7213 Decorated border detail
Lewis E M 12:21 Lewis E M 12.21 front mcai120211 1400 1499 Parchment Unknown 1 Lewis E M 12:21 cd 5091 2111 7213 Decorated initial C
Lewis E M 12:21 Lewis E M 12.21 reverse mcai120212 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:21 reverse cd 5091 2111 7213 Decorated initial C
Lewis E M 12:22 Lewis E M 12.22 front mcai120221 1400 1499 Parchment Unknown 1 Lewis E M 12:22 cd 5091 2111 7213 Decorated initial B
Lewis E M 12:22 Lewis E M 12.22 reverse mcai120222 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:22 reverse cd 5091 2111 7213 Decorated initial B
Lewis E M 12:23 Lewis E M 12.23 mcai120231 1400 1499 Parchment Unknown 1 Lewis E M 12:23 cd 5091 2111 7213 Decorated initial D
Lewis E M 12:24 Lewis E M 12.24 front mcai120241 1400 1499 Parchment Unknown 1 Lewis E M 12:24 cd 5091 2111 7213 Decorated initial H
Lewis E M 12:24 Lewis E M 12.24 reverse mcai120242 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:24 reverse cd 5091 2111 7213 Decorated initial H
Lewis E M 12:25 Lewis E M 12.25 front mcai120251 1400 1499 Parchment Unknown 1 Lewis E M 12:25 cd 5091 2111 7213 Decorated initial G
Lewis E M 12:25 Lewis E M 12.25 reverse mcai120252 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 12:25 reverse cd 5091 2111 7213 Decorated initial G
Lewis E M 13:1 Lewis E M 13.1 front mcai130011 Parchment France Fournel, Charles Artist 1 Lewis E M 13:01 cd 5091 2111 7183 Decorated initial G
Lewis E M 13:1 Lewis E M 13.1 reverse mcai130012 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 13:01 reverse cd 5091 2111 7183 Decorated initial G
Lewis E M 13:2 Lewis E M 13.2 front mcai130021 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:02 cd 5091 2111 7183 Decorated initial G
Lewis E M 13:2 Lewis E M 13.2 reverse mcai130022 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 13:02 reverse cd 5091 2111 7183 Decorated initial G
Lewis E M 13:3 Lewis E M 13.3 front mcai130031 1400 1499 Parchment Unknown 1 Lewis E M 13:03 cd 5091 2111 7183 Decorated initial G
Lewis E M 13:3 Lewis E M 13.3 reverse mcai130032 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 13:03 reverse cd 5091 2111 7183 Decorated initial G
Lewis E M 13:4 Lewis E M 13.4 front mcai130041 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:04 cd 5091 2111 7183 Decorated initial A
Lewis E M 13:4 Lewis E M 13.4 reverse mcai130042 Parchment France reverse 2 Lewis E M 13:04 reverse cd 5091 2111 7183 Decorated initial A
Lewis E M 13:5 Lewis E M 13.5 front mcai130051 1400 1499 Parchment Unknown 1 Lewis E M 13:05 cd 5091 2111 7183 Border detail fragment
Lewis E M 13:5 Lewis E M 13.5 reverse mcai130052 1400 1499 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 13:05 reverse cd 5091 2111 7183 Border detail fragment
Lewis E M 13:6 Lewis E M 13.6 front mcai130061 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:06 cd 5091 2111 7183 Decorated initial A
Lewis E M 13:6 Lewis E M 13.6 reverse mcai130062 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 13:06 reverse cd 5091 2111 7183 Decorated initial A
Lewis E M 13:7 Lewis E M 13.7 front mcai130071 1400 1499 Parchment France Fournel, Charles 1 Lewis E M 13:07 cd 5091 2111 7183 Decorated initial A
Lewis E M 13:7 Lewis E M 13.7 reverse mcai130072 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 13:07 reverse cd 5091 2111 7183 Decorated initial A
Lewis E M 13:8 Lewis E M 13.8 front mcai130081 1400 1499 Parchment France Gothic bookhand Fournel, Charles Artist 1 Lewis E M 13:08 cd 5091 2111 7183 Decorated initial A
Lewis E M 13:8 Lewis E M 13.8 reverse mcai130082 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 13:08 reverse cd 5091 2111 7183 Decorated initial A
Lewis E M 13:9 Lewis E M 13.9 front mcai130091 1400 1499 Parchment France Gothic bookhand Fournel, Charles Artist front 1 Lewis E M 13:09 front cd 5091 2111 7183 Decorated initial A
Lewis E M 13:9 Lewis E M 13.9 reverse mcai130092 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 13:09 reverse cd 5091 2111 7183 Decorated initial A
Lewis E M 13:10 Lewis E M 13.10 front mcai130101 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:10 cd 5091 2111 7184 Decorated initial A
Lewis E M 13:10 Lewis E M 13.10 reverse mcai130102 1400 1499 Parchment Latin France Gothic bookhand reverse 2 Lewis E M 13:10 reverse cd 5091 2111 7184 Decorated initial A
Lewis E M 13:11 Lewis E M 13.11 front mcai130111 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:11 cd 5091 2111 7184 Decorated initial N
Lewis E M 13:11 Lewis E M 13.11 reverse mcai130112 1400 1499 Parchment Latin France Gothic bookhand reverse 2 Lewis E M 13:11 reverse cd 5091 2111 7184 Decorated initial N
Lewis E M 13:12 Lewis E M 13.12 front mcai130121 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:12 cd 5091 2111 7184 Decorated initial N
Lewis E M 13:12 Lewis E M 13.12 reverse mcai130122 1400 1499 Parchment France reverse 2 Lewis E M 13:12 reverse cd 5091 2111 7184 Decorated initial N
Lewis E M 13:13 Lewis E M 13.13 front mcai130131 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:13 cd 5091 2111 7184 Decorated initial O
Lewis E M 13:13 Lewis E M 13.13 reverse mcai130132 1400 1499 Parchment France reverse 2 Lewis E M 13:13 reverse cd 5091 2111 7184 Decorated initial O
Lewis E M 13:14 Lewis E M 13.14 front mcai130141 1400 1499 Parchment Unknown 1 Lewis E M 13:14 cd 5091 2111 7184 Decorated initial I
Lewis E M 13:14 Lewis E M 13.14 reverse mcai130142 1400 1499 Parchment Unknown reverse 2 Lewis E M 13:14 reverse cd 5091 2111 7184 Decorated initial I
Lewis E M 13:15 Lewis E M 13.15 front mcai130151 1400 1499 Parchment Italy 1 Lewis E M 13:15 cd 5091 2111 7184 Decorated initial I
Lewis E M 13:15 Lewis E M 13.15 reverse mcai130152 1400 1499 Parchment Italy Gothic bookhand reverse 2 Lewis E M 13:15 reverse cd 5091 2111 7184 Decorated initial I
Lewis E M 13:16 Lewis E M 13.16 front mcai130161 1400 1499 Parchment Italy 1 Lewis E M 13:16 cd 5091 2111 7184 Decorated initial I
Lewis E M 13:16 Lewis E M 13.16 reverse mcai130162 1400 1499 Parchment Italy Gothic bookhand reverse 2 Lewis E M 13:16 reverse cd 5091 2111 7184 Decorated initial I
Lewis E M 13:17 Lewis E M 13.17 front mcai130171 1400 1499 Parchment Unknown 1 Lewis E M 13:17 cd 5091 2111 7807 Decorated initial B
Lewis E M 13:17 Lewis E M 13.17 reverse mcai130172 1400 1499 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 13:17 reverse cd 5091 2111 7807 Decorated initial B
Lewis E M 13:18 Lewis E M 13.18 front mcai130181 1400 1499 Parchment France Fournel, Charles Artist 1 Lewis E M 13:18 cd 5091 2111 7807 Decorated initial G
Lewis E M 13:18 Lewis E M 13.18 reverse mcai130182 1400 1499 Parchment Latin France Gothic bookhand reverse 2 Lewis E M 13:18 reverse cd 5091 2111 7807 Decorated initial G
Lewis E M 13:19 Lewis E M 13.19 front mcai130191 1400 1499 Parchment Unknown 1 Lewis E M 13:19 cd 5091 2111 7807 Decorated initial B
Lewis E M 13:19 Lewis E M 13.19 reverse mcai130192 1400 1499 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 13:19 reverse cd 5091 2111 7807 Decorated initial B
Lewis E M 14:1 Lewis E M 14.1 front mcai140011 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:01 cd 5091 2111 7758 Historiated initial U depicting the Resurrected Christ blessing Mary Magdalene
Lewis E M 14:1 Lewis E M 14.1 reverse mcai140012 1500 1525 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 14:01 reverse cd 5091 2111 7758 Historiated initial U depicting the Resurrected Christ blessing Mary Magdalene
Lewis E M 14:2 Lewis E M 14.2 front mcai140021 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:02 cd 5091 2111 7758 Historiated initial I depicting a pope, cardinal, and bishops
Lewis E M 14:2 Lewis E M 14.2 reverse mcai140022 1500 1525 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 14:02 reverse cd 5091 2111 7758 Historiated initial I depicting a pope, cardinal, and bishops
Lewis E M 14:3 Lewis E M 14.3 front mcai140031 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:03 cd 5091 2111 7758 Historiated initial M depicting Saint Margaret of Antioch
Lewis E M 14:3 Lewis E M 14.3 reverse mcai140032 1500 1525 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 14:03 reverse cd 5091 2111 7758 Historiated initial M depicting Saint Margaret of Antioch
Lewis E M 14:4 Lewis E M 14.4 front mcai140041 1500 1525 124 x 127 mm Parchment France Fournel, Charles Artist 1 Lewis E M 14:04 cd 5091 2111 7758 Historiated initial G depicting All Saints
Lewis E M 14:4 Lewis E M 14.4 reverse mcai140042 1500 1525 Parchment Unknown reverse 2 Lewis E M 14:04 reverse cd 5091 2111 7758 Historiated initial G depicting All Saints
Lewis E M 14:5 Lewis E M 14.5 front mcai140051 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:05 cd 5091 2111 7758 Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:5 Lewis E M 14.5 reverse mcai140052 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 14:05 reverse cd 5091 2111 7758 Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:6 Lewis E M 14.6 front mcai140061 1500 1525 Parchment Unknown 1 Lewis E M 14:06 cd 5091 2111 7758 Historiated initial G depicting John and Peter discovering the empty tomb
Lewis E M 14:6 Lewis E M 14.6 reverse mcai140062 1500 1525 Parchment Unknown reverse 2 Lewis E M 14:06 reverse cd 5091 2111 7758 Historiated initial G depicting John and Peter discovering the empty tomb
Lewis E M 14:7 Lewis E M 14.7 front mcai140071 1500 1525 Parchment France Fournel, Charles Artist front 1 Lewis E M 14:07 front cd 5091 2111 7759 Historiated initial B depicted Saints Nicholas and Julian
Lewis E M 14:7 Lewis E M 14.7 reverse mcai140072 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 14:07 reverse cd 5091 2111 7759 Decorated initial L
Lewis E M 14:8 Lewis E M 14.8 front mcai140081 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:08 cd 5091 2111 7759 Historiated initial O depicting the Resurrected Christ, St. Thomas, and the Apostles
Lewis E M 14:8 Lewis E M 14.8 reverse mcai140082 1500 1525 Parchment France 2 Lewis E M 14:08 cd 5091 2111 7759 Historiated initial O depicting the Resurrected Christ, St. Thomas, and the Apostles
Lewis E M 14:9 Lewis E M 14.9 front mcai140091 Parchment Unknown 1 Lewis E M 14:09 cd 5091 2111 7759 Miniature depicting the Transfiguration of Christ
Lewis E M 14:9 Lewis E M 14.9 reverse mcai140092 Parchment Unknown reverse 2 Lewis E M 14:09 reverse cd 5091 2111 7759 Miniature depicting the Transfiguration of Christ
Lewis E M 14:10 Lewis E M 14.10 front mcai140101 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:10 cd 5091 2111 7759 Historiated initial I depicting Joshua's messengers returning from the Promised Land
Lewis E M 14:10 Lewis E M 14.10 reverse mcai140102 1500 1525 Parchment Unknown reverse 2 Lewis E M 14:10 reverse cd 5091 2111 7759 Historiated initial I depicting Joshua's messengers returning from the Promised Land
Lewis E M 14:11 Lewis E M 14.11 front mcai140111 Parchment France Fournel, Charles Artist 1 Lewis E M 14:11 cd 5091 2111 7759 Historiated initial M depicting the parable of the Good Shepherd
Lewis E M 14:11 Lewis E M 14.11 reverse mcai140112 1500 1525 Parchment France 2 Lewis E M 14:11 cd 5091 2111 7759 Historiated initial M depicting the parable of the Good Shepherd
Lewis E M 14:12 Lewis E M 14.12 front mcai140121 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:12 cd 5091 2111 7759 Historiated initial U depicting the second miraculous catch of fish
Lewis E M 14:12 Lewis E M 14.12 reverse mcai140122 1500 1525 Parchment France reverse 2 Lewis E M 14:12 reverse cd 5091 2111 7759 Historiated initial U depicting the second miraculous catch of fish
Lewis E M 14:13 Lewis E M 14.13 front mcai140131 1500 1525 Parchment Unknown Fournel, Charles Artist 1 Lewis E M 14:13 cd 5091 2111 7761 Historiated initial N depicting St. Helena finding the True Cross
Lewis E M 14:13 Lewis E M 14.13 reverse mcai140132 1500 1525 Parchment France reverse 2 Lewis E M 14:13 reverse cd 5091 2111 7761 Historiated initial N depicting St. Helena finding the True Cross
Lewis E M 14:14 Lewis E M 14.14 front mcai140141 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:14 cd 5091 2111 7761 Historiated initial U depicting Samson removing the Gates of Gaza
Lewis E M 14:14 Lewis E M 14.14 reverse mcai140142 1500 1525 Parchment France Gothic bookhand reverse 2 Lewis E M 14:14 reverse cd 5091 2111 7761 Historiated initial U depicting Samson removing the Gates of Gaza
Lewis E M 14:15 Lewis E M 14.15 front mcai140151 1500 1525 Parchment France Fournel, Charles Artist 1 Lewis E M 14:15 cd 5091 2111 7761 Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:15 Lewis E M 14.15 reverse mcai140152 1500 1525 Parchment France reverse 2 Lewis E M 14:15 reverse cd 5091 2111 7761 Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:16 Lewis E M 14.16 front mcai140161 1500 1525 Parchment France 1 Lewis E M 14:16 cd 5091 2111 7761 Historiated initial E depicting the destruction of the Egyptians in the Red Sea
Lewis E M 14:16 Lewis E M 14.16 reverse mcai140162 Parchment France reverse 2 Lewis E M 14:16 reverse cd 5091 2111 7761 Historiated initial E depicting the destruction of the Egyptians in the Red Sea
Lewis E M 14:17 Lewis E M 14.17 front mcai140171 1400 1499 Parchment France 1 Lewis E M 14:17 cd 5091 2111 7761 Historiated initial C depicting the Last Supper
Lewis E M 14:17 Lewis E M 14.17 reverse mcai140172 1400 1499 Parchment France Gothic bookhand reverse 2 Lewis E M 14:17 reverse cd 5091 2111 7761 Historiated initial C depicting the Last Supper
Lewis E M 15:1 Lewis E M 15.1 front mcai150011 1500 1525 Parchment France Master of Morgan 85 Artist 1 Lewis E M 15:01 cd 5091 2111 7764 Historiated initial R depicting Christ sitting in judgment
Lewis E M 15:1 Lewis E M 15.1 reverse mcai150012 Parchment Latin France Gothic bookhand reverse 2 Lewis E M 15:01 reverse cd 5091 2111 7764 Historiated initial R depicting Christ sitting in judgment
Lewis E M 15:2 Lewis E M 15.2 front mcai150021 1500 1525 Parchment France 1 Lewis E M 15:02 cd 5091 2111 7764 Historiated initial S depicting the Assumption
Lewis E M 15:2 Lewis E M 15.2 reverse mcai150022 Parchment Unknown reverse 2 Lewis E M 15:02 reverse cd 5091 2111 7764 Historiated initial S depicting the Assumption
Lewis E M 15:3 Lewis E M 15.3 front mcai150031 1500 1525 Parchment France 1 Lewis E M 15:03 cd 5091 2111 7764 Historiated initial L depicting the supper at Emmaus
Lewis E M 15:3 Lewis E M 15.3 reverse mcai150032 1500 1525 Parchment Latin Unknown Gothic bookhand reverse 2 Lewis E M 15:03 reverse cd 5091 2111 7764 Historiated initial L depicting the supper at Emmaus
Lewis E M 15:4 Lewis E M 15.4 front mcai150041 1500 1525 Parchment Unknown 1 Lewis E M 15:04 cd 5091 2111 7764 Historiated initial M depicting God the Father surrounded by the four Gospels
Lewis E M 15:4 Lewis E M 15.4 reverse mcai150042 1500 1525 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 15:04 reverse cd 5091 2111 7764 Historiated initial M depicting God the Father surrounded by the four Gospels
Lewis E M 15:5 Lewis E M 15.5 front mcai150051 1500 1525 Parchment France 1 Lewis E M 15:05 cd 5091 2111 7765 Historiated initial O depicting the Ascension
Lewis E M 15:5 Lewis E M 15.5 reverse mcai150052 1500 1525 Parchment France Gothic bookhand reverse 2 Lewis E M 15:05 reverse cd 5091 2111 7765 Historiated initial O depicting the Ascension
Lewis E M 15:6 Lewis E M 15.6 front mcai150061 1500 1525 Parchment France Master of Morgan 85 Artist 1 Lewis E M 15:06 cd 5091 2111 7765 Historiated initial G depicting the Assumption
Lewis E M 15:6 Lewis E M 15.6 reverse mcai150062 1500 1525 Parchment Latin France Gothic bookhand reverse 2 Lewis E M 15:06 reverse cd 5091 2111 7765 Historiated initial G depicting the Assumption
Lewis E M 15:7 Lewis E M 15.7 front mcai150071 1500 1525 Parchment France 1 Lewis E M 15:07 cd 5091 2111 7765 Historiated initial G depicting the Trinity with saints below, including Mary and John the Baptist
Lewis E M 15:7 Lewis E M 15.7 reverse mcai150072 1500 1525 Parchment France reverse 2 Lewis E M 15:07 reverse cd 5091 2111 7766 Historiated initial G depicting the Trinity with saints below, including Mary and John the Baptist
Lewis E M 15:8 Lewis E M 15.8 front mcai150081 1400 1499 Miniature depicting All Saints. Lawrence of Rome, tonsured as deacon, with right hand holding instrument of martyrdom, gridiron. Stephen Protomartyr, tonsured as deacon, stone in head, with right hand holding martyr's palm and with left hand holding book on which are three stones. Denis of Paris, as bishop, with gloved hand holding mitered head. Tonsured deacon or monk. Christopher of Lycia, carrying Christ Child on shoulder, with staff. All nimbed, except the Christopher, and accompanied by group of nimbed saints, most with only nimbi visible and tops of four martyr's palms visible. Many thanks to Jessica Savage of the Index of Christian Art for her contribution on this image. Parchment France front 1 Lewis E M 15:08 front cd 5091 2111 7766 Miniature depicting All Saints
Lewis E M 15:9 Lewis E M 15.9 reverse mcai150091 1500 1525 Parchment France Master of Morgan 85 Artist front 1 Lewis E M 15:09 front cd 5091 2111 7766 Miniature depicting Disciples
Lewis E M 15:10 Lewis E M 15.10 mcai150101 1500 1525 Parchment France Master of Morgan 85 Artist 1 Lewis E M 15:10 cd 5091 2111 7766 Miniature depicting sainted clergy
Lewis E M 15:11 Lewis E M 15.11 mcai150111 1500 1525 Parchment France Master of Morgan 85 Artist front 1 Lewis E M 15:11 front cd 5091 2111 7766 Miniature depicting Michael Archangel
Lewis E M 15:12 Lewis E M 15.12 mcai150121 1500 1525 Parchment France Master of Morgan 85 Artist 1 Lewis E M 15:12 cd 5091 2111 7766 Miniature depicting the Archangel Gabriel and Joseph
Lewis E M 15:13 Lewis E M 15.13 mcai150131 1500 1525 Parchment France Master of Morgan 85 Artist front 1 Lewis E M 15:13 front cd 5091 2111 7767 Miniature depicting Vincent of Saragossa being thrown into the water
Lewis E M 15:14 Lewis E M 15.14 mcai150141 1500 1525 Parchment France Master of Morgan 85 Artist front 1 Lewis E M 15:14 front cd 5091 2111 7767 Miniature depicting Michael the Archangel fighting the dragon with his angels
Lewis E M 16:1 Lewis E M 16.1 front mcai160011 1100 1199 71 x 112 mm Initial P Parchment Latin England? Transitional script (praegothica) Gregory the Great Author front 1 Lewis E M 16:01 front cd 5091 2111 7686 48-bit color 600 ppi 1 Moralia in Job
Lewis E M 16:1 Lewis E M 16.1 reverse mcai160012 1100 1199 71 x 112 mm This image shows the reverse of a cutting from Moralia in Job. Parchment Latin England? Transitional script (praegothica) Gregory the Great Author reverse 2 Lewis E M 16:01 reverse cd 5091 2111 7686 48-bit color 600 ppi 2 Moralia in Job
Lewis E M 16:2 Lewis E M 16.2 front mcai160021 1100 1199 137 x 212 mm Initial A Parchment Latin Germany? Transitional script (praegothica) front 1 Lewis E M 16:02 front cd 5091 2111 7686 48-bit color 600 ppi 1 Bible
Lewis E M 16:2 Lewis E M 16.2 reverse mcai160022 1100 1199 137 x 212 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Germany? Transitional script (praegothica) reverse 2 Lewis E M 16:02 reverse cd 5091 2111 7686 48-bit color 600 ppi 2 Bible
Lewis E M 16:3 Lewis E M 16.3 front mcai160031 1100 1199 201 x 232 mm Initial Q Parchment Latin Germany? Transitional script (praegothica) Gregory the Great Author front 1 Lewis E M 16:03 front cd 5091 2111 7686 48-bit color 600 ppi 1 Moralia in Job
Lewis E M 16:3 Lewis E M 16.3 reverse mcai160032 1100 1199 201 x 232 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Germany? Transitional script (praegothica) Gregory the Great Author reverse 2 Lewis E M 16:03 reverse cd 5091 2111 7688 48-bit color 600 ppi 2 Moralia in Job
Lewis E M 16:4 Lewis E M 16.4 front mcai160041 1100 1199 71 x 85 mm Initial V Parchment Latin Germany? Transitional script (praegothica) front 1 Lewis E M 16:04 front cd 5091 2111 7688 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:4 Lewis E M 16.4 reverse mcai160042 1100 1199 71 x 85 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Germany? Transitional script (praegothica) reverse 2 Lewis E M 16:04 reverse cd 5091 2111 7688 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:5 Lewis E M 16.5 front mcai160051 1100 1199 79 x 90 mm Initial H Parchment Latin England? Transitional script (praegothica) Bede Author front 1 Lewis E M 16:05 front cd 5091 2111 7688 48-bit color 600 ppi 1 Homilia XI, In vigilia Pentecostes
Lewis E M 16:5 Lewis E M 16.5 reverse mcai160052 1100 1199 79 x 90 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin England? Transitional script (praegothica) Bede Author reverse 2 Lewis E M 16:05 reverse cd 5091 2111 7688 48-bit color 600 ppi 2 Homilia XI, In vigilia Pentecostes
Lewis E M 16:6 Lewis E M 16.6 front mcai160061 1100 1199 120 x 115 mm Initial D Parchment Latin Rhineland?, Germany Transitional script (praegothica) front 1 Lewis E M 16:06 front cd 5091 2111 7688 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:6 Lewis E M 16.6 reverse mcai160062 1100 1199 120 x 115 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) reverse 2 Lewis E M 16:06 reverse cd 5091 2111 7688 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:7 Lewis E M 16.7 front mcai160071 1100 1199 77 x 78 mm Initial D Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author front 1 Lewis E M 16:07 front cd 5091 2111 7688 48-bit color 600 ppi 1 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:7 Lewis E M 16.7 reverse mcai160072 1100 1199 77 x 78 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author reverse 2 Lewis E M 16:07 reverse cd 5091 2111 7688 48-bit color 600 ppi 2 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:8-9 Lewis E M 16.8 front mcai160081 1150 1199 91 x 97 mm Initial Q Parchment Latin Pontigny, France Transitional script (praegothica) Gratian Author 16:8 front 1 Lewis E M 16:08-09 16:8 front cd 5091 2111 7689 48-bit color 600 ppi 1 Decretum
Lewis E M 16:8-9 Lewis E M 16.8 reverse mcai160082 1150 1199 77 x 77 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Pontigny, France Transitional script (praegothica) Gratian Author 16:8 reverse 2 Lewis E M 16:08-09 16:8 reverse cd 5091 2111 7689 48-bit color 600 ppi 2 Decretum
Lewis E M 16:8-9 Lewis E M 16.9 front mcai160091 1150 1199 177 x 187 mm Initial Q Parchment Latin Pontigny, France Transitional script (praegothica) Gratian Author 16:9 front 3 Lewis E M 16:08-09 16:9 front cd 5091 2111 7689 48-bit color 600 ppi 3 Decretum
Lewis E M 16:8-9 Lewis E M 16.9 reverse mcai160092 1150 1199 177 x 187 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Pontigny, France Transitional script (praegothica) Gratian Author 16:9 reverse 4 Lewis E M 16:08-09 16:9 reverse cd 5091 2111 7689 48-bit color 600 ppi 4 Decretum
Lewis E M 16:10 Lewis E M 16.10 front mcai160101 1025 1050 109 x 148 mm Initial A Parchment Latin France (northern) Transitional script (praegothica) front 1 Lewis E M 16:10 front cd 5091 2111 7690 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:10 Lewis E M 16.10 reverse mcai160102 1025 1050 149 x 148 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin France (northern) Transitional script (praegothica) reverse 2 Lewis E M 16:10 reverse cd 5091 2111 7690 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:11 Lewis E M 16.11 front mcai160111 1100 1199 93 x 153 mm Initial B Parchment Latin Rhineland?, Germany Transitional script (praegothica) front 1 Lewis E M 16:11 front cd 5091 2111 7690 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:11 Lewis E M 16.11 reverse mcai160112 1100 1199 93 x 153 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) reverse 2 Lewis E M 16:11 reverse cd 5091 2111 7690 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:12 Lewis E M 16.12 front mcai160121 1100 1199 78 x 68 mm Initial D Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author front 1 Lewis E M 16:12 front cd 5091 2111 7690 48-bit color 600 ppi 1 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:12 Lewis E M 16.12 reverse mcai160122 1100 1199 78 x 68 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author reverse 2 Lewis E M 16:12 reverse cd 5091 2111 7690 48-bit color 600 ppi 2 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:13 Lewis E M 16.13 front mcai160131 1100 1199 113 x 162 mm This initial from a treatise on the story of Noah and the Ark by the Church Father Ambrose is a fine example of Romanesque initial decoration. The intricate interlaced pattern of the white vine scroll harbors beast heads that swallow the foliage tendrils decorating the inside of the letter. The head of a beast at the top of the letter threatens to swallow the whole composition. The blending of abstract design and natural forms are holdovers from pre-Christian ornamental traditions, such as those practiced by the Celts. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Ambrose of Milan Author front 1 Lewis E M 16:13 front cd 5091 2111 7690 48-bit color 600 ppi 1 De Noe et Arca
Lewis E M 16:13 Lewis E M 16.13 reverse mcai160132 1100 1199 113 x 162 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Ambrose of Milan Author reverse 2 Lewis E M 16:13 reverse cd 5091 2111 7690 48-bit color 600 ppi 2 De Noe et Arca
Lewis E M 16:14 Lewis E M 16.14 front mcai160141 1100 1199 90 x 136 mm Initial V Parchment Latin Rhineland?, Germany Transitional script (praegothica) front 1 Lewis E M 16:14 front cd 5091 2111 7691 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:14 Lewis E M 16.14 reverse mcai160142 1100 1199 90 x 136 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) reverse 2 Lewis E M 16:14 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:15 Lewis E M 16.15 front mcai160151 1100 1199 98 x 132 mm Initial S Parchment Latin Rhineland?, Germany Transitional script (praegothica) front 1 Lewis E M 16:15 front cd 5091 2111 7691 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:15 Lewis E M 16.15 reverse mcai160152 1100 1199 98 x 132 mm This is the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany reverse 2 Lewis E M 16:15 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:16 Lewis E M 16.16 front mcai160161 1100 1199 70 x 78 mm The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author front 1 Lewis E M 16:16 front cd 5091 2111 7691 48-bit color 600 ppi 1 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:16 Lewis E M 16.16 reverse mcai160162 1100 1199 70 x 78 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author reverse 2 Lewis E M 16:16 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:17 Lewis E M 16.17 front mcai160171 1100 1199 88 x 90 mm The use of interlace, foliage decoration, and alternating colors in this initial from a collection of letters of Gregory the Great is typical of Romanesque initial decoration. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Gregory the Great Author front 1 Lewis E M 16:17 front cd 5091 2111 7691 48-bit color 600 ppi 1 Registrum epistolarum (Register of Letters)
Lewis E M 16:17 Lewis E M 16.17 reverse mcai160172 1100 1199 88 x 90 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Gregory the Great Author reverse 2 Lewis E M 16:17 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Registrum epistolarum (Register of Letters)
Lewis E M 16:18 Lewis E M 16.18 front mcai160181 1100 1199 83 x 86 mm The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author front 1 Lewis E M 16:18 front cd 5091 2111 7691 48-bit color 600 ppi 1 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:18 Lewis E M 16.18 reverse mcai160182 1100 1199 83 x 86 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Cassiodorus Author reverse 2 Lewis E M 16:18 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:19 Lewis E M 16.19 front mcai160191 1100 1199 106 x 147 mm The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on Ezekiel by Jerome is typical of Romanesque initial decoration. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Jerome Author front 1 Lewis E M 16:19 front cd 5091 2111 7691 48-bit color 600 ppi 1 Biblical commentary
Lewis E M 16:19 Lewis E M 16.19 reverse mcai160192 1100 1199 106 x 147 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Rhineland?, Germany Transitional script (praegothica) Jerome Author reverse 2 Lewis E M 16:19 reverse cd 5091 2111 7691 48-bit color 600 ppi 2 Biblical commentary
Lewis E M 16:20 Lewis E M 16.20 front mcai160201 1100 1199 34 x 141 mm The manuscript source of this initial remains a mystery. Its style is typical of Romanesque minor initial decoration. Parchment Latin England? Transitional script (praegothica) front 1 Lewis E M 16:20 front cd 5091 2111 7693 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:20 Lewis E M 16.20 reverse mcai160202 1100 1199 34 x 141 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin England? Transitional script (praegothica) reverse 2 Lewis E M 16:20 reverse cd 5091 2111 7693 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:21 Lewis E M 16.21 front mcai160211 1100 1199 73 x 118 mm Initial M Parchment Latin England? Transitional script (praegothica) front 1 Lewis E M 16:21 front cd 5091 2111 7693 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:21 Lewis E M 16.21 reverse mcai160212 1100 1199 73 x 118 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin England? Transitional script (praegothica) reverse 2 Lewis E M 16:21 reverse cd 5091 2111 7693 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:22 Lewis E M 16.22 front mcai160221 1300 1399 83 x 89 mm Initial S Parchment Latin Germany Gothic bookhand front 1 Lewis E M 16:22 front cd 5091 2111 7693 48-bit color 600 ppi 1 Antiphonary
Lewis E M 16:22 Lewis E M 16.22 reverse mcai160222 1300 1399 83 x 89 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany Gothic bookhand reverse 2 Lewis E M 16:22 reverse cd 5091 2111 7693 48-bit color 600 ppi 2 Antiphonary
Lewis E M 16:23 Lewis E M 16.23 front mcai160231 1300 1399 96 x 125 mm This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Italy. Parchment Latin Italy front 1 Lewis E M 16:23 front cd 5091 2111 7693 48-bit color 600 ppi 1 Choir book
Lewis E M 16:23 Lewis E M 16.23 reverse mcai160232 1300 1399 96 x 125 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 16:23 reverse cd 5091 2111 7693 48-bit color 600 ppi 2 Choir book
Lewis E M 16:24-25 Lewis E M 16.24 front mcai160241 1400 1499 105 x 105 mm This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Germany. Parchment Latin Germany Gothic bookhand front 16:24 1 Lewis E M 16:24-25 front 16:24 cd 5091 2111 7693 48-bit color 600 ppi 1 Choir book
Lewis E M 16:24-25 Lewis E M 16.24 reverse mcai160242 1400 1499 105 x 105 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Germany Gothic bookhand reverse 16:24 2 Lewis E M 16:24-25 reverse 16:24 cd 5091 2111 7693 48-bit color 600 ppi 2 Choir book
Lewis E M 16:24-25 Lewis E M 16.25 front mcai160251 1400 1499 94 x 98 mm This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Germany. Parchment Latin Germany Gothic bookhand front 16:25 3 Lewis E M 16:24-25 front 16:25 cd 5091 2111 7693 48-bit color 600 ppi 3 Choir book
Lewis E M 16:24-25 Lewis E M 16.25 reverse mcai160252 1400 1499 94 x 98 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Germany Gothic bookhand reverse 16:25 4 Lewis E M 16:24-25 reverse 16:25 cd 5091 2111 7693 48-bit color 600 ppi 4 Choir book
Lewis E M 16:26-27 Lewis E M 16.26 front a mcai160263 1475 1499 63 x 254 mm This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7) Parchment Latin Germany (southern) front 16:26a 1 Lewis E M 16:26-27 front 16:26a cd 5091 2111 7694 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:26-27 Lewis E M 16.26 reverse a mcai160264 1475 1499 63 x 254 mm This is the reverse of a cutting with border decoration. Parchment Latin Germany (southern) reverse 16:26a 2 Lewis E M 16:26-27 reverse 16:26a cd 5091 2111 7694 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:26-27 Lewis E M 16.26 front b mcai160265 1475 1499 64 x 248 mm Border decoration Parchment Latin Germany (southern) front 16:26b 3 Lewis E M 16:26-27 front 16:26b cd 5091 2111 7694 48-bit color 600 ppi 3 Undetermined
Lewis E M 16:26-27 Lewis E M 16.26 reverse b mcai160266 This is the reverse of a border decoration. Parchment Unknown 4 Lewis E M 16:26-27 cd 5091 2111 7694 Undetermined
Lewis E M 16:26-27 Lewis E M 16.27 front a mcai160273 1475 1499 55 x 207 mm This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7) Parchment Latin Germany (southern) front 16:27a 5 Lewis E M 16:26-27 front 16:27a cd 5091 2111 7694 48-bit color 600 ppi 5 Undetermined
Lewis E M 16:26-27 Lewis E M 16.27 reverse a mcai160274 1475 1499 55 x 207 mm This is the reverse of a cutting with border decoration. Parchment Latin Germany (southern) reverse 16:27a 6 Lewis E M 16:26-27 reverse 16:27a cd 5091 2111 7694 48-bit color 600 ppi 6 Undetermined
Lewis E M 16:26-27 Lewis E M 16.27 front b mcai160275 1475 1499 53 x 221 mm This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7) Parchment Latin Germany (southern) front 16:27b 7 Lewis E M 16:26-27 front 16:27b cd 5091 2111 7694 48-bit color 600 ppi 7 Undetermined
Lewis E M 16:26-27 Lewis E M 16.27 reverse b mcai160276 1475 1499 53 x 221 mm This is the reverse of a cutting with border decoration. Parchment Latin Germany (southern) reverse 16:27b 8 Lewis E M 16:26-27 reverse 16:27b cd 5091 2111 7694 48-bit color 600 ppi 8 Undetermined
Lewis E M 16:28-29 Lewis E M 16.28 front mcai160281 1400 1499 96 x 93 mm The iconography of this initial is unclear, but text on the reverse suggests that this initial probably begins the first response for the first nocturn of Matins for Septuagesima Sunday, "In principio fecit Deus caelum et terram ..." (In the beginning, God created the heavens and the earth). Parchment Latin Germany (southern) front 16:28 1 Lewis E M 16:28-29 front 16:28 cd 5091 2111 7695 48-bit color 600 ppi 1 Antiphonary
Lewis E M 16:28-29 Lewis E M 16.28 reverse mcai160282 1400 1499 96 x 93 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Germany (southern) Gothic bookhand reverse 16:28 2 Lewis E M 16:28-29 reverse 16:28 cd 5091 2111 7695 48-bit color 600 ppi 2 Antiphonary
Lewis E M 16:28-29 Lewis E M 16.29 front mcai160291 1400 1499 95 x 94 mm The precise moment in the liturgy that this initial begins remains to be determined. similarities in the style of illumination and script, however, indicate that Lewis E M 16:28 and 29 are from the same manuscript. Parchment Latin Germany (southern) front 16:29 3 Lewis E M 16:28-29 front 16:29 cd 5091 2111 7695 48-bit color 600 ppi 3 Antiphonary
Lewis E M 16:28-29 Lewis E M 16.29 reverse mcai160292 1400 1499 95 x 94 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Germany (southern) Gothic bookhand reverse 16:29 4 Lewis E M 16:28-29 reverse 16:29 cd 5091 2111 7695 48-bit color 600 ppi 4 Antiphonary
Lewis E M 16:30 Lewis E M 16.30 front mcai160301 1500 1599 170 x 265 mm The style of this initial is reminiscent of Flemish initial decoration. Certain elements in the execution of the initial suggest, however, that the artist was not Flemish but perhaps Spanish or Portuguese. Spain and Flanders had close political and economic ties in the fifteenth and sixteenth centuries. These ties also extended to the arts. Iberian illuminators were heavily influenced by Flemish artists, many of whom worked under the commission of members of the Spanish and Portuguese aristocracy. Parchment Latin Spain or Portugal Rotunda front 1 Lewis E M 16:30 front cd 5091 2111 7695 48-bit color 600 ppi 1 Antiphonary
Lewis E M 16:30 Lewis E M 16.30 reverse mcai160302 1500 1599 170 x 265 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Spain or Portugal Rotunda reverse 2 Lewis E M 16:30 reverse cd 5091 2111 7695 48-bit color 600 ppi 2 Antiphonary
Lewis E M 16:31 Lewis E M 16.31 front mcai160311 1400 1499 226 x 250 mm This initial was probably illuminated in an eastern European center, perhaps in Bohemia. Although the Rotunda script might suggest an Italian origin, the style of the decoration indicates that it was made in Eastern Europe. The use of the Italian script in this context can be explained by the region's political and economic ties with Italy under the rule of the Habsburgs that led to artistic and cultural exchanges between the two regions. Parchment Latin Bohemia? Rotunda front 1 Lewis E M 16:31 front cd 5091 2111 7696 48-bit color 600 ppi 1 Choir book
Lewis E M 16:31 Lewis E M 16.31 reverse mcai160312 1400 1499 226 x 250 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Bohemia? Rotunda reverse 2 Lewis E M 16:31 reverse cd 5091 2111 7696 48-bit color 600 ppi 2 Choir book
Lewis E M 16:32 Lewis E M 16.32 front mcai160321 1400 1499 98 x 74 mm This cutting is from a printed book. Many early printed books such as this one were often decorated by hand to resemble more luxurious illuminated manuscripts. Parchment Latin Germany front 1 Lewis E M 16:32 front cd 5091 2111 7696 48-bit color 600 ppi 1 Undetermined
Lewis E M 16:32 Lewis E M 16.32 reverse mcai160322 1400 1499 98 x 74 mm This image shows the reverse of a cutting with a decorated initial from an undetermined printed book. The text is a passage from the Gospel of John (1:48-50). Parchment Latin Germany Gothic print reverse 2 Lewis E M 16:32 reverse cd 5091 2111 7696 48-bit color 600 ppi 2 Undetermined
Lewis E M 16:33 Lewis E M 16.33 front mcai160331 1275 1350 Parchment England? front 1 Lewis E M 16:33 front cd 5091 2111 7696 Historiated initial D depicting Christ's entry into Jerusalem
Lewis E M 16:33 Lewis E M 16.33 reverse mcai160332 1275 1350 Parchment England? Gothic bookhand reverse 2 Lewis E M 16:33 reverse cd 5091 2111 7696 Historiated initial D depicting Christ's entry into Jerusalem
Lewis E M 17:1 Lewis E M 17.1 front mcai170011 1200 1250 151 x 198 mm Initial C with the Temptation of Adam and Eve Parchment Latin Germany (southern) Gothic bookhand front 1 Lewis E M 17:01 front cd 5091 2111 7701 48-bit color 600 ppi 1 Psalter
Lewis E M 17:1 Lewis E M 17.1 reverse mcai170012 1200 1250 151 x 198 mm This image shows the reverse of a leaf taken from a psalter. The text is from Psalm 97, which begins on the front (or true recto) of the leaf. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 17:01 reverse cd 5091 2111 7701 48-bit color 600 ppi 2 Psalter
Lewis E M 17:2 Lewis E M 17.2 front mcai170021 1240 1260 74 x 105 mm This initial begins the first response for Matins of the first Sunday in Lent, "Locutus est Dominus ad Moysen dicens descende in Egyptum ..." (The Lord spoke to Moses, saying, "Go down to Egypt"). Parchment Latin Germany (southern) front 1 Lewis E M 17:02 front cd 5091 2111 7701 48-bit color 600 ppi 1 Antiphonary
Lewis E M 17:2 Lewis E M 17.2 reverse mcai170022 1240 1260 74 x 105 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. The musical notation is an early form of a style of notation called "Hufnagelschrift" that is found mostly in late medieval Germanic chant manuscripts. It is so called because of the resemblance of the neumes to a horseshoe-nail, which in German is called "hufnagel." Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 17:02 reverse cd 5091 2111 7701 48-bit color 600 ppi 2 Antiphonary
Lewis E M 17:2A Lewis E M 17.2A front mcai170023 1450 1499 131 x 120 mm This initial begins the first response for the first nocturn of Matins of the Nativity of the Virgin Mary, "Hodie nata est beata Virgo Maria..." (Today is born the blessed Virgin Mary). It presents a domestic rendering of the Virgin's birth in which St. Anne, the mother of the Virgin, is assisted by a midwife. Parchment Latin Germany (southern) front 1 Lewis E M 17:02A front cd 5091 2111 7701 48-bit color 600 ppi 1 Antiphonary
Lewis E M 17:2A Lewis E M 17.2A reverse mcai170024 1450 1499 131 x 120 mm This image shows the reverse of cutting with an historiated initial from an antiphonary. Parchment Latin Germany (southern) Liturgical bookhand reverse 2 Lewis E M 17:02A reverse cd 5091 2111 7701 48-bit color 600 ppi 2 Antiphonary
Lewis E M 17:3 Lewis E M 17.3 front mcai170031 1400 1499 95 x 115 mm Initial O with the Conversion of St. Paul Parchment Latin Italy (northern) front 1 Lewis E M 17:03 front cd 5091 2111 7701 48-bit color 600 ppi 1 Antiphonary
Lewis E M 17:3 Lewis E M 17.3 reverse mcai170032 1400 1499 95 x 115 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 17:03 reverse cd 5091 2111 7701 48-bit color 600 ppi 2 Antiphonary
Lewis E M 17:3A Lewis E M 17.3A front mcai170033 1450 1499 153 x 123 mm This initial begins the Magnificat antiphon at first Vespers for the first Sunday in Advent, "Ecce nomen Domini venit longinquo ..." (Behold the name of the Lord is coming from afar). Parchment Latin Swabia?, Germany front 1 Lewis E M 17:03A front cd 5091 2111 7702 48-bit color 600 ppi 1 Antiphonary
Lewis E M 17:3A Lewis E M 17.3A reverse mcai170034 1450 1499 153 x 123 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Swabia?, Germany Liturgical bookhand reverse 2 Lewis E M 17:03A reverse cd 5091 2111 7702 48-bit color 600 ppi 2 Antiphonary
Lewis E M 17:4 Lewis E M 17.4 front mcai170041 1400 1499 Parchment Latin Saxony, Germany Gothic bookhand front 1 Lewis E M 17:04 front cd 5091 2111 7702 Miniature depicting St. Bridget of Sweden
Lewis E M 17:4 Lewis E M 17.4 reverse mcai170042 Parchment Unknown reverse 2 Lewis E M 17:04 reverse cd 5091 2111 7702 Miniature depicting St. Bridget of Sweden
Lewis E M 17:5 Lewis E M 17.5 front mcai170051 1490 1510 146 x 212 mm The Man of Sorrows is an image associated with popular pious practice in late medieval devotion. Christ is shown living but with the wounds of his crucifixion, seen here in the holes of his hands and feet, and sometimes with instruments of his Passion. In this miniature, he wears the Crown of Thorns and holds the scourge and switches used against him during the beating he received under Pilate's orders, also known as the Flagellation. These devices and the blood covering his body were intended to evoke a sense of penitent compassion in the viewer. The inscription, written above the miniature and probably added later, reads "O qui amara erat passio tua Deus. Laus sit tibi pro morte tua. Amen" (Oh Lord, how bitter was your Passion. Praise be to you for your death). Parchment Latin Nuremburg ?, Germany Hybrida front 1 Lewis E M 17:05 front cd 5091 2111 7702 48-bit color 600 ppi 1 Devotional Image (Andachtsbild)
Lewis E M 17:5 Lewis E M 17.5 reverse mcai170052 1490 1510 146 x 212 mm This is the reverse of a parchment sheet with a devotional image. Parchment Latin Nuremburg ?, Germany reverse 2 Lewis E M 17:05 reverse cd 5091 2111 7703 48-bit color 600 ppi 2 Devotional Image (Andachtsbild)
Lewis E M 17:6 Lewis E M 17.6 front mcai170061 May 5, 1626 Parchment German Germany (southern) Cursive Von Pingerhoff, Daniel Lansperger Artist front 1 Lewis E M 17:06 front cd 5091 2111 7703 Miniature of Daniel interpreting the dream of Nebuchadnezzar
Lewis E M 17:6 Lewis E M 17.6 reverse mcai170062 Parchment Germany (southern) reverse 2 Lewis E M 17:06 reverse cd 5091 2111 7703 Miniature of Daniel interpreting the dream of Nebuchadnezzar
Lewis E M 17:7 Lewis E M 17.7 front mcai170071 1500 1599 Parchment Germany front 1 Lewis E M 17:07 front cd 5091 2111 7703 Historiated initial A from an antiphonary depicting the Agnus Dei
Lewis E M 17:7 Lewis E M 17.7 reverse mcai170072 Parchment Unknown Gothic bookhand reverse 2 Lewis E M 17:07 reverse cd 5091 2111 7704 Historiated initial A depicting the Agnus Dei
Lewis E M 17:8 Lewis E M 17.8 front mcai170081 1600 1699 Parchment Germany front 1 Lewis E M 17:08 front cd 5091 2111 7704 Miniature of the Holy Family
Lewis E M 17:8 Lewis E M 17.8 reverse mcai170082 1600 1699 Parchment Germany 2 Lewis E M 17:08 cd 5091 2111 7704 Partial sketch (reverse of miniature of Holy Family)
Lewis E M 17:9 Lewis E M 17.9 front a mcai170093 1700 1775 Probably arms for Johann Daniel Schmied. Parchment Constance, Germany front 1 Lewis E M 17:09 front cd 5091 2111 7704 Coat of arms
Lewis E M 17:9 Lewis E M 17.9 reverse a mcai170094 Parchment Unknown reverse 2 Lewis E M 17:09 reverse cd 5091 2111 7704 Coat of arms
Lewis E M 17:9 Lewis E M 17.9 front b mcai170095 1747 Poem dedicated by a scribe and illuminator, Johann Daniel Schmied, in 1747, to his brother-in-law. Parchment Constance, Germany Cursive Schmied, Johann Daniel Author 3 Lewis E M 17:09 cd 5091 2111 7704 Poem dedicated by a scribe and illuminator
Lewis E M 17:9 Lewis E M 17.9 reverse b mcai170096 1747 Parchment Unknown reverse 4 Lewis E M 17:09 reverse cd 5091 2111 7704 Poem dedicated by a scribe and illuminator
Lewis E M 17:10 Lewis E M 17.10 front mcai170101 1747 1725 1750 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:10 front cd 5091 2111 7704 Miniature of Kaiser Konrad receiving the Smith, Konrad Stich
Lewis E M 17:10 Lewis E M 17.10 reverse mcai170102 1747 Parchment Unknown Cursive reverse 2 Lewis E M 17:10 reverse cd 5091 2111 7707 Miniature of Kaiser Konrad receiving the Smith, Konrad Stich
Lewis E M 17:11 Lewis E M 17.11 front mcai170111 1747 1725 1750 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:11 front cd 5091 2111 7707 Miniature depicting battle between Abner and Joab
Lewis E M 17:11 Lewis E M 17.11 reverse mcai170112 Parchment Constance, Germany reverse 2 Lewis E M 17:11 reverse cd 5091 2111 7707 Miniature depicting battle between Abner and Joab
Lewis E M 17:12 Lewis E M 17.12 front mcai170121 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:12 front cd 5091 2111 7707 Scenes from story of Joseph and his brethren
Lewis E M 17:12 Lewis E M 17.12 reverse mcai170122 Parchment Constance, Germany reverse 2 Lewis E M 17:12 reverse cd 5091 2111 7707 Scenes from story of Joseph and his brethren
Lewis E M 17:13 Lewis E M 17.13 front a mcai170133 1725 1775 Parchment German Constance, Germany Cursive Schmied, Johann Daniel Artist front 1 Lewis E M 17:13 front cd 5091 2111 7707 Death with armful of symbols of rank, in a churchyard
Lewis E M 17:13 Lewis E M 17.13 reverse a mcai170134 1725 1775 Parchment Unknown reverse 2 Lewis E M 17:13 reverse cd 5091 2111 7707 Death with armful of symbols of rank, in a churchyard
Lewis E M 17:13 Lewis E M 17.13 front b mcai170135 Parchment Unknown Schmied, Johann Daniel Artist 3 Lewis E M 17:13 cd 5091 2111 7707 Miniature depicting the sacrifice of Isaac
Lewis E M 17:13 Lewis E M 17.13 reverse b mcai170136 Parchment Unknown reverse 4 Lewis E M 17:13 reverse cd 5091 2111 7711 Miniature depicting the sacrifice of Isaac
Lewis E M 17:14 Lewis E M 17.14 front mcai170141 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:14 front cd 5091 2111 7711 Lady in ship escorted by fame and fortune, Jupiter and Juno above
Lewis E M 17:14 Lewis E M 17.14 reverse mcai170142 Parchment Unknown reverse 2 Lewis E M 17:14 reverse cd 5091 2111 7711 Lady in ship escorted by fame and fortune, Jupiter and Juno above
Lewis E M 17:15 Lewis E M 17.15 front mcai170151 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:15 front cd 5091 2111 7711 Miniature of a children's game: children dancing around the cock
Lewis E M 17:15 Lewis E M 17.15 reverse mcai170152 Parchment Unknown reverse 2 Lewis E M 17:15 reverse cd 5091 2111 7711 Miniature of a children's game: children dancing around the cock
Lewis E M 17:16 Lewis E M 17.16 front mcai170161 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:16 front cd 5091 2111 7711 Miniature of a pair of lovers
Lewis E M 17:16 Lewis E M 17.16 reverse mcai170162 Parchment Unknown reverse 2 Lewis E M 17:16 reverse cd 5091 2111 7711 Miniature of a pair of lovers
Lewis E M 17:17 Lewis E M 17.17 front mcai170171 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist 1 Lewis E M 17:17 cd 5091 2111 7711 Miniature of a dispute over the housekeeper's keys, with feasting couple in background
Lewis E M 17:17 Lewis E M 17.17 reverse mcai170172 &nbsp;reverse of a miniature Parchment Unknown 2 Lewis E M 17:17 cd 5091 2111 7711 Coat of arms
Lewis E M 17:18 Lewis E M 17.18 front mcai170181 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:18 front cd 5091 2111 7711 Miniature of the sly fox
Lewis E M 17:18 Lewis E M 17.18 reverse mcai170182 Parchment Unknown reverse 2 Lewis E M 17:18 reverse cd 5091 2111 7712 Miniature of the sly fox
Lewis E M 17:19 Lewis E M 17.19 front mcai170191 1747 1725 1775 Parchment German Constance, Germany Cursive Schmied, Johann Daniel Artist front 1 Lewis E M 17:19 front cd 5091 2111 7712 Miniature of the devil rejoicing over a brew made of monks, nuns, and priests
Lewis E M 17:19 Lewis E M 17.19 reverse mcai170192 Parchment Unknown 2 Lewis E M 17:19 cd 5091 2111 7712 Coat of arms
Lewis E M 17:20 Lewis E M 17.20 front mcai170201 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:20 front cd 5091 2111 7712 Miniature of the alchemist's thieving apprentice
Lewis E M 17:20 Lewis E M 17.20 reverse mcai170202 1725 1775 &nbsp;reverse of a miniature of the alchemist's thieving apprentice by Schmeidt. Parchment Unknown 2 Lewis E M 17:20 cd 5091 2111 7712 Coat of arms
Lewis E M 17:21 Lewis E M 17.21 front mcai170211 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:21 front cd 5091 2111 7712 Miniature of St. Anthony resisting temptation
Lewis E M 17:21 Lewis E M 17.21 reverse mcai170212 Parchment Constance, Germany 2 Lewis E M 17:21 cd 5091 2111 7712 Coat of arms
Lewis E M 17:22 Lewis E M 17.22 front mcai170221 1747 1725 1775 Parchment Constance, Germany Schmied, Johann Daniel Artist front 1 Lewis E M 17:22 front cd 5091 2111 7712 Miniature of Hercules' choice
Lewis E M 17:22 Lewis E M 17.22 reverse mcai170222 Parchment Unknown reverse 2 Lewis E M 17:22 reverse cd 5091 2111 7712 Miniature of Hercules' choice
Lewis E M 17:23 Lewis E M 17.23 front mcai170231 1740 1700 1750 Parchment Augsburg, Germany front 1 Lewis E M 17:23 front cd 5091 2111 7714 Drawing of a young flute player
Lewis E M 17:23 Lewis E M 17.23 reverse mcai170232 Parchment Unknown reverse 2 Lewis E M 17:23 reverse cd 5091 2111 7714 Drawing of a young flute player
Lewis E M 18:1-3 Lewis E M 18.1 front mcai180011 1400 1425 129 x 181 mm This leaf and four others in the Free Library's collections (Lewis E M 18:2-3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, Netherlandish illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Last Judgment with the Virgin Mary and John the Baptist kneeling in adoration below Christ as judge, for example, commonly prefaced the Penitential Psalms in Netherlandish books of hours. The miniature has suffered some damage and several areas have been repainted at a later date. Parchment Latin Utrecht?, Netherlands front 18:1 1 Lewis E M 18:01-03 front 18:1 cd 5091 2111 9079 48-bit color 600 ppi 1 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.1 reverse mcai180012 1400 1425 129 x 181 mm This is the reverse of leaf with a miniature propably intended for a book of hours. Parchment Latin Utrecht?, Netherlands reverse 18:1 2 Lewis E M 18:01-03 reverse 18:1 cd 5091 2111 9079 48-bit color 600 ppi 2 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.2a front mcai180023 1400 1425 128 x 181 mm This leaf and four others in the Free Library's collections (Lewis E M 18:1 and 2b-3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The scene of Christ before one of his judges, for example, commonly prefaced Prime of the Hours of the Virgin or the Hours of the Cross. The miniature has suffered some damage and several areas have been repainted at a later date. Parchment Latin Utrecht?, Netherlands front 18:2a 3 Lewis E M 18:01-03 front 18:2a cd 5091 2111 9079 48-bit color 600 ppi 3 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.2a reverse mcai180024 1400 1425 128 x 181 mm This is the reverse of leaf with a miniature propably intended for a book of hours. Parchment Latin Utrecht?, Netherlands reverse 18:2a 4 Lewis E M 18:01-03 reverse 18:2a cd 5091 2111 9079 48-bit color 600 ppi 4 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.2b front mcai180025 1400 1425 126 x 180 mm This leaf and four others in the Free Library's collections (Lewis E M 18:1-2a and3a-b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Arrest of Christ, for example, commonly prefaced Matins of the Hours of the Cross. The miniature has suffered some damage and several areas have been repainted at a later date. Parchment Latin Utrecht?, Netherlands front 18:2b 5 Lewis E M 18:01-03 front 18:2b cd 5091 2111 9079 48-bit color 600 ppi 5 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.2b reverse mcai180026 1400 1425 126 x 180 mm This is the reverse of leaf with a miniature propably intended for a book of hours. Parchment Latin Utrecht?, Netherlands reverse 18:2b 6 Lewis E M 18:01-03 reverse 18:2b cd 5091 2111 9079 48-bit color 600 ppi 6 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.3a front mcai180033 1400 1425 128 x 180 mm This leaf and four others in the Free Library's collections (Lewis E M 18:1-2b and 3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Blessed being taken to heaven is an unusual miniature to stand alone in a book of hours, but it may have been part of a longer sequence related to the Last Judgment.The miniature has suffered some damage and several areas have been repainted at a later date. Parchment Latin Utrecht?, Netherlands front 18:3a 7 Lewis E M 18:01-03 front 18:3a cd 5091 2111 9070 48-bit color 600 ppi 7 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.3a reverse mcai180034 1400 1425 128 x 180 mm This is the reverse of leaf with a miniature propably intended for a book of hours. Parchment Latin Utrecht?, Netherlands reverse 18:3a 8 Lewis E M 18:01-03 reverse 18:3a cd 5091 2111 9070 48-bit color 600 ppi 8 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.3b front mcai180035 1400 1425 128 x 180 mm This leaf and four others in the Free Library's collections (Lewis E M 18:1-3a) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. Christ carrying the Cross, for example, commonly prefaced Sext of the Hours of the Virgin or the Hours of the Cross. Parchment Latin Utrecht?, Netherlands front 18:3b 9 Lewis E M 18:01-03 front 18:3b cd 5091 2111 9070 48-bit color 600 ppi 9 Book of Hours
Lewis E M 18:1-3 Lewis E M 18.3b reverse mcai180036 1400 1425 128 x 180 mm This is the reverse of leaf with a miniature propably intended for a book of hours. Parchment Latin Utrecht?, Netherlands reverse 18:3b 10 Lewis E M 18:01-03 reverse 18:3b cd 5091 2111 9070 48-bit color 600 ppi 10 Book of Hours
Lewis E M 18:4 Lewis E M 18.4 front mcai180041 1425 1450 108 x 150 mm The decoration on this leaf was left unfinished with only the gold applied to the underdrawing of the miniature and the decorated initial and border. Yet, its incomplete state allows us to see the steps of illumination midway through the process. After a leaf was ruled to determine the number of lines of text and decoration, the scribe wrote in the text leaving the areas of decoration blank. The leaf was then handed over to an illuminator who would first draw in the outlines of the decoration with a stylus or a lead stick, similar to a pencil. Then, the gold leaf was added before the decoration was painted in with various colors. For an unknown reason, our illuminator abandoned his work after adding the gold leaf, leaving the underdrawing exposed.This miniature marks the beginning of Terce of the Hours of the Cross. Parchment Latin France Gothic bookhand front 1 Lewis E M 18:04 front cd 5091 2111 9070 48-bit color 600 ppi 1 Book of Hours
Lewis E M 18:4 Lewis E M 18.4 reverse mcai180042 1425 1450 108 x 150 mm This image shows the reverse of a leaf with unfinished decoration from a book of hours. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 18:04 reverse cd 5091 2111 9070 48-bit color 600 ppi 2 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.5 front mcai180051 1475 1499 145 x 185 mm The initial on this leaf marks the beginning of Prime of the Hours of Eternal Wisdom, a cycle of devotions popular in the Netherlands in the late Middle Ages. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8). Parchment Dutch Holland, Netherlands Hybrida front 18:5 1 Lewis E M 18:05-08 front 18:5 cd 5091 2111 9053 48-bit color 600 ppi 1 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.5 reverse mcai180052 1475 1499 145 x 185 mm This image shows the reverse of a leaf with a decorated initial from a Dutch book of hours. Parchment Dutch Holland, Netherlands Hybrida reverse 18:5 2 Lewis E M 18:05-08 reverse 18:5 cd 5091 2111 9053 48-bit color 600 ppi 2 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.6 front mcai180061 1475 1499 146 x 186 mm The initial on this leaf marks the beginning of Sext of Hours of the Holy Spirit. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8). Parchment Dutch Holland, Netherlands Hybrida front 18:6 3 Lewis E M 18:05-08 front 18:6 cd 5091 2111 9053 48-bit color 600 ppi 3 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.6 reverse mcai180062 1475 1499 146 x 186 mm This image shows the reverse of a leaf with a decorated initial from a Dutch book of hours. Parchment Dutch Holland, Netherlands Hybrida reverse 18:6 4 Lewis E M 18:05-08 reverse 18:6 cd 5091 2111 9053 48-bit color 600 ppi 4 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.7 front mcai180071 1475 1499 146 x 185 mm The miniature marks the beginning of Compline of the Hours of the Cross. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8). Parchment Dutch Holland, Netherlands Hybrida front 18:7 5 Lewis E M 18:05-08 front 18:7 cd 5091 2111 9053 48-bit color 600 ppi 5 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.7 reverse mcai180072 1475 1499 146 x 185 mm This image shows the reverse of a leaf with a miniature from a Dutch book of hours. Parchment Dutch Holland, Netherlands Hybrida reverse 18:7 6 Lewis E M 18:05-08 reverse 18:7 cd 5091 2111 9052 48-bit color 600 ppi 6 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.8 front b mcai180080 1475 1499 288 x 185 mm This image is of an opening of a bifolium with from a Dutch book of hours. The text is not continuous. The verso contains part of the Prayers of St. Gregory. The text on the recto includes the beginning of "Nunc dimittis suum tuum" (Now send your servant), a Canticle recited during Compline of the Hours of the Virgin Parchment Dutch Holland, Netherlands Hybrida opening 18:8 9 Lewis E M 18:05-08 opening 18:8 cd 5091 2111 9052 48-bit color 600 ppi 9 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.8 front a mcai180081 1475 1499 144 x 185 mm The rubrics and initial mark the beginning of Prayers by St. Gregory to the Passion of Our Lord. This leaf is the first folio of a bifolium (or two conjoined leaves) that belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8). Parchment Dutch Holland, Netherlands Hybrida front 18:8 7 Lewis E M 18:05-08 front 18:8 cd 5091 2111 9052 48-bit color 600 ppi 7 Book of Hours
Lewis E M 18:5-8 Lewis E M 18.8 reverse a mcai180082 1475 1499 144 x 185 mm This image shows the last folio of a bifolium from a book of hours. Parchment Dutch Holland, Netherlands Hybrida reverse 18:8 8 Lewis E M 18:05-08 reverse 18:8 cd 5091 2111 9052 48-bit color 600 ppi 8 Book of Hours
Lewis E M 18:9 Lewis E M 18.9 front mcai180091 1450 1499 175 x 248 mm This leaf contains a Dutch translation of the first chapters of the Gospel of Matthew. Although the medieval Catholic Church did not look favorably on vernacular translations of Scripture, such translations were occasionally made in order to make Scripture more easily available to a wider audience. The Dutch translation that appears on this leaf is the work of Johannes Scutken (d. 1423), a follower of a popular religious movement in the Netherlands known as the Devotio Moderna, or "Modern Devotion." The movement emphasized devotion to the life and humanity of Christ and aimed to enhance the spiritual lives of common people, partly through making religious texts written in Latin available to readers who did not have knowledge of Latin. Parchment Dutch Netherlands Hybrida front 1 Lewis E M 18:09 front cd 5091 2111 9051 48-bit color 600 ppi 1 Bible, Matthew
Lewis E M 18:9 Lewis E M 18.9 reverse mcai180092 1450 1499 175 x 248 mm This image shows the reverse of a leaf from a Dutch translation of the Gospel of Matthew. Parchment Dutch Netherlands Hybrida reverse 2 Lewis E M 18:09 reverse cd 5091 2111 9051 48-bit color 600 ppi 2 Bible, Matthew
Lewis E M 18:10 Lewis E M 18.10 front mcai180101 1475 1499 133 x 128 mm This initial begins the first response for the first nocturn of Matins for the Epiphany, "Hodie in Iordane baptizato Domino ..." (Today, when the Lord was baptized in the Jordan). Parchment Latin Netherlands front 1 Lewis E M 18:10 front cd 5091 2111 9051 48-bit color 600 ppi 1 Antiphonary
Lewis E M 18:10 Lewis E M 18.10 reverse mcai180102 1475 1499 133 x 128 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Netherlands Liturgical bookhand reverse 2 Lewis E M 18:10 reverse cd 5091 2111 9051 48-bit color 600 ppi 2 Antiphonary
Lewis E M 18:11 Lewis E M 18.11 front mcai180111 1490 1510 160 x 154 mm This initial begins a chant likely sung during the celebrations of the feast of St. Cecilia, a second-century virgin martyr who in the late Middle Ages became the patron saint of church music. According to her legend, Cecilia was forced to marry. At her wedding, she heard in her heart a hymn of love for Christ, her true spouse, instead of the profane music of the ceremony. This account led to her association with music. She is often shown playing the organ, as she is in this initial. Parchment Latin Netherlands front 1 Lewis E M 18:11 front cd 5091 2111 9051 48-bit color 600 ppi 1 Antiphonary
Lewis E M 18:11 Lewis E M 18.11 reverse mcai180112 1490 1510 160 x 154 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Netherlands Liturgical bookhand reverse 2 Lewis E M 18:11 reverse cd 5091 2111 9050 48-bit color 600 ppi 2 Antiphonary
Lewis E M 19:1 Lewis E M 19.1 front mcai190011 1300 1399 87 x 175 mm The style and palette of this initial is typical of Bolognese illumination of the fourteenth century. Parchment Latin Bologna, Italy Rotunda front 1 Lewis E M 19:01 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:1 Lewis E M 19.1 reverse mcai190012 1300 1399 87 x 175 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 19:01 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:2 Lewis E M 19.2 front mcai190021 1400 1499 68 x 107 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy front 1 Lewis E M 19:02 front cd 5091 2111 9046 48-bit color 600 ppi 1 Service book
Lewis E M 19:2 Lewis E M 19.2 reverse mcai190022 1400 1499 68 x 107 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 19:02 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Service book
Lewis E M 19:3 Lewis E M 19.3 front mcai190031 1400 1499 76 x 73 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy front 1 Lewis E M 19:03 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:3 Lewis E M 19.3 reverse mcai190032 1400 1499 76 x 73 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 19:03 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:4 Lewis E M 19.4 front mcai190041 1400 1499 104 x 115 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 19:04 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:4 Lewis E M 19.4 reverse mcai190042 1400 1499 104 x 115 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:04 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:5 Lewis E M 19.5 front mcai190051 1400 1499 92 x 101 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:05 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:5 Lewis E M 19.5 reverse mcai190052 1400 1499 92 x 101 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:05 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:6 Lewis E M 19.6 front mcai190061 1400 1499 67 x 71 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:06 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:6 Lewis E M 19.6 reverse mcai190062 1400 1499 67 x 71 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:06 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:7 Lewis E M 19.7 front mcai190071 1400 1499 68 x 78 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:07 front cd 5091 2111 9046 48-bit color 600 ppi 1 Choir book
Lewis E M 19:7 Lewis E M 19.7 reverse mcai190072 1400 1499 68 x 78 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:07 reverse cd 5091 2111 9046 48-bit color 600 ppi 2 Choir book
Lewis E M 19:8 Lewis E M 19.8 front mcai190081 1400 1499 91 x 85 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:08 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:8 Lewis E M 19.8 reverse mcai190082 1400 1499 91 x 85 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:08 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:9 Lewis E M 19.9 front mcai190091 1400 1499 92 x 93 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:09 front cd 5091 2111 9045 48-bit color 600 ppi 1 Service book
Lewis E M 19:9 Lewis E M 19.9 reverse mcai190092 1400 1499 92 x 93 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:09 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Service book
Lewis E M 19:10 Lewis E M 19.10 front mcai190101 1400 1499 72 x 62 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy front 1 Lewis E M 19:10 front cd 5091 2111 9045 48-bit color 600 ppi 1 Service book
Lewis E M 19:10 Lewis E M 19.10 reverse mcai190102 1400 1499 72 x 62 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 19:10 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Service book
Lewis E M 19:11 Lewis E M 19.11 front mcai190111 1400 1499 112 x 103 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:11 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:11 Lewis E M 19.11 reverse mcai190112 1400 1499 112 x 103 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:11 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:12 Lewis E M 19.12 front mcai190121 1400 1499 59 x 62 mm Initial G Parchment Latin Italy (northern) front 1 Lewis E M 19:12 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:12 Lewis E M 19.12 reverse mcai190122 1400 1499 59 x 62 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:12 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:13 Lewis E M 19.13 front mcai190131 1400 1499 70 x 73 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:13 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:13 Lewis E M 19.13 reverse mcai190132 1400 1499 70 x 73 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:13 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:14 Lewis E M 19.14 front mcai190141 1400 1499 73 x 86 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:14 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:14 Lewis E M 19.14 reverse mcai190142 1400 1499 73 x 86 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:14 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:15 Lewis E M 19.15 front mcai190151 1400 1499 55 x 74 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:15 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:15 Lewis E M 19.15 reverse mcai190152 1400 1499 55 x 74 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:15 reverse cd 5091 2111 9045 48-bit color 600 ppi 2 Choir book
Lewis E M 19:16 Lewis E M 19.16 front mcai190161 1400 1499 110 x 89 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:16 front cd 5091 2111 9045 48-bit color 600 ppi 1 Choir book
Lewis E M 19:16 Lewis E M 19.16 reverse mcai190162 1400 1499 110 x 89 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:16 reverse cd 5091 2111 9955 48-bit color 600 ppi 2 Choir book
Lewis E M 19:17 Lewis E M 19.17 front mcai190171 1400 1499 63 x 62 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:17 front cd 5091 2111 9955 48-bit color 600 ppi 1 Choir book
Lewis E M 19:17 Lewis E M 19.17 reverse mcai190172 1400 1499 63 x 62 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:17 reverse cd 5091 2111 9955 48-bit color 600 ppi 2 Choir book
Lewis E M 19:18 Lewis E M 19.18 front mcai190181 1400 1499 64 x 64 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:18 front cd 5091 2111 9955 48-bit color 600 ppi 1 Choir book
Lewis E M 19:18 Lewis E M 19.18 reverse mcai190182 1400 1499 64 x 64 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:18 reverse cd 5091 2111 9955 48-bit color 600 ppi 2 Choir book
Lewis E M 19:19 Lewis E M 19.19 front mcai190191 1400 1499 101 x 107 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same service book or set of choir books. Parchment Latin Italy (northern) front 1 Lewis E M 19:19 front cd 5091 2111 9955 48-bit color 600 ppi 1 Service book
Lewis E M 19:19 Lewis E M 19.19 reverse mcai190192 1400 1499 101 x 107 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:19 reverse cd 5091 2111 9955 48-bit color 600 ppi 2 Service book
Lewis E M 19:20 Lewis E M 19.20 front mcai190201 1400 1499 180 x 260 mm This initial is typical of minor initial decoration found in service books made in Ferrara during the fifteenth century. Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 19:20 front cd 5091 2111 9955 48-bit color 600 ppi 1 Service book
Lewis E M 19:20 Lewis E M 19.20 reverse mcai190202 1400 1499 180 x 260 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 19:20 reverse cd 5091 2111 9955 48-bit color 600 ppi 2 Service book
Lewis E M 19:21 Lewis E M 19.21 front mcai190211 1400 1499 87 x 87 mm This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:21 front cd 5091 2111 9956 48-bit color 600 ppi 1 Choir book
Lewis E M 19:21 Lewis E M 19.21 reverse mcai190212 1400 1499 87 x 87 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:21 reverse cd 5091 2111 9956 48-bit color 600 ppi 2 Choir book
Lewis E M 19:22 Lewis E M 19.22 front mcai190221 1400 1499 118 x 101 mm Initial C Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 19:22 front cd 5091 2111 9956 48-bit color 600 ppi 1 Missal
Lewis E M 19:22 Lewis E M 19.22 reverse mcai190222 1400 1499 118 x 101 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:22 reverse cd 5091 2111 9956 48-bit color 600 ppi 2 Missal
Lewis E M 19:23 Lewis E M 19.23 front mcai190231 1400 1499 137 x 137 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:23 front cd 5091 2111 9956 48-bit color 600 ppi 1 Missal
Lewis E M 19:23 Lewis E M 19.23 reverse mcai190232 1400 1499 137 x 137 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:23 reverse cd 5091 2111 9956 48-bit color 600 ppi 2 Missal
Lewis E M 19:24 Lewis E M 19.24 front mcai190241 1400 1499 72 x 75 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:24 front cd 5091 2111 9956 48-bit color 600 ppi 1 Choir book
Lewis E M 19:24 Lewis E M 19.24 reverse mcai190242 1400 1499 72 x 75 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:24 reverse cd 5091 2111 9956 48-bit color 600 ppi 2 Choir book
Lewis E M 19:25 Lewis E M 19.25 front mcai190251 1400 1499 78 x 72 mm This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 19:25 front cd 5091 2111 9956 48-bit color 600 ppi 1 Choir book
Lewis E M 19:25 Lewis E M 19.25 reverse mcai190252 1400 1499 78 x 72 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 19:25 reverse cd 5091 2111 9956 48-bit color 600 ppi 2 Choir book
Lewis E M 20:1 Lewis E M 20.1 front mcai200011 1400 1499 80 x 88 mm The precise moment in the liturgy that this initial begins remains to be determined. Its iconography suggests that it began a chant in honor of the Holy Cross. Parchment Latin Italy front 1 Lewis E M 20:01 front cd 5091 2111 9957 48-bit color 600 ppi 1 Choir book
Lewis E M 20:1 Lewis E M 20.1 reverse mcai200012 1400 1499 80 x 88 mm This image shows the reverse of a cutting with a decorated initial. Parchment Latin Italy Rotunda reverse 2 Lewis E M 20:01 reverse cd 5091 2111 9957 48-bit color 600 ppi 2 Choir book
Lewis E M 20:2-3 Lewis E M 20.2-3 front mcai200021 1490 1510 80 x 79 mm Stylistic similarities between this initial and Lewis E M 20:2 suggest that they were taken from the same large illuminated choir book or set of choir books of the type found in Italy from this period (see, for example, Lewis E 10). The cuttings have been pasted onto decorative cardboard, however, making it impossible to determine if they are indeed from a choir book. Lewis E M 20:2-3 were illuminated by Master B.F, an anonymous Lombard illuminator named after a pair of initials found in one of his illuminations. Some art historians have identifed him as Francesco Binasco, an illuminator documented at the court of Francesco Maria Sforza, Duke of Milan (r. 1521-35). Parchment Latin Lombardy, Italy Master B.F. (Francesco Binasco) Artist front 2 Lewis E M 20:02-03 front cd 5091 2111 9957 48-bit color 600 ppi 2 Choir book
Lewis E M 20:2-3 Lewis E M 20.2-3 reverse mcai200031 1490 1510 83 x 79 mm Stylistic similarities between this initial and Lewis E M 20:3 suggest that they were taken from the same large illuminated choir book or set of choir books of the type found in Italy from this period (see, for example, Lewis E 10). The cuttings have been pasted onto decorative cardboard, however, making it impossible to determine if they are indeed from a choir book. Lewis E M 20:2-3 were illuminated by Master B.F, an anonymous Lombard illuminator named after a pair of initials found in one of his illuminations. Some art historians have identifed him as Francesco Binasco, an illuminator documented at the court of Francesco Maria Sforza, Duke of Milan (r. 1521-35). Parchment Latin Lombardy, Italy Master B.F. (Francesco Binasco) Artist front 1 Lewis E M 20:02-03 front cd 5091 2111 9957 48-bit color 600 ppi 1 Choir book
Lewis E M 20:4 Lewis E M 20.4 front mcai200041 1450 1499 113 x 110 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Fragments of text on the reverse indicate that it was taken from an antiphonary. Parchment Latin Italy (northern) front 1 Lewis E M 20:04 front cd 5091 2111 9957 48-bit color 600 ppi 1 Antiphonary
Lewis E M 20:4 Lewis E M 20.4 reverse mcai200042 1450 1499 113 x 110 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:04 reverse cd 5091 2111 9957 48-bit color 600 ppi 2 Antiphonary
Lewis E M 20:5 Lewis E M 20.5 front mcai200051 1450 1499 111 x 100 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:05 front cd 5091 2111 9957 48-bit color 600 ppi 1 Choir book
Lewis E M 20:5 Lewis E M 20.5 reverse mcai200052 1450 1499 111 x 100 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:05 reverse cd 5091 2111 9957 48-bit color 600 ppi 2 Choir book
Lewis E M 20:6 Lewis E M 20.6 front mcai200061 1450 1499 106 x 98 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:06 front cd 5091 2111 9957 48-bit color 600 ppi 1 Choir book
Lewis E M 20:6 Lewis E M 20.6 reverse mcai200062 1450 1499 106 x 98 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:06 reverse cd 5091 2111 9957 48-bit color 600 ppi 2 Choir book
Lewis E M 20:7 Lewis E M 20.7 front mcai200071 1450 1499 132 x 122 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:07 front cd 5091 2111 9957 48-bit color 600 ppi 1 Choir book
Lewis E M 20:7 Lewis E M 20.7 reverse mcai200072 1450 1499 132 x 122 mm This image shows the reverse of a cutting from a service book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:07 reverse cd 5091 2111 9957 48-bit color 600 ppi 2 Choir book
Lewis E M 20:8 Lewis E M 20.8 front mcai200081 1450 1499 147 x 141 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:08 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:8 Lewis E M 20.8 reverse mcai200082 1450 1499 147 x 141 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:08 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:9 Lewis E M 20.9 front mcai200091 1450 1499 79 x 79 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:09 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:9 Lewis E M 20.9 reverse mcai200092 1450 1499 79 x 79 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:09 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:10 Lewis E M 20.10 front mcai200101 1450 1499 103 x 91 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:10 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:10 Lewis E M 20.10 reverse mcai200102 1450 1499 103 x 91 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:10 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:11 Lewis E M 20.11 front mcai200111 1450 1499 77 x 77 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:11 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:11 Lewis E M 20.11 reverse mcai200112 1450 1499 77 x 77 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:11 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:12 Lewis E M 20.12 front mcai200121 1450 1499 86 x 91 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:12 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:12 Lewis E M 20.12 reverse mcai200122 1450 1499 86 x 91 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:12 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:13 Lewis E M 20.13 front mcai200131 1450 1499 96 x 85 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:13 front cd 5091 2111 9959 48-bit color 600 ppi 1 Choir book
Lewis E M 20:13 Lewis E M 20.13 reverse mcai200132 1450 1499 96 x 85 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:13 reverse cd 5091 2111 9959 48-bit color 600 ppi 2 Choir book
Lewis E M 20:14 Lewis E M 20.14 front mcai200141 1450 1499 75 x 74 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:14 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:14 Lewis E M 20.14 reverse mcai200142 1450 1499 75 x 74 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:14 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:15 Lewis E M 20.15 front mcai200151 1450 1499 107 x 91 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:15 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:15 Lewis E M 20.15 reverse mcai200152 1450 1499 107 x 91 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:15 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:16 Lewis E M 20.16 front mcai200161 1450 1499 100 x 85 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:16 front cd 5091 2111 9960 48-bit color 600 ppi 1 Antiphonary
Lewis E M 20:16 Lewis E M 20.16 reverse mcai200162 1450 1499 100 x 85 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:16 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Antiphonary
Lewis E M 20:17 Lewis E M 20.17 front mcai200171 1450 1499 102 x 82 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:17 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:17 Lewis E M 20.17 reverse mcai200172 1450 1499 102 x 82 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:17 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:18 Lewis E M 20.18 front mcai200181 1450 1499 115 x 96 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:18 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:18 Lewis E M 20.18 reverse mcai200182 1450 1499 115 x 96 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:18 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:19 Lewis E M 20.19 front mcai200191 1450 1499 90 x 76 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:19 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:19 Lewis E M 20.19 reverse mcai200192 1450 1499 90 x 76 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:19 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:20 Lewis E M 20.20 front mcai200201 1450 1499 109 x 92 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:20 front cd 5091 2111 9960 48-bit color 600 ppi 1 Choir book
Lewis E M 20:20 Lewis E M 20.20 reverse mcai200202 1450 1499 109 x 92 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:20 reverse cd 5091 2111 9960 48-bit color 600 ppi 2 Choir book
Lewis E M 20:21 Lewis E M 20.21 front mcai200211 1450 1499 95 x 80 mm This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Parchment Latin Italy (northern) front 1 Lewis E M 20:21 front cd 5091 2111 9961 48-bit color 600 ppi 1 Choir book
Lewis E M 20:21 Lewis E M 20.21 reverse mcai200212 1450 1499 95 x 80 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:21 reverse cd 5091 2111 9961 48-bit color 600 ppi 2 Choir book
Lewis E M 20:22 Lewis E M 20.22 front mcai200221 1450 1499 93 x 90 mm Initial A Parchment Latin Italy (northern) front 1 Lewis E M 20:22 front cd 5091 2111 9961 48-bit color 600 ppi 1 Choir book
Lewis E M 20:22 Lewis E M 20.22 reverse mcai200222 1450 1499 93 x 90 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 20:22 reverse cd 5091 2111 9961 48-bit color 600 ppi 2 Choir book
Lewis E M 21:1 Lewis E M 21.1 front mcai210011 1400 1499 71 x 107 mm This leaf is numbered "ccxxiii" (223) on recto in upper right corner from the original foliation. Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 21:01 front cd 5091 2111 9962 48-bit color 600 ppi 1 Book of Hours
Lewis E M 21:1 Lewis E M 21.1 reverse mcai210012 1400 1499 71 x 107 mm This image shows the reverse of a leaf removed from a book of hours. It contains text from Matins of the Hours of the Holy Cross. The initials "FH" around a cross design in the lower left corner are probably those of a previous owner. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 21:01 reverse cd 5091 2111 9962 48-bit color 600 ppi 2 Book of Hours
Lewis E M 21:2-3 Lewis E M 21.2 front mcai210021 1400 1499 188 x 272 mm This initial begins the ninth prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The ninth prophecy, from Exodus 12:1-11, concerns the sacrifice of the lamb at Passover, a reference to the sacrifice of Christ, the Lamb of God. Parchment Latin Ferrara?, Italy Rotunda front 21:2 1 Lewis E M 21:02-03 front 21:2 cd 5091 2111 9962 48-bit color 600 ppi 1 Missal
Lewis E M 21:2-3 Lewis E M 21.2 reverse mcai210022 1400 1499 188 x 272 mm This image shows the reverse of a leaf with a decorated initial from a missal. The text is a portion of the eighth prophecy of the twelve that were read during the Easter Vigil on the night of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The eighth prophecy, from Isaiah 4:1-6, foretells the coming of Christ. Parchment Latin Ferrara?, Italy reverse 21:2 2 Lewis E M 21:02-03 reverse 21:2 cd 5091 2111 9962 48-bit color 600 ppi 2 Missal
Lewis E M 21:2-3 Lewis E M 21.3 front mcai210031 1400 1499 195 x 271 mm This initial begins the eleventh prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The eleventh prophecy, from Deuteronomy 31:22-30, concerns man's sinful nature and the need for penance. Parchment Latin Ferrara?, Italy Rotunda front 21:3 3 Lewis E M 21:02-03 front 21:3 cd 5091 2111 9963 48-bit color 600 ppi 3 Missal
Lewis E M 21:2-3 Lewis E M 21.3 reverse mcai210032 1400 1499 195 x 271 mm This image shows the reverse of a leaf with a decorated initial from a missal. The text is a portion of the tenth prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The tenth prophecy, from Jonah 3:1-10, concerns man's sinful nature and the need for penance. Parchment Latin Ferrara?, Italy Rotunda reverse 21:3 4 Lewis E M 21:02-03 reverse 21:3 cd 5091 2111 9963 48-bit color 600 ppi 4 Missal
Lewis E M 21:4-28 Lewis E M 21.4 front mcai210041 1500 1599 161 x 171 mm Initial T Parchment Latin Lombardy, Italy front 21:4 1 Lewis E M 21:04-28 front 21:4 cd 5091 2111 9963 48-bit color 600 ppi 1 Choir book
Lewis E M 21:4-28 Lewis E M 21.4 reverse mcai210042 1500 1599 161 x 171 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:4 2 Lewis E M 21:04-28 reverse 21:4 cd 5091 2111 9965 48-bit color 600 ppi 2 Choir book
Lewis E M 21:4-28 Lewis E M 21.5 front mcai210051 1500 1599 152 x 138 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:5 3 Lewis E M 21:04-28 front 21:5 cd 5091 2111 9965 48-bit color 600 ppi 3 Choir book
Lewis E M 21:4-28 Lewis E M 21.5 reverse mcai210052 1500 1599 152 x 138 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:5 4 Lewis E M 21:04-28 reverse 21:5 cd 5091 2111 9965 48-bit color 600 ppi 4 Choir book
Lewis E M 21:4-28 Lewis E M 21.6 front mcai210061 1500 1599 189 x 195 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:6 5 Lewis E M 21:04-28 front 21:6 cd 5091 2111 9965 48-bit color 600 ppi 5 Choir book
Lewis E M 21:4-28 Lewis E M 21.6 reverse mcai210062 1500 1599 189 x 195 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:6 6 Lewis E M 21:04-28 reverse 21:6 cd 5091 2111 9965 48-bit color 600 ppi 6 Choir book
Lewis E M 21:4-28 Lewis E M 21.7 front mcai210071 1500 1599 161 x 178 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:7 7 Lewis E M 21:04-28 front 21:7 cd 5091 2111 9966 48-bit color 600 ppi 7 Choir book
Lewis E M 21:4-28 Lewis E M 21.7 reverse mcai210072 1500 1599 161 x 178 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:7 8 Lewis E M 21:04-28 reverse 21:7 cd 5091 2111 9966 48-bit color 600 ppi 8 Choir book
Lewis E M 21:4-28 Lewis E M 21.8 front mcai210081 1500 1599 147 x 171 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:8 9 Lewis E M 21:04-28 front 21:8 cd 5091 2111 9966 48-bit color 600 ppi 9 Choir book
Lewis E M 21:4-28 Lewis E M 21.8 reverse mcai210082 1500 1599 147 x 171 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:8 10 Lewis E M 21:04-28 reverse 21:8 cd 5091 2111 9966 48-bit color 600 ppi 10 Choir book
Lewis E M 21:4-28 Lewis E M 21.9 front mcai210091 1500 1599 128 x 170 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:9 11 Lewis E M 21:04-28 front 21:9 cd 5091 2111 9966 48-bit color 600 ppi 11 Choir book
Lewis E M 21:4-28 Lewis E M 21.9 reverse mcai210092 1500 1599 128 x 170 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:9 12 Lewis E M 21:04-28 reverse 21:9 cd 5091 2111 9967 48-bit color 600 ppi 12 Choir book
Lewis E M 21:4-28 Lewis E M 21.10 front mcai210101 1500 1599 161 x 182 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:10 13 Lewis E M 21:04-28 front 21:10 cd 5091 2111 9967 48-bit color 600 ppi 13 Choir book
Lewis E M 21:4-28 Lewis E M 21.10 reverse mcai210102 1500 1599 161 x 182 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:10 14 Lewis E M 21:04-28 reverse 21:10 cd 5091 2111 9967 48-bit color 600 ppi 14 Choir book
Lewis E M 21:4-28 Lewis E M 21.11 front mcai210111 1500 1599 143 x 145 mm Initial S Parchment Latin Lombardy, Italy front 21:11 15 Lewis E M 21:04-28 front 21:11 cd 5091 2111 9967 48-bit color 600 ppi 15 Choir book
Lewis E M 21:4-28 Lewis E M 21.11 reverse mcai210112 1500 1599 143 x 145 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:11 16 Lewis E M 21:04-28 reverse 21:11 cd 5091 2111 9967 48-bit color 600 ppi 16 Choir book
Lewis E M 21:4-28 Lewis E M 21.12 front mcai210121 1500 1599 154 x 140 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:12 17 Lewis E M 21:04-28 front 21:12 cd 5091 2111 9967 48-bit color 600 ppi 17 Choir book
Lewis E M 21:4-28 Lewis E M 21.12 reverse mcai210122 1500 1599 154 x 140 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:12 18 Lewis E M 21:04-28 reverse 21:12 cd 5091 2111 9997 48-bit color 600 ppi 18 Choir book
Lewis E M 21:4-28 Lewis E M 21.13 front mcai210131 1500 1599 130 x 150 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:13 19 Lewis E M 21:04-28 front 21:13 cd 5091 2111 9997 48-bit color 600 ppi 19 Choir book
Lewis E M 21:4-28 Lewis E M 21.13 reverse mcai210132 1500 1599 130 x 150 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:13 20 Lewis E M 21:04-28 reverse 21:13 cd 5091 2111 9997 48-bit color 600 ppi 20 Choir book
Lewis E M 21:4-28 Lewis E M 21.14 front mcai210141 1500 1599 123 x 136 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:14 21 Lewis E M 21:04-28 front 21:14 cd 5091 2111 9997 48-bit color 600 ppi 21 Choir book
Lewis E M 21:4-28 Lewis E M 21.14 reverse mcai210142 1500 1599 123 x 136 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:14 22 Lewis E M 21:04-28 reverse 21:14 cd 5091 2111 9997 48-bit color 600 ppi 22 Choir book
Lewis E M 21:4-28 Lewis E M 21.15 front mcai210151 1500 1599 162 x 160 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:15 23 Lewis E M 21:04-28 front 21:15 cd 5091 2111 9997 48-bit color 600 ppi 23 Choir book
Lewis E M 21:4-28 Lewis E M 21.15 reverse mcai210152 1500 1599 162 x 160 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:15 24 Lewis E M 21:04-28 reverse 21:15 cd 5091 2111 9998 48-bit color 600 ppi 24 Choir book
Lewis E M 21:4-28 Lewis E M 21.16 front mcai210161 1500 1599 122 x 172 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:16 25 Lewis E M 21:04-28 front 21:16 cd 5091 2111 9998 48-bit color 600 ppi 25 Choir book
Lewis E M 21:4-28 Lewis E M 21.16 reverse mcai210162 1500 1599 122 x 172 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:16 26 Lewis E M 21:04-28 reverse 21:16 cd 5091 2111 9998 48-bit color 600 ppi 26 Choir book
Lewis E M 21:4-28 Lewis E M 21.17 front mcai210171 1500 1599 126 x 124 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:17 27 Lewis E M 21:04-28 front 21:17 cd 5091 2111 9998 48-bit color 600 ppi 27 Choir book
Lewis E M 21:4-28 Lewis E M 21.17 reverse mcai210172 1500 1599 126 x 124 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:17 28 Lewis E M 21:04-28 reverse 21:17 cd 5091 2111 9998 48-bit color 600 ppi 28 Choir book
Lewis E M 21:4-28 Lewis E M 21.18 front mcai210181 1500 1599 189 x 186 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:18 29 Lewis E M 21:04-28 front 21:18 cd 5091 2111 9998 48-bit color 600 ppi 29 Choir book
Lewis E M 21:4-28 Lewis E M 21.18 reverse mcai210182 1500 1599 189 x 186 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:18 30 Lewis E M 21:04-28 reverse 21:18 cd 5091 2111 9999 48-bit color 600 ppi 30 Choir book
Lewis E M 21:4-28 Lewis E M 21.19 front mcai210191 1500 1599 157 x 155 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:19 31 Lewis E M 21:04-28 front 21:19 cd 5091 2111 9999 48-bit color 600 ppi 31 Choir book
Lewis E M 21:4-28 Lewis E M 21.19 reverse mcai210192 1500 1599 157 x 155 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:19 32 Lewis E M 21:04-28 reverse 21:19 cd 5091 2111 9999 48-bit color 600 ppi 32 Choir book
Lewis E M 21:4-28 Lewis E M 21.20 front mcai210201 1500 1599 156 x 197 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:20 33 Lewis E M 21:04-28 front 21:20 cd 5091 2111 9999 48-bit color 600 ppi 33 Choir book
Lewis E M 21:4-28 Lewis E M 21.20 reverse mcai210202 1500 1599 156 x 197 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:20 34 Lewis E M 21:04-28 reverse 21:20 cd 5091 2111 9346 48-bit color 600 ppi 34 Choir book
Lewis E M 21:4-28 Lewis E M 21.21 front mcai210211 1500 1599 141 x 155 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:21 35 Lewis E M 21:04-28 front 21:21 cd 5091 2111 9346 48-bit color 600 ppi 35 Choir book
Lewis E M 21:4-28 Lewis E M 21.21 reverse mcai210212 1500 1599 141 x 155 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:21 36 Lewis E M 21:04-28 reverse 21:21 cd 5091 2111 9346 48-bit color 600 ppi 36 Choir book
Lewis E M 21:4-28 Lewis E M 21.22 front mcai210221 1500 1599 141 x 150 mm Initial A Parchment Latin Lombardy, Italy front 21:22 37 Lewis E M 21:04-28 front 21:22 cd 5091 2111 9346 48-bit color 600 ppi 37 Choir book
Lewis E M 21:4-28 Lewis E M 21.22 reverse mcai210222 1500 1599 141 x 150 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:22 38 Lewis E M 21:04-28 reverse 21:22 cd 5091 2111 9346 48-bit color 600 ppi 38 Choir book
Lewis E M 21:4-28 Lewis E M 21.23 front mcai210231 1500 1599 155 x 200 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:23 39 Lewis E M 21:04-28 front 21:23 cd 5091 2111 9346 48-bit color 600 ppi 39 Choir book
Lewis E M 21:4-28 Lewis E M 21.23 reverse mcai210232 1500 1599 155 x 200 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:23 40 Lewis E M 21:04-28 reverse 21:23 cd 5091 2111 9344 48-bit color 600 ppi 40 Choir book
Lewis E M 21:4-28 Lewis E M 21.24 front mcai210241 1500 1599 126 x 137 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:24 41 Lewis E M 21:04-28 front 21:24 cd 5091 2111 9344 48-bit color 600 ppi 41 Choir book
Lewis E M 21:4-28 Lewis E M 21.24 reverse mcai210242 1500 1599 126 x 137 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:24 42 Lewis E M 21:04-28 reverse 21:24 cd 5091 2111 9344 48-bit color 600 ppi 42 Choir book
Lewis E M 21:4-28 Lewis E M 21.25 front mcai210251 1500 1599 151 x 143 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. In this cutting, a large, red "I" was painted over the initial "E" that the illuminator originally intended. The red pigment is close to the ink used in the rubrics of the reverses of initials in this group. The "I" may have been added to correct a mistake made by the illuminator. Parchment Latin Lombardy, Italy front 21:25 43 Lewis E M 21:04-28 front 21:25 cd 5091 2111 9344 48-bit color 600 ppi 43 Choir book
Lewis E M 21:4-28 Lewis E M 21.25 reverse mcai210252 1500 1599 151 x 143 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:25 44 Lewis E M 21:04-28 reverse 21:25 cd 5091 2111 9344 48-bit color 600 ppi 44 Choir book
Lewis E M 21:4-28 Lewis E M 21.26 front mcai210261 1500 1599 142 x 228 mm Initial A Parchment Latin Lombardy, Italy front 21:26 45 Lewis E M 21:04-28 front 21:26 cd 5091 2111 9344 48-bit color 600 ppi 45 Choir book
Lewis E M 21:4-28 Lewis E M 21.26 reverse mcai210262 1500 1599 142 x 228 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:26 46 Lewis E M 21:04-28 reverse 21:26 cd 5091 2111 9338 48-bit color 600 ppi 46 Choir book
Lewis E M 21:4-28 Lewis E M 21.27 front mcai210271 1500 1599 203 x 186 mm Initial C Parchment Latin Lombardy, Italy front 21:27 47 Lewis E M 21:04-28 front 21:27 cd 5091 2111 9338 48-bit color 600 ppi 47 Choir book
Lewis E M 21:4-28 Lewis E M 21.27 reverse mcai210272 1500 1599 203 x 186 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:27 48 Lewis E M 21:04-28 reverse 21:27 cd 5091 2111 9338 48-bit color 600 ppi 48 Choir book
Lewis E M 21:4-28 Lewis E M 21.28 front mcai210281 1500 1599 137 x 169 mm This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. Parchment Latin Lombardy, Italy front 21:28 49 Lewis E M 21:04-28 front 21:28 cd 5091 2111 9338 48-bit color 600 ppi 49 Choir book
Lewis E M 21:4-28 Lewis E M 21.28 reverse mcai210282 1500 1599 137 x 169 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 21:28 50 Lewis E M 21:04-28 reverse 21:28 cd 5091 2111 9334 48-bit color 600 ppi 50 Choir book
Lewis E M 21:29 Lewis E M 21.29 front mcai210291 1490 1510 163 x 202 mm Initial O Parchment Latin Ferrara, Italy front 1 Lewis E M 21:29 front cd 5091 2111 9334 48-bit color 600 ppi 1 Choir book
Lewis E M 21:29 Lewis E M 21.29 reverse mcai210292 1490 1510 163 x 202 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 21:29 reverse cd 5091 2111 9334 48-bit color 600 ppi 2 Choir book
Lewis E M 22:1 Lewis E M 22.1 front mcai220011 1250 1299 39 x 172 mm Initial I Parchment Latin Tuscany, Italy front 1 Lewis E M 22:01 front cd 5091 2111 7531 48-bit color 600 ppi 1 Choir book
Lewis E M 22:1 Lewis E M 22.1 reverse mcai220012 1250 1299 39 x 172 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Tuscany, Italy Romanesque miniscule reverse 2 Lewis E M 22:01 reverse cd 5091 2111 7531 48-bit color 600 ppi 2 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220021 1450 1475 32 x 118 mm The delicate illumination on this cutting has been attributed to Sano di Pietro (1405-1481), one of the most prolific artists working in Siena during the 1460s and 1470s. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. Parchment Latin Siena, Italy Sano di Pietro Artist -1 1 Lewis E M 22:02-04 -1 cd 5091 2111 7531 48-bit color 600 ppi 1 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220022 Parchment Unknown reverse 2 Lewis E M 22:02-04 reverse cd 5091 2111 7531 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220033 1450 1475 99 x 109 mm Border ornament Parchment Latin Siena, Italy Sano di Pietro Artist 22:3a 3 Lewis E M 22:02-04 22:3a cd 5091 2111 7531 48-bit color 600 ppi 2 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220034 Parchment Unknown reverse 4 Lewis E M 22:02-04 reverse cd 5091 2111 7531 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220035 1450 1475 92 x 41 mm Border ornament Parchment Latin Siena, Italy Sano di Pietro Artist 22:3b 5 Lewis E M 22:02-04 22:3b cd 5091 2111 7531 48-bit color 600 ppi 3 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220036 Parchment Unknown reverse 6 Lewis E M 22:02-04 reverse cd 5091 2111 7531 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220041 1450 1475 62 x 96 mm Border ornament Parchment Latin Siena, Italy Sano di Pietro Artist -1 7 Lewis E M 22:02-04 -1 cd 5091 2111 7531 48-bit color 600 ppi 4 Choir book
Lewis E M 22:2-4 Lewis E M 22.2-4 mcai220042 Parchment Unknown reverse 8 Lewis E M 22:02-04 reverse cd 5091 2111 7531 Choir book
Lewis E M 22:5 Lewis E M 22.5 front a mcai220053 1450 1475 113 x 49 mm Border ornament Parchment Siena, Italy Sano di Pietro, follower of Artist front a 1 Lewis E M 22:05 front a cd 5091 2111 7531 48-bit color 600 ppi 1 Choir book
Lewis E M 22:5 Lewis E M 22.5 reverse a mcai220054 1450 1475 113 x 49 mm This is the reverse of a cutting with border ornament from a service book. Parchment Siena, Italy reverse a 2 Lewis E M 22:05 reverse a cd 5091 2111 7531 48-bit color 600 ppi 2 Choir book
Lewis E M 22:5 Lewis E M 22.5 front b mcai220055 1450 1475 62 x 53 mm Border ornament Parchment Siena, Italy Sano di Pietro, follower of Artist front b 3 Lewis E M 22:05 front b cd 5091 2111 7531 48-bit color 600 ppi 3 Choir book
Lewis E M 22:5 Lewis E M 22.5 reverse b mcai220056 1450 1475 62 x 53 mm This image shows the reverse of a cutting of the border ornament from a service book. Parchment Siena, Italy reverse b 4 Lewis E M 22:05 reverse b cd 5091 2111 7531 48-bit color 600 ppi 4 Choir book
Lewis E M 22:5 Lewis E M 22.5 front c mcai220057 1450 1475 148 x 33 mm Border ornament Parchment Siena, Italy Sano di Pietro, follower of Artist front c 5 Lewis E M 22:05 front c cd 5091 2111 7531 48-bit color 600 ppi 5 Choir book
Lewis E M 22:5 Lewis E M 22.5 reverse c mcai220058 1450 1475 148 x 33 mm This is the reverse of a cutting with border ornament from a service book. Parchment Siena, Italy reverse c 6 Lewis E M 22:05 reverse c cd 5091 2111 7531 48-bit color 600 ppi 6 Choir book
Lewis E M 22:6 Lewis E M 22.6 front mcai220061 1490 1510 110 x 105 mm Initial G Parchment Latin Lombardy?, Italy Rotunda front 1 Lewis E M 22:06 front cd 5091 2111 7532 48-bit color 600 ppi 1 Choir book
Lewis E M 22:6 Lewis E M 22.6 reverse mcai220062 1490 1510 110 x 105 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Lombardy?, Italy Rotunda reverse 2 Lewis E M 22:06 reverse cd 5091 2111 7532 48-bit color 600 ppi 2 Choir book
Lewis E M 22:7-16 Lewis E M 22.7 front mcai220071 1400 1499 73 x 94 mm Initial A Parchment Latin Siena, Italy front 22:7 1 Lewis E M 22:07-16 front 22:7 cd 5091 2111 7532 48-bit color 600 ppi 1 Choir book
Lewis E M 22:7-16 Lewis E M 22.7 reverse mcai220072 1400 1499 73 x 94 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:7 2 Lewis E M 22:07-16 reverse 22:7 cd 5091 2111 7532 48-bit color 600 ppi 2 Choir book
Lewis E M 22:7-16 Lewis E M 22.8 front mcai220081 1400 1499 82 x 161 mm This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. Parchment Latin Siena, Italy front 22:8 3 Lewis E M 22:07-16 front 22:8 cd 5091 2111 7532 48-bit color 600 ppi 3 Choir book
Lewis E M 22:7-16 Lewis E M 22.8 reverse mcai220082 1400 1499 82 x 161 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:8 4 Lewis E M 22:07-16 reverse 22:8 cd 5091 2111 7532 48-bit color 600 ppi 4 Choir book
Lewis E M 22:7-16 Lewis E M 22.9 front mcai220091 1400 1499 90 x 101 mm Initial S Parchment Latin Siena, Italy front 22:9 5 Lewis E M 22:07-16 front 22:9 cd 5091 2111 7532 48-bit color 600 ppi 5 Choir book
Lewis E M 22:7-16 Lewis E M 22.9 reverse mcai220092 1400 1499 90 x 101 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:9 6 Lewis E M 22:07-16 reverse 22:9 cd 5091 2111 7532 48-bit color 600 ppi 6 Choir book
Lewis E M 22:7-16 Lewis E M 22.10 front mcai220101 1400 1499 62 x 86 mm Initial D Parchment Latin Siena, Italy front 22:10 7 Lewis E M 22:07-16 front 22:10 cd 5091 2111 7532 48-bit color 600 ppi 7 Choir book
Lewis E M 22:7-16 Lewis E M 22.10 reverse mcai220102 1400 1499 62 x 86 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:10 8 Lewis E M 22:07-16 reverse 22:10 cd 5091 2111 7532 48-bit color 600 ppi 8 Choir book
Lewis E M 22:7-16 Lewis E M 22.11 front mcai220111 1400 1499 87 x 70 mm Initial R Parchment Latin Siena, Italy front 22:11 9 Lewis E M 22:07-16 front 22:11 cd 5091 2111 7532 48-bit color 600 ppi 9 Choir book
Lewis E M 22:7-16 Lewis E M 22.11 reverse mcai220112 1400 1499 87 x 70 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:11 10 Lewis E M 22:07-16 reverse 22:11 cd 5091 2111 7532 48-bit color 600 ppi 10 Choir book
Lewis E M 22:7-16 Lewis E M 22.12 front mcai220121 1400 1499 66 x 110 mm Initial C Parchment Latin Siena, Italy front 22:12 11 Lewis E M 22:07-16 front 22:12 cd 5091 2111 7532 48-bit color 600 ppi 11 Choir book
Lewis E M 22:7-16 Lewis E M 22.12 reverse mcai220122 1400 1499 66 x 110 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:12 12 Lewis E M 22:07-16 reverse 22:12 cd 5091 2111 7532 48-bit color 600 ppi 12 Choir book
Lewis E M 22:7-16 Lewis E M 22.13 front mcai220131 1400 1499 78 x 132 mm Initial O Parchment Latin Siena, Italy front 22:13 13 Lewis E M 22:07-16 front 22:13 cd 5091 2111 7533 48-bit color 600 ppi 13 Choir book
Lewis E M 22:7-16 Lewis E M 22.13 reverse mcai220132 1400 1499 78 x 132 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:13 14 Lewis E M 22:07-16 reverse 22:13 cd 5091 2111 7533 48-bit color 600 ppi 14 Choir book
Lewis E M 22:7-16 Lewis E M 22.14 front mcai220141 1400 1499 50 x 91 mm Initial I Parchment Latin Siena, Italy front 22:14 15 Lewis E M 22:07-16 front 22:14 cd 5091 2111 7533 48-bit color 600 ppi 15 Choir book
Lewis E M 22:7-16 Lewis E M 22.14 reverse mcai220142 1400 1499 50 x 91 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:14 16 Lewis E M 22:07-16 reverse 22:14 cd 5091 2111 7533 48-bit color 600 ppi 16 Choir book
Lewis E M 22:7-16 Lewis E M 22.15 front mcai220151 1400 1499 80 x 90 mm Initial M Parchment Latin Siena, Italy front 22:15 17 Lewis E M 22:07-16 front 22:15 cd 5091 2111 7533 48-bit color 600 ppi 17 Choir book
Lewis E M 22:7-16 Lewis E M 22.15 reverse mcai220152 1400 1499 80 x 90 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:15 18 Lewis E M 22:07-16 reverse 22:15 cd 5091 2111 7533 48-bit color 600 ppi 18 Choir book
Lewis E M 22:7-16 Lewis E M 22.16 front mcai220161 1400 1499 72 x 77 mm This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. Parchment Latin Siena, Italy front 22:16 19 Lewis E M 22:07-16 front 22:16 cd 5091 2111 7533 48-bit color 600 ppi 19 Choir book
Lewis E M 22:7-16 Lewis E M 22.16 reverse mcai220162 1400 1499 72 x 77 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:16 20 Lewis E M 22:07-16 reverse 22:16 cd 5091 2111 7533 48-bit color 600 ppi 20 Choir book
Lewis E M 22:17 Lewis E M 22.17 front mcai220171 1475 1499 130 x 204 mm Initial U Parchment Latin Italy (central) front 1 Lewis E M 22:17 front cd 5091 2111 7533 48-bit color 600 ppi 1 Choir book
Lewis E M 22:17 Lewis E M 22.17 reverse mcai220172 1475 1499 130 x 204 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 22:17 reverse cd 5091 2111 7533 48-bit color 600 ppi 2 Choir book
Lewis E M 22:18-21 Lewis E M 22.18 front mcai220181 1450 1475 124 x 164 mm Initial M Parchment Latin Siena, Italy front 22:18 1 Lewis E M 22:18-21 front 22:18 cd 5091 2111 7534 48-bit color 600 ppi 1 Choir book
Lewis E M 22:18-21 Lewis E M 22.18 reverse mcai220182 1450 1475 124 x 164 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:18 2 Lewis E M 22:18-21 reverse 22:18 cd 5091 2111 7534 48-bit color 600 ppi 2 Choir book
Lewis E M 22:18-21 Lewis E M 22.19 front mcai220191 1450 1475 69 x 90 mm Initial N Parchment Latin Siena, Italy front 22:19 3 Lewis E M 22:18-21 front 22:19 cd 5091 2111 7534 48-bit color 600 ppi 3 Choir book
Lewis E M 22:18-21 Lewis E M 22.19 reverse mcai220192 1450 1475 69 x 90 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:19 4 Lewis E M 22:18-21 reverse 22:19 cd 5091 2111 7534 48-bit color 600 ppi 4 Choir book
Lewis E M 22:18-21 Lewis E M 22.20 front mcai220201 1450 1475 72 x 145 mm Initial O Parchment Latin Siena, Italy front 22:20 5 Lewis E M 22:18-21 front 22:20 cd 5091 2111 7534 48-bit color 600 ppi 5 Choir book
Lewis E M 22:18-21 Lewis E M 22.20 reverse mcai220202 1450 1475 172 x 145 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:20 6 Lewis E M 22:18-21 reverse 22:20 cd 5091 2111 7534 48-bit color 600 ppi 6 Choir book
Lewis E M 22:18-21 Lewis E M 22.21 front mcai220211 1450 1475 50 x 49 mm Initial H Parchment Latin Siena, Italy front 22:21 7 Lewis E M 22:18-21 front 22:21 cd 5091 2111 7534 48-bit color 600 ppi 7 Choir book
Lewis E M 22:18-21 Lewis E M 22.21 reverse mcai220212 1450 1475 50 x 49 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 22:21 8 Lewis E M 22:18-21 reverse 22:21 cd 5091 2111 7534 48-bit color 600 ppi 8 Choir book
Lewis E M 23:1-6 Lewis E M 23.1 front mcai230011 1450 1499 67 x 120 mm Initial O Parchment Latin Siena, Italy front 23:1 1 Lewis E M 23:01-06 front 23:1 cd 5091 2111 7780 48-bit color 600 ppi 1 Choir book
Lewis E M 23:1-6 Lewis E M 23.1 reverse mcai230012 1450 1499 67 x 120 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 23:1 2 Lewis E M 23:01-06 reverse 23:1 cd 5091 2111 7780 48-bit color 600 ppi 2 Choir book
Lewis E M 23:1-6 Lewis E M 23.2 front mcai230021 1450 1499 63 x 50 mm Initial N Parchment Latin Siena, Italy front 23:2 3 Lewis E M 23:01-06 front 23:2 cd 5091 2111 7780 48-bit color 600 ppi 3 Choir book
Lewis E M 23:1-6 Lewis E M 23.2 reverse mcai230022 1450 1499 63 x 50 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy reverse 23:2 4 Lewis E M 23:01-06 reverse 23:2 cd 5091 2111 7780 48-bit color 600 ppi 4 Choir book
Lewis E M 23:1-6 Lewis E M 23.3 front mcai230031 1450 1499 76 x 121 mm Initial U Parchment Latin Siena, Italy front 23:3 5 Lewis E M 23:01-06 front 23:3 cd 5091 2111 7780 48-bit color 600 ppi 5 Choir book
Lewis E M 23:1-6 Lewis E M 23.3 reverse mcai230032 1450 1499 76 x 121 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 23:3 6 Lewis E M 23:01-06 reverse 23:3 cd 5091 2111 7780 48-bit color 600 ppi 6 Choir book
Lewis E M 23:1-6 Lewis E M 23.4 front mcai230041 1450 1499 65 x 65 mm Initial U Parchment Latin Siena, Italy front 23:4 7 Lewis E M 23:01-06 front 23:4 cd 5091 2111 7780 48-bit color 600 ppi 7 Choir book
Lewis E M 23:1-6 Lewis E M 23.4 reverse mcai230042 1450 1499 65 x 65 mm This cutting is the reverse of an initial U. Parchment Siena, Italy 8 Lewis E M 23:01-06 cd 5091 2111 7780 Choir book
Lewis E M 23:1-6 Lewis E M 23.5 front mcai230051 1450 1499 85 x 122 mm Initial C Parchment Latin Siena, Italy front 23:5 9 Lewis E M 23:01-06 front 23:5 cd 5091 2111 7780 48-bit color 600 ppi 9 Choir book
Lewis E M 23:1-6 Lewis E M 23.5 reverse mcai230052 1450 1499 85 x 122 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 23:5 10 Lewis E M 23:01-06 reverse 23:5 cd 5091 2111 7780 48-bit color 600 ppi 10 Choir book
Lewis E M 23:1-6 Lewis E M 23.6 front mcai230061 1450 1499 72 x 104 mm Initial E Parchment Latin Siena, Italy front 23:6 11 Lewis E M 23:01-06 front 23:6 cd 5091 2111 7780 48-bit color 600 ppi 11 Choir book
Lewis E M 23:1-6 Lewis E M 23.6 reverse mcai230062 1450 1499 72 x 104 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 23:6 12 Lewis E M 23:01-06 reverse 23:6 cd 5091 2111 7780 48-bit color 600 ppi 12 Choir book
Lewis E M 23:7a-d Lewis E M 23.7d reverse mcai230070 1400 1499 60 x 58 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse d 8 Lewis E M 23:07 reverse d cd 5091 2111 7780 48-bit color 600 ppi 8 Choir book
Lewis E M 23:7a-d Lewis E M 23.7a front mcai230073 1400 1499 70 x 62 mm Initial R Parchment Latin Italy (northern) front a 1 Lewis E M 23:07 front a cd 5091 2111 7780 48-bit color 600 ppi 1 Choir book
Lewis E M 23:7a-d Lewis E M 23.7a reverse mcai230074 1400 1499 70 x 62 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse b 2 Lewis E M 23:07 reverse b cd 5091 2111 7780 48-bit color 600 ppi 2 Choir book
Lewis E M 23:7a-d Lewis E M 23.7b front mcai230075 1400 1499 78 x 59 mm Initial C Parchment Latin Italy (northern) front b 3 Lewis E M 23:07 front b cd 5091 2111 7780 48-bit color 600 ppi 3 Choir book
Lewis E M 23:7a-d Lewis E M 23.7b reverse mcai230076 1400 1499 78 x 59 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse b 4 Lewis E M 23:07 reverse b cd 5091 2111 7780 48-bit color 600 ppi 4 Choir book
Lewis E M 23:7a-d Lewis E M 23.7c front mcai230077 1400 1499 73 x 70 mm Initial Q Parchment Latin Italy (northern) front c 5 Lewis E M 23:07 front c cd 5091 2111 7782 48-bit color 600 ppi 5 Choir book
Lewis E M 23:7a-d Lewis E M 23.7c reverse mcai230078 1400 1499 73 x 70 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse c 6 Lewis E M 23:07 reverse c cd 5091 2111 7782 48-bit color 600 ppi 6 Choir book
Lewis E M 23:7a-d Lewis E M 23.7d front mcai230079 1400 1499 60 x 58 mm Initial T Parchment Latin Italy (northern) front d 7 Lewis E M 23:07 front d cd 5091 2111 7782 48-bit color 600 ppi 7 Choir book
Lewis E M 23:8 Lewis E M 23.8 front mcai230081 1400 1499 103 x 93 mm Initial K Parchment Latin Italy (central) front 1 Lewis E M 23:08 front cd 5091 2111 7782 48-bit color 600 ppi 1 Choir book
Lewis E M 23:8 Lewis E M 23.8 reverse mcai230082 1400 1499 103 x 93 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 23:08 reverse cd 5091 2111 7782 48-bit color 600 ppi 2 Choir book
Lewis E M 23:9 Lewis E M 23.9 front mcai230091 1400 1499 129 x 157 mm Initial S Parchment Latin Italy (northern) front 1 Lewis E M 23:09 front cd 5091 2111 7782 48-bit color 600 ppi 1 Choir book
Lewis E M 23:9 Lewis E M 23.9 reverse mcai230092 1400 1499 129 x 157 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:09 reverse cd 5091 2111 7782 48-bit color 600 ppi 2 Choir book
Lewis E M 23:10 Lewis E M 23.10 front mcai230101 1400 1499 83 x 76 mm Initial T Parchment Latin Italy (northern) front 1 Lewis E M 23:10 front cd 5091 2111 7782 48-bit color 600 ppi 1 Choir book
Lewis E M 23:10 Lewis E M 23.10 reverse mcai230102 1400 1499 83 x 76 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:10 reverse cd 5091 2111 7782 48-bit color 600 ppi 2 Choir book
Lewis E M 23:11 Lewis E M 23.11 mcai230111 1400 1499 97 x 99 mm Initial A Parchment Latin Italy (northern) front 1 Lewis E M 23:11 front cd 5091 2111 7782 48-bit color 600 ppi 1 Choir book
Lewis E M 23:12 Lewis E M 23.12 front mcai230121 1400 1499 120 x 140 mm Initial R Parchment Latin Italy (northern) front 1 Lewis E M 23:12 front cd 5091 2111 7782 48-bit color 600 ppi 1 Choir book
Lewis E M 23:12 Lewis E M 23.12 reverse mcai230122 1400 1499 120 x 140 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:12 reverse cd 5091 2111 7782 48-bit color 600 ppi 2 Choir book
Lewis E M 23:13 Lewis E M 23.13 front mcai230131 1400 1499 96 x 85 mm Initial U Parchment Latin Verona, Italy front 1 Lewis E M 23:13 front cd 5091 2111 7783 48-bit color 600 ppi 1 Choir book
Lewis E M 23:13 Lewis E M 23.13 reverse mcai230132 1400 1499 This cutting is the reverse of an initial U. Parchment Verona, Italy 2 Lewis E M 23:13 cd 5091 2111 7783 Choir book
Lewis E M 23:14 Lewis E M 23.14 front mcai230141 1300 1399 145 x 157 mm Initial L Parchment Latin Italy (northern) front 1 Lewis E M 23:14 front cd 5091 2111 7783 48-bit color 600 ppi 1 Choir book
Lewis E M 23:14 Lewis E M 23.14 reverse mcai230142 1300 1399 145 x 157 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:14 reverse cd 5091 2111 7783 48-bit color 600 ppi 2 Choir book
Lewis E M 23:15 Lewis E M 23.15 front mcai230151 1300 1399 118 x 150 mm Initial L Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 23:15 front cd 5091 2111 7783 48-bit color 600 ppi 1 Choir book
Lewis E M 23:15 Lewis E M 23.15 reverse mcai230152 1300 1399 118 x 150 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:15 reverse cd 5091 2111 7783 48-bit color 600 ppi 2 Choir book
Lewis E M 23:16 Lewis E M 23.16 front mcai230161 1300 1399 119 x 201 mm Initial L Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 23:16 front cd 5091 2111 7783 48-bit color 600 ppi 1 Choir book
Lewis E M 23:16 Lewis E M 23.16 reverse mcai230162 1300 1399 119 x 201 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 23:16 reverse cd 5091 2111 7784 48-bit color 600 ppi 2 Choir book
Lewis E M 23:17 Lewis E M 23.17 front mcai230171 1300 1399 101 x 98 mm Initial C Parchment Latin Italy (central) front 1 Lewis E M 23:17 front cd 5091 2111 7784 48-bit color 600 ppi 1 Choir book
Lewis E M 23:17 Lewis E M 23.17 reverse mcai230172 1300 1399 101 x 98 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 23:17 reverse cd 5091 2111 7784 48-bit color 600 ppi 2 Choir book
Lewis E M 23:18 Lewis E M 23.18 front a mcai230180 Parchment Latin Unknown Gothic bookhand Gregory IX Author 1 Lewis E M 23:18 cd 5091 2111 7784 Decretals
Lewis E M 23:18 Lewis E M 23.18 reverse a mcai230183 Parchment Italy Rotunda 2 Lewis E M 23:18 cd 5091 2111 7784 Missal
Lewis E M 23:18 Lewis E M 23.18 front b mcai230184 Parchment Italy reverse 3 Lewis E M 23:18 reverse cd 5091 2111 7784 Missal
Lewis E M 23:18 Lewis E M 23.18 reverse b mcai230185 Parchment Latin Italy Rotunda 4 Lewis E M 23:18 cd 5091 2111 7784 Missal
Lewis E M 23:18 Lewis E M 23.18 front c mcai230186 Parchment Latin Italy Rotunda 5 Lewis E M 23:18 cd 5091 2111 7784 Missal
Lewis E M 23:18 Lewis E M 23.18 reverse c mcai230187 Parchment Latin Italy Rotunda 6 Lewis E M 23:18 cd 5091 2111 7784 Missal
Lewis E M 23:18 Lewis E M 23.18 front d mcai230188 Parchment Latin Italy Rotunda Gregory IX Author 7 Lewis E M 23:18 cd 5091 2111 7784 Decretals
Lewis E M 23:18 Lewis E M 23.18 reverse d mcai230189 Parchment Italy Rotunda 8 Lewis E M 23:18 cd 5091 2111 7784 Fragment
Lewis E M 23:19 Lewis E M 23.19 front mcai230191 1400 1499 135 x 125 mm Initial D Parchment Latin Italy (northern) front 1 Lewis E M 23:19 front cd 5091 2111 7784 48-bit color 600 ppi 1 Decorated initial D
Lewis E M 23:19 Lewis E M 23.19 reverse mcai230192 1400 1499 135 x 125 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:19 reverse cd 5091 2111 7785 48-bit color 600 ppi 2 Decorated initial D
Lewis E M 23:20 Lewis E M 23.20 front mcai230201 1490 1510 109 x 128 mm Initial E Parchment Latin Italy (northern) front 1 Lewis E M 23:20 front cd 5091 2111 7785 48-bit color 600 ppi 1 Choir book
Lewis E M 23:20 Lewis E M 23.20 reverse mcai230202 1490 1510 109 x 128 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:20 reverse cd 5091 2111 7785 48-bit color 600 ppi 2 Choir book
Lewis E M 23:21 Lewis E M 23.21 front a mcai230213 1400 1499 87 x 85 mm Initial D (or P?) Parchment Latin Lombardy, Italy front a 1 Lewis E M 23:21 front a cd 5091 2111 7785 48-bit color 600 ppi 1 Choir book
Lewis E M 23:21 Lewis E M 23.21 reverse a mcai230214 1400 1499 87 x 85 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse a 2 Lewis E M 23:21 reverse a cd 5091 2111 7785 48-bit color 600 ppi 2 Choir book
Lewis E M 23:21 Lewis E M 23.21 front b mcai230215 1400 1499 88 x 94 mm Initial D Parchment Latin Lombardy, Italy front b 3 Lewis E M 23:21 front b cd 5091 2111 7785 48-bit color 600 ppi 3 Choir book
Lewis E M 23:21 Lewis E M 23.21 reverse b mcai230216 1400 1499 88 x 94 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse b 4 Lewis E M 23:21 reverse b cd 5091 2111 7785 48-bit color 600 ppi 4 Choir book
Lewis E M 23:22 Lewis E M 23.22 front mcai230221 1400 1499 111 x 148 mm Initial E Parchment Latin Siena, Italy front 1 Lewis E M 23:22 front cd 5091 2111 7785 48-bit color 600 ppi 1 Choir book
Lewis E M 23:22 Lewis E M 23.22 reverse mcai230222 1400 1499 111 x 148 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 23:22 reverse cd 5091 2111 7785 48-bit color 600 ppi 2 Choir book
Lewis E M 23:23 Lewis E M 23.23 front mcai230231 1400 1499 102 x 173 mm Initial R Parchment Latin Italy (northern) front 1 Lewis E M 23:23 front cd 5091 2111 7788 48-bit color 600 ppi 1 Choir book
Lewis E M 23:23 Lewis E M 23.23 reverse mcai230232 1400 1499 102 x 173 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 23:23 reverse cd 5091 2111 7788 48-bit color 600 ppi 2 Choir book
Lewis E M 23:24 Lewis E M 23.24 front mcai230241 1400 1499 60 x 91 mm Initial S Parchment Latin Italy (central) front 1 Lewis E M 23:24 front cd 5091 2111 7788 48-bit color 600 ppi 1 Choir book
Lewis E M 23:24 Lewis E M 23.24 reverse mcai230242 1400 1499 60 x 91 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 23:24 reverse cd 5091 2111 7788 48-bit color 600 ppi 2 Choir book
Lewis E M 24:1-4 Lewis E M 24.1 front mcai240011 1185 1199 200 x 280 mm Initial P with St. Paul Parchment Latin Italy (central) Transitional script (praegothica) front 24:1 1 Lewis E M 24:01-04 front 24:1 cd 5091 2111 7792 48-bit color 600 ppi 1 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.1 reverse mcai240012 1185 1199 200 x 280 mm This image shows the reverse of a leaf with a decorated initial from a glossed Bible. Parchment Latin Italy (central) Transitional script (praegothica) reverse 24:1 2 Lewis E M 24:01-04 reverse 24:1 cd 5091 2111 7792 48-bit color 600 ppi 2 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.2 front mcai240021 1185 1199 195 x 286 mm Initial P Parchment Latin Italy (central) Transitional script (praegothica) front 24:2 3 Lewis E M 24:01-04 front 24:2 cd 5091 2111 7793 48-bit color 600 ppi 3 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.2 reverse mcai240022 1185 1199 195 x 286 mm This image shows the reverse of a leaf with a decorated initial from a glossed Bible. Parchment Latin Italy (central) Transitional script (praegothica) reverse 24:2 4 Lewis E M 24:01-04 reverse 24:2 cd 5091 2111 7793 48-bit color 600 ppi 4 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.3 front mcai240031 1185 1199 195 x 287 mm Initial P Parchment Latin Italy (central) Transitional script (praegothica) front 24:3 5 Lewis E M 24:01-04 front 24:3 cd 5091 2111 7794 48-bit color 600 ppi 5 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.3 reverse mcai240032 1185 1199 195 x 287 mm This image shows the reverse of a leaf with a decorated initial from a glossed Bible. Parchment Latin Italy (central) Transitional script (praegothica) reverse 24:3 6 Lewis E M 24:01-04 reverse 24:3 cd 5091 2111 7794 48-bit color 600 ppi 6 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.4 front mcai240041 1185 1199 197 x 285 mm Initial P Parchment Latin Italy (central) Transitional script (praegothica) front 24:4 7 Lewis E M 24:01-04 front 24:4 cd 5091 2111 7795 48-bit color 600 ppi 7 Bible, glossed Epistles of Paul
Lewis E M 24:1-4 Lewis E M 24.4 reverse mcai240042 1185 1199 197 x 285 mm This image shows the reverse of a leaf with a decorated initial from a glossed Bible. Parchment Latin Italy (central) Transitional script (praegothica) reverse 24:4 8 Lewis E M 24:01-04 reverse 24:4 cd 5091 2111 7795 48-bit color 600 ppi 8 Bible, glossed Epistles of Paul
Lewis E M 24:5 Lewis E M 24.5 front mcai240051 1300 1350 154 x 163 mm Initial S Parchment Latin Emilia-Romagna, Rimini?, Italy Rotunda front 1 Lewis E M 24:05 front cd 5091 2111 7796 48-bit color 600 ppi 1 Choir book
Lewis E M 24:5 Lewis E M 24.5 reverse mcai240052 1300 1350 154 x 163 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Emilia-Romagna, Rimini?, Italy Rotunda reverse 2 Lewis E M 24:05 reverse cd 5091 2111 7796 48-bit color 600 ppi 2 Choir book
Lewis E M 24:6 Lewis E M 24.6 front mcai240061 1300 1350 110 x 120 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 24:06 front cd 5091 2111 7796 48-bit color 600 ppi 1 Choir book
Lewis E M 24:6 Lewis E M 24.6 reverse mcai240062 1300 1350 110 x 120 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:06 reverse cd 5091 2111 7796 48-bit color 600 ppi 2 Choir book
Lewis E M 24:7 Lewis E M 24.7 front mcai240071 1400 1499 99 x 126 mm Initial L Parchment Latin Italy Rotunda front 1 Lewis E M 24:07 front cd 5091 2111 7796 48-bit color 600 ppi 1 Choir book
Lewis E M 24:7 Lewis E M 24.7 reverse mcai240072 1400 1499 99 x 126 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:07 reverse cd 5091 2111 7796 48-bit color 600 ppi 2 Choir book
Lewis E M 24:8 Lewis E M 24.8 front mcai240081 1400 1499 95 x 95 mm Initial K Parchment Latin Florence?, Italy Rotunda Filippo di Matteo Torelli, attributed to Artist front 1 Lewis E M 24:08 front cd 5091 2111 7796 48-bit color 600 ppi 1 Choir book
Lewis E M 24:8 Lewis E M 24.8 reverse mcai240082 1400 1499 95 x 95 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 24:08 reverse cd 5091 2111 7796 48-bit color 600 ppi 2 Choir book
Lewis E M 24:9 Lewis E M 24.9 front mcai240091 1490 1510 103 x 93 mm Initial A Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 24:09 front cd 5091 2111 7796 48-bit color 600 ppi 1 Choir book
Lewis E M 24:9 Lewis E M 24.9 reverse mcai240092 1490 1510 103 x 93 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 24:09 reverse cd 5091 2111 7797 48-bit color 600 ppi 2 Choir book
Lewis E M 24:10 Lewis E M 24.10 mcai240101 1490 1510 111 x 107 mm Initial O Parchment Latin Italy front 1 Lewis E M 24:10 front cd 5091 2111 7797 48-bit color 600 ppi 1 Choir book
Lewis E M 24:11 Lewis E M 24.11 mcai240111 1490 1510 84 x 75 mm Initial C Parchment Latin Italy front 1 Lewis E M 24:11 front cd 5091 2111 7797 48-bit color 600 ppi 1 Choir book
Lewis E M 24:12 Lewis E M 24.12 front mcai240121 1490 1510 105 x 113 mm Initial N Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 24:12 front cd 5091 2111 7797 48-bit color 600 ppi 1 Missal
Lewis E M 24:12 Lewis E M 24.12 reverse mcai240122 1490 1510 105 x 113 mm This image shows the reverse of a cutting with a decorated initial from a missal. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 24:12 reverse cd 5091 2111 7797 48-bit color 600 ppi 2 Missal
Lewis E M 24:13 Lewis E M 24.13 front mcai240131 1400 1499 178 x 215 mm Initial S Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 24:13 front cd 5091 2111 7797 48-bit color 600 ppi 1 Choir book
Lewis E M 24:13 Lewis E M 24.13 reverse mcai240132 1400 1499 178 x 215 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 24:13 reverse cd 5091 2111 7797 48-bit color 600 ppi 2 Choir book
Lewis E M 24:14 Lewis E M 24.14 front mcai240141 1400 1499 116 x 93 mm Initial H Parchment Latin Italy Rotunda front 1 Lewis E M 24:14 front cd 5091 2111 7797 48-bit color 600 ppi 1 Choir book
Lewis E M 24:14 Lewis E M 24.14 reverse mcai240142 1400 1499 116 x 93 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:14 reverse cd 5091 2111 7799 48-bit color 600 ppi 2 Choir book
Lewis E M 24:15 Lewis E M 24.15 front mcai240151 1400 1499 89 x 90 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 24:15 front cd 5091 2111 7799 48-bit color 600 ppi 1 Choir book
Lewis E M 24:15 Lewis E M 24.15 reverse mcai240152 1400 1499 89 x 90 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:15 reverse cd 5091 2111 7799 48-bit color 600 ppi 2 Choir book
Lewis E M 24:16 Lewis E M 24.16 front mcai240161 1400 1499 109 x 111 mm Initial K Parchment Latin Italy Rotunda front 1 Lewis E M 24:16 front cd 5091 2111 7799 48-bit color 600 ppi 1 Choir book
Lewis E M 24:16 Lewis E M 24.16 reverse mcai240162 1400 1499 109 x 111 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:16 reverse cd 5091 2111 7799 48-bit color 600 ppi 2 Choir book
Lewis E M 24:17 Lewis E M 24.17 front mcai240171 1400 1499 132 x 173 mm Initial A Parchment Latin Italy Rotunda front 1 Lewis E M 24:17 front cd 5091 2111 7799 48-bit color 600 ppi 1 Choir book
Lewis E M 24:17 Lewis E M 24.17 reverse mcai240172 1400 1499 132 x 173 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:17 reverse cd 5091 2111 7799 48-bit color 600 ppi 2 Choir book
Lewis E M 24:18 Lewis E M 24.18 front mcai240181 1490 1510 85 x 90 mm Initial E Parchment Latin Italy Rotunda front 1 Lewis E M 24:18 front cd 5091 2111 7799 48-bit color 600 ppi 1 Choir book
Lewis E M 24:18 Lewis E M 24.18 reverse mcai240182 1490 1510 85 x 90 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:18 reverse cd 5091 2111 7799 48-bit color 600 ppi 2 Choir book
Lewis E M 24:19 Lewis E M 24.19 front mcai240191 1500 1599 106 x 193 mm Initial P Parchment Latin Italy Rotunda front 1 Lewis E M 24:19 front cd 5091 2111 7799 48-bit color 600 ppi 1 Choir book
Lewis E M 24:19 Lewis E M 24.19 reverse mcai240192 1500 1599 106 x 193 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:19 reverse cd 5091 2111 7800 48-bit color 600 ppi 2 Choir book
Lewis E M 24:20 Lewis E M 24.20 front mcai240201 1500 1599 133 x 150 mm Initial A Parchment Latin Italy Rotunda front 1 Lewis E M 24:20 front cd 5091 2111 7800 48-bit color 600 ppi 1 Choir book
Lewis E M 24:20 Lewis E M 24.20 reverse mcai240202 1500 1599 133 x 150 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:20 reverse cd 5091 2111 7800 48-bit color 600 ppi 2 Choir book
Lewis E M 24:21 Lewis E M 24.21 front mcai240211 1500 1599 136 x 135 mm Initial C Parchment Latin Italy Rotunda front 1 Lewis E M 24:21 front cd 5091 2111 7800 48-bit color 600 ppi 1 Choir book
Lewis E M 24:21 Lewis E M 24.21 reverse mcai240212 1500 1599 136 x 135 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:21 reverse cd 5091 2111 7800 48-bit color 600 ppi 2 Choir book
Lewis E M 24:22 Lewis E M 24.22 front mcai240221 1300 1399 165 x 196 mm Initials Parchment Latin Italy Rotunda front 1 Lewis E M 24:22 front cd 5091 2111 7800 48-bit color 600 ppi 1 Gradual
Lewis E M 24:22 Lewis E M 24.22 reverse mcai240222 1300 1399 165 x 196 mm This image shows the reverses of several cuttings with decorated initials from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:22 reverse cd 5091 2111 7801 48-bit color 600 ppi 2 Gradual
Lewis E M 24:23 Lewis E M 24.23 front mcai240231 1300 1399 134 x 205 mm Initial N Parchment Latin Italy Rotunda front 1 Lewis E M 24:23 front cd 5091 2111 7801 48-bit color 600 ppi 1 Choir book
Lewis E M 24:23 Lewis E M 24.23 reverse mcai240232 1300 1399 134 x 205 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:23 reverse cd 5091 2111 7801 48-bit color 600 ppi 2 Choir book
Lewis E M 24:24 Lewis E M 24.24 front mcai240241 1300 1399 54 x 55 mm Initial A Parchment Latin Italy Rotunda front 1 Lewis E M 24:24 front cd 5091 2111 7801 48-bit color 600 ppi 1 Choir book
Lewis E M 24:24 Lewis E M 24.24 reverse mcai240242 1300 1399 54 x 55 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:24 reverse cd 5091 2111 7801 48-bit color 600 ppi 2 Choir book
Lewis E M 24:25 Lewis E M 24.25 front mcai240251 1300 1399 109 x 126 mm Initial E Parchment Latin Italy Rotunda front 1 Lewis E M 24:25 front cd 5091 2111 7801 48-bit color 600 ppi 1 Choir book
Lewis E M 24:25 Lewis E M 24.25 reverse mcai240252 1300 1399 109 x 126 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:25 reverse cd 5091 2111 7801 48-bit color 600 ppi 2 Choir book
Lewis E M 24:26 Lewis E M 24.26 front mcai240261 1300 1399 86 x 122 mm Initial O Parchment Latin Italy Rotunda front 1 Lewis E M 24:26 front cd 5091 2111 7801 48-bit color 600 ppi 1 Choir book
Lewis E M 24:26 Lewis E M 24.26 reverse mcai240262 1300 1399 86 x 122 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:26 reverse cd 5091 2111 7803 48-bit color 600 ppi 2 Choir book
Lewis E M 24:27 Lewis E M 24.27 front mcai240271 1300 1399 131 x 215 mm Initial E Parchment Latin Italy Rotunda front 1 Lewis E M 24:27 front cd 5091 2111 7803 48-bit color 600 ppi 1 Gradual
Lewis E M 24:27 Lewis E M 24.27 reverse mcai240272 1300 1399 131 x 215 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:27 reverse cd 5091 2111 7803 48-bit color 600 ppi 2 Gradual
Lewis E M 24:28 Lewis E M 24.28 front mcai240281 1300 1399 117 x 228 mm Initial B Parchment Latin Italy Rotunda front 1 Lewis E M 24:28 front cd 5091 2111 7803 48-bit color 600 ppi 1 Gradual
Lewis E M 24:28 Lewis E M 24.28 reverse mcai240282 1300 1399 117 x 228 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:28 reverse cd 5091 2111 7803 48-bit color 600 ppi 2 Gradual
Lewis E M 24:29 Lewis E M 24.29 front mcai240291 1385 1399 132 x 214 mm Border ornament Parchment Latin Florence, Italy Don Simone Camaldolese Artist front 1 Lewis E M 24:29 front cd 5091 2111 7732 48-bit color 600 ppi 1 Undetermined
Lewis E M 24:29 Lewis E M 24.29 reverse mcai240292 1385 1399 132 x 214 mm This is the reverse of a cutting with border ornament. Parchment Latin Florence, Italy reverse 2 Lewis E M 24:29 reverse cd 5091 2111 7732 48-bit color 600 ppi 2 Undetermined
Lewis E M 24:30 Lewis E M 24.30 front mcai240301 1400 1499 51 x 46 mm Initial M Parchment Latin Italy Rotunda front 1 Lewis E M 24:30 front cd 5091 2111 7732 48-bit color 600 ppi 1 Choir book
Lewis E M 24:30 Lewis E M 24.30 reverse mcai240302 1400 1499 51 x 46 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:30 reverse cd 5091 2111 7732 48-bit color 600 ppi 2 Choir book
Lewis E M 24:31 Lewis E M 24.31 front mcai240311 1400 1499 67 x 54 mm Initial N Parchment Latin Italy Rotunda front 1 Lewis E M 24:31 front cd 5091 2111 7732 48-bit color 600 ppi 1 Choir book
Lewis E M 24:31 Lewis E M 24.31 reverse mcai240312 1400 1499 67 x 54 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 24:31 reverse cd 5091 2111 7732 48-bit color 600 ppi 2 Choir book
Lewis E M 25:1 Lewis E M 25.1 front mcai250011 1450 1475 75 x 259 mm Initial I with a saint, possibly St. John the Evangelist Parchment Latin Siena, Italy Sano di Pietro Artist front 1 Lewis E M 25:01 front cd 5091 2111 6742 48-bit color 600 ppi 1 Choir book
Lewis E M 25:1 Lewis E M 25.1 reverse mcai250012 1450 1475 75 x 259 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 25:01 reverse cd 5091 2111 6742 48-bit color 600 ppi 2 Choir book
Lewis E M 25:2 Lewis E M 25.2 front mcai250021 1450 1475 113 x 176 mm Initial E with St. Gregory the Great Parchment Latin Siena, Italy Sano di Pietro Artist front 1 Lewis E M 25:02 front cd 5091 2111 6742 48-bit color 600 ppi 1 Choir book
Lewis E M 25:2 Lewis E M 25.2 reverse mcai250022 1450 1475 113 x 176 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Siena, Italy reverse 2 Lewis E M 25:02 reverse cd 5091 2111 6742 48-bit color 600 ppi 2 Choir book
Lewis E M 25:3 Lewis E M 25.3 mcai250031 1400 1415 120 x 150 mm Initial B with an Old Testament king, possibly King David Parchment Latin Siena, Italy Sano di Pietro Artist front 1 Lewis E M 25:03 front cd 5091 2111 6742 48-bit color 600 ppi 1 Choir book
Lewis E M 25:4 Lewis E M 25.4 front mcai250041 1350 1375 66 x 160 mm Cutting with a supplicant praying to Christ Parchment Latin Venice, Italy front 1 Lewis E M 25:04 front cd 5091 2111 6742 48-bit color 600 ppi 1 Choir book
Lewis E M 25:4 Lewis E M 25.4 reverse mcai250042 1350 1375 66 x 160 mm This image shows the reverse of a cutting with illumination. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 25:04 reverse cd 5091 2111 6742 48-bit color 600 ppi 2 Choir book
Lewis E M 25:5 Lewis E M 25.5 front mcai250051 1340 1360 197 x 244 mm Initial B with the Holy Trinity Parchment Latin Siena, Italy Rotunda Niccolò di Ser Sozzo Artist front 1 Lewis E M 25:05 front cd 5091 2111 6743 48-bit color 600 ppi 1 Gradual
Lewis E M 25:5 Lewis E M 25.5 reverse mcai250052 1340 1360 197 x 244 mm This shows this reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 25:05 reverse cd 5091 2111 6743 48-bit color 600 ppi 2 Gradual
Lewis E M 25:6 Lewis E M 25.6 front mcai250061 1375 1399 108 x 138 mm Initial S with the Stoning of St. Stephen Protomartyr Parchment Latin Italy Rotunda front 1 Lewis E M 25:06 front cd 5091 2111 6743 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:6 Lewis E M 25.6 reverse mcai250062 1375 1399 108 x 138 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Italy Rotunda reverse 2 Lewis E M 25:06 reverse cd 5091 2111 6743 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:7 Lewis E M 25.7 front mcai250071 1450 1475 135 x 113 mm Initial D with King David praying to God Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 25:07 front cd 5091 2111 6743 48-bit color 600 ppi 1 Psalter
Lewis E M 25:7 Lewis E M 25.7 reverse mcai250072 1450 1475 135 x 113 mm This image shows the reverse of a cutting with an historiated initial from a psalter. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 25:07 reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Psalter
Lewis E M 25:7A Lewis E M 25.7A front mcai250073 1325 1350 106 x 80 mm Reburial of the relics of St. Stephen Protomartyr in the grave of St. Lawrence of Rome Parchment Latin Florence, Italy Pacino di Bonaguida Artist front 1 Lewis E M 25:07A front cd 5091 2111 6744 48-bit color 600 ppi 1 Laudario (Hymnal)
Lewis E M 25:7A Lewis E M 25.7A reverse mcai250074 1325 1350 106 x 80 mm This is the reverse of a cutting from a hymnal. Parchment Latin Florence, Italy reverse 2 Lewis E M 25:07A reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Laudario (Hymnal)
Lewis E M 25:8 Lewis E M 25.8 front mcai250081 1325 1350 107 x 103 mm Initial G with St. John on Patmos Parchment Italian Florence, Italy Rotunda Pacino di Bonaguida Artist front 1 Lewis E M 25:08 front cd 5091 2111 6744 48-bit color 600 ppi 1 Laudario (Hymnal)
Lewis E M 25:8 Lewis E M 25.8 reverse mcai250082 1325 1350 107 x 103 mm This image shows the reverse of a cutting with an historiated initial from the Laudario of the Compagnia di Sant?Agnese. Parchment Italian Florence, Italy Rotunda reverse 2 Lewis E M 25:08 reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Laudario (Hymnal)
Lewis E M 25:9 Lewis E M 25.9 front mcai250091 1500 1525 126 x 137 mm This initial begins the first words of the Canon of the Roman Mass, "Te igitur, clementissme Pater, per Iesum Christum Filium tuum Dominum nostrum, supplices rogamus ac petimus" (We therefore, humbly pray and beseech thee, most merciful Father, through Jesus Christ, thy son, our lord). In the narrative of Christ's Passion, the lamentation over Christ's dead body follows his deposition from the Cross. The Virgin is joined in her sorrow by other witnesses to the Crucifixion; in this initial John the Evangelist, Mary Magdalene, Joseph of Arimathea, and Nicodemus accompany her. Lamentation scenes such as this one formed the basis for the popular late medieval devotional image known as the Pietà, in which the Virgin mourns alone as she cradles Christ's body. Attavante degli Attavanti (b. 1452-1520/25) was one of Florence's most sought after illuminators of the late fifteenth and early sixteenth centuries. Among his many patrons, were Federigo da Montefeltro, the Duke of Urbino (1477?8), and Matthias Corvinus, King of Hungary (1458-1490). Parchment Latin Florence, Italy Rotunda Attavante degli Attavanti Artist front 1 Lewis E M 25:09 front cd 5091 2111 6744 48-bit color 600 ppi 1 Missal
Lewis E M 25:9 Lewis E M 25.9 reverse mcai250092 1500 1525 126 x 137 mm This image shows the reverse of a cutting with a decorated initial from a missal. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:09 reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Missal
Lewis E M 25:10 Lewis E M 25.10 front mcai250101 1400 1499 34 x 40 mm Initial L with St. Lucy of Syracuse Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 25:10 front cd 5091 2111 6744 48-bit color 600 ppi 1 Service book
Lewis E M 25:10 Lewis E M 25.10 reverse mcai250102 1400 1499 34 x 40 mm This image shows the reverse of a cutting with an historiated initial from an undetermined source. Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 25:10 reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Service book
Lewis E M 25:11 Lewis E M 25.11 front mcai250111 1500 1599 125 x 127 mm Initial L Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 25:11 front cd 5091 2111 6744 48-bit color 600 ppi 1 Service book
Lewis E M 25:11 Lewis E M 25.11 reverse mcai250112 1500 1599 125 x 127 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:11 reverse cd 5091 2111 6744 48-bit color 600 ppi 2 Service book
Lewis E M 25:12 Lewis E M 25.12 front mcai250121 1575 1599 132 x 158 mm Initial G with the Birth of the Virgin Parchment Latin Italy (central) Rotunda In the style of Giovanni Bocardi Artist front 1 Lewis E M 25:12 front cd 5091 2111 6745 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:12 Lewis E M 25.12 reverse mcai250122 1575 1599 132 x 158 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 25:12 reverse cd 5091 2111 6745 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:13 Lewis E M 25.13 front mcai250131 1400 1450 77 x 89 mm Unidentified saint, holding a martyr's palm Parchment Latin Venice, Italy Cristoforo Cortese Artist front 1 Lewis E M 25:13 front cd 5091 2111 6745 48-bit color 600 ppi 1 Choir book
Lewis E M 25:13 Lewis E M 25.13 reverse mcai250132 1400 1450 77 x 89 mm This image shows the reverse of a cutting with a miniature. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 25:13 reverse cd 5091 2111 6745 48-bit color 600 ppi 2 Choir book
Lewis E M 25:14 Lewis E M 25.14 front mcai250141 1400 1450 80 x 93 mm Unidentified saint, holding a martyr's palm Parchment Latin Venice, Italy Cristoforo Cortese Artist front 1 Lewis E M 25:14 front cd 5091 2111 6745 48-bit color 600 ppi 1 Choir book
Lewis E M 25:14 Lewis E M 25.14 reverse mcai250142 1400 1450 80 x 93 mm This cutting has been dated to before 1445.<br /> This cutting is the reverse of a roundel painted by Venetian illuminator Cristoforo Cortese. Parchment Venice, Italy 2 Lewis E M 25:14 cd 5091 2111 6745 Choir book
Lewis E M 25:15 Lewis E M 25.15 front mcai250151 1400 1499 88 x 83 mm Initial Q with St. Paul the Apostle Parchment Latin Siena?, Italy Rotunda front 1 Lewis E M 25:15 front cd 5091 2111 6745 48-bit color 600 ppi 1 Choir book
Lewis E M 25:15 Lewis E M 25.15 reverse mcai250152 1400 1499 88 x 83 mm This image shows the reverses of a cutting with an historiated initial from an antiphonary. Parchment Latin Siena?, Italy Rotunda reverse 2 Lewis E M 25:15 reverse cd 5091 2111 6745 48-bit color 600 ppi 2 Choir book
Lewis E M 25:16 Lewis E M 25.16 front mcai250161 1200 1225 142 x 225 mm Initial A with the Resurrection Parchment Latin Siena, Italy Maestro dei Corali di Massa Marittima Artist front 1 Lewis E M 25:16 front cd 5091 2111 6745 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:16 Lewis E M 25.16 reverse mcai250162 1200 1225 142 x 225 mm This is the reverse of a cutting from an antiphonary. Parchment Latin Siena, Italy reverse 2 Lewis E M 25:16 reverse cd 5091 2111 6746 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:17 Lewis E M 25.17 front mcai250171 1325 1350 149 x 140 mm Initial O with St. Anthony Abbot and St. Paul the Hermit Parchment Latin Italy Rotunda front 1 Lewis E M 25:17 front cd 5091 2111 6746 48-bit color 600 ppi 1 Gradual
Lewis E M 25:17 Lewis E M 25.17 reverse mcai250172 1325 1350 149 x 140 mm This is the reverse of a cutting of an historiated initial from a Gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 25:17 reverse cd 5091 2111 6746 48-bit color 600 ppi 2 Gradual
Lewis E M 25:18 Lewis E M 25.18 front mcai250181 1400 1450 75 x 115 mm Initial S with St. Stephen Protomartyr Parchment Latin Venice, Italy Rotunda Cristoforo Cortese, attributed to Artist front 1 Lewis E M 25:18 front cd 5091 2111 6746 48-bit color 600 ppi 1 Choir book
Lewis E M 25:18 Lewis E M 25.18 reverse mcai250182 1400 1450 75 x 115 mm This is the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 25:18 reverse cd 5091 2111 6746 48-bit color 600 ppi 2 Choir book
Lewis E M 25:19 Lewis E M 25.19 front mcai250191 1290 1310 75 x 80 mm Initial S with the Ordination of a priest Parchment Latin Italy Rotunda front 1 Lewis E M 25:19 front cd 5091 2111 6746 48-bit color 600 ppi 1 Gradual
Lewis E M 25:19 Lewis E M 25.19 reverse mcai250192 1290 1310 75 x 80 mm This image shows the reverse of a cutting with an initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 25:19 reverse cd 5091 2111 6746 48-bit color 600 ppi 2 Gradual
Lewis E M 25:20 Lewis E M 25.20 front mcai250201 1300 1325 57 x 137 mm Initial I with the Raising of Lazarus Parchment Massa Marittima?, Italy Maestro dei Corali di Massa Marittima Artist front 1 Lewis E M 25:20 front cd 5091 2111 6746 48-bit color 600 ppi 1 Choir book
Lewis E M 25:20 Lewis E M 25.20 reverse mcai250202 1300 1325 57 x 137 mm Inscribed magical incantation Parchment Massa Marittima?, Italy reverse 2 Lewis E M 25:20 reverse cd 5091 2111 6746 48-bit color 600 ppi 2 Choir book
Lewis E M 25:21 Lewis E M 25.21 front mcai250211 1400 1450 190 x 504 mm Initial G with an unidentified saint Parchment Latin Venice, Italy Rotunda Cristoforo Cortese, attributed to Artist front 1 Lewis E M 25:21 front cd 5091 2111 6747 48-bit color 600 ppi 1 Gradual
Lewis E M 25:21 Lewis E M 25.21 reverse mcai250212 1400 1450 190 x 504 mm This is the reverse of a cutting with a historiated initial from a Gradual. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 25:21 reverse cd 5091 2111 6747 48-bit color 600 ppi 2 Gradual
Lewis E M 25:22 Lewis E M 25.22 front mcai250221 1300 1399 89 x 91 mm Initial S with the Pentecost Parchment Latin Siena?, Italy front 1 Lewis E M 25:22 front cd 5091 2111 6747 48-bit color 600 ppi 1 Gradual
Lewis E M 25:22 Lewis E M 25.22 reverse mcai250222 1300 1399 89 x 91 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena?, Italy Rotunda reverse 2 Lewis E M 25:22 reverse cd 5091 2111 6747 48-bit color 600 ppi 2 Gradual
Lewis E M 25:22A Lewis E M 25.22A front mcai250223 1325 1350 137 x 147 mm Initial R with the Annunciation Parchment Latin Florence, Italy Rotunda Master of the Dominican Effigies Artist front 1 Lewis E M 25:22A front cd 5091 2111 6747 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:22A Lewis E M 25.22A reverse mcai250224 1325 1350 137 x 147 mm This is the reverse of a cutting with an historiated initial from an Antiphonary. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:22A reverse cd 5091 2111 6748 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:22B Lewis E M 25.22B front mcai250225 1300 1325 136 x 129 mm This initial begins the first response for the first nocturn of Matins for the feast of the Annunciation (March 25), "Missus est Gabriel Angelus," (The Angel Gabriel was sent). Parchment Latin Siena, Italy front 1 Lewis E M 25:22B front cd 5091 2111 6748 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:22B Lewis E M 25.22B reverse mcai250226 1300 1325 136 x 129 mm This image shows the reverse of a cutting with an historiated intial from an antiphonary. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 25:22B reverse cd 5091 2111 6748 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:23 Lewis E M 25.23 front mcai250231 1290 1310 73 x 214 mm This cutting was once part of a larger illuminated leaf from a choir book that served to introduce the liturgy for the feast of St. Peter. The style of illumination recalls the work of the Florentine illuminator Lippo di Benivieni, who was active from 1296 to 1320. Parchment Latin Florence, Italy Rotunda Lippo di Benivieni, follower of Artist front 1 Lewis E M 25:23 front cd 5091 2111 6748 48-bit color 600 ppi 1 Choir book
Lewis E M 25:23 Lewis E M 25.23 reverse mcai250232 1290 1310 73 x 214 mm This is the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:23 reverse cd 5091 2111 6748 48-bit color 600 ppi 2 Choir book
Lewis E M 25:24 Lewis E M 25.24 front mcai250241 1385 1399 159 x 200 mm This initial begins the Introit for the feast of St. Michael Archangel (Sept. 29), "Benedicite Domino omnes angeli ejus..." (Bless the Lord, all you angels of his). Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 25:24 front cd 5091 2111 6748 48-bit color 600 ppi 1 Gradual
Lewis E M 25:24 Lewis E M 25.24 reverse mcai250242 159 x 200 mm This cutting is the reverse of an initial B. Parchment Florence, Italy 2 Lewis E M 25:24 cd 5091 2111 6749 Gradual
Lewis E M 25:25 Lewis E M 25.25 front mcai250251 1425 1475 Parchment Siena, Italy Pietro di Giovanni d'Ambrogio, follower of Artist front 1 Lewis E M 25:25 front cd 5091 2111 6749 Historiated initial N depicting the Virgin enthroned
Lewis E M 25:25 Lewis E M 25.25 reverse mcai250252 Parchment Latin Unknown Rotunda reverse 2 Lewis E M 25:25 reverse cd 5091 2111 6749 Historiated initial N depicting the Virgin enthroned
Lewis E M 25:26 Lewis E M 25.26 front mcai250261 1300 1399 86 x 85 mm Very little evidence remains to identify the liturgy that this initial begins. There are no specific attributes to identify the saint except. The book he holds in his left hand provides no hint since books were common attributes for saints. Parchment Latin Italy (central) Rotunda front 1 Lewis E M 25:26 front cd 5091 2111 6749 48-bit color 600 ppi 1 Choir book
Lewis E M 25:26 Lewis E M 25.26 reverse mcai250262 1300 1399 86 x 85 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 25:26 reverse cd 5091 2111 6749 48-bit color 600 ppi 2 Choir book
Lewis E M 25:26A Lewis E M 25.26A front mcai250263 1275 1299 134 x 153 mm Initial H with the Nativity Parchment Latin Siena, Italy Rotunda Maestro del Messale A-47 di Perugia Artist front 1 Lewis E M 25:26A front cd 5091 2111 6749 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:26A Lewis E M 25.26A reverse mcai250264 1275 1299 134 x 153 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 25:26A reverse cd 5091 2111 6749 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:26B Lewis E M 25.26B front mcai250265 1275 1299 101 x 129 mm This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), "Hodie in Jordane baptizato Domino ..." (Today when the Lord had been baptized in the Jordan). The illumination has been attributed to the anonymous Master of Missal A 47 of Perugia, so-called after a missal illuminated by him. This master was active in Siena, Rome, and in Umbria in the 1280s and 1290s. The cutting was taken from the same manuscript as Lewis E M 25:26a. Parchment Latin Siena, Italy Rotunda Maestro del Messale A-47 di Perugia Artist front 1 Lewis E M 25:26B front cd 5091 2111 6732 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:26B Lewis E M 25.26B reverse mcai250266 1275 1299 101 x 129 mm This image is the reverse of a cutting with a historiated initial from an antiphonary. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 25:26B reverse cd 5091 2111 6732 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:27 Lewis E M 25.27 front mcai250271 1400 1450 71 x 88 mm This initial once began a chant used in the celebration of the feast of the third-century virgin martyr St. Agnes of Rome (Jan. 21). According to her legend, St. Agnes refused to marry the son of the prefect of Rome. To punish her, the prefect had her taken to a brothel. When she entered the brothel, she began praying and an angel came down to clothe her in a white robe. This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. The cutting is from the same manuscript as Lewis E M 25:28. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Venice, Italy Cristoforo Cortese, attributed to Artist front 1 Lewis E M 25:27 front cd 5091 2111 6732 48-bit color 600 ppi 1 Choir book
Lewis E M 25:27 Lewis E M 25.27 reverse mcai250272 1400 1450 71 x 88 mm This is the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Venice, Italy reverse 2 Lewis E M 25:27 reverse cd 5091 2111 6732 48-bit color 600 ppi 2 Choir book
Lewis E M 25:28 Lewis E M 25.28 front mcai250281 1400 1425 112 x 94 mm This initial once began a chant used in the celebration of the feast of the Invention of the True Cross (May 3). The True Cross is the name for the cross upon which, according to Christian tradition, Jesus was crucified. According to medieval legend, the True Cross was found by St. Helena, the mother of the first Christian emperor of Rome, Constantine the Great (272 AD - 337 A.D.). The True Cross was believed to have been made from the wood of the Tree of Life in the Garden of Eden. This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. The cutting is from the same manuscript as Lewis E M 25:27. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Venice, Italy Cristoforo Cortese, attributed to Artist front 1 Lewis E M 25:28 front cd 5091 2111 6732 48-bit color 600 ppi 1 Choir book
Lewis E M 25:28 Lewis E M 25.28 reverse mcai250282 1400 1425 112 x 94 mm This is the reverse of a cutting with an historiated intial from a choir book. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 25:28 reverse cd 5091 2111 6732 48-bit color 600 ppi 2 Choir book
Lewis E M 25:29 Lewis E M 25.29 front mcai250291 1285 1299 96 x 168 mm The bold colors and intricate design motifs locate this initial to Umbria, a region of central Italy. The figure kneeling below God is an unidentified Old Testament prophet. Although it may seem odd that an Old Testament prophet is praying to Christ (identified by his cruciform halo), the theological meaning is clear: Christ exists eternally and beyond human time. The precise moment in the liturgy that the initial begins remains to be determined Parchment Latin Umbria, Italy Rotunda front 1 Lewis E M 25:29 front cd 5091 2111 6732 48-bit color 600 ppi 1 Antiphonary
Lewis E M 25:29 Lewis E M 25.29 reverse mcai250292 1285 1299 96 x 168 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Umbria, Italy Rotunda reverse 2 Lewis E M 25:29 reverse cd 5091 2111 6732 48-bit color 600 ppi 2 Antiphonary
Lewis E M 25:30 Lewis E M 25.30 front mcai250301 1285 1299 43 x 252 mm This initial is from the same manuscript as Lewis E M 25:30. Parchment Latin Tuscany, Italy front 1 Lewis E M 25:30 front cd 5091 2111 6732 48-bit color 600 ppi 1 Choir psalter
Lewis E M 25:30 Lewis E M 25.30 reverse mcai250302 1285 1299 43 x 252 mm This image shows the reverse of a cutting with an historiated initial from a choir psalter. Parchment Latin Tuscany, Italy Rotunda reverse 2 Lewis E M 25:30 reverse cd 5091 2111 6732 48-bit color 600 ppi 2 Choir psalter
Lewis E M 25:31 Lewis E M 25.31 front mcai250311 1285 1299 125 x 130 mm This initial probably begins Psalm 80, "Exultate Deo adiutori nostro..." (Rejoice in the Lord our helper), which read at Matins on Fridays. This initial is from the same manuscript as Lewis E M 25:30. Parchment Latin Tuscany, Italy front 1 Lewis E M 25:31 front cd 5091 2111 6733 48-bit color 600 ppi 1 Choir psalter
Lewis E M 25:31 Lewis E M 25.31 reverse mcai250312 1285 1299 125 x 130 mm This image shows the reverse of a cutting with an historiated initial from a choir psalter. Parchment Latin Tuscany, Italy Rotunda reverse 2 Lewis E M 25:31 reverse cd 5091 2111 6733 48-bit color 600 ppi 2 Choir psalter
Lewis E M 25:32 Lewis E M 25.32 front mcai250321 1450 1499 75 x 87 mm St. Blaise, bishop of Sedaste in Armenia, was martyred in 316. His feast day is February 3rd. According to his legend, he was beaten by his persecutors who tore his flesh apart with wool combs and then beheaded him. In this initial, he is shown holding the instrument of his torture: the wool comb. Parchment Latin Florence, Italy front 1 Lewis E M 25:32 front cd 5091 2111 6733 48-bit color 600 ppi 1 Undetermined
Lewis E M 25:32 Lewis E M 25.32 reverse mcai250322 1450 1499 75 x 87 mm This image shows the reverse of a cutting with an historiated intial. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:32 reverse cd 5091 2111 6733 48-bit color 600 ppi 2 Undetermined
Lewis E M 25:33 Lewis E M 25.33 front mcai250331 1325 1350 104 x 251 mm Initial D with St. Andrew the Apostle Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 25:33 front cd 5091 2111 6733 48-bit color 600 ppi 1 Gradual
Lewis E M 25:33 Lewis E M 25.33 reverse mcai250332 1325 1350 104 x 251 mm This image shows the reverse of a cutting with an initial from a gradual. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 25:33 reverse cd 5091 2111 6733 48-bit color 600 ppi 2 Gradual
Lewis E M 26:1 Lewis E M 26.1 front mcai260011 1250 1299 82 x 113 mm This miniature prefaces Book 37 of a fifty-book collection of Roman laws known as the Digest, the first of three parts of the Corpus iuris civilis (Corpus of Civil Law) compiled by the legal scholar Tiborian under the orders of the Byzantine Emperor Justinian (r. 527-565 A.D). Tiborian collected and organized the existing body of classical and current law into a coherent collection of legal doctrine. Book 37 of the Digest discusses legal rights concerning inherited property. Although the Roman Empire had failed in the West, its customs and laws were maintained to a certain degree in Constantinople, the capital of the Byzantine Empire. In the twelfth century, Justinian's Corpus passed into the Christian West where it became the foundation for European civil law. Parchment Latin Bologna, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author front 1 Lewis E M 26:01 front cd 5091 2111 7224 48-bit color 600 ppi 1 Corpus iuris civilis (Corpus of Civil Law)
Lewis E M 26:1 Lewis E M 26.1 reverse mcai260012 1250 1299 82 x 113 mm This image shows the reverse of a cutting with a miniature from a manuscript copy of the Digest of the Corpus iuris civilis (Corpus of Civil Law). Parchment Latin Bologna, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author reverse 2 Lewis E M 26:01 reverse cd 5091 2111 7224 48-bit color 600 ppi 2 Corpus iuris civilis (Corpus of Civil Law)
Lewis E M 26:2 Lewis E M 26.2 front mcai260021 1350 1399 150 x 171 mm Initial M with an unidentified male saint Parchment Latin Bologna, Italy Rotunda Niccolò di Giacomo da Bologna, circle of Artist front 1 Lewis E M 26:02 front cd 5091 2111 7224 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:2 Lewis E M 26.2 reverse mcai260022 1350 1399 150 x 171 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 26:02 reverse cd 5091 2111 7224 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:3 Lewis E M 26.3 front mcai260031 1340 1360 153 x 158 mm This initial begins the response for the first nocturn of Matins for the feast of St. Peter (June 29), "Simon Petre antequam de navi vocarem te novi te ..." (Simon Peter, before I called you from the ship, I knew you). St. Peter, the first bishop of Rome, is identified here by his bishop's miter and the symbolic keys to the Church, held in his left hand, that were given to him by Christ. The unidentified monk behind him may represent a member of the religious community that owned the original manuscript from which this cutting was taken. Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 26:03 front cd 5091 2111 7224 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:3 Lewis E M 26.3 reverse mcai260032 1340 1360 153 x 158 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 26:03 reverse cd 5091 2111 7224 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:4-5 Lewis E M 26.4 front mcai260041 1300 1325 22 x 51 mm These initials, here filled with busts of a saint and another male figure, would have marked secondary textual divisions in a glossed copy of a legal text such as Gratian's Decretum or the Decretals of Gregory IX. This type of initial decoration is commonly found in legal manuscripts produced in Bologna in the first decades of the fourteenth century. Founded in the thirteenth century, the university in Bologna became an important center for the study of law in the Middle Ages. As a consequence, the city also became one of the great centers for the production of legal manuscripts, many of which, as these initials attest, were beautifully illuminated. These cuttings belong to the same manuscript as Lewis E M 26:5 and 26:7. Parchment Latin Bologna, Italy front 26:4 1 Lewis E M 26:04-05 front 26:4 cd 5091 2111 7224 48-bit color 600 ppi 1 Legal treatise
Lewis E M 26:4-5 Lewis E M 26.5 front mcai260051 1300 1325 39 x 88 mm These initials, here filled with busts of two male figures, would have marked secondary textual divisions in a glossed copy of a legal text such as Gratian's Decretum or the Decretals of Gregory IX. This type of initial decoration is commonly found in legal manuscripts produced in Bologna in the first decades of the fourteenth century. Founded in the thirteenth century, the university in Bologna became an important center for the study of law in the Middle Ages. As a consequence, the city also became one of the great centers for the production of legal manuscripts, many of which, as these initials attest, were beautifully illuminated. These cuttings belong to the same manuscript as Lewis E M 26:4 and 26:7. Parchment Latin Bologna, Italy Littera bononiensis front 26:5 2 Lewis E M 26:04-05 front 26:5 cd 5091 2111 7224 48-bit color 600 ppi 2 Legal treatise
Lewis E M 26:4-5 Lewis E M 26.5 reverse mcai260052 1300 1325 39 x 88 mm This image shows the reverse of two cuttings with illuminated initials from an unidentified legal treatise. Parchment Latin Bologna, Italy reverse 26:5 3 Lewis E M 26:04-05 reverse 26:5 cd 5091 2111 7225 48-bit color 600 ppi 3 Legal treatise
Lewis E M 26:7 Lewis E M 26.7 front mcai260071 1300 1325 45 x 135 mm Three initial Qs Parchment Latin Bologna, Italy Littera bononiensis front 1 Lewis E M 26:07 front cd 5091 2111 7225 48-bit color 600 ppi 1 Legal treatise
Lewis E M 26:7 Lewis E M 26.7 reverse mcai260072 1300 1325 45 x 135 mm This image shows the reverse of three cuttings with illuminated initials from an unidentified legal treatise. Parchment Latin Bologna, Italy Littera bononiensis reverse 2 Lewis E M 26:07 reverse cd 5091 2111 7225 48-bit color 600 ppi 2 Legal treatise
Lewis E M 26:8-9 Lewis E M 26.8 front mcai260081 1350 1399 122 x 134 mm This initial begins the response for the first nocturn of Matins for the Common of One Confessor, "Euge serve bone et fidelis ..." (Well done, good and faithful servant). This identification is confirmed by the fragmentary text on the reverse that comes from the preceding second antiphon for the first nocturn of Matins and psalm reading from Psalm 2, "Quare fremuerunt ..." (Why do [the heathen] rage). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial and Lewis E M 26:9, which was taken from the same antiphonary. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. These cuttings may have come from the same volume or set of choir books as Lewis E M 26:10, but there is not enough evidence to confirm this. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, circle of Artist front 26:8 1 Lewis E M 26:08-09 front 26:8 cd 5091 2111 7225 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:8-9 Lewis E M 26.8 reverse mcai260082 1350 1399 122 x 134 mm This image shows the reverse of a cutting with an illuminated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 26:8 2 Lewis E M 26:08-09 reverse 26:8 cd 5091 2111 7225 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:8-9 Lewis E M 26.9 front mcai260091 1350 1399 128 x 133 mm Initial E with a bishop praying to God Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, circle of Artist front 26:9 3 Lewis E M 26:08-09 front 26:9 cd 5091 2111 7225 48-bit color 600 ppi 3 Antiphonary
Lewis E M 26:8-9 Lewis E M 26.9 reverse mcai260092 1350 1399 128 x 133 mm This image shows the reverse of a cutting with an illuminated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 26:9 4 Lewis E M 26:08-09 reverse 26:9 cd 5091 2111 7225 48-bit color 600 ppi 4 Antiphonary
Lewis E M 26:10 Lewis E M 26.10 front mcai260101 1350 1399 92 x 161 mm This initial probably begins the response for the first nocturn of Matins of the Common of the Apostles, "Ecce ego mitto vos sicut oves in medio luporum ..." (Behold, I am sending you forth like sheep in the midst of wolves). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna. The cutting may have come from the same volume or set of choir books as Lewis E M 26:8-9, but there is not enough evidence to confirm this. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, circle of Artist front 1 Lewis E M 26:10 front cd 5091 2111 7225 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:10 Lewis E M 26.10 reverse mcai260102 1350 1399 92 x 161 mm This image shows the reverse of a cutting with an illuminated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 26:10 reverse cd 5091 2111 7225 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:11 Lewis E M 26.11 front mcai260111 1340 1360 87 x 84 mm This initial may begin the first antiphon for Friday of the fourth week in Lent, "Ad monumentum Lazari clamabat Dominus ..." (At the tomb, the Lord cried out to Lazarus), but there is not enough textual evidence to confirm this identification. Parchment Latin Bologna, Italy front 1 Lewis E M 26:11 front cd 5091 2111 7225 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:11 Lewis E M 26.11 reverse mcai260112 1340 1360 87 x 84 mm This image shows the reverse of a cutting with a decorated initial from an Antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 26:11 reverse cd 5091 2111 7225 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:12 Lewis E M 26.12 front mcai260121 1300 1325 Parchment Bologna, Italy front 1 Lewis E M 26:12 front cd 5091 2111 7226 Historiated initial O depicting St. Dominic preaching on the Ascension; above, Christ in a mandorla
Lewis E M 26:12 Lewis E M 26.12 reverse mcai260122 Parchment Latin Unknown Rotunda reverse 2 Lewis E M 26:12 reverse cd 5091 2111 7226 Historiated initial O depicting St. Dominic preaching on the Ascension; above, Christ in a mandorla
Lewis E M 26:13 Lewis E M 26.13 front mcai260131 1350 1399 183 x 232 mm This initial begins the first response for the first nocturn of Matins of the Common of Several Martyrs, "Absterget Deus omnem lacrimam ab oculis sanctorum ..." (God will wipe away every tear from the eyes of the saints). Parchment Latin Bologna, Italy front 1 Lewis E M 26:13 front cd 5091 2111 7226 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:13 Lewis E M 26.13 reverse mcai260132 1350 1399 183 x 232 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 26:13 reverse cd 5091 2111 7226 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:14 Lewis E M 26.14 front mcai260141 1350 1399 149 x 187 mm This initial probably begins the first response for the first nocturn of Matins of the Common of Virgins, "Veni, Sponsa Christi, accipe coronam ..." (Come, Spouse of Christ, receive the crown), although there is not enough textual evidence to confirm this identification. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. This cutting is from the same choir book or set of choir books as Lewis E M 26:2. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 1 Lewis E M 26:14 front cd 5091 2111 7226 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:14 Lewis E M 26.14 reverse mcai260142 1350 1399 149 x 187 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 26:14 reverse cd 5091 2111 7227 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:15 Lewis E M 26.15 front mcai260151 1375 1399 Parchment Bologna, Italy front 1 Lewis E M 26:15 front cd 5091 2111 7227 Historiated initial O from an antiphonal depicting a prophet (Ezekiel )
Lewis E M 26:15 Lewis E M 26.15 reverse mcai260152 Parchment Unknown Rotunda reverse 2 Lewis E M 26:15 reverse cd 5091 2111 7227 Historiated initial O from a missal depicting a prophet (Ezekiel )
Lewis E M 26:16 Lewis E M 26.16 front mcai260161 1450 1475 165 x 188 mm This initial may begin the first response for the first nocturn of Matins for the feast of St. Dominic (Aug. 4), "Mundum vocans ad Agni nuptias ...," (Calling the world to the marriage of the Lamb) although neither the text on the reverse nor the iconography can confirm this identification. The identity of this Domincan friar is unclear as well. He does not have a halo, nor does he have any attributes that might help to identify him as the founder of the Dominican Order. Parchment Latin Ferrara, Italy front 1 Lewis E M 26:16 front cd 5091 2111 7227 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:16 Lewis E M 26.16 reverse mcai260162 1450 1475 165 x 188 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 26:16 reverse cd 5091 2111 7227 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:17-18 Lewis E M 26.17 front mcai260171 1400 1415 173 x 171 mm This initial begins the Introit for Mass on the feast of Corpus Christi, "Cibavit eos ex adipe frumenti ..." (Full ears of wheat are the nourishment he gives them). It is from the same manuscript as Lewis E M 26:18. Parchment Latin Bologna, Italy front 26:17 1 Lewis E M 26:17-18 front 26:17 cd 5091 2111 7228 48-bit color 600 ppi 1 Gradual
Lewis E M 26:17-18 Lewis E M 26.17 reverse mcai260172 1400 1415 173 x 171 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Bologna, Italy Rotunda reverse 26:17 2 Lewis E M 26:17-18 reverse 26:17 cd 5091 2111 7228 48-bit color 600 ppi 2 Gradual
Lewis E M 26:17-18 Lewis E M 26.18 front mcai260181 1400 1415 170 x 191 mm This initial begins the Introit for Mass on the feast of the Ascension, "Viri Galilei quid admiramini aspicientes in caelum?" (Men of Galilee, what are you wondering at, looking heavenwards?). It is from the same manuscript as Lewis E M 26:17. Parchment Latin Bologna, Italy front 26:18 3 Lewis E M 26:17-18 front 26:18 cd 5091 2111 7228 48-bit color 600 ppi 3 Gradual
Lewis E M 26:17-18 Lewis E M 26.18 reverse mcai260182 1400 1415 170 x 191 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Bologna, Italy Rotunda reverse 26:18 4 Lewis E M 26:17-18 reverse 26:18 cd 5091 2111 7228 48-bit color 600 ppi 4 Gradual
Lewis E M 26:19 Lewis E M 26.19 front mcai260191 1285 1299 44 x 63 mm After the fall of Constantinople in 1204, Byzantine artists came to Italy where they soon began to assert an influence over Italian illumination, introducing stylistic idioms drawn from contemporary Byzantine painting (such as that seen in icon painting) that were themselves grounded in the traditions of Classical art. The expressive gestures, the intensity of the figure's gaze extending beyond the confines of the initial, and the schematic rendering of three-dimensional form are characteristic features of the influence of Byzantine artists on Italian illuminators. Parchment Latin Italy (northern) front 1 Lewis E M 26:19 front cd 5091 2111 7228 48-bit color 600 ppi 1 Choir book
Lewis E M 26:19 Lewis E M 26.19 reverse mcai260192 1285 1299 44 x 63 mm This image shows the reverse of a cutting with an historiated initial from an choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 26:19 reverse cd 5091 2111 7228 48-bit color 600 ppi 2 Choir book
Lewis E M 26:20-29 Lewis E M 26.20 front mcai260201 1250 1299 77 x 84 mm This initial begins the first response for the first nocturn of Matins for the Common of the Apostles, "Ecce ego mitto vos sicut oves in medio luporum..." (Behold, I send you out like sheep in the midst of wolves). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. Parchment Latin Padua or Venice, Italy front 26:20 1 Lewis E M 26:20-29 front 26:20 cd 5091 2111 7228 48-bit color 600 ppi 1 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.20 reverse mcai260202 1250 1299 77 x 84 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:20 2 Lewis E M 26:20-29 reverse 26:20 cd 5091 2111 7229 48-bit color 600 ppi 2 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.21 front mcai260211 1250 1299 69 x 80 mm Initial O with the Flagellation Parchment Latin Padua or Venice, Italy front 26:21 3 Lewis E M 26:20-29 front 26:21 cd 5091 2111 7229 48-bit color 600 ppi 3 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.21 reverse mcai260212 1250 1299 69 x 80 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:21 4 Lewis E M 26:20-29 reverse 26:21 cd 5091 2111 7229 48-bit color 600 ppi 4 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.22 front mcai260221 1250 1299 60 x 71 mm This initial begins the first response for the first nocturn of Matins for the third Sunday in Lent, "Videntes Ioseph a longe loquebantur mutuo fratres ..." (Seeing Joseph in the distance, the brothers said to one another). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. Parchment Latin Padua or Venice, Italy front 26:22 5 Lewis E M 26:20-29 front 26:22 cd 5091 2111 7229 48-bit color 600 ppi 5 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.22 reverse mcai260222 1250 1299 60 x 71 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:22 6 Lewis E M 26:20-29 reverse 26:22 cd 5091 2111 7229 48-bit color 600 ppi 6 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.23 front mcai260231 1250 1299 51 x 66 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.The identity of this saint portrayed here and the precise moment in the liturgy that this initial begins remain to be determined. Parchment Latin Padua or Venice, Italy front 26:23 7 Lewis E M 26:20-29 front 26:23 cd 5091 2111 7229 48-bit color 600 ppi 7 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.23 reverse mcai260232 1250 1299 51 x 66 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:23 8 Lewis E M 26:20-29 reverse 26:23 cd 5091 2111 7229 48-bit color 600 ppi 8 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.24 front mcai260241 1250 1299 45 x 58 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. Parchment Latin Padua or Venice, Italy front 26:24 9 Lewis E M 26:20-29 front 26:24 cd 5091 2111 7229 48-bit color 600 ppi 9 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.24 reverse mcai260242 1250 1299 45 x 58 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:24 10 Lewis E M 26:20-29 reverse 26:24 cd 5091 2111 7229 48-bit color 600 ppi 10 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.25 front mcai260251 1250 1299 68 x 67 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.The identity of this saint portrayed here and the precise moment in the liturgy that this initial begins remain to be determined. Parchment Latin Padua or Venice, Italy front 26:25 11 Lewis E M 26:20-29 front 26:25 cd 5091 2111 7229 48-bit color 600 ppi 11 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.25 reverse mcai260252 1250 1299 68 x 67 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:25 12 Lewis E M 26:20-29 reverse 26:25 cd 5091 2111 7229 48-bit color 600 ppi 12 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.26 front mcai260261 1250 1299 80 x 110 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. Parchment Latin Padua or Venice, Italy front 26:26 13 Lewis E M 26:20-29 front 26:26 cd 5091 2111 7229 48-bit color 600 ppi 13 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.26 reverse mcai260262 1250 1299 80 x 110 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:26 14 Lewis E M 26:20-29 reverse 26:26 cd 5091 2111 7229 48-bit color 600 ppi 14 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.27 front mcai260271 1250 1299 60 x 140 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. Parchment Latin Padua or Venice, Italy front 26:27 15 Lewis E M 26:20-29 front 26:27 cd 5091 2111 7229 48-bit color 600 ppi 15 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.27 reverse mcai260272 1250 1299 60 x 140 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:27 16 Lewis E M 26:20-29 reverse 26:27 cd 5091 2111 7229 48-bit color 600 ppi 16 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.28 front mcai260281 1250 1299 62 x 63 mm Initial H with the Baptism of Christ Parchment Latin Padua or Venice, Italy front 26:28 17 Lewis E M 26:20-29 front 26:28 cd 5091 2111 7229 48-bit color 600 ppi 17 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.28 reverse mcai260282 1250 1299 62 x 63 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:28 18 Lewis E M 26:20-29 reverse 26:28 cd 5091 2111 7229 48-bit color 600 ppi 18 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.29 front mcai260291 1250 1299 56 x 59 mm This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. Parchment Latin Padua or Venice, Italy front 26:29 19 Lewis E M 26:20-29 front 26:29 cd 5091 2111 7229 48-bit color 600 ppi 19 Antiphonary
Lewis E M 26:20-29 Lewis E M 26.29 reverse mcai260292 1250 1299 56 x 59 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 26:29 20 Lewis E M 26:20-29 reverse 26:29 cd 5091 2111 7229 48-bit color 600 ppi 20 Antiphonary
Lewis E M 26:30 Lewis E M 26.30 front mcai260301 1300 1399 Parchment Emilia?, Italy front 1 Lewis E M 26:30 front cd 5091 2111 7235 St. Francis exalts the spring and the tree
Lewis E M 26:30 Lewis E M 26.30 reverse mcai260302 1300 1399 Parchment Emilia?, Italy reverse 2 Lewis E M 26:30 reverse cd 5091 2111 7235 St. Francis donates clothing to church of S. Damiano
Lewis E M 26:31 Lewis E M 26.31 front mcai260311 1300 1399 Parchment Emilia?, Italy front 1 Lewis E M 26:31 front cd 5091 2111 7235 St. Francis meets Chastity, Poverty, and Obedience
Lewis E M 26:31 Lewis E M 26.31 reverse mcai260312 1300 1399 Parchment Emilia?, Italy reverse 2 Lewis E M 26:31 reverse cd 5091 2111 7235 St. Francis rejects a purse
Lewis E M 26:32-33 Lewis E M 26.32 front mcai260321 1450 1499 94 x 91 mm This initial begins an unusual chant sung at the first response for the first nocturn of Matins of the feast of St. Peter of Verona (Apr. 29), "Petre sydus aureum summinas honorem candoris ...." St. Peter (b. 1206 - April 6, 1252), was a thirteenth-century Dominican preacher and inquisitor. According to his legend, he was attacked by members of the heretical sect known as the Cathars, whom St. Peter had preached vehemently against. His attackers struck him in the head with an axe. When the saint rose up to proclaim "Credo in Deum" (I believe in God), the first article of faith, his attackers then fatally stabbed him in the heart. In this initial, both wounds are represented. This initial has been attributed to an artist working within the circle of the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445 when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese and his circle. Parchment Latin Venice, Italy Rotunda Cristoforo Cortese, or follower of Artist front 26:32 1 Lewis E M 26:32-33 front 26:32 cd 5091 2111 7235 48-bit color 600 ppi 1 Historiated initial P from an antiphonary, depicting St. Peter of Verona
Lewis E M 26:32-33 Lewis E M 26.32 reverse mcai260322 1450 1499 94 x 91 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Venice, Italy Rotunda reverse 26:32 3 Lewis E M 26:32-33 reverse 26:32 cd 5091 2111 7235 48-bit color 600 ppi 2 Historiated initial P from an antiphonary, depicting St. Peter of Verona
Lewis E M 26:32-33 Lewis E M 26.33 front mcai260331 1450 1499 136 x 153 mm Initial M with St. Dominic adored by a group of Dominican nuns Parchment Latin Venice, Italy Cristoforo Cortese, or follower of Artist front 26:33 2 Lewis E M 26:32-33 front 26:33 cd 5091 2111 7235 48-bit color 600 ppi 3 Historiated initial A from an antiphonary depicting St. Dominic venerated by Dominican nuns
Lewis E M 26:32-33 Lewis E M 26.33 reverse mcai260332 1450 1499 136 x 153 mm This image shows the reverse of a cutting with an historiated initial from a antiphonary. Parchment Latin Venice, Italy Rotunda reverse 26:13 4 Lewis E M 26:32-33 reverse 26:13 cd 5091 2111 7235 48-bit color 600 ppi 4 Historiated initial A from an antiphonary depicting St. Dominic venerated by Dominican nuns
Lewis E M 27:1 Lewis E M 27.1 front mcai270011 1250 1299 142 x 213 mm This initial begins the Introit for the Common Mass of One Martyr, "Laetabitur justus in Domino ..." (The good man will rejoice [and put his trust] in the Lord). Parchment Latin Padua, Italy Rotunda front 1 Lewis E M 27:01 front cd 5091 2111 7185 48-bit color 600 ppi 1 Historiated initial L from a gradual, depicting Christ
Lewis E M 27:1 Lewis E M 27.1 reverse mcai270012 1250 1299 142 x 213 mm This image shows the reverse of a cutting with an illuminated initial from a gradual. Parchment Latin Padua, Italy Rotunda reverse 2 Lewis E M 27:01 reverse cd 5091 2111 7185 48-bit color 600 ppi 2 Historiated initial L from a gradual, depicting Christ
Lewis E M 27:2 Lewis E M 27.2 front mcai270021 1300 1325 107 x 128 mm The precise moment in the liturgy that this initial begins remains to be determined, although it most likely belongs to a chant sung during ceremonies honoring the death of a bishop. Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 27:02 front cd 5091 2111 7185 48-bit color 600 ppi 1 Choir book
Lewis E M 27:2 Lewis E M 27.2 reverse mcai270022 1300 1325 107 x 128 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 27:02 reverse cd 5091 2111 7185 48-bit color 600 ppi 2 Choir book
Lewis E M 27:3 Lewis E M 27.3 front mcai270031 1300 1325 146 x 125 mm The iconography of this initial suggest that it probably begins the Introit for the Common of the Blessed Virgin (recited from the Octave of the Epiphany to the Purification), "Vultum tuum deprecabuntur omnes divites plebis ..." (All that are rich among the citizens will be courting thy favor). Parchment Latin Italy (northern) front 1 Lewis E M 27:03 front cd 5091 2111 7185 48-bit color 600 ppi 1 Gradual
Lewis E M 27:3 Lewis E M 27.3 reverse mcai270032 1300 1325 146 x 125 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 27:03 reverse cd 5091 2111 7185 48-bit color 600 ppi 2 Gradual
Lewis E M 27:4 Lewis E M 27.4 front mcai270041 1300 1325 168 x 247 mm Initial A with Dominican friars adoring God Parchment Latin Rimini, Italy Neri da Rimini, follower of Artist front 1 Lewis E M 27:04 front cd 5091 2111 7186 48-bit color 600 ppi 1 Choir book
Lewis E M 27:4 Lewis E M 27.4 reverse mcai270042 1300 1325 168 x 247 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Rimini, Italy reverse 2 Lewis E M 27:04 reverse cd 5091 2111 7186 48-bit color 600 ppi 2 Choir book
Lewis E M 27:5 Lewis E M 27.5 front mcai270051 1275 1299 111 x 141 mm This initial begins the first response for Matins of the feast of the Ascension, "Post passionem suam per dies quadriginta ..." (After his Passion, for forty days). Parchment Latin Italy (northeastern) Rotunda front 1 Lewis E M 27:05 front cd 5091 2111 7186 48-bit color 600 ppi 1 Antiphonary
Lewis E M 27:5 Lewis E M 27.5 reverse mcai270052 1275 1299 111 x 141 mm This image shows the reverse of a cutting with an illuminated initial from an antiphonary. Parchment Latin Italy (northeastern) Rotunda reverse 2 Lewis E M 27:05 reverse cd 5091 2111 7186 48-bit color 600 ppi 2 Antiphonary
Lewis E M 27:6 Lewis E M 27.6 front mcai270061 1400 1450 43 x 41 mm This initial begins the prayer, "Beata Mariae Magdalenae, quaesumus Domine suffragiis adjuvemur ..." (Lord, we pray that we may find help in the intercession of blessed Mary Magdalene), recited during the Mass held in celebration of her feast (July 22). Parchment Latin Venice, Italy Rotunda front 1 Lewis E M 27:06 front cd 5091 2111 7186 48-bit color 600 ppi 1 Missal
Lewis E M 27:6 Lewis E M 27.6 reverse mcai270062 1400 1450 43 x 41 mm This image shows the reverse of a cutting with an illuminated initial from a missal. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 27:06 reverse cd 5091 2111 7186 48-bit color 600 ppi 2 Missal
Lewis E M 27:7 Lewis E M 27.7 front mcai270071 1550 1575 85 x 83 mm This cutting has been attributed to Giulio Clovio, or perhaps a follower who worked in a nearly identical manner. Born in Croatia in 1498, Giulio moved to Italy to become one of the most important illuminators of the sixteenth century. Giorgio Vasari, the great sixteenth-century biographer of Renaissance artists, described him as a "Michelangelo of small works." Perhaps it is no coincidence then that the very codex that scholars believe this cutting to have come from was housed in the Sistine Chapel in the Apostolic Palace, the official residence of the pope, and the site of Michelangelo's famous ceiling painted sixty years earlier. The codex, which survives only in fragments, was made for Pope Gregory XIII shortly after his papacy began in 1572. Parchment Latin Rome, Italy Giulio Clovio, or close follower of Artist front 1 Lewis E M 27:07 front cd 5091 2111 7186 48-bit color 600 ppi 1 Gospel Lectionary
Lewis E M 27:7 Lewis E M 27.7 reverse mcai270072 1550 1575 85 x 83 mm This image shows the reverse of a cutting with a miniature from a gospel lectionary. Parchment Latin Rome, Italy reverse 2 Lewis E M 27:07 reverse cd 5091 2111 7186 48-bit color 600 ppi 2 Gospel Lectionary
Lewis E M 27:8 Lewis E M 27.8 front mcai270081 1300 1350 171 x 183 mm The Dominican nun, identified by her black and white robes, may represent the abbess of the convent in which the original choir book was used. The precise moment in the liturgy that this initial begins remains to be determined. Parchment Latin Tuscany, Siena?, Italy Rotunda front 1 Lewis E M 27:08 front cd 5091 2111 7187 48-bit color 600 ppi 1 Choir book
Lewis E M 27:8 Lewis E M 27.8 reverse mcai270082 1300 1350 171 x 183 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Tuscany, Siena?, Italy Rotunda reverse 2 Lewis E M 27:08 reverse cd 5091 2111 7187 48-bit color 600 ppi 2 Choir book
Lewis E M 27:9-10 Lewis E M 27.9 front mcai270091 1400 1450 83 x 94 mm This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Venice, Italy Christoforo Cortese, attributed to Artist front 27:9 1 Lewis E M 27:09-10 front 27:9 cd 5091 2111 7187 48-bit color 600 ppi 1 Choir book
Lewis E M 27:9-10 Lewis E M 27.9 reverse mcai270092 1400 1450 83 x 94 mm Christoforo Cortese, attributed to Parchment Latin Venice, Italy Rotunda reverse 27:9 2 Lewis E M 27:09-10 reverse 27:9 cd 5091 2111 7187 48-bit color 600 ppi 2 Choir book
Lewis E M 27:9-10 Lewis E M 27.10 front mcai270101 1400 1450 123 x 97 mm In this initial, which begins an unidentified chant, Christ appears as the mocked King of the Jews. Among the many torments he suffered during his Passion, Christ was given a crown of thorns and a reed as a scepter. Here, Christ holds the reed in his bound hands, and a green crown of thorns causes blood to flow down his face, which can be seen through the diaphanous veil covering his head. This image was meant to inspire compassion for Christ's suffering in the heart of the viewer. The initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Venice, Italy Rotunda Christoforo Cortese, attributed to Artist front 27:10 3 Lewis E M 27:09-10 front 27:10 cd 5091 2111 7187 48-bit color 600 ppi 3 Choir book
Lewis E M 27:9-10 Lewis E M 27.10 reverse mcai270102 1400 1450 123 x 97 mm This image shows the reverse of a cutting with an illuminated initial from a choir book. Parchment Latin Venice, Italy Rotunda reverse 27:10 4 Lewis E M 27:09-10 reverse 27:10 cd 5091 2111 7187 48-bit color 600 ppi 4 Choir book
Lewis E M 27:11 Lewis E M 27.11 front mcai270111 1500 1599 A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics.&nbsp;The Doge of Venice was one of the most powerful among them.&nbsp;Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority.&nbsp; The arms of the Contarini family are displayed on this leaf--eight Doges of Venice came from this family. Parchment Venice, Italy front 1 Lewis E M 27:11 front cd 5091 2111 7187 Frontispiece from a Dogale, with Contarini arms
Lewis E M 27:11 Lewis E M 27.11 reverse mcai270112 1500 1599 Parchment Venice, Italy reverse 2 Lewis E M 27:11 reverse cd 5091 2111 7188 Frontispiece from a Dogale, with Contarini arms
Lewis E M 27:12 Lewis E M 27.12 front mcai270121 1450 1499 146 x 145 mm This initial begins the Introit for the First Sunday in Advent, "Ad te levavi animam meam ..." (All my heart goes out to thee). The words of the Introit are from Psalm 24:1-3. In the Middle Ages, David was believed to have composed the psalms, and he was thus often found in psalm illustration. Parchment Latin Veneto?, Italy Rotunda front 1 Lewis E M 27:12 front cd 5091 2111 7188 48-bit color 600 ppi 1 Gradual
Lewis E M 27:12 Lewis E M 27.12 reverse mcai270122 1450 1499 146 x 145 mm This is the reverse of a cutting from a gradual. Parchment Latin Veneto?, Italy reverse 2 Lewis E M 27:12 reverse cd 5091 2111 7188 48-bit color 600 ppi 2 Gradual
Lewis E M 27:13 Lewis E M 27.13 front mcai270131 1500 1599 &nbsp;A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics.&nbsp;The Doge of Venice was one of the most powerful among them.&nbsp;Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. This miniature depicts the Transfiguration of Christ, with Moses and Elijah the Prophet in the heavens with Jesus, and the apostles John, Peter, and James on the ground. This references the version of the story told in Matthew 17:1-9; Matthew 17:5 is quoted at the top of the cutting. Parchment Venice, Italy front 1 Lewis E M 27:13 front cd 5091 2111 7188 Frontispiece from a Dogale, depicting the Transfiguration
Lewis E M 27:13 Lewis E M 27.13 reverse mcai270132 1500 1599 Parchment Venice, Italy reverse 2 Lewis E M 27:13 reverse cd 5091 2111 7188 Frontispiece from a Dogale, depicting the Transfiguration
Lewis E M 27:14 Lewis E M 27.14 front mcai270141 1450 1475 93 x 90 mm Although the text on the reverse of the cutting is obscured, the rare iconography in the historiated initial suggests that it was removed from a manuscript containing Eusebius's "Chronici canones." Eusebius (ca. 275 - 339), bishop of Caesarea, is most well known for writing the early history of the Christian Church. Another of his great works is his "Chronicle," which claimed to give the whole of universal history to the year 325. The original Greek text did not survive antiquity, but the second part of the Chronicle, entitled the "Chronological Canons," was translated into Latin by St. Jerome. This initial E begins the first lines of Jerome's preface to the Chronological Canons, or the "Chronici canones" as it is known in Latin, "Eusebius Hieronymus Vicentio et Gallieno suis salutem ..." (May I, Eusebius Jerome, send greetings to Vicentius and Gallianus). Parchment Latin Verona, Italy Rotunda Eusebius of Caesarea Author front 1 Lewis E M 27:14 front cd 5091 2111 7189 48-bit color 600 ppi 1 Chronici canones
Lewis E M 27:14 Lewis E M 27.14 reverse mcai270142 1450 1475 93 x 90 mm This image shows the reverse of a cutting with an historiated initial from a manuscript copy of St. Jerome's Latin translation of the Chronicles of Eusebius. Parchment Latin Verona, Italy Rotunda Eusebius of Caesarea Author reverse 2 Lewis E M 27:14 reverse cd 5091 2111 7189 48-bit color 600 ppi 2 Chronici canones
Lewis E M 27:15 Lewis E M 27.15 front mcai270151 1540 1560 146 x 192 mm This initial begins the Magnificat antiphon for first Vespers of the feast of St. Michael (Sept. 29), "Dum sacrum mysterium cerneret Iohannes ..." (While John was beholding the sacred mystery). Parchment Latin Ferrara?, Italy Rotunda front 1 Lewis E M 27:15 front cd 5091 2111 7189 48-bit color 600 ppi 1 Antiphonary
Lewis E M 27:15 Lewis E M 27.15 reverse mcai270152 1540 1560 146 x 192 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Ferrara?, Italy Rotunda reverse 2 Lewis E M 27:15 reverse cd 5091 2111 7189 48-bit color 600 ppi 2 Antiphonary
Lewis E M 27:16 Lewis E M 27.16 front mcai270161 1550 1599 118 x 150 mm This initial begins the Introit for the First Sunday in Advent, "Ad te levavi animam meam ..." (All my heart goes out to thee). The words of the Introit are from Psalm 24:1-3. In the Middle Ages, David was believed to have composed the psalms, and he was thus often found in psalm illustration. In this initial, he is joined by two Benedictine monks in prayer. Parchment Latin Veneto, Italy front 1 Lewis E M 27:16 front cd 5091 2111 7189 48-bit color 600 ppi 1 Gradual
Lewis E M 27:16 Lewis E M 27.16 reverse mcai270162 1550 1599 118 x 150 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Veneto, Italy Rotunda reverse 2 Lewis E M 27:16 reverse cd 5091 2111 7189 48-bit color 600 ppi 2 Gradual
Lewis E M 27:17 Lewis E M 27.17 mcai270171 1400 1499 96 x 98 mm Since no text is visible on this cutting (it has been pasted to decorative board), it is difficult to determine its original manuscript context. Its size suggests that it is from a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:18. The iconography of this initial suggests that the original manuscript was intended for use in an Olivetan monastery. The Olivetan order was founded by the Blessed Bernardo Tolomei, shown in this initial holding an olive branch. The order took its name from its motherhouse, which was named Monte Oliveto after the biblical Mount of Olives. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. Parchment Latin Milan, Italy Olivetan Master Artist front 1 Lewis E M 27:17 front cd 5091 2111 7189 48-bit color 600 ppi 1 Choir book
Lewis E M 27:18 Lewis E M 27.18 mcai270181 1400 1450 102 x 106 mm Since no text is visible on this cutting (which has been pasted to decorative board), it is difficult to determine its original manuscript context. Its size suggests that it is from a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:17. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. Parchment Latin Milan, Italy Olivetan Master Artist front 1 Lewis E M 27:18 front cd 5091 2111 7189 48-bit color 600 ppi 1 Choir book
Lewis E M 27:19 Lewis E M 27.19 front mcai270191 1425 1450 106 x 112 mm St. Ambrose, bishop of Milan from 374 -397, is counted as one of the Doctors of the western Church with Augustine, Jerome, and Pope Gregory I. The fragmentary inscription in the margin to the right of the saint makes reference to the act of genuflecting before images of saints as a means of worship.The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. Parchment Latin Lombardy, Italy Olivetan Master Artist front 1 Lewis E M 27:19 front cd 5091 2111 7190 48-bit color 600 ppi 1 Choir book
Lewis E M 27:19 Lewis E M 27.19 reverse mcai270192 1425 1450 106 x 112 mm This is the reverse of a cutting from a choir book. Parchment Latin Lombardy, Italy reverse 2 Lewis E M 27:19 reverse cd 5091 2111 7190 48-bit color 600 ppi 2 Choir book
Lewis E M 27:20 Lewis E M 27.20 front mcai270201 1440 1460 198 x 121 mm This cutting of an area of marginal decoration contains a scene from Christ's Parable of the Lost Sheep that is told in the Gospels of Matthew (18:12-14) and Luke (15:4-7). Christ speaks of a shepherd who leaves his flock to find one lost lamb. When he finds his lost charge, he puts the lamb on his shoulder and returns home to call together his friends and family, saying "Rejoice with me, because I have found my sheep that was lost!" His proclamation is written in Latin on the scroll held by the shepherd depicted in the cutting, "Congratulamini mihi quia inveni ovem quam perdideram." Parchment Latin Lombardy, Italy Rotunda (libraria) front 1 Lewis E M 27:20 front cd 5091 2111 7190 48-bit color 600 ppi 1 Undetermined
Lewis E M 27:20 Lewis E M 27.20 reverse mcai270202 1440 1460 Parchment Lombardy, Italy reverse 2 Lewis E M 27:20 reverse cd 5091 2111 7190 Undetermined
Lewis E M 27:21 Lewis E M 27.21 front mcai270211 1440 1460 134 x 188 mm The stylized tree-like structure on the right edge of this cutting forms the stem of an Initial I that begins the first response of the first nocturn of Matins for Palm Sunday "In die qua invocavi te ..." (When I called to you). Parchment Latin Lombardy, Italy front 1 Lewis E M 27:21 front cd 5091 2111 7190 48-bit color 600 ppi 1 Antiphonary
Lewis E M 27:21 Lewis E M 27.21 reverse mcai270212 1440 1460 134 x 188 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 27:21 reverse cd 5091 2111 7190 48-bit color 600 ppi 2 Antiphonary
Lewis E M 27:22-23 Lewis E M 27.22 front mcai270221 1385 1399 123 x 207 mm As the iconography suggests, this initial most likely begins the first response for Vespers of the feast of St. Laurence (Aug. 10), "Levita Laurentius bonum opus operatus est ..." (The Levite Laurence has wrought good work), although little text survives to confirm this identification. St. Laurence was martyred in 258 during the persecutions of the Roman Emperor Valerian. According to his legend he was tied to a gridiron and placed over a fire to slowly burn to death. Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours, after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan, where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated eight other leaves in the Free Library's collection (Lewis E M 27:23 and 72:4-10). This group of leaves and cuttings undoubtedly comes from the same series of choir books. Parchment Latin Milan, Italy Tomasino da Vimercate Artist front 1 Lewis E M 27:22-23 front cd 5091 2111 7191 48-bit color 600 ppi 1 Antiphonary
Lewis E M 27:22-23 Lewis E M 27.22 reverse mcai270222 1385 1399 123 x 207 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 27:22-23 reverse cd 5091 2111 7191 48-bit color 600 ppi 2 Antiphonary
Lewis E M 27:22-23 Lewis E M 27.23 front mcai270231 1385 1399 135 x 142 mm This initial begins the Response for first Vespers of the feast of St. Clement of Rome (Nov. 23), "Orante sancto Clemente apparavit ei Agnus Dei, de sub cuius pede fons vivus emanat ..." (While St. Clement was praying, the Lamb of God appeared to him, from under whose foot a living fountain sprang). The text of the chant explains the iconography of the flowing spring water just under Clement's foot. The Lamb of God mentioned in the chant, however, has been replaced by rays of heavenly light. Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours, after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan, where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated eight other leaves in the Free Library's collections, Lewis E M 27:22 and 72:4-10. This group of leaves and cuttings undoubtedly comes from the same series of choir books. Parchment Latin Milan, Italy Tomasino da Vimercate Artist front (27:23) 3 Lewis E M 27:22-23 front (27:23) cd 5091 2111 7191 48-bit color 600 ppi 1 Antiphonary
Lewis E M 27:22-23 Lewis E M 27.23 reverse mcai270232 1385 1399 135 x 142 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Milan, Italy Rotunda reverse (27:23) 4 Lewis E M 27:22-23 reverse (27:23) cd 5091 2111 7191 48-bit color 600 ppi 2 Antiphonary
Lewis E M 27:24 Lewis E M 27.24 mcai270241 1425 1450 118 x 116 mm No text survives on this cutting to permit the identification of the text of this initial, which has been pasted to decorative cardboard. Its size suggests that it belonged in a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:25, which is similar in size and illuminated at least in part by the same hand. The illuminator worked under the influence of an anonymous master known today as the Olivetan Master, who is called by this name because of a signature found in an illuminated initial from Milan, dated to 1439 (now belonging to The Cini Foundation, Venice). He describes himself as a brother of the Order of Monteoliveto, a monastic order formally recognized in 1344. Parchment Latin Milan, Italy Olivetan Master, collaborator Artist front 1 Lewis E M 27:24 front cd 5091 2111 7191 48-bit color 600 ppi 1 Choir book
Lewis E M 27:25 Lewis E M 27.25 mcai270251 1425 1450 127 x 141 mm Initial D with the Conversion of St. Paul Parchment Latin Milan, Italy Olivetan Master, collaborator Artist front 1 Lewis E M 27:25 front cd 5091 2111 7191 48-bit color 600 ppi 1 Choir book
Lewis E M 27:26 Lewis E M 27.26 front mcai270261 1475 1525 40 x 50 mm From same ms. as M 27:27-29. &quot;Mr. Huter says Venetian, 1420-30.&quot; (Written on back of mat) Parchment Milan, Italy front 1 Lewis E M 27:26 front cd 5091 2111 7191 Historiated initial I from a missal depicting St. Luke writing
Lewis E M 27:26 Lewis E M 27.26 reverse mcai270262 1475 1525 40 x 50 mm Parchment Milan, Italy Rotunda reverse 2 Lewis E M 27:26 reverse cd 5091 2111 7191 Historiated initial I from a missal depicting St. Luke writing
Lewis E M 27:27-29 Lewis E M 27.27 front mcai270271 1450 1499 172 x 65 mm Border decoration with deer Parchment Latin Venice, Italy Girolamo da Cremona [Girolamo di Giovanni dei Corradi] Artist front 27:27 1 Lewis E M 27:27-29 front 27:27 cd 5091 2111 7192 48-bit color 600 ppi 1 Missal
Lewis E M 27:27-29 Lewis E M 27.27 reverse mcai270272 1450 1499 172 x 65 mm This is the reverse of a cutting with border decoration from a missal. Parchment Latin Venice, Italy reverse 27:27 2 Lewis E M 27:27-29 reverse 27:27 cd 5091 2111 7192 48-bit color 600 ppi 2 Missal
Lewis E M 27:27-29 Lewis E M 27.28 front mcai270281 1450 1499 86 x 49 mm This cutting may have come from a now lost missal that documents show was illuminated by Girolamo da Cremona (fl. 1451-1483) for Lucrezia de'Medici, a member of the powerful Medici family of Florence. The carefully observed treatments of space and naturalistic detail as well as the illusionistic vine-scroll border decoration dotted with small pearls are hallmarks of this important Renaissance artist. Parchment Latin Venice, Italy Girolamo da Cremona [Girolamo di Giovanni dei Corradi] Artist front 27:28 3 Lewis E M 27:27-29 front 27:28 cd 5091 2111 7192 48-bit color 600 ppi 3 Missal
Lewis E M 27:27-29 Lewis E M 27.28 reverse mcai270282 1450 1499 86 x 49 mm This image shows the reverse of a cutting containing border decoration from a missal. Parchment Latin Venice, Italy Rotunda reverse 27:28 4 Lewis E M 27:27-29 reverse 27:28 cd 5091 2111 7192 48-bit color 600 ppi 4 Missal
Lewis E M 27:27-29 Lewis E M 27.29 front mcai270291 1450 1499 71 x 64 mm In this initial, which once marked the beginning of the instructions for consecrating the host, a priest kneels before an altar and elevates the Host, the culminating moment of the Mass. This cutting may have come from a now lost missal that documents show was illuminated by Girolamo da Cremona (fl. 1451-1483) for Lucrezia de'Medici, a member of the powerful Medici family of Florence. The carefully observed treatments of space and naturalistic detail as well as the illusionistic vine-scroll border decoration dotted with small pearls are hallmarks of this important Renaissance artist. Parchment Latin Venice, Italy Rotunda Girolamo da Cremona [Girolamo di Giovanni dei Corradi] Artist front 27:29 5 Lewis E M 27:27-29 front 27:29 cd 5091 2111 7192 48-bit color 600 ppi 5 Missal
Lewis E M 27:27-29 Lewis E M 27.29 reverse mcai270292 1450 1499 71 x 64 mm This image shows the reverse of a cutting with an illuminated initial from a missal. Parchment Latin Venice, Italy Rotunda reverse 27:29 6 Lewis E M 27:27-29 reverse 27:29 cd 5091 2111 7192 48-bit color 600 ppi 6 Missal
Lewis E M 28:1 Lewis E M 28.1 front mcai280011 1440 1460 168 x 153 mm This initial begins Psalm 109, "Dixit Dominus Domino meo sede a dextris meis ..." (The Lord said to my Lord sit at my right hand) and marks the last major division of the Psalter according to the schedule of the Divine Office. The opening words of the psalm were generally interpreted as referring to the persons of the Trinity, which explains part of the iconography of this initial. The landscape below includes further references to the rest of the psalm. The architecture of the city below extends into a landscape that continues almost infinitely into the background, giving a bird's-eye view of a world that extends beyond the sea. The placement of the Trinity above such a landscape may refer to the last verses of the psalm: "He shall judge among nations, he shall fill ruins; he shall crush the heads in the land of the many." Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:01 front cd 5091 2111 7193 48-bit color 600 ppi 1 Breviary (or Psalter)
Lewis E M 28:1 Lewis E M 28.1 reverse mcai280012 1440 1460 168 x 153 mm This image shows the reverse of a cutting with an historiated initial from a psalter. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:01 reverse cd 5091 2111 7193 48-bit color 600 ppi 2 Breviary (or Psalter)
Lewis E M 28:2 Lewis E M 28.2 front mcai280021 1485 1499 193 x 130 mm This initial begins the first response for the first nocturn of Matins for Trinity Sunday, "Benedicat nos Deus, Deus noster, benedicat nos Deus ..." (May God, our God, bless us). Parchment Latin Ferrara?, Italy Rotunda front 1 Lewis E M 28:02 front cd 5091 2111 7193 48-bit color 600 ppi 1 Antiphonary
Lewis E M 28:2 Lewis E M 28.2 reverse mcai280022 1485 1499 193 x 130 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Ferrara?, Italy Rotunda reverse 2 Lewis E M 28:02 reverse cd 5091 2111 7193 48-bit color 600 ppi 2 Antiphonary
Lewis E M 28:3-5 Lewis E M 28.3 front mcai280031 1390 1410 115 x 118 mm Initial C with St. Stephen Protomartyr Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate, follower of Artist front 28:3 1 Lewis E M 28:03-05 front 28:3 cd 5091 2111 7193 48-bit color 600 ppi 1 Gradual
Lewis E M 28:3-5 Lewis E M 28.3 reverse mcai280032 1390 1410 115 x 118 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Milan, Italy Rotunda reverse 28:3 2 Lewis E M 28:03-05 reverse 28:3 cd 5091 2111 7193 48-bit color 600 ppi 2 Gradual
Lewis E M 28:3-5 Lewis E M 28.4 front mcai280041 1390 1410 134 x 141 mm This initial begins the Introit for the feast of St. Michael Archangel (Sept. 29), "Benedicite Domino omnes angeli ejus ..." (Bless the Lord, all you angels of his). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate, follower of Artist front 28:4 3 Lewis E M 28:03-05 front 28:4 cd 5091 2111 7195 48-bit color 600 ppi 3 Gradual
Lewis E M 28:3-5 Lewis E M 28.4 reverse mcai280042 1390 1410 134 x 141 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Milan, Italy Rotunda reverse 28:4 4 Lewis E M 28:03-05 reverse 28:4 cd 5091 2111 7195 48-bit color 600 ppi 4 Gradual
Lewis E M 28:3-5 Lewis E M 28.5 front mcai280051 1390 1410 142 x 146 mm This initial begins the Introit for the feast of St. Peter in Chains (Aug. 1), "Nunc scio vere quia misit Dominus angelum suum..." (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate, follower of Artist front 28:5 5 Lewis E M 28:03-05 front 28:5 cd 5091 2111 7195 48-bit color 600 ppi 5 Gradual
Lewis E M 28:3-5 Lewis E M 28.5 reverse mcai280052 1390 1410 142 x 146 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Milan, Italy Rotunda reverse 28:5 6 Lewis E M 28:03-05 reverse 28:5 cd 5091 2111 7195 48-bit color 600 ppi 6 Gradual
Lewis E M 28:6 Lewis E M 28.6 front mcai280061 1390 1410 70 x 75 mm This initial begins the Introit of the Mass for the feast of St. Peter in Chains, "Nunc scio vere quia misit Dominus angelum suum..." (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23). Parchment Latin Lombardy, Milan?, Italy Rotunda front 1 Lewis E M 28:06 front cd 5091 2111 7195 48-bit color 600 ppi 1 Gradual
Lewis E M 28:6 Lewis E M 28.6 reverse mcai280062 1390 1410 70 x 75 mm image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lombardy, Milan?, Italy Rotunda reverse 2 Lewis E M 28:06 reverse cd 5091 2111 7195 48-bit color 600 ppi 2 Gradual
Lewis E M 28:7 Lewis E M 28.7 front mcai280071 1390 1410 95 x 149 mm This initial begins the Introit for the feast of St. Paul, "Laetemur omnes in Domino ..." (Rejoice in the Lord). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate, follower of Artist front 1 Lewis E M 28:07 front cd 5091 2111 7195 48-bit color 600 ppi 1 Gradual
Lewis E M 28:7 Lewis E M 28.7 reverse mcai280072 1390 1410 95 x 149 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 28:07 reverse cd 5091 2111 7195 48-bit color 600 ppi 2 Gradual
Lewis E M 28:8 Lewis E M 28.8 front mcai280081 1390 1410 79 x 81 mm This initial begins the Introit of the Mass for the feast of St. Peter in Chains (Aug. 1), "Nunc scio vere quia misit Dominus angelum suum..." (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23). The keys that St. Peter is holding in this initial are his attribute, referring to Christ's gift to him of the keys of heaven. Parchment Latin Italy Rotunda front 1 Lewis E M 28:08 front cd 5091 2111 7196 48-bit color 600 ppi 1 Gradual
Lewis E M 28:8 Lewis E M 28.8 reverse mcai280082 1390 1410 79 x 81 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 28:08 reverse cd 5091 2111 7196 48-bit color 600 ppi 2 Gradual
Lewis E M 28:9 Lewis E M 28.9 front mcai280091 1400 1499 186 x 178 mm Parchment Lombardy, Italy Rotunda front 1 Lewis E M 28:09 front cd 5091 2111 7196 Historiated initial O from an antiphonary depicting clergy communing with God
Lewis E M 28:9 Lewis E M 28.9 reverse mcai280092 1400 1499 186 x 178 mm Parchment Lombardy, Italy Rotunda reverse 2 Lewis E M 28:09 reverse cd 5091 2111 7196 Historiated initial O from an antiphonary depicting clergy communing with God
Lewis E M 28:10 Lewis E M 28.10 front mcai280101 1440 1460 150 x 152 mm The text that this initial begins has not yet been identified. The reverse contains text from the Communion for the fifth Sunday after Easter, "Petite et dabitur quaerite et invenetis..." (Ask and it will be given to you, seek and you shall find), indicating that the initial may begin a chant used in the liturgy of the vigil of the feast of the Ascension. Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:10 front cd 5091 2111 7196 48-bit color 600 ppi 1 Gradual
Lewis E M 28:10 Lewis E M 28.10 reverse mcai280102 1440 1460 150 x 152 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:10 reverse cd 5091 2111 7196 48-bit color 600 ppi 2 Gradual
Lewis E M 28:11 Lewis E M 28.11 front mcai280111 1440 1460 136 x 110 mm Although the exact moment in the liturgy when this initial occurs has not been determined, the iconography suggests that it begins a chant used in the Mass celebrating the feast of St. Philip the Apostle (May 11), identified here by the cross-staff that he carries. Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:11 front cd 5091 2111 7198 48-bit color 600 ppi 1 Gradual
Lewis E M 28:11 Lewis E M 28.11 reverse mcai280112 1440 1460 136 x 110 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:11 reverse cd 5091 2111 7198 48-bit color 600 ppi 2 Gradual
Lewis E M 28:12 Lewis E M 28.12 front mcai280121 1440 1460 118 x 129 mm The text of this initial has not been identified. The iconography, however, suggests that it begins a chant sung during the celebrations of the feast of St. Thomas Aquinas (March 7). Parchment Latin Lombardy, Italy front 1 Lewis E M 28:12 front cd 5091 2111 7198 48-bit color 600 ppi 1 Choir book
Lewis E M 28:12 Lewis E M 28.12 reverse mcai280122 1440 1460 118 x 129 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:12 reverse cd 5091 2111 7198 48-bit color 600 ppi 2 Choir book
Lewis E M 28:13 Lewis E M 28.13 front mcai280131 1440 1460 108 x 99 mm This initial begins Psalm 97, "Cantate Domino canticum novum ..." (Sing to the Lord a new song), marking one of the eight liturgical divisions for the weekly recitation of the Psalms. This psalm is typically illustrated by a group of monks singing. Here, the monks are Franciscan friars, identified by the color of their robes and the visible first of three knots that symbolize the Order's vows of poverty, chastity, and obedience. The words inscribed on the open book are the same words that originally followed the initial. The illumination has been attributed to the anonymous Master of the Franciscan Breviary, so-called after a breviary dated to 1446 in the Biblioteca Universitaria in Bologna, Italy. Parchment Latin Lombardy, Italy Rotunda Maestro dei Breviari Francescano Artist front 1 Lewis E M 28:13 front cd 5091 2111 7198 48-bit color 600 ppi 1 Breviary
Lewis E M 28:13 Lewis E M 28.13 mcai280131 1440 1460 108 x 99 mm This initial begins Psalm 97, "Cantate Domino canticum novum ..." (Sing to the Lord a new song), marking one of the eight liturgical divisions for the weekly recitation of the Psalms. This psalm is typically illustrated by a group of monks singing. Here, the monks are Franciscan friars, identified by the color of their robes and the visible first of three knots that symbolize the Order's vows of poverty, chastity, and obedience. The words inscribed on the open book are the same words that originally followed the initial. The illumination has been attributed to the anonymous Master of the Franciscan Breviary, so-called after a breviary dated to 1446 in the Biblioteca Universitaria in Bologna, Italy. Parchment Latin Lombardy, Italy Rotunda Maestro dei Breviari Francescano Artist front 1 Lewis E M 28:13 front cd 5091 2111 7198 48-bit color 600 ppi 1 Breviary
Lewis E M 28:13 Lewis E M 28.13 reverse mcai280132 1440 1460 108 x 99 mm This image shows the reverse of a cutting with an historiated initial from a service book. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:13 reverse cd 5091 2111 7198 48-bit color 600 ppi 2 Breviary
Lewis E M 28:14 Lewis E M 28.14 front mcai280141 1440 1460 114 x 112 mm Initial L with St. Laurence of Rome Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:14 front cd 5091 2111 7198 48-bit color 600 ppi 1 Antiphonary
Lewis E M 28:14 Lewis E M 28.14 reverse mcai280142 1440 1460 114 x 112 mm This image shows the reverse of a cutting with an historiated initial from a service book. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:14 reverse cd 5091 2111 7198 48-bit color 600 ppi 2 Antiphonary
Lewis E M 28:15 Lewis E M 28.15 front mcai280151 1400 1499 147 x 152 mm Signed on gold at lower left, in blind: Heinricus. De Ricci II, 2068, no. 261 Parchment Lombardy, Italy front 1 Lewis E M 28:15 front cd 5091 2111 7198 Historiated initial S from an antiphonary, depicting King David communing with God
Lewis E M 28:15 Lewis E M 28.15 reverse mcai280152 147 x 152 mm Parchment Lombardy, Italy reverse 2 Lewis E M 28:15 reverse cd 5091 2111 6717 Historiated initial S from an antiphonary, depicting King David communing with God
Lewis E M 28:16 Lewis E M 28.16 front mcai280161 1450 1499 84 x 77 mm This initial may begin the hymn for Matins of the Commemoration of St. Paul the Apostle (June 30), "Doctor egregie Paule mores instrue ..." (Paul, Teacher without equal, fashion our lives aright), although there is not enough textual evidence to confirm this identification. Paleographic evidence indicates that Lewis E M 28:16 and 17 may have come from the same volume or series of choir books. Both cuttings were illuminated by Venturino Mercati, a Lombard illuminator who was active ca. 1473 -1480. Parchment Latin Lombardy, Italy Rotunda Venturino Mercati Artist front 1 Lewis E M 28:16 front cd 5091 2111 6717 48-bit color 600 ppi 1 Historiated initial D from an antiphonary, depicting St. Paul
Lewis E M 28:16 Lewis E M 28.16 reverse mcai280162 1450 1499 84 x 77 mm This image shows the reverse of a cutting with an historiated initial from a service book. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:16 reverse cd 5091 2111 6717 48-bit color 600 ppi 2 Historiated initial D from an antiphonary, depicting St. Paul
Lewis E M 28:17 Lewis E M 28.17 front mcai280171 1450 1499 94 x 92 mm The exact moment in the liturgy that this initial begins remains to be determined. Iconographic evidence points to the identification of this saint as St. Ambrose, bishop of Milan (c. 340 - April 4, 397) and one of the Doctors of the Church. The saint is often depicted with the thrice-knotted scourge, which is visible over the kneeling figure's left shoulder in this initial. Paleographic evidence indicates that Lewis E M 28:16 and 17 may have come from the same volume or series of choir books. Both cuttings were illuminated by Venturino Mercati, a Lombard illuminator who was active ca. 1473 -1480. Parchment Latin Italy Rotunda Venturino Mercati Artist front 1 Lewis E M 28:17 front cd 5091 2111 6717 48-bit color 600 ppi 1 Historiated initial C from an antiphonary, with a Saint, possibly St. Ambrose, praying to God
Lewis E M 28:17 Lewis E M 28.17 reverse mcai280172 1450 1499 94 x 92 mm This image shows the reverse of a cutting with an historiated initial from a service book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 28:17 reverse cd 5091 2111 6717 48-bit color 600 ppi 2 Historiated initial C from an antiphonary, with a Saint, possibly St. Ambrose, praying to God
Lewis E M 28:18 Lewis E M 28.18 front mcai280181 1500 1599 167 x 179 mm Parchment Lombardy, Italy 1 Lewis E M 28:18 cd 5091 2111 6717 Historiated initial G from an antiphonary depicting the Invention of the Cross
Lewis E M 28:18 Lewis E M 28.18 reverse mcai280182 1500 1599 167 x 179 mm Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:18 reverse cd 5091 2111 6717 Historiated initial G from an antiphonary depicting the Invention of the Cross
Lewis E M 28:19 Lewis E M 28.19 front mcai280191 1500 1515 148 x 150 mm This initial begins the collect for the feast of the Birth of John the Baptist (June 24), "Deus qui praesentem diem honorabilem nobis in beati Johannis ..." (God, who hast made this day illustrious in our eyes by the birth of the Blessed John). This cutting and several others in the Free Library's collections were illuminated by the so-called Master B. F., after the initials inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. Parchment Latin Milan, Italy Rotunda Master B.F. (Francesco Binasco) Artist front 1 Lewis E M 28:19 front cd 5091 2111 7506 48-bit color 600 ppi 1 Historiated initial D from a gradual, depicting the baptism of Christ
Lewis E M 28:19 Lewis E M 28.19 reverse mcai280192 1500 1515 148 x 150 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 28:19 reverse cd 5091 2111 7506 48-bit color 600 ppi 2 Historiated initial D from a gradual, depicting the baptism of Christ
Lewis E M 28:20 Lewis E M 28.20 front mcai280201 1490 1510 105 x 128 mm This cutting may have once formed the center of an initial O beginning the antiphon for first Vespers of Trinity Sunday, " O beata et benedicta et gloriosa Trinitas, Pater et Filius et Spiritus Sanctus ..." (O blessed and glorious Trinity, Father, Son, and Holy Ghost). This image of the Trinity in which God the Father presents his Son crucified under the wings of the dove of the Holy Spirit, is also known as the Mercy-Seat Trinity. It emphasizes in sentimental terms the paternal nature of God and the human suffering of the Son, following certain tendencies in late medieval devotion to focus on the human nature of Christ. Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:20 front cd 5091 2111 7506 48-bit color 600 ppi 1 Miniature from a choir book, depicting the Trinity
Lewis E M 28:20 Lewis E M 28.20 reverse mcai280202 1490 1510 105 x 128 mm image shows the reverse of a cutting with a miniature from a choir book. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:20 reverse cd 5091 2111 7506 48-bit color 600 ppi 2 Miniature from a choir book, depicting the Trinity
Lewis E M 28:21-23 Lewis E M 28.21a front mcai280213 1450 1499 104 x 140 mm Initial D with St. Nicholas of Myra (or Bari) Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) front 28:21 a 1 Lewis E M 28:21-23 front 28:21 a cd 5091 2111 7506 48-bit color 600 ppi 1 Historiated initial D from a breviary depicting St. Nicholas, Bishop of Myra
Lewis E M 28:21-23 Lewis E M 28.21a reverse mcai280214 1450 1499 104 x 140 mm This image shows the reverse of a cutting with an historiated initial that begins the prayer for the celebration of the feast of the Translation of St. Nicholas of Myra (or Bari). The liturgy of this feast begins in the second column. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) reverse 28:21 a 2 Lewis E M 28:21-23 reverse 28:21 a cd 5091 2111 7506 48-bit color 600 ppi 2 Historiated initial D from a breviary depicting St. Nicholas, Bishop of Myra
Lewis E M 28:21-23 Lewis E M 28.21b front mcai280215 1450 1499 105 x 139 mm Saint Peter Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) front 28:21 b 3 Lewis E M 28:21-23 front 28:21 b cd 5091 2111 7506 48-bit color 600 ppi 3 Cutting from a breviary with a miniature depicting St. Peter
Lewis E M 28:21-23 Lewis E M 28.21b reverse mcai280216 1450 1499 105 x 139 mm This image shows the reverse of a cutting with an historiated initial that begins the prayer for the celebration of the feast of Sts. Peter and Paul the Apostles. The liturgy continues on this page. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) reverse 28:21 b 4 Lewis E M 28:21-23 reverse 28:21 b cd 5091 2111 7506 48-bit color 600 ppi 4 Cutting from a breviary with a miniature depicting St. Peter
Lewis E M 28:21-23 Lewis E M 28.22 front mcai280221 1450 1499 108 x 142 mm This leaf contains part of the recited during the ferial Office at Sext on Sundays, beginning with Psalm 118:81-128, "Defecit in salutare in tuo anima mea ..." (My soul pines for your salvation). The text begins with a miniature depicting the raising of the Cross witnessed by Pilate and another figure. The two men raising the cross grasp ropes that were never painted in by the illuminator. This scene and others in an illustrated leaf in the Free Library's collection from the same manuscript (Lewis E M 28:23) were once part of a larger cycle of Passion scenes from the psalter section of a breviary. Two other leaves in the collection (Lewis E M 28:21a-b) are also from the same manuscript but from another section. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) front 28:22 5 Lewis E M 28:21-23 front 28:22 cd 5091 2111 7507 48-bit color 600 ppi 5 Cutting from a breviary with a miniature depicting the Raising of the Cross
Lewis E M 28:21-23 Lewis E M 28.22 reverse mcai280222 1450 1499 108 x 142 mm This image shows the reverse of an illustrated leaf from a breviary, containing parts of the liturgy for read during during the ferial Office at Terce on Saturdays. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) reverse 28:22 6 Lewis E M 28:21-23 reverse 28:22 cd 5091 2111 7507 48-bit color 600 ppi 6 Cutting from a breviary
Lewis E M 28:21-23 Lewis E M 28.23 front mcai280231 1450 1499 105 x 140 mm This leaf contains part of the liturgy recited during the ferial Office at Lauds on Friday, beginning in the middle of the Canticle of Habakkuk. The scenes in the lower margin are from Christ's Passion. In the lower left, Caiaphas, the high priest of the court of the Sanhedrin, rends his vestments at what he believes are Christ's blasphemies, an act recorded in the Gospels of Matthew, Mark, and Luke. In the next scene, Christ is blindfolded and mocked by tormentors. In the far right, Pilate's wife, as told in the Gospel of Matthew, warns Pilate not to condemn the innocent man because she had a dream in which she suffered on account of his death. These scenes and another in an illustrated leaf in the Free Library's collection from the same manuscript (Lewis E M 28:22) were once part of a larger cycle of Passion from the psalter section of a breviary. Two other leaves in the collection (Lewis E M 28:21a-b) are also from the same manuscript but are from another section. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) front 28:23 7 Lewis E M 28:21-23 front 28:23 cd 5091 2111 7507 48-bit color 600 ppi 7 Cutting from a breviary with historiated initial D depicting a monk chanting and scenes from Christ's Passion
Lewis E M 28:21-23 Lewis E M 28.23 reverse mcai280232 1450 1499 105 x 140 mm This image shows the reverse of an illustrated leaf from a breviary, containing parts of the liturgy for read during during the ferial Office at Lauds on Fridays. Parchment Latin France or Flanders Gothic bookhand (textualis libraria under cursive influence) reverse 28:23 8 Lewis E M 28:21-23 reverse 28:23 cd 5091 2111 7507 48-bit color 600 ppi 8 Cutting from a breviary
Lewis E M 28:24 Lewis E M 28.24 front mcai280241 1350 1399 97 x 142 mm This initial begins the prayer in the Ambrosian Rite for Matins of the Vigil of the Assumption of the Virgin (August 14) , &quot;Famulorum tuorum, quaesumus, Domine, delictis ignosce ...&quot; (Pardon, we beseech thee, O Lord, the offences of thy servants). Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 28:24 front cd 5091 2111 7507 48-bit color 600 ppi 1 Leaf from a breviary with an initial F depicting the Assumption of the Virgin
Lewis E M 28:24 Lewis E M 28.24 reverse mcai280242 1350 1399 97 x 147 mm This image shows the reverse ofa leaf from a breviary. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 28:24 reverse cd 5091 2111 7507 48-bit color 600 ppi 2 Leaf from a breviary
Lewis E M 28:25 Lewis E M 28.25 front mcai280251 1500 1550 153 x 210 mm Parchment Italy Bazzi, Giovanni Antonio, follower of Artist front 1 Lewis E M 28:25 front cd 5091 2111 7507 Painting of Christ crowned with thorns
Lewis E M 28:25 Lewis E M 28.25 reverse mcai280252 1500 1550 Parchment Unknown reverse 2 Lewis E M 28:25 reverse cd 5091 2111 7507 Painting of Christ crowned with thorns
Lewis E M 28:26-27 Lewis E M 28.26 front mcai280261 1400 1499 92 x 124 mm Crowned Hermaphrodite (Androgyne or Rebis) Parchment Latin Italy (northern?) Rotunda 28:26 front 1 Lewis E M 28:26-27 28:26 front cd 5091 2111 7508 48-bit color 600 ppi 1 Miniature from an alchemical manuscript
Lewis E M 28:26-27 Lewis E M 28.26 reverse mcai280262 1400 1499 92 x 124 mm This image shows the reverse of a cutting from an alchemical treatise. Parchment Latin Italy (northern?) Rotunda 28:26 reverse 2 Lewis E M 28:26-27 28:26 reverse cd 5091 2111 7508 48-bit color 600 ppi 2 Miniature from an alchemical manuscript
Lewis E M 28:26-27 Lewis E M 28.27 front mcai280271 1400 1499 98 x 128 mm Alchemy, a forerunner of modern science, sought to discern the spiritual and temporal nature of reality, its structure, laws, and functions through the physical properties of substances. Its language and method employed cryptic symbolism to convey the relationships between the physical and metaphysical worlds. This miniature and its sister leaf, Lewis E M 28:26, are typical examples of alchemical art. Here, Philosophical Mercury, representing the female principle, stands between two trees whose trunks are set with ten golden eagles, representing the highest number of distillations. The trees entwine above her head to encapsulate the sun and the moon, signifying her dual nature. Because these symbols were generally used by alchemical writers and because there is no surviving text, it is unclear which text these miniatures illustrated, although it has been suggested that they once belonged to a copy of the Rosarium philosophorum, attributed to Arnald of Villanova (ca. 1240 - 1311). Parchment Latin Italy (northern?) Rotunda 28:27 front 3 Lewis E M 28:26-27 28:27 front cd 5091 2111 7508 48-bit color 600 ppi 3 Miniature from an alchemical manuscript
Lewis E M 28:26-27 Lewis E M 28.27 reverse mcai280272 1400 1499 98 x 128 mm This image shows the reverse of a cutting from an alchemical treatise. Parchment Latin Italy (northern?) Rotunda 28:27 reverse 4 Lewis E M 28:26-27 28:27 reverse cd 5091 2111 7508 48-bit color 600 ppi 4 Miniature from an alchemical manuscript
Lewis E M 28:28 Lewis E M 28.28 front mcai280281 1575 1625 172 x 176 mm Parchment France? front 1 Lewis E M 28:28 front cd 5091 2111 7508 Historiated initial P from an antiphonary, depicting the Nativity
Lewis E M 28:28 Lewis E M 28.28 reverse mcai280282 1575 1625 172 x 176 mm Parchment France? Rotunda 2 Lewis E M 28:28 cd 5091 2111 7508 Historiated initial P from an antiphonary, depicting the Nativity
Lewis E M 29:1 Lewis E M 29.1 front mcai290011 1490 1510 145 x 136 mm The style of this miniature from a choir book is typical of illustration made in Verona at the end of the fifteenth century. Parchment Latin Verona, Italy front 1 Lewis E M 29:01 front cd 5091 2111 6844 48-bit color 600 ppi 1 Choir book
Lewis E M 29:1 Lewis E M 29.1 reverse mcai290012 1490 1510 145 x 136 mm This image shows the reverse of a cutting with an historiated intial from a choir book. Parchment Latin Verona, Italy Rotunda reverse 2 Lewis E M 29:01 reverse cd 5091 2111 6844 48-bit color 600 ppi 2 Choir book
Lewis E M 29:2 Lewis E M 29.2 front mcai290021 1440 1460 125 x 122 mm This initial begins Psalm 114 recited at the beginning of the Office of the Dead, " Dilexi quoniam exaudiet Dominus vocem orationis meae ..." (I have loved, because our Lord will hear the voice of my prayer). The friar, identified by his gray robes, is Franciscan. Although there are no stigmata on the hands or feet of this friar to suggest that he is St. Francis of Assisi, the founder of the order, images of St. Francis with a skeleton, as a symbol of death, occur frequently in Franciscan art. The image may also relate to St. Francis' poem "The Canticle of the Creatures," in which he refers to death as "our sister." Parchment Latin Ferrara, Italy front 1 Lewis E M 29:02 front cd 5091 2111 6844 48-bit color 600 ppi 1 Choir book
Lewis E M 29:2 Lewis E M 29.2 reverse mcai290022 1440 1460 125 x 122 mm This image shows the reverse of a cutting with an historiated initial from a ferial psalter. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 29:02 reverse cd 5091 2111 6844 48-bit color 600 ppi 2 Choir book
Lewis E M 29:3 Lewis E M 29.3 front mcai290031 1450 1475 115 x 143 mm Although the identity of this saint remains to be determined, his black habit indicates that he is a Benedictine monk, and the palm branch that he holds in his left hand indicates that he is a martyr. In Roman times, athletes and warriors were awarded a palm branch as a symbol of victory. Early Christians adapted the Roman symbolism to make the palm symbolize a martyr's spiritual victory over death. Parchment Latin Milan, Italy Rotunda front 1 Lewis E M 29:03 front cd 5091 2111 6844 48-bit color 600 ppi 1 Service book
Lewis E M 29:3 Lewis E M 29.3 reverse mcai290032 1450 1475 115 x 143 mm This image shows the reverse of a cutting with an historiated initial from a service book. The text is from Psalm 118,"Os meum aperui et attraxi spiritum quia mandata tua desiderabam ..." (I opened my mouth and panted because I longed for your commandments). Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 29:03 reverse cd 5091 2111 6844 48-bit color 600 ppi 2 Service book
Lewis E M 29:4 Lewis E M 29.4 front mcai290041 1450 1475 94 x 79 mm Although the identity of this saint remains to be determined, the palm branch that he holds in his left hand indicates that he is a martyr. In Roman times, athletes and warriors were awarded a palm branch as a symbol of victory. Early Christians adapted the Roman symbolism to make the palm symbolize a martyr's spiritual victory over death. Parchment Latin Milan, Italy front 1 Lewis E M 29:04 front cd 5091 2111 6844 48-bit color 600 ppi 1 Choir book
Lewis E M 29:4 Lewis E M 29.4 reverse mcai290042 1450 1475 94 x 79 mm This image shows a cutting with an historiated initial from a choir book. Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 29:04 reverse cd 5091 2111 6844 48-bit color 600 ppi 2 Choir book
Lewis E M 29:5 Lewis E M 29.5 front mcai290051 1450 1475 117 x 117 mm Initial C with St. Laurence of Rome Parchment Latin Italy Venturino Mercati Artist front 1 Lewis E M 29:05 front cd 5091 2111 6796 48-bit color 600 ppi 1 Gradual
Lewis E M 29:5 Lewis E M 29.5 reverse mcai290052 1450 1475 117 x 117 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 29:05 reverse cd 5091 2111 6796 48-bit color 600 ppi 2 Gradual
Lewis E M 29:6 Lewis E M 29.6 front mcai290061 1485 1499 203 x 188 mm This initial, beginning an unidentified chant, was painted by an anonymous illuminator known today as the Master of Montemorcino Antiphonary Q, who was responsible for the illumination of one of a group of choir books made for the Olivetan Monastery of Montemorcino in Perugia. It is unclear at this stage to which choir book in the group this initial belonged. Parchment Latin Umbria, Italy Rotunda Master of Montemorcino Antiphonary Q Artist front 1 Lewis E M 29:06 front cd 5091 2111 6796 48-bit color 600 ppi 1 Choir book
Lewis E M 29:6 Lewis E M 29.6 reverse mcai290062 1485 1499 203 x 188 mm This is the reverse of a cutting with an historiated iniatial from a choir book. Parchment Latin Umbria, Italy reverse 2 Lewis E M 29:06 reverse cd 5091 2111 6796 48-bit color 600 ppi 2 Choir book
Lewis E M 29:7 Lewis E M 29.7 front mcai290071 1450 1499 116 x 166 mm The initial B begins Psalm 1, "Beatus vir qui non abiit in consilio impiorum ..." (Blessed is the man who hath not walked in the counsel of the ungodly). The medieval Christians believed that David, the Old Testament king and ancestor of Christ, composed the Psalms. The term "psalm" derives from the Greek word "psalmos," which means "song sung accompanied by a harp." This etymology explains the iconography of David playing the harp. This image therefore functions as a type of author portrait. Parchment Latin Lombardy, Italy front 1 Lewis E M 29:07 front cd 5091 2111 6796 48-bit color 600 ppi 1 Psalter
Lewis E M 29:7 Lewis E M 29.7 reverse mcai290072 1450 1499 116 x 166 mm This image shows the reverse of a cutting with an historiated initial from a psalter. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 29:07 reverse cd 5091 2111 6898 48-bit color 600 ppi 2 Psalter
Lewis E M 29:8 Lewis E M 29.8 front mcai290081 1485 1499 186 x 201 mm This initial begins the first response of the first nocturn of Matins for the feast of Corpus Christi, "Immolabit haedum multitudo filiorum Israel ad vesperam Paschae..." (With the whole assembly of Israel present, the young goat shall be slaughtered on the eve of the Passover). This feast is celebrated in the Catholic Church on the Thursday after Trinity Sunday to commemorate the institution of the Holy Eucharist. Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 29:08 front cd 5091 2111 6898 48-bit color 600 ppi 1 Antiphonary
Lewis E M 29:8 Lewis E M 29.8 reverse mcai290082 1485 1499 186 x 201 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 29:08 reverse cd 5091 2111 6898 48-bit color 600 ppi 2 Antiphonary
Lewis E M 29:8A Lewis E M 29.8A front mcai290083 1300 1315 143 x 150 mm This initial begins the first response of the first nocturn of Matins of Christmas Day, "Hodie nobis caelorum rex de virgine nasci dignatus ..." (On this day the king of heaven deigned to be born for us of a Virgin). This initial was illuminated by an artist working in the circle of the Italian painter Neri da Rimini, whom documents show to have been active in the early fourteenth century. Parchment Latin Rimini, Italy front 1 Lewis E M 29:08A front cd 5091 2111 6898 48-bit color 600 ppi 1 Antiphonary
Lewis E M 29:8A Lewis E M 29.8A reverse mcai290084 1300 1315 143 x 150 mm This image shows the reverse of a cutting with an historiated intial from a antiphonary. Parchment Latin Rimini, Italy Rotunda reverse 2 Lewis E M 29:08A reverse cd 5091 2111 6898 48-bit color 600 ppi 2 Antiphonary
Lewis E M 29:9 Lewis E M 29.9 front mcai290091 1440 1460 98 x 107 mm Initial T with a kneeling figure, possibly King David, communicating with God Parchment Latin Italy (northern) Guglielmo Giraldi, follower of Artist front 1 Lewis E M 29:09 front cd 5091 2111 6898 48-bit color 600 ppi 1 Hymnal
Lewis E M 29:9 Lewis E M 29.9 reverse mcai290092 1440 1460 98 x 107 mm This image shows the reverse of a cutting with an historiated intial from a hymnal. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 29:09 reverse cd 5091 2111 6899 48-bit color 600 ppi 2 Hymnal
Lewis E M 29:9A Lewis E M 29.9A front mcai290093 1300 1325 140 x 167 mm This initial begins the first response of the first nocturn of Matins for Christmas Day, "Hodie nobis caelorum rex de virgine nasci dignatus est ..." (On this day the King of heaven deigned to be born for us of a Virgin). Following a tradition found in Byzantine art, the Nativity takes place in a cave rather than the stable. In the Middle Ages, Italian artists were heavily influenced by their eastern neighbors, especially after the fall of Constantinople in 1204, which sent many artists fleeing to Italy. Parchment Latin Umbria, Italy Rotunda front 1 Lewis E M 29:09A front cd 5091 2111 6899 48-bit color 600 ppi 1 Antiphonary
Lewis E M 29:9A Lewis E M 29.9A reverse mcai290094 1300 1325 140 x 167 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Umbria, Italy Rotunda reverse 2 Lewis E M 29:09A reverse cd 5091 2111 6899 48-bit color 600 ppi 2 Antiphonary
Lewis E M 29:10 Lewis E M 29.10 front mcai290101 1500 1599 132 x 184 mm Parchment Umbria, Italy 1 Lewis E M 29:10 cd 5091 2111 6899 Miniature of twelve virgin saints
Lewis E M 29:10 Lewis E M 29.10 reverse mcai290102 1500 1599 132 x 184 mm Parchment Umbria, Italy reverse 2 Lewis E M 29:10 reverse cd 5091 2111 6899 Miniature of twelve virgin saints
Lewis E M 29:11 Lewis E M 29.11 front mcai290111 1450 1475 137 x 122 mm This initial begins Psalm 114, "Dilexi quoniam exaudit Dominus," which was sung at Vespers on Monday. Parchment Latin Italy front 1 Lewis E M 29:11 front cd 5091 2111 6899 48-bit color 600 ppi 1 Psalter or Breviary
Lewis E M 29:11 Lewis E M 29.11 reverse mcai290112 1450 1475 137 x 122 mm This image shows the reverse of a cutting with an historiated initial from a psalter or breviary. Parchment Latin Italy Rotunda reverse 2 Lewis E M 29:11 reverse cd 5091 2111 6899 48-bit color 600 ppi 2 Psalter or Breviary
Lewis E M 29:11A Lewis E M 29.11A front mcai290113 1379 1375 1399 110 x 146 mm This cutting was taken from the Matricola del Collegio dei tavernieri (Guild of Vintners), founded in 1379. In the late Middle Ages, citizens in Italian cities organized themselves into guilds or confraternities according to various occupations. Membership ensured protection of one's job while alive as well as prayers for the soul after death. A matricola is a matriculation list of its members which also included the guild's statutes or regulations. The reverse of this cutting contains the names of the members at the time of the original manuscript's production as well as later additions in a cursive script. The Archangel Michael treading on the dragon was the symbol of the Porta Sant'Angelo, one of the five gates of medieval Perugia. The illumination has been attributed to Matteo di Ser Cambio, a Perugian artist active towards the end of the fourteenth century. Parchment Latin Perugia, Italy Matteo di Ser Cambio Artist front 1 Lewis E M 29:11A front cd 5091 2111 6900 48-bit color 600 ppi 1 Matricola (Matriculation list)
Lewis E M 29:11A Lewis E M 29.11A reverse mcai290114 1379 1375 1399 110 x 146 mm This image shows the reverse of a cutting from a matricola. Names of members of the vintner's guild of Florence are inscribed in formal book script. Later additions were added in a cursive hand. Parchment Latin Perugia, Italy Rotunda reverse 2 Lewis E M 29:11A reverse cd 5091 2111 6900 48-bit color 600 ppi 2 Matricola (Matriculation list)
Lewis E M 29:12a-b Lewis E M 29.12a front mcai290123 1400 1499 91 x 88 mm Ornament in medieval and Renaissance manuscripts can be quite fanciful. In this initial, the head of a bird of prey, forming the end of the upper curve of the letter G, bears down with an open beak on the head of a man, forming the end of the lower curve, who glances fearfully up at his attacker. Such displays of imagination usually carried very little symbolism; rather, their purpose seems to have been to enliven the otherwise flat surface of the page. Parchment Latin Perugia, Italy front a 1 Lewis E M 29:12a-b front a cd 5091 2111 6900 48-bit color 600 ppi 1 Choir book
Lewis E M 29:12a-b Lewis E M 29.12a reverse mcai290124 1400 1499 91 x 88 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Perugia, Italy Rotunda reverse a 2 Lewis E M 29:12a-b reverse a cd 5091 2111 6900 48-bit color 600 ppi 2 Choir book
Lewis E M 29:12a-b Lewis E M 29.12b front mcai290125 1400 1499 139 x 110 mm These cuttings contain ornament that would have decorated the borders of a manuscript leaf or formed part of the flourish of a decorated initial. Parchment Latin Perugia, Italy front b 3 Lewis E M 29:12a-b front b cd 5091 2111 6900 48-bit color 600 ppi 3 Choir book
Lewis E M 29:13-15 Lewis E M 29.13 front mcai290131 1500 1599 90 x 96 mm Ornament in medieval and Renaissance manuscripts can be quite fanciful. In this initial, the letter E resembles a laurel wreath, a motif borrowed from Classical art. The horizontal bar ends in the torso of a crowned and winged caryatid, again another decorative motif with origins in the Classical world. Such displays of imagination usually carried very little symbolism; rather, their purpose seems to have been to enliven the otherwise flat surface of the page. Lewis E M 29:13-15 are from the same manuscript. Parchment Latin Perugia, Italy front 29:13 1 Lewis E M 29:13-15 front 29:13 cd 5091 2111 6900 48-bit color 600 ppi 1 Choir book
Lewis E M 29:13-15 Lewis E M 29.13 reverse mcai290132 1500 1599 90 x 96 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Perugia, Italy Rotunda reverse 29:13 2 Lewis E M 29:13-15 reverse 29:13 cd 5091 2111 6900 48-bit color 600 ppi 2 Choir book
Lewis E M 29:13-15 Lewis E M 29.14 front mcai290141 1500 1599 98 x 94 mm Initial M or O Parchment Latin Perugia, Italy front 29:14 3 Lewis E M 29:13-15 front 29:14 cd 5091 2111 6900 48-bit color 600 ppi 3 Choir book
Lewis E M 29:13-15 Lewis E M 29.14 reverse mcai290142 1500 1599 98 x 94 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Perugia, Italy Rotunda reverse 29:14 4 Lewis E M 29:13-15 reverse 29:14 cd 5091 2111 6900 48-bit color 600 ppi 4 Choir book
Lewis E M 29:13-15 Lewis E M 29.15 front mcai290151 1500 1599 92 x 95 mm These cuttings can be dated to the 15th or 16th centuries. Parchment Latin Perugia, Italy front 29:15 5 Lewis E M 29:13-15 front 29:15 cd 5091 2111 6900 48-bit color 600 ppi 5 Choir book
Lewis E M 29:13-15 Lewis E M 29.15 reverse mcai290152 1500 1599 92 x 95 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Perugia, Italy Rotunda reverse 29:15 6 Lewis E M 29:13-15 reverse 29:15 cd 5091 2111 6900 48-bit color 600 ppi 6 Choir book
Lewis E M 29:16 Lewis E M 29.16 front mcai290161 1300 1325 142 x 147 mm This initial begins the Introit for the feast of Epiphany: "Ecce advenit dominator Dominus..." (See he comes, our Lord and Ruler). Parchment Latin Umbria, Italy Rotunda front 1 Lewis E M 29:16 front cd 5091 2111 6900 48-bit color 600 ppi 1 Gradual
Lewis E M 29:16 Lewis E M 29.16 reverse mcai290162 1300 1325 142 x 147 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Umbria, Italy Rotunda reverse 2 Lewis E M 29:16 reverse cd 5091 2111 6901 48-bit color 600 ppi 2 Gradual
Lewis E M 29:17 Lewis E M 29.17 front mcai290171 1250 1299 109 x 120 mm This initial begins the first response of the first nocturn of Matins for the feast of Epiphany, "Hodie in Iordane baptizato Domino" (Today, when Jesus had been baptized in the Jordan). Parchment Latin Umbria, Italy Gothic bookhand front 1 Lewis E M 29:17 front cd 5091 2111 6901 48-bit color 600 ppi 1 Antiphonary
Lewis E M 29:17 Lewis E M 29.17 reverse mcai290172 1250 1299 109 x 120 mm This image shows the reverse of a cutting with a miniature from an antiphonary. Parchment Latin Umbria, Italy Gothic bookhand reverse 2 Lewis E M 29:17 reverse cd 5091 2111 6901 48-bit color 600 ppi 2 Antiphonary
Lewis E M 29:18 Lewis E M 29.18 front mcai290181 1250 1299 68 x 95 mm This miniature likely once marked the beginning of a chant sung during Christmas Day. Following a tradition found in Byzantine art, the Nativity takes place in a cave rather than the stable. In the Middle Ages, Italian artists were heavily influenced by their eastern neighbors, especially after the fall of Constantinople in 1204, which sent many artists fleeing to Italy. Parchment Latin Italy front 1 Lewis E M 29:18 front cd 5091 2111 6901 48-bit color 600 ppi 1 Choir book
Lewis E M 29:18 Lewis E M 29.18 reverse mcai290182 1250 1299 68 x 95 mm This image shows the reverse of a cutting with a miniature from a choir book. Parchment Latin Italy reverse 2 Lewis E M 29:18 reverse cd 5091 2111 6901 48-bit color 600 ppi 2 Choir book
Lewis E M 29:19 Lewis E M 29.19 front mcai290191 1500 1599 108 x 151 mm Parchment Italy front 1 Lewis E M 29:19 front cd 5091 2111 6901 Miniature of St. John the Evangelist
Lewis E M 29:19 Lewis E M 29.19 reverse mcai290192 1500 1599 108 x 151 mm Parchment Italy reverse 2 Lewis E M 29:19 reverse cd 5091 2111 6901 Miniature of St. John the Evangelist
Lewis E M 30:1-2 Lewis E M 30.1 front mcai300011 1500 1599 76 x 118 mm Initial A Parchment Latin Italy front 30:1 1 Lewis E M 30:01-02 front 30:1 cd 5091 2111 6444 48-bit color 600 ppi 1 Choir book
Lewis E M 30:1-2 Lewis E M 30.1 reverse mcai300012 1500 1599 76 x 118 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy reverse 30:1 2 Lewis E M 30:01-02 reverse 30:1 cd 5091 2111 6444 48-bit color 600 ppi 2 Choir book
Lewis E M 30:1-2 Lewis E M 30.2 front mcai300021 1500 1599 87 x 129 mm This initial is from the same volume or series of choir books as Lewis E M 30:1 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books. Parchment Latin Italy front 30:2 3 Lewis E M 30:01-02 front 30:2 cd 5091 2111 6444 48-bit color 600 ppi 3 Choir book
Lewis E M 30:1-2 Lewis E M 30.2 reverse mcai300022 1500 1599 87 x 129 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy reverse 30:2 4 Lewis E M 30:01-02 reverse 30:2 cd 5091 2111 6444 48-bit color 600 ppi 4 Choir book
Lewis E M 30:3 Lewis E M 30.3 front mcai300031 1400 1499 116 x 146 mm The intricate penwork of this initial is typical of minor initial decoration in service books. Parchment Latin Italy Rotunda front 30:3 1 Lewis E M 30:03 front 30:3 cd 5091 2111 6444 48-bit color 600 ppi 1 Antiphonary
Lewis E M 30:3 Lewis E M 30.3 reverse mcai300032 1400 1499 116 x 146 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 30:3 2 Lewis E M 30:03 reverse 30:3 cd 5091 2111 6444 48-bit color 600 ppi 2 Antiphonary
Lewis E M 30:4-6 Lewis E M 30.4 front mcai300041 1500 1599 103 x 131 mm This initial is from the same volume or series of choir books as Lewis E M 30:1-2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books. Parchment Latin Italy front 30:4 1 Lewis E M 30:04-06 front 30:4 cd 5091 2111 6444 48-bit color 600 ppi 7 Choir book
Lewis E M 30:4-6 Lewis E M 30.4 reverse mcai300042 1500 1599 103 x 131 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 30:4 2 Lewis E M 30:04-06 reverse 30:4 cd 5091 2111 6444 48-bit color 600 ppi 8 Choir book
Lewis E M 30:4-6 Lewis E M 30.5 front mcai300051 1500 1599 85 x 127 mm This initial is from the same volume or series of choir books as Lewis E M 30:2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books. Parchment Latin Italy front 30:5 3 Lewis E M 30:04-06 front 30:5 cd 5091 2111 6444 48-bit color 600 ppi 9 Choir book
Lewis E M 30:4-6 Lewis E M 30.5 reverse mcai300052 1500 1599 85 x 127 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 30:5 4 Lewis E M 30:04-06 reverse 30:5 cd 5091 2111 6444 48-bit color 600 ppi 10 Choir book
Lewis E M 30:4-6 Lewis E M 30.6 front mcai300061 1500 1599 85 x 138 mm This initial is from the same volume or series of choir books as Lewis E M 30:2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books. Parchment Latin Italy Rotunda front 30:6 5 Lewis E M 30:04-06 front 30:6 cd 5091 2111 6445 48-bit color 600 ppi 11 Choir book
Lewis E M 30:4-6 Lewis E M 30.6 reverse mcai300062 1500 1599 85 x 138 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 30:6 6 Lewis E M 30:04-06 reverse 30:6 cd 5091 2111 6445 48-bit color 600 ppi 12 Choir book
Lewis E M 30:7 Lewis E M 30.7 front mcai300071 1400 1499 94 x 115 mm The intricate penwork of this initial is typical of minor initial decoration in service books. Parchment Latin France or Flanders front 1 Lewis E M 30:07 front cd 5091 2111 6445 48-bit color 600 ppi 1 Choir book
Lewis E M 30:7 Lewis E M 30.7 reverse mcai300072 1400 1499 94 x 115 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin France or Flanders Rotunda reverse 2 Lewis E M 30:07 reverse cd 5091 2111 6445 48-bit color 600 ppi 2 Choir book
Lewis E M 30:8 Lewis E M 30.8 front mcai300081 1400 1499 130 x 128 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-fifteenth century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume. Parchment Latin Italy (central) front 1 Lewis E M 30:08 front cd 5091 2111 6445 48-bit color 600 ppi 1 Antiphonary
Lewis E M 30:8 Lewis E M 30.8 reverse mcai300082 1400 1499 130 x 128 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 30:08 reverse cd 5091 2111 6445 48-bit color 600 ppi 2 Antiphonary
Lewis E M 30:9 Lewis E M 30.9 front mcai300091 1400 1499 113 x 143 mm The intricate penwork of this initial is typical of minor initial decoration in service books. Parchment Latin Italy Rotunda front 1 Lewis E M 30:09 front cd 5091 2111 6445 48-bit color 600 ppi 1 Service book
Lewis E M 30:9 Lewis E M 30.9 reverse mcai300092 1400 1499 113 x 143 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 30:09 reverse cd 5091 2111 6445 48-bit color 600 ppi 2 Service book
Lewis E M 30:10-14 Lewis E M 30.10 front mcai300101 1440 1460 69 x 65 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books. Parchment Latin Italy (central) front 30:10 1 Lewis E M 30:10-14 front 30:10 cd 5091 2111 6445 48-bit color 600 ppi 1 Choir book
Lewis E M 30:10-14 Lewis E M 30.10 reverse mcai300102 1440 1460 69 x 65 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 30:10 2 Lewis E M 30:10-14 reverse 30:10 cd 5091 2111 6445 48-bit color 600 ppi 2 Choir book
Lewis E M 30:10-14 Lewis E M 30.11 front mcai300111 1440 1460 73 x 66 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books. Parchment Latin Italy (central) front 30:11 3 Lewis E M 30:10-14 front 30:11 cd 5091 2111 6446 48-bit color 600 ppi 3 Choir book
Lewis E M 30:10-14 Lewis E M 30.11 reverse mcai300112 1440 1460 73 x 66 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 30:11 4 Lewis E M 30:10-14 reverse 30:11 cd 5091 2111 6446 48-bit color 600 ppi 4 Choir book
Lewis E M 30:10-14 Lewis E M 30.12 front mcai300121 1440 1460 141 x 134 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books. Parchment Latin Italy (central) front 30:12 5 Lewis E M 30:10-14 front 30:12 cd 5091 2111 6446 48-bit color 600 ppi 5 Choir book
Lewis E M 30:10-14 Lewis E M 30.12 reverse mcai300122 1440 1460 141 x 134 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 30:12 6 Lewis E M 30:10-14 reverse 30:12 cd 5091 2111 6446 48-bit color 600 ppi 6 Choir book
Lewis E M 30:10-14 Lewis E M 30.13 front mcai300131 1440 1460 160 x 155 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books. Parchment Latin Italy (central) front 30:13 7 Lewis E M 30:10-14 front 30:13 cd 5091 2111 6446 48-bit color 600 ppi 7 Choir book
Lewis E M 30:10-14 Lewis E M 30.13 reverse mcai300132 1440 1460 160 x 155 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 30:13 8 Lewis E M 30:10-14 reverse 30:13 cd 5091 2111 6446 48-bit color 600 ppi 8 Choir book
Lewis E M 30:10-14 Lewis E M 30.14 front mcai300141 1440 1460 132 x 102 mm The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books. Parchment Latin Italy (central) front 30:14 9 Lewis E M 30:10-14 front 30:14 cd 5091 2111 6446 48-bit color 600 ppi 9 Choir book
Lewis E M 30:10-14 Lewis E M 30.14 reverse mcai300142 1440 1460 132 x 102 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Italy (central) Rotunda reverse 30:14 10 Lewis E M 30:10-14 reverse 30:14 cd 5091 2111 6446 48-bit color 600 ppi 10 Choir book
Lewis E M 30:15 Lewis E M 30.15 front mcai300151 1400 1499 195 x 197 mm The intricate penwork of this initial is typical of minor initial decoration in service books. Parchment Latin Italy Rotunda front 1 Lewis E M 30:15 front cd 5091 2111 6448 48-bit color 600 ppi 1 Breviary
Lewis E M 30:15 Lewis E M 30.15 reverse mcai300152 1400 1499 195 x 197 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Italy Rotunda reverse 2 Lewis E M 30:15 reverse cd 5091 2111 6448 48-bit color 600 ppi 2 Breviary
Lewis E M 31:1 Lewis E M 31.1 front mcai310011 1475 1499 120 x 160 mm Stylistically related to, but of better quality than, the Book of Hours of Queen Isabella, Escovial vit. 8. De Ricci II, 2069, no. 271. &quot;Court Atelier of Spain, ca. 1480.&quot; Parchment Spain front 1 Lewis E M 31:01 front cd 5091 2111 6449 Leaf from a Book of Hours depicting the Last Supper
Lewis E M 31:1 Lewis E M 31.1 reverse mcai310012 1475 1499 120 x 160 mm Parchment Spain reverse 2 Lewis E M 31:01 reverse cd 5091 2111 6449 Leaf from a Book of Hours depicting the Last Supper
Lewis E M 31:2 Lewis E M 31.2 front mcai310021 1400 1499 115 x 304 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain Rotunda front 1 Lewis E M 31:02 front cd 5091 2111 6449 48-bit color 600 ppi 1 Choir book
Lewis E M 31:2 Lewis E M 31.2 reverse mcai310022 1400 1499 115 x 304 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 2 Lewis E M 31:02 reverse cd 5091 2111 6449 48-bit color 600 ppi 2 Choir book
Lewis E M 31:3-4 Lewis E M 31.3 front mcai310031 1400 1499 97 x 111 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain Rotunda front 31:3 1 Lewis E M 31:03-04 front 31:3 cd 5091 2111 6449 48-bit color 600 ppi 1 Choir book
Lewis E M 31:3-4 Lewis E M 31.3 reverse mcai310032 1400 1499 97 x 111 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:3 2 Lewis E M 31:03-04 reverse 31:3 cd 5091 2111 6449 48-bit color 600 ppi 2 Choir book
Lewis E M 31:3-4 Lewis E M 31.4 front mcai310041 1400 1499 89 x 76 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:4 3 Lewis E M 31:03-04 front 31:4 cd 5091 2111 6450 48-bit color 600 ppi 3 Choir book
Lewis E M 31:3-4 Lewis E M 31.4 reverse mcai310042 1400 1499 89 x 76 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:4 4 Lewis E M 31:03-04 reverse 31:4 cd 5091 2111 6450 48-bit color 600 ppi 4 Choir book
Lewis E M 31:5 Lewis E M 31.5 front mcai310051 1400 1499 99 x 90 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial as well as in the script suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:05 front cd 5091 2111 6450 48-bit color 600 ppi 1 Choir book
Lewis E M 31:5 Lewis E M 31.5 reverse mcai310052 1400 1499 99 x 90 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:05 reverse cd 5091 2111 6450 48-bit color 600 ppi 2 Choir book
Lewis E M 31:6 Lewis E M 31.6 front mcai310061 1400 1499 102 x 95 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:06 front cd 5091 2111 6450 48-bit color 600 ppi 1 Missal
Lewis E M 31:6 Lewis E M 31.6 reverse mcai310062 1400 1499 102 x 95 mm This image shows the reverse of a cutting with a decorated initial from a missal. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:06 reverse cd 5091 2111 6450 48-bit color 600 ppi 2 Missal
Lewis E M 31:7 Lewis E M 31.7 front mcai310071 1400 1499 91 x 115 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial as well as in the script suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:07 front cd 5091 2111 6450 48-bit color 600 ppi 1 Choir book
Lewis E M 31:7 Lewis E M 31.7 reverse mcai310072 1400 1499 91 x 115 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:07 reverse cd 5091 2111 6450 48-bit color 600 ppi 2 Choir book
Lewis E M 31:8 Lewis E M 31.8 front mcai310081 1400 1499 98 x 133 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:08 front cd 5091 2111 6450 48-bit color 600 ppi 1 Choir book
Lewis E M 31:8 Lewis E M 31.8 reverse mcai310082 1400 1499 98 x 133 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:08 reverse cd 5091 2111 6450 48-bit color 600 ppi 2 Choir book
Lewis E M 31:9 Lewis E M 31.9 front mcai310091 1400 1499 70 x 81 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:09 front cd 5091 2111 6450 48-bit color 600 ppi 1 Choir book
Lewis E M 31:9 Lewis E M 31.9 reverse mcai310092 1400 1499 70 x 81 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:09 reverse cd 5091 2111 6450 48-bit color 600 ppi 2 Choir book
Lewis E M 31:10 Lewis E M 31.10 front mcai310101 1400 1499 135 x 155 mm Initial K Parchment Latin Spain? front 1 Lewis E M 31:10 front cd 5091 2111 6379 48-bit color 600 ppi 1 Choir book
Lewis E M 31:10 Lewis E M 31.10 reverse mcai310102 1400 1499 135 x 155 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:10 reverse cd 5091 2111 6379 48-bit color 600 ppi 2 Choir book
Lewis E M 31:11 Lewis E M 31.11 front mcai310111 1400 1499 122 x 110 mm The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? front 1 Lewis E M 31:11 front cd 5091 2111 6379 48-bit color 600 ppi 1 Choir book
Lewis E M 31:11 Lewis E M 31.11 reverse mcai310112 1400 1499 122 x 110 mm This image shows the reverse of a cutting with a decorated initial from a choir book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:11 reverse cd 5091 2111 6379 48-bit color 600 ppi 2 Choir book
Lewis E M 31:12 Lewis E M 31.12 front mcai310121 1400 1499 300 x 211 mm This initial begins the first response of the first nocturn of Matins for the feast of Mary Magdalene (July 22), "Letetur omnes seculum in solemnitate sancte Mariae ..." (Let all the ages rejoice in the holy Mary with solemnity). The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. Parchment Latin Spain? Rotunda front 1 Lewis E M 31:12 front cd 5091 2111 6379 48-bit color 600 ppi 1 Antiphonary
Lewis E M 31:12 Lewis E M 31.12 reverse mcai310122 1400 1499 300 x 211 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:12 reverse cd 5091 2111 6380 48-bit color 600 ppi 2 Antiphonary
Lewis E M 31:13-14 Lewis E M 31.13 front mcai310131 1600 1700 144 x 151 mm This initial and its sister cutting, Lewis E M 31:14, once formed part of the decorative program of a stenciled book, or in other words, a book in which the text (seen in this example on the reverse) was stenciled rather than written in. The decoration, however, was completed by hand. Parchment Latin Spain? front 31:13 1 Lewis E M 31:13-14 front 31:13 cd 5091 2111 6380 48-bit color 600 ppi 1 Choir book
Lewis E M 31:13-14 Lewis E M 31.13 reverse mcai310132 1600 1700 144 x 151 mm The text on this cutting was stenciled rather than written in, a technique that came into use after the invention of printing. Stenciling required less skill on the part of the scribe but retained to some degree the hand-produced feel of a manuscript book. In this case, a scribe has gone over the stenciled letters and inked lines to connect the separate parts of the rounded, stenciled letter forms. This can be seen especially in the letters "o" and "b". Parchment Latin Spain? Stencil reverse 31:13 2 Lewis E M 31:13-14 reverse 31:13 cd 5091 2111 6380 48-bit color 600 ppi 2 Choir book
Lewis E M 31:13-14 Lewis E M 31.14 front mcai310141 1600 1700 143 x 157 mm This initial and its sister cutting, Lewis E M 31:13, once formed part of the decorative program of a stenciled book, or in other words, a book in which the text (seen in this example on the reverse) was stenciled rather than written in. The decoration, however, was completed by hand. Parchment Latin Spain? front 31:14 3 Lewis E M 31:13-14 front 31:14 cd 5091 2111 6380 48-bit color 600 ppi 3 Choir book
Lewis E M 31:13-14 Lewis E M 31.14 reverse mcai310142 1600 1700 143 x 157 mm The text on this cutting was stenciled rather than written in, a technique that came into use after the invention of printing. Stenciling required less skill on the part of the scribe but retain to some degree the hand-produced feel of a manuscript book. In this case, a scribe has gone over the stenciled letters and inked lines to connect the separate parts of the rounded, stenciled letter forms. This can be seen especially in the letters "s," "a" and "g". Parchment Latin Spain? Stencil reverse 31:14 4 Lewis E M 31:13-14 reverse 31:14 cd 5091 2111 6381 48-bit color 600 ppi 4 Choir book
Lewis E M 31:15 Lewis E M 31.15 front mcai310151 1500 1599 138 x 101 mm Initial C Parchment Latin Spain? front 1 Lewis E M 31:15 front cd 5091 2111 6381 48-bit color 600 ppi 1 Service book
Lewis E M 31:15 Lewis E M 31.15 reverse mcai310152 1500 1599 138 x 101 mm This image shows the reverse of a cutting with a decorated initial from a service book. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:15 reverse cd 5091 2111 6381 48-bit color 600 ppi 2 Service book
Lewis E M 31:16-17 Lewis E M 31.16a front mcai310163 1500 1599 64 x 116 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:16a 1 Lewis E M 31:16-17 front 31:16a cd 5091 2111 6381 48-bit color 600 ppi 1 Choir book
Lewis E M 31:16-17 Lewis E M 31.16a reverse mcai310164 1500 1599 64 x 116 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:16a 2 Lewis E M 31:16-17 reverse 31:16a cd 5091 2111 6381 48-bit color 600 ppi 2 Choir book
Lewis E M 31:16-17 Lewis E M 31.16b front mcai310165 1500 1599 57 x 102 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:16b 3 Lewis E M 31:16-17 front 31:16b cd 5091 2111 6381 48-bit color 600 ppi 3 Choir book
Lewis E M 31:16-17 Lewis E M 31.16b reverse mcai310166 1500 1599 57 x 102 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:16b 4 Lewis E M 31:16-17 reverse 31:16b cd 5091 2111 6381 48-bit color 600 ppi 4 Choir book
Lewis E M 31:16-17 Lewis E M 31.16c front mcai310167 1500 1599 58 x 104 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:16c 5 Lewis E M 31:16-17 front 31:16c cd 5091 2111 6381 48-bit color 600 ppi 5 Choir book
Lewis E M 31:16-17 Lewis E M 31.16c reverse mcai310168 1500 1599 58 x 104 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:16c 6 Lewis E M 31:16-17 reverse 31:16c cd 5091 2111 6381 48-bit color 600 ppi 6 Choir book
Lewis E M 31:16-17 Lewis E M 31.17d reverse mcai310170 1500 1599 76 x 111 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:17d 14 Lewis E M 31:16-17 reverse 31:17d cd 5091 2111 6383 48-bit color 600 ppi 14 Choir book
Lewis E M 31:16-17 Lewis E M 31.17a front mcai310173 1500 1599 66 x 106 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:17a 7 Lewis E M 31:16-17 front 31:17a cd 5091 2111 6381 48-bit color 600 ppi 7 Choir book
Lewis E M 31:16-17 Lewis E M 31.17a front mcai310174 1500 1599 66 x 106 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:17a 8 Lewis E M 31:16-17 reverse 31:17a cd 5091 2111 6381 48-bit color 600 ppi 8 Choir book
Lewis E M 31:16-17 Lewis E M 31.17b front mcai310175 1500 1599 68 x 111 mm This initial is typical of minor initial decoration found in service books produced in late medieval Spain. Parchment Latin Spain front 31:17b 9 Lewis E M 31:16-17 front 31:17b cd 5091 2111 6381 48-bit color 600 ppi 9 Choir book
Lewis E M 31:16-17 Lewis E M 31.17b reverse mcai310176 1500 1599 68 x 111 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:17b 10 Lewis E M 31:16-17 reverse 31:17b cd 5091 2111 6381 48-bit color 600 ppi 10 Choir book
Lewis E M 31:16-17 Lewis E M 31.17c front mcai310177 1500 1599 74 x 110 mm Initial Q Parchment Latin Spain front 31:17c 11 Lewis E M 31:16-17 front 31:17c cd 5091 2111 6383 48-bit color 600 ppi 11 Choir book
Lewis E M 31:16-17 Lewis E M 31.17c reverse mcai310178 1500 1599 74 x 110 mm This image shows the reverse of a cutting with a flourished initial from a choir book. Parchment Latin Spain Rotunda reverse 31:17c 12 Lewis E M 31:16-17 reverse 31:17c cd 5091 2111 6383 48-bit color 600 ppi 12 Choir book
Lewis E M 31:16-17 Lewis E M 31.17b front mcai310179 1500 1599 76 x 111 mm Initial D Parchment Latin Spain front 31:17d 13 Lewis E M 31:16-17 front 31:17d cd 5091 2111 6383 48-bit color 600 ppi 13 Choir book
Lewis E M 31:18A Lewis E M 31.18A front mcai310181 1500 1550 Initial A with the Invocation of the Virgin Mary. Parchment Spain front 1 Lewis E M 31:18A front cd 5091 2111 6383 Initial A with the Invocation of the Virgin Mary
Lewis E M 31:18A Lewis E M 31.18A reverse mcai310182 1500 1550 This image shows the reverse of a cutting with an historiated initial from a service book. Parchment Spain reverse 2 Lewis E M 31:18A reverse cd 5091 2111 6383 Choir book
Lewis E M 31:18B Lewis E M 31.18B front mcai310183 1500 1599 158 x 198 mm Parchment Spain front 1 Lewis E M 31:18B front cd 5091 2111 6383 Historiated initial A from an antiphonary depicting the Invocation of the Virgin Mary
Lewis E M 31:18B Lewis E M 31.18B reverse mcai310184 1500 1599 158 x 198 mm Parchment Spain Rotunda reverse 2 Lewis E M 31:18B reverse cd 5091 2111 6384 Historiated initial A from an antiphonary depicting the Invocation of the Virgin Mary
Lewis E M 31:19-27 Lewis E M 31.19 front mcai310191 1400 1450 70 x 71 mm Initial I with unidentified virgin Parchment Latin Spain? front 31:19 1 Lewis E M 31:19-27 front 31:19 cd 5091 2111 6384 48-bit color 600 ppi 1 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.19 reverse mcai310192 1400 1450 70 x 71 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:19 2 Lewis E M 31:19-27 reverse 31:19 cd 5091 2111 6384 48-bit color 600 ppi 2 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.20 front mcai310201 1400 1450 168 x 239 mm Initial Q with St. Agatha of Catania Parchment Latin Spain? Rotunda front 31:20 3 Lewis E M 31:19-27 front 31:20 cd 5091 2111 6384 48-bit color 600 ppi 3 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.20 reverse mcai310202 1400 1450 168 x 239 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:20 4 Lewis E M 31:19-27 reverse 31:20 cd 5091 2111 6384 48-bit color 600 ppi 4 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.21 front mcai310211 1400 1450 92 x 100 mm Initial P with Sts. Peter and Paul Parchment Latin Spain? front 31:21 5 Lewis E M 31:19-27 front 31:21 cd 5091 2111 6384 48-bit color 600 ppi 5 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.21 reverse mcai310212 1400 1450 92 x 100 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:21 6 Lewis E M 31:19-27 reverse 31:21 cd 5091 2111 6384 48-bit color 600 ppi 6 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.22 front mcai310221 1400 1450 98 x 143 mm This initial begins the first antiphon of Lauds for the feast of the Invention of the True Cross (May 3), "Helena sancta Constantini mater Jerosolymam petiit..." (Helen, the holy mother of Constantine, went to Jerusalem). The saint pictured here is St. Helena, the mother of the first Christian Roman emperor Constantine (d. 337). According legend, Helena discovered the cross upon which Christ was crucified, also known as the True Cross.The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination. Parchment Latin Spain? Rotunda front 31:22 7 Lewis E M 31:19-27 front 31:22 cd 5091 2111 6385 48-bit color 600 ppi 7 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.22 reverse mcai310222 1400 1450 98 x 143 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:22 8 Lewis E M 31:19-27 reverse 31:22 cd 5091 2111 6385 48-bit color 600 ppi 8 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.23 front mcai310231 1400 1450 71 x 79 mm Initial O with an unidentified Pope Parchment Latin Spain? front 31:23 9 Lewis E M 31:19-27 front 31:23 cd 5091 2111 6385 48-bit color 600 ppi 9 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.23 reverse mcai310232 1400 1450 71 x 79 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:23 10 Lewis E M 31:19-27 reverse 31:23 cd 5091 2111 6385 48-bit color 600 ppi 10 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.24 front mcai310241 1400 1450 132 x 161 mm Initial I with Mary Magdalene Parchment Latin Spain? front 31:24 11 Lewis E M 31:19-27 front 31:24 cd 5091 2111 6385 48-bit color 600 ppi 11 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.24 reverse mcai310242 1400 1450 132 x 161 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:24 12 Lewis E M 31:19-27 reverse 31:24 cd 5091 2111 6385 48-bit color 600 ppi 12 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.25 front mcai310251 1400 1450 130 x 133 mm Initial C with the Virgin Mary borne by angels Parchment Latin Spain? front 31:25 13 Lewis E M 31:19-27 front 31:25 cd 5091 2111 6385 48-bit color 600 ppi 13 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.25 reverse mcai310252 1400 1450 130 x 133 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:25 14 Lewis E M 31:19-27 reverse 31:25 cd 5091 2111 6385 48-bit color 600 ppi 14 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.26 front mcai310261 1400 1450 164 x 232 mm Initial D with Sts. James the Less and Philip Parchment Latin Spain? Rotunda front 31:26 15 Lewis E M 31:19-27 front 31:26 cd 5091 2111 6386 48-bit color 600 ppi 15 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.26 reverse mcai310262 1400 1450 164 x 232 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:26 16 Lewis E M 31:19-27 reverse 31:26 cd 5091 2111 6386 48-bit color 600 ppi 16 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.27 front mcai310271 1400 1450 114 x 158 mm Initial H with John the Baptist Parchment Latin Spain? Rotunda front 31:27 17 Lewis E M 31:19-27 front 31:27 cd 5091 2111 6386 48-bit color 600 ppi 17 Antiphonary
Lewis E M 31:19-27 Lewis E M 31.27 reverse mcai310272 1400 1450 114 x 158 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Spain? Rotunda reverse 31:27 18 Lewis E M 31:19-27 reverse 31:27 cd 5091 2111 6386 48-bit color 600 ppi 18 Antiphonary
Lewis E M 31:28 Lewis E M 31.28 front mcai310281 1600 1699 118 x 122 mm Parchment Portugal front 1 Lewis E M 31:28 front cd 5091 2111 6386 Historiated initial N from an antiphonary, depicting St. John the Baptist
Lewis E M 31:28 Lewis E M 31.28 reverse mcai310282 1600 1699 118 x 122 mm Parchment Portugal reverse 2 Lewis E M 31:28 reverse cd 5091 2111 6386 Historiated initial N from an antiphonary, depicting St. John the Baptist
Lewis E M 31:29 Lewis E M 31.29 front mcai310291 1600 1699 Parchment Portugal front 1 Lewis E M 31:29 front cd 5091 2111 6387 Historiated initial G from an antiphonary depicting David as a musician
Lewis E M 31:29 Lewis E M 31.29 reverse mcai310292 1600 1699 Parchment Portugal Rotunda reverse 2 Lewis E M 31:29 reverse cd 5091 2111 6387 Historiated initial G from an antiphonary depicting David as a musician
Lewis E M 31:34 Lewis E M 31.34 front mcai310341 1890 1920 Flight into Egypt painting by the Spanish Forger. &nbsp;The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine. Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled &quot;Betrothal of St. Ursula,&quot; detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist. For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck. Parchment Unknown Spanish Forger Artist front 1 Lewis E M 31:34 front cd 5091 2111 6387 Flight into Egypt
Lewis E M 31:34 Lewis E M 31.34 reverse mcai310342 1400 1499 The reverse of a Flight into Egypt painting by the Spanish Forger. &nbsp;The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine. Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled &quot;Betrothal of St. Ursula,&quot; detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist. For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck. Parchment Latin Italy Rotunda reverse 2 Lewis E M 31:34 reverse cd 5091 2111 6387 Flight into Egypt
Lewis E M 31:35 Lewis E M 31.35 front mcai310351 1890 1920 A miniature of Christ calling Peter and Andrew by the Spanish Forger. &nbsp;The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine. Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled &quot;Betrothal of St. Ursula,&quot; detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist. For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck. Parchment Unknown Spanish Forger Artist front 1 Lewis E M 31:35 front cd 5091 2111 6387 Miniature of Christ calling Peter and Andrew
Lewis E M 31:35 Lewis E M 31.35 reverse mcai310352 1400 1499 The reverse of a miniature of Christ calling Andrew and Peter by the Spanish Forger. &nbsp;The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine. Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled &quot;Betrothal of St. Ursula,&quot; detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist. For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck. Parchment Italy reverse 2 Lewis E M 31:35 reverse cd 5091 2111 6388 Miniature of Christ calling Peter and Andrew
Lewis E M 31:36 Lewis E M 31.36 front mcai310361 1550 1600 127 x 110 mm Parchment Spain? front 1 Lewis E M 31:36 front cd 5091 2111 6388 Initial D from an antiphonary depicting a penitent gentleman taking a vow at an altar
Lewis E M 31:36 Lewis E M 31.36 reverse mcai310362 1550 1600 127 x 110 mm Parchment Latin Spain? Rotunda reverse 2 Lewis E M 31:36 reverse cd 5091 2111 6388 Initial D from an antiphonary depicting a penitent gentleman taking a vow at an altar
Lewis E M 31:37 Lewis E M 31.37 front mcai310371 1900 1920 Previously attributed to the Spanish Forger, this miniature has since been determined to have been painted b an unknown forger. Parchment Unknown front 1 Lewis E M 31:37 front cd 5091 2111 6388 Miniature of the Presentation in the Temple
Lewis E M 31:37 Lewis E M 31.37 reverse mcai310372 1900 1920 Parchment Unknown reverse 2 Lewis E M 31:37 reverse cd 5091 2111 6388 Miniature of the Presentation in the Temple
Lewis E M 32:1 Lewis E M 32.1 front mcai320011 Parchment Unknown 1 Lewis E M 32:01 cd 5091 2111 6389 Historiated initial D
Lewis E M 32:1 Lewis E M 32.1 reverse mcai320012 Parchment Unknown 2 Lewis E M 32:01 cd 5091 2111 6389 Music Fragment
Lewis E M 32:2 Lewis E M 32.2 front mcai320021 1900 1920 Parchment Unknown front 1 Lewis E M 32:02 front cd 5091 2111 6389 Historiated initial A depicting a cleric
Lewis E M 32:2 Lewis E M 32.2 reverse mcai320022 1900 1920 This historiated initial has been determined to be a forgery. &nbsp;Forgers often used old manuscript scraps for their paintings to make their paintings seem more authentic. This musical notation, however, also appears to be forged. Parchment Unknown reverse 2 Lewis E M 32:02 reverse cd 5091 2111 6389 Historiated initial A depicting a cleric
Lewis E M 32:3 Lewis E M 32.3 front mcai320031 1900 1920 130 x 138 mm Parchment Unknown front 1 Lewis E M 32:03 front cd 5091 2111 6389 Historiated initial O depicting David in Prayer
Lewis E M 32:3 Lewis E M 32.3 reverse mcai320032 1400 1499 130 x 138 mm Parchment Latin Italy Southern Textualis Formata reverse 2 Lewis E M 32:03 reverse cd 5091 2111 6389 Historiated initial O depicting David in Prayer
Lewis E M 32:4 Lewis E M 32.4 front mcai320041 1900 1920 113 x 100 mm Parchment Unknown front 1 Lewis E M 32:04 front cd 5091 2111 6389 Historiated initial E depicting a male saint
Lewis E M 32:4 Lewis E M 32.4 reverse mcai320042 1400 1499 113 x 100 mm Parchment Latin Italy Southern Textualis Formata reverse 2 Lewis E M 32:04 reverse cd 5091 2111 6389 Historiated initial E depicting a male saint
Lewis E M 32:5 Lewis E M 32.5 front mcai320051 1900 1920 73 x 151 mm Parchment Unknown 1 Lewis E M 32:05 cd 5091 2111 6389 Forged miniature panel
Lewis E M 32:5 Lewis E M 32.5 reverse mcai320052 1900 1920 73 x 151 mm Parchment Unknown reverse 2 Lewis E M 32:05 reverse cd 5091 2111 6389 Forged miniature panel
Lewis E M 32:6 Lewis E M 32.6 front mcai320061 1900 1920 124 x 160 mm Parchment Unknown 1 Lewis E M 32:06 cd 5091 2111 6390 Historiated initial O depicting a cleric
Lewis E M 32:6 Lewis E M 32.6 reverse mcai320062 1400 1499 124 x 160 mm Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:06 reverse cd 5091 2111 6390 Historiated initial O depicting a cleric
Lewis E M 32:7 Lewis E M 32.7 front mcai320071 1900 1920 53 x 81 mm Parchment Unknown front 1 Lewis E M 32:07 front cd 5091 2111 6390 Miniature of Jesus in prayer
Lewis E M 32:7 Lewis E M 32.7 reverse mcai320072 1400 1499 53 x 81 mm Parchment Italy Rotunda reverse 2 Lewis E M 32:07 reverse cd 5091 2111 6390 Miniature of Jesus in prayer
Lewis E M 32:8 Lewis E M 32.8 front mcai320081 1900 1920 144 x 150 mm Parchment Unknown 1 Lewis E M 32:08 cd 5091 2111 6390 Historiated initial D depicting St. Barbara
Lewis E M 32:8 Lewis E M 32.8 reverse mcai320082 1400 1499 144 x 150 mm Parchment Italy Rotunda 2 Lewis E M 32:08 cd 5091 2111 6390 Historiated initial D depicting St. Barbara
Lewis E M 32:9 Lewis E M 32.9 front mcai320091 1900 1920 60 x 70 mm Parchment Unknown front 1 Lewis E M 32:09 front cd 5091 2111 6390 Historiated initial D depicting a monk
Lewis E M 32:9 Lewis E M 32.9 reverse mcai320092 1400 1499 60 x 70 mm Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:09 reverse cd 5091 2111 6390 Historiated initial D depicting a monk
Lewis E M 32:10 Lewis E M 32.10 front mcai320101 1900 1920 107 x 102 mm Parchment Unknown front 1 Lewis E M 32:10 front cd 5091 2111 6390 Historiated initial C depicting a bishop
Lewis E M 32:10 Lewis E M 32.10 reverse mcai320102 1400 1499 107 x 102 mm Parchment Latin Italy Rotunda 2 Lewis E M 32:10 cd 5091 2111 6390 Historiated initial C depicting a bishop
Lewis E M 32:11 Lewis E M 32.11 front mcai320111 1900 1920 118 x 102 mm Parchment Unknown 1 Lewis E M 32:11 cd 5091 2111 6390 Historiated initial D depicting a male saint
Lewis E M 32:11 Lewis E M 32.11 reverse mcai320112 1400 1499 Parchment Latin Italy reverse 2 Lewis E M 32:11 reverse cd 5091 2111 6391 Historiated initial D depicting a male saint
Lewis E M 32:12 Lewis E M 32.12 front mcai320121 1900 1920 50 x 57 mm Parchment Unknown front 1 Lewis E M 32:12 front cd 5091 2111 6391 Historiated initial D depicting a monk
Lewis E M 32:12 Lewis E M 32.12 reverse mcai320122 50 x 57 mm Parchment Italy Rotunda reverse 2 Lewis E M 32:12 reverse cd 5091 2111 6391 Historiated initial D depicting a monk
Lewis E M 32:13 Lewis E M 32.13 front mcai320131 1900 1920 102 x 97 mm Parchment Unknown front 1 Lewis E M 32:13 front cd 5091 2111 6391 Historiated initial E depicting Christ and three angels
Lewis E M 32:13 Lewis E M 32.13 reverse mcai320132 1400 1499 102 x 97 mm Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:13 reverse cd 5091 2111 6391 Historiated initial E depicting Christ and three angels
Lewis E M 32:14 Lewis E M 32.14 front a mcai320143 1497 1500 120 x 170 mm Leaf from an imprint of Pigouchet's&nbsp;Horae for Simon de Vostre in Paris. &nbsp;Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand. Parchment Latin Paris, France Pigouchet, Philippe Artist front 1 Lewis E M 32:14 front cd 5091 2111 6391 Leaf from a printed Book of Hours depicting the Annunciation
Lewis E M 32:14 Lewis E M 32.14 reverse a mcai320144 1497 1500 120 x 170 mm Leaf from an imprint of Pigouchet's&nbsp;Horae for Simon de Vostre in Paris. &nbsp;Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand. Parchment Latin Paris, France Pigouchet, Philippe Artist reverse 2 Lewis E M 32:14 reverse cd 5091 2111 6391 Leaf from a printed Book of Hours depicting the Annunciation
Lewis E M 32:14 Lewis E M 32.14 front b mcai320145 1497 1500 120 x 170 mm Leaf from an imprint of Pigouchet's&nbsp;Horae for Simon de Vostre in Paris. &nbsp;Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand. Parchment Latin Paris, France Pigouchet, Philippe Artist front 3 Lewis E M 32:14 front cd 5091 2111 6391 Leaf from a printed Book of Hours depicting the Visitation
Lewis E M 32:14 Lewis E M 32.14 reverse b mcai320146 1497 1500 120 x 170 mm Leaf from an imprint of Pigouchet's&nbsp;Horae for Simon de Vostre in Paris. &nbsp;Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand. Parchment Latin Paris, France Pigouchet, Philippe Artist reverse 4 Lewis E M 32:14 reverse cd 5091 2111 6391 Leaf from a printed Book of Hours depicting the Visitation
Lewis E M 32:15 Lewis E M 32.15 front mcai320151 1700 1799 Parchment Spain? front 1 Lewis E M 32:15 front cd 5091 2111 6392 Madonna and child
Lewis E M 32:15 Lewis E M 32.15 reverse mcai320152 1700 1799 Parchment Spain? reverse 2 Lewis E M 32:15 reverse cd 5091 2111 6392 Madonna and child
Lewis E M 32:16 Lewis E M 32.16 front mcai320161 1750 1850 92 x 120 mm Parchment Unknown front 1 Lewis E M 32:16 front cd 5091 2111 6392 Adoration of the Magi
Lewis E M 32:16 Lewis E M 32.16 reverse mcai320162 1750 1850 92 x 120 mm Parchment Unknown reverse 2 Lewis E M 32:16 reverse cd 5091 2111 6392 Adoration of the Magi
Lewis E M 32:17 Lewis E M 32.17 front mcai320171 1900 1920 134 x 121 mm Parchment Unknown front 1 Lewis E M 32:17 front cd 5091 2111 6392 Historiated initial S depicting the Presentation in the Temple
Lewis E M 32:17 Lewis E M 32.17 reverse mcai320172 1900 1920 134 x 121 mm Parchment Unknown reverse 2 Lewis E M 32:17 reverse cd 5091 2111 6392 Historiated initial S depicting the Presentation in the Temple
Lewis E M 32:18 Lewis E M 32.18 front mcai320181 1900 1920 144 x 150 mm Parchment Unknown front 1 Lewis E M 32:18 front cd 5091 2111 6392 Historiated initial A depicting the Agnus Dei
Lewis E M 32:18 Lewis E M 32.18 reverse mcai320182 1400 1499 While this is the reverse of a forged historiated initial, forgeries are frequently made on existing scraps of authentic medieval manuscripts. &nbsp;This is probably cut from a 15th-century choir book, most likely an antiphonary, and most likely from Italy. Parchment Italy reverse 2 Lewis E M 32:18 reverse cd 5091 2111 6393 Historiated initial A depicting the Agnus Dei
Lewis E M 32:19 Lewis E M 32.19 front mcai320191 1900 1920 117 x 127 mm Parchment Unknown front 1 Lewis E M 32:19 front cd 5091 2111 6393 Historiated initial, forged
Lewis E M 32:19 Lewis E M 32.19 reverse mcai320192 1400 1499 117 x 127 mm Although this is the reverse of a forged historiated initial, forgers often used scraps of real medieval manuscripts for their work.&nbsp; Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:19 reverse cd 5091 2111 6393 Historiated initial (forged)
Lewis E M 32:20 Lewis E M 32.20 mcai320201 1890 1920 115 x 205 mm Parchment Unknown front 1 Lewis E M 32:20 front cd 5091 2111 6393 Historiated initial depicting Virgin Mary
Lewis E M 32:21 Lewis E M 32.21 mcai320211 Parchment Unknown 1 Lewis E M 32:21 cd 5091 2111 6393 Historiated Initial A
Lewis E M 32:21 Lewis E M 32.21 reverse mcai320212 Parchment Unknown 2 Lewis E M 32:21 cd 5091 2111 6393 Text Fragment
Lewis E M 32:22 Lewis E M 32.22 front mcai320221 1890 1920 84 x 76 mm Parchment Unknown front 1 Lewis E M 32:22 front cd 5091 2111 6393 Historiated initial O with a pope kneeling at an altar, communing with an angel
Lewis E M 32:22 Lewis E M 32.22 reverse mcai320222 1400 1499 84 x 76 mm Although the reverse of this cutting is a modern forgery, the forger used an authentic scrap of medieval manuscript material to work with. Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:22 reverse cd 5091 2111 6393 Historiated initial O with a pope kneeling at an altar, communing with an angel
Lewis E M 32:23 Lewis E M 32.23 front mcai320231 1890 1920 93 x 87 mm Parchment Unknown 1 Lewis E M 32:23 cd 5091 2111 6393 Miniature of monks reading from a lectern
Lewis E M 32:23 Lewis E M 32.23 reverse mcai320232 1400 1499 93 x 87 mm &nbsp;Although this fragment is the reverse of a modern forgery, forgers often used scraps of existing pieces of medieval manuscripts for their works. This fragment was probably used as a piece of binding material at one time. Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:23 reverse cd 5091 2111 6394 Miniature of monks reading from a lectern
Lewis E M 32:24 Lewis E M 32.24 front mcai320241 1890 1920 86 x 93 mm Parchment Unknown 1 Lewis E M 32:24 cd 5091 2111 6394 Historiated initial S depicting All Saints
Lewis E M 32:24 Lewis E M 32.24 reverse mcai320242 1400 1499 86 x 93 mm Although this is the reverse of a forgery, forgers often used scraps of authentic medieval manuscripts for their work. This was probably used for binding material at one time. Parchment Latin Italy Rotunda reverse 2 Lewis E M 32:24 reverse cd 5091 2111 6394 Historiated initial S depicting All Saints
Lewis E M 32:25 Lewis E M 32.25 front mcai320251 Parchment Unknown 1 Lewis E M 32:25 cd 5091 2111 6394 Initial C from a choir book with singing monks
Lewis E M 32:25 Lewis E M 32.25 reverse mcai320252 Parchment Unknown 2 Lewis E M 32:25 cd 5091 2111 6394 Medieval Manuscript Fragment
Lewis E M 32:26 Lewis E M 32.26 front mcai320261 &nbsp;This fragment may be an original miniature from late 13th-century Italy painted over at a later time, particularly in the faces of the individuals. Parchment Unknown 1 Lewis E M 32:26 cd 5091 2111 6394 Forgery fragment
Lewis E M 32:26 Lewis E M 32.26 reverse mcai320262 Parchment Unknown 2 Lewis E M 32:26 cd 5091 2111 6394 Forgery fragment
Lewis E M 32:27 Lewis E M 32.27 front mcai320271 Initial G with a priest celebrating the Eucharist. Parchment Unknown 1 Lewis E M 32:27 cd 5091 2111 6394 Initial G with a priest celebrating the Eucharist
Lewis E M 32:27 Lewis E M 32.27 reverse mcai320272 Parchment Unknown 2 Lewis E M 32:27 cd 5091 2111 6394 Medieval Music Manuscript Fragment
Lewis E M 32:28 Lewis E M 32.28 front mcai320281 Forged historiated initial of St. Dominic. Parchment Unknown 1 Lewis E M 32:28 cd 5091 2111 6394 St. Dominic
Lewis E M 32:28 Lewis E M 32.28 reverse mcai320282 Parchment Unknown 2 Lewis E M 32:28 cd 5091 2111 6394 St. Dominic
Lewis E M 32:29 Lewis E M 32.29 front mcai320291 Forged historiated initial of a bishop. Parchment Unknown front 1 Lewis E M 32:29 front cd 5091 2111 6394 Bishop
Lewis E M 32:29 Lewis E M 32.29 reverse mcai320292 Parchment Unknown 2 Lewis E M 32:29 cd 5091 2111 6394 Bishop
Lewis E M 32:30 Lewis E M 32.30 front mcai320301 Forged initial U with a female saint. Parchment Unknown 1 Lewis E M 32:30 cd 5091 2111 6394 Historiated initial U with female saint
Lewis E M 32:30 Lewis E M 32.30 reverse mcai320302 Parchment Unknown 2 Lewis E M 32:30 cd 5091 2111 6394 Historiated initial U with female saint
Lewis E M 33:1 Lewis E M 33.1 front mcai330011 Forged miniature of the Three Marys at the tomb of the risen Christ. Parchment Unknown 1 Lewis E M 33:01 cd 5091 2111 7093 Three Marys at the tomb
Lewis E M 33:1 Lewis E M 33.1 reverse mcai330012 Parchment Unknown 2 Lewis E M 33:01 cd 5091 2111 7093 Three Marys at the tomb
Lewis E M 33:2 Lewis E M 33.2 front mcai330021 Parchment Unknown 1 Lewis E M 33:02 cd 5091 2111 7093 Forgery fragment
Lewis E M 33:2 Lewis E M 33.2 reverse mcai330022 Parchment Unknown 2 Lewis E M 33:02 cd 5091 2111 7093 Forgery fragment
Lewis E M 33:3 Lewis E M 33.3 front mcai330031 Parchment Unknown front 1 Lewis E M 33:03 front cd 5091 2111 7093 Life of Thomas Aquinas
Lewis E M 33:3 Lewis E M 33.3 reverse mcai330032 Parchment Unknown reverse 2 Lewis E M 33:03 reverse cd 5091 2111 7093 Life of Thomas Aquinas
Lewis E M 33:4 Lewis E M 33.4 mcai330041 38 x 38 mm Parchment Unknown front 1 Lewis E M 33:04 front cd 5091 2111 7093 St. Theodore
Lewis E M 33:5 Lewis E M 33.5 mcai330051 38 x 42 mm Parchment Unknown front 1 Lewis E M 33:05 front cd 5091 2111 7093 St. Bartholomew
Lewis E M 33:6 Lewis E M 33.6 front mcai330061 Parchment Unknown 1 Lewis E M 33:06 cd 5091 2111 7094 Wisdom personified
Lewis E M 33:6 Lewis E M 33.6 reverse mcai330062 Parchment Unknown reverse 2 Lewis E M 33:06 reverse cd 5091 2111 7094 Wisdom personified
Lewis E M 33:7 Lewis E M 33.7 front mcai330071 78 x 108 mm Parchment Unknown front 1 Lewis E M 33:07 front cd 5091 2111 7094 St. Peter preaching the Gospel
Lewis E M 33:7 Lewis E M 33.7 reverse mcai330072 Parchment Unknown reverse 2 Lewis E M 33:07 reverse cd 5091 2111 7094 St. Peter preaching the Gospel
Lewis E M 33:8 Lewis E M 33.8 front mcai330081 75 x 118 mm Parchment Unknown 1 Lewis E M 33:08 cd 5091 2111 7094 Forgery fragment
Lewis E M 33:8 Lewis E M 33.8 reverse mcai330082 Parchment Unknown reverse 2 Lewis E M 33:08 reverse cd 5091 2111 7094 Forgery fragment
Lewis E M 33:9 Lewis E M 33.9 front mcai330091 Parchment Unknown 1 Lewis E M 33:09 cd 5091 2111 7094 Bishop kneeling in prayer
Lewis E M 33:9 Lewis E M 33.9 reverse mcai330092 Parchment Unknown reverse 2 Lewis E M 33:09 reverse cd 5091 2111 7094 Bishop kneeling in prayer
Lewis E M 33:10 Lewis E M 33.10 front mcai330101 Parchment Unknown 1 Lewis E M 33:10 cd 5091 2111 7094 Mary assisting with the sick
Lewis E M 33:10 Lewis E M 33.10 reverse mcai330102 Parchment Unknown reverse 2 Lewis E M 33:10 reverse cd 5091 2111 7094 Mary assisting with the sick
Lewis E M 33:11 Lewis E M 33.11 mcai330111 68 x 80 mm Parchment Unknown 1 Lewis E M 33:11 cd 5091 2111 7094 Jesus learning to be a carpenter
Lewis E M 33:12 Lewis E M 33.12 front mcai330121 Parchment Unknown 1 Lewis E M 33:12 cd 5091 2111 7094 Forgery fragment
Lewis E M 33:12 Lewis E M 33.12 reverse mcai330122 Parchment Unknown 2 Lewis E M 33:12 cd 5091 2111 7094 Forgery fragment
Lewis E M 33:13 Lewis E M 33.13 front mcai330131 Parchment Unknown 1 Lewis E M 33:13 cd 5091 2111 7094 August calendar labor
Lewis E M 33:13 Lewis E M 33.13 reverse mcai330132 Parchment Unknown 2 Lewis E M 33:13 cd 5091 2111 7094 August calendar labor
Lewis E M 33:14 Lewis E M 33.14 front mcai330141 75 x 74 mm Parchment Unknown 1 Lewis E M 33:14 cd 5091 2111 7095 Pentecost
Lewis E M 33:14 Lewis E M 33.14 reverse mcai330142 Parchment Unknown 2 Lewis E M 33:14 cd 5091 2111 7095 Pentecost
Lewis E M 33:15 Lewis E M 33.15 front mcai330151 122 x 140 mm Parchment Unknown front 1 Lewis E M 33:15 front cd 5091 2111 7095 Initial R with the Resurrection
Lewis E M 33:15 Lewis E M 33.15 reverse mcai330152 Parchment Unknown reverse 2 Lewis E M 33:15 reverse cd 5091 2111 7095 Initial R with the Resurrection
Lewis E M 33:16 Lewis E M 33.16 front mcai330161 45 x 50 mm Parchment Unknown 1 Lewis E M 33:16 cd 5091 2111 7095 Forged initial T
Lewis E M 33:16 Lewis E M 33.16 reverse mcai330162 Parchment Unknown 2 Lewis E M 33:16 cd 5091 2111 7095 Forged initial T
Lewis E M 33:17 Lewis E M 33.17 mcai330171 1400 1450 Parchment Germany Gothic bookhand 1 Lewis E M 33:17 cd 5091 2111 7095 Initial fragments
Lewis E M 33:18 Lewis E M 33.18 front mcai330181 Parchment Unknown 1 Lewis E M 33:18 cd 5091 2111 7095 Illuminated Medieval Manuscript Fragment
Lewis E M 33:18 Lewis E M 33.18 reverse mcai330182 Parchment Unknown 2 Lewis E M 33:18 cd 5091 2111 7095 Medieval Music Manuscript Fragment
Lewis E M 33:19 Lewis E M 33.19 front mcai330191 Parchment Unknown 1 Lewis E M 33:19 cd 5091 2111 7095 Illuminated Medieval Manuscript Fragment
Lewis E M 33:19 Lewis E M 33.19 reverse mcai330192 Parchment Unknown 2 Lewis E M 33:19 cd 5091 2111 7095 Illuminated Medieval Manuscript Fragment
Lewis E M 33:20 Lewis E M 33.20 front mcai330201 Parchment Unknown 1 Lewis E M 33:20 cd 5091 2111 7095 Illuminated Medieval Manuscript Fragment
Lewis E M 33:20 Lewis E M 33.20 reverse mcai330202 Parchment Unknown 2 Lewis E M 33:20 cd 5091 2111 7095 Medieval Manuscript Fragment
Lewis E M 33:21 Lewis E M 33.21 front mcai330211 Parchment Unknown 1 Lewis E M 33:21 cd 5091 2111 7096 Monks Praying
Lewis E M 33:21 Lewis E M 33.21 reverse mcai330212 Parchment Unknown 2 Lewis E M 33:21 cd 5091 2111 7096 Recto to Monks Praying
Lewis E M 33:22 Lewis E M 33.22 front mcai330221 Parchment Unknown 1 Lewis E M 33:22 cd 5091 2111 7096 Illuminated Medieval Manuscript Fragment
Lewis E M 33:22 Lewis E M 33.22 reverse mcai330222 Verso Parchment Unknown 2 Lewis E M 33:22 cd 5091 2111 7096 Illuminated Medieval Manuscript Fragment
Lewis E M 33:23 Lewis E M 33.23 front mcai330231 Parchment Unknown 1 Lewis E M 33:23 cd 5091 2111 7096 Illuminated Medieval Manuscript Fragment
Lewis E M 33:23 Lewis E M 33.23 reverse mcai330232 Verso Parchment Unknown 2 Lewis E M 33:23 cd 5091 2111 7096 Illuminated Medieval Manuscript Fragment
Lewis E M 33:24 Lewis E M 33.24 front mcai330241 Parchment Unknown 1 Lewis E M 33:24 cd 5091 2111 7096 Historiated initial
Lewis E M 33:24 Lewis E M 33.24 reverse mcai330242 Parchment Unknown 2 Lewis E M 33:24 cd 5091 2111 7096 Verso of Historiated initial
Lewis E M 33:25 Lewis E M 33.25 front mcai330251 Parchment Unknown 1 Lewis E M 33:25 cd 5091 2111 6451 Historiated Initial
Lewis E M 33:25 Lewis E M 33.25 reverse mcai330252 Parchment Unknown 2 Lewis E M 33:25 cd 5091 2111 6451 Verso of Historiated Initial
Lewis E M 33:26 Lewis E M 33.26 front mcai330261 Parchment Unknown 1 Lewis E M 33:26 cd 5091 2111 6451 Historiated Initial
Lewis E M 33:26 Lewis E M 33.26 reverse mcai330262 Parchment Unknown 2 Lewis E M 33:26 cd 5091 2111 6451 Verso of Historiated Initial
Lewis E M 33:27 Lewis E M 33.27 front mcai330271 Parchment Unknown 1 Lewis E M 33:27 cd 5091 2111 6451 Historiated Initial
Lewis E M 33:27 Lewis E M 33.27 reverse mcai330272 Verso to Historiated Initial Parchment Unknown 2 Lewis E M 33:27 cd 5091 2111 6451 Music Fragment
Lewis E M 42:1 Lewis E M 42.1 front mcai420011 1375 1399 223 x 319 mm Initial D with the Trinity Parchment Latin Hamburg?, Germany Gothic bookhand front 1 Lewis E M 42:01 front cd 5091 2111 6471 48-bit color 600 ppi 1 Choir psalter
Lewis E M 42:1 Lewis E M 42.1 reverse mcai420012 1375 1399 223 x 319 mm This image shows the reverse of a leaf from a choir psalter. This side of the leaf, the true verso, contains the antiphons following Psalm 109, which begins on the front. Parchment Latin Hamburg?, Germany Gothic bookhand reverse 2 Lewis E M 42:01 reverse cd 5091 2111 6471 48-bit color 600 ppi 2 Choir psalter
Lewis E M 42:2 Lewis E M 42.2 mcai420021 1490 1510 188 x 440 mm Initial A with David in Prayer Parchment Latin Austria Gothic bookhand front 1 Lewis E M 42:02 front cd 5091 2111 6472 48-bit color 400 ppi 1 Choir book
Lewis E M 42:3 Lewis E M 42.3 front mcai420031 1485 1499 205 x 264 mm Crucifixion Parchment Latin Austria front 1 Lewis E M 42:03 front cd 5091 2111 6472 48-bit color 600 ppi 1 Missal
Lewis E M 42:3 Lewis E M 42.3 reverse mcai420032 1485 1499 205 x 264 mm This image shows the reverse of a cutting with a miniature. Parchment Latin Austria reverse 2 Lewis E M 42:03 reverse cd 5091 2111 6472 48-bit color 600 ppi 2 Missal
Lewis E M 42:4-9 Lewis E M 42.4 front mcai420041 1525 1550 262 x 417 mm Initial D with John the Baptist in Prayer Parchment Latin Poland Gothic bookhand front 42:4 1 Lewis E M 42:04-09 front 42:4 cd 5091 2111 6473 48-bit color 400 ppi 1 Gradual
Lewis E M 42:4-9 Lewis E M 42.4 reverse mcai420042 1525 1550 262 x 417 mm This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true recto, contains the beginning of the Gradual for the Vigil of the feast of St. John the Baptist. Parchment Latin Poland Gothic bookhand reverse 42:4 2 Lewis E M 42:04-09 reverse 42:4 cd 5091 2111 6473 48-bit color 400 ppi 2 Gradual
Lewis E M 42:4-9 Lewis E M 42.5 front mcai420051 1525 1550 262 x 425 mm Initial C with Chalice and Host Parchment Latin Poland Gothic bookhand front 42:5 3 Lewis E M 42:04-09 front 42:5 cd 5091 2111 6473 48-bit color 400 ppi 3 Gradual
Lewis E M 42:4-9 Lewis E M 42.5 reverse mcai420052 1525 1550 262 x 425 mm This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the Monday after Pentecost, which begins on the front. Parchment Latin Poland Gothic bookhand reverse 42:5 4 Lewis E M 42:04-09 reverse 42:5 cd 5091 2111 6474 48-bit color 400 ppi 4 Gradual
Lewis E M 42:4-9 Lewis E M 42.6 front mcai420061 1525 1550 234 x 416 mm Initial I with Saints John and Mark writing the Gospels Parchment Latin Poland Gothic bookhand front 42:6 5 Lewis E M 42:04-09 front 42:6 cd 5091 2111 6474 48-bit color 400 ppi 5 Gradual
Lewis E M 42:4-9 Lewis E M 42.6 reverse mcai420062 1525 1550 234 x 416 mm This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of St. John the Evangelist, which begins on the front. Parchment Latin Poland Gothic bookhand reverse 42:6 6 Lewis E M 42:04-09 reverse 42:6 cd 5091 2111 6474 48-bit color 400 ppi 6 Gradual
Lewis E M 42:4-9 Lewis E M 42.7 front mcai420071 1525 1550 236 x 342 mm Initial S with Pentecost Parchment Latin Poland Gothic bookhand front 42:7 7 Lewis E M 42:04-09 front 42:7 cd 5091 2111 6475 48-bit color 600 ppi 7 Gradual
Lewis E M 42:4-9 Lewis E M 42.7 reverse mcai420072 1525 1550 236 x 342 mm This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Pentecost Sunday, which begins on the front. Parchment Latin Poland Gothic bookhand reverse 42:7 8 Lewis E M 42:04-09 reverse 42:7 cd 5091 2111 6475 48-bit color 600 ppi 8 Gradual
Lewis E M 42:4-9 Lewis E M 42.8 front mcai420081 1525 1550 246 x 378 mm Initial I with St. Bernard and Saint Augustine Parchment Latin Poland Gothic bookhand front 42:8 9 Lewis E M 42:04-09 front 42:8 cd 5091 2111 6476 48-bit color 400 ppi 9 Gradual
Lewis E M 42:4-9 Lewis E M 42.8 reverse mcai420082 1525 1550 246 x 378 mm This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of St. Bernard of Clairvaux, which begins on the front. Parchment Latin Poland Gothic bookhand reverse 42:8 10 Lewis E M 42:04-09 reverse 42:8 cd 5091 2111 6476 48-bit color 400 ppi 10 Gradual
Lewis E M 42:4-9 Lewis E M 42.9 front mcai420091 1525 1550 234 x 339 mm Initial V with the Ascension Parchment Latin Poland Gothic bookhand front 42:9 11 Lewis E M 42:04-09 front 42:9 cd 5091 2111 6476 48-bit color 600 ppi 11 Gradual
Lewis E M 42:4-9 Lewis E M 42.9 reverse mcai420092 1525 1550 234 x 339 mm This image shows the reverse of a cutting from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of the Ascension, which begins on the front. Parchment Latin Poland Gothic bookhand reverse 42:9 12 Lewis E M 42:04-09 reverse 42:9 cd 5091 2111 6478 48-bit color 600 ppi 12 Gradual
Lewis E M 42:10 Lewis E M 42.10 front mcai420101 1590 1610 197 x 284 mm Crucifixion with border images portraying the sacrifice of Isaac, St. Christopher, Charlemagne, and John the Evangelist Parchment Italy front 1 Lewis E M 42:10 front cd 5091 2111 6478 48-bit color 600 ppi 1 Choir book
Lewis E M 42:10 Lewis E M 42.10 reverse mcai420102 1590 1610 197 x 284 mm This image shows the reverse of a cutting with a miniature. Parchment Italy reverse 2 Lewis E M 42:10 reverse cd 5091 2111 6479 48-bit color 600 ppi 2 Choir book
Lewis E M 42:10A Lewis E M 42.10A front mcai420103 1450 1475 134 x 119 mm Initial S with Virgin of the Apocalypse Parchment Latin Germany or Austria front 1 Lewis E M 42:10A front cd 5091 2111 6479 48-bit color 600 ppi 1 Choir book
Lewis E M 42:10A Lewis E M 42.10A reverse mcai420104 1450 1475 134 x 119 mm This cutting can be dated to ca. 1480. Parchment Latin Germany or Austria Gothic bookhand reverse 2 Lewis E M 42:10A reverse cd 5091 2111 6479 48-bit color 600 ppi 2 Choir book
Lewis E M 42:11 Lewis E M 42.11 mcai420111 1340 1360 218 x 281 mm Initial H with the Baptism of Christ Parchment Latin Middle Rhine, Germany front 1 Lewis E M 42:11 front cd 5091 2111 6479 48-bit color 600 ppi 1 Antiphonary
Lewis E M 42:11A Lewis E M 42.11A front mcai420113 1300 1399 158 x 371 mm Initial S Parchment Latin Germany? front 1 Lewis E M 42:11A front cd 5091 2111 6480 48-bit color 400 ppi 1 Choir book
Lewis E M 42:11A Lewis E M 42.11A reverse mcai420114 1300 1399 158 x 371 mm This image shows the reverse of a cutting with a pen-flourished initial. The rubric mentions Sts. Catherine and St. Andrew the Apostle. Parchment Latin Germany? Gothic bookhand reverse 2 Lewis E M 42:11A reverse cd 5091 2111 6480 48-bit color 400 ppi 2 Choir book
Lewis E M 42:12-13 Lewis E M 42.12 front mcai420121 1300 1325 245 x 353 mm Initial I with St. Augustine trampling a king who represents pride Parchment Latin Regensburg, Germany Gothic front 42:12 1 Lewis E M 42:12-13 front 42:12 cd 5091 2111 6480 48-bit color 600 ppi 1 Antiphonary
Lewis E M 42:12-13 Lewis E M 42.12 reverse mcai420122 1300 1325 245 x 353 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Augustine of Hippo. Parchment Latin Regensburg, Germany Gothic bookhand reverse 42:12 2 Lewis E M 42:12-13 reverse 42:12 cd 5091 2111 6481 48-bit color 600 ppi 2 Antiphonary
Lewis E M 42:12-13 Lewis E M 42.13 front mcai420131 1300 1325 246 x 359 mm Initial L with St. Augustine blessing three acolytes Parchment Latin Regensburg, Germany Gothic bookhand front 42:13 3 Lewis E M 42:12-13 front 42:13 cd 5091 2111 6481 48-bit color 600 ppi 3 Antiphonary
Lewis E M 42:12-13 Lewis E M 42.13 reverse mcai420132 1300 1325 246 x 359 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Vespers for the feast of St. Augustine, which begins on the front. Parchment Latin Regensburg, Germany Gothic bookhand reverse 42:13 4 Lewis E M 42:12-13 reverse 42:13 cd 5091 2111 6482 48-bit color 600 ppi 4 Antiphonary
Lewis E M 42:14 Lewis E M 42.14 front mcai420141 1400 1499 185 x 436 mm Initial P with St. John the Baptist pointing to the Lamb of God Parchment Latin Austria Gothic bookhand Augustine of Hippo Author front 1 Lewis E M 42:14 front cd 5091 2111 6482 48-bit color 400 ppi 1 Sermon Lectionary
Lewis E M 42:14 Lewis E M 42.14 reverse mcai420142 1400 1499 185 x 436 mm This cutting shows the reverse of a cutting with an historiated initial from a sermon lectionary. Parchment Latin Austria Gothic bookhand Augustine of Hippo Author reverse 2 Lewis E M 42:14 reverse cd 5091 2111 6482 48-bit color 400 ppi 2 Sermon Lectionary
Lewis E M 42:15 Lewis E M 42.15 front mcai420151 1300 1325 216 x 323 mm Initial P with the Ascension Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 42:15 front cd 5091 2111 6410 48-bit color 600 ppi 1 Antiphonary
Lewis E M 42:15 Lewis E M 42.15 reverse mcai420152 1300 1325 216 x 323 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the antiphons and psalm incipits of the third nocturn of Matins for Ascension week. Parchment Latin Flanders Gothic reverse 2 Lewis E M 42:15 reverse cd 5091 2111 6410 48-bit color 600 ppi 2 Antiphonary
Lewis E M 42:16-16A Lewis E M 42.16 front mcai420161 1240 1260 216 x 325 mm Initial T with a Priest Parchment Latin England Gothic bookhand William of Brailes, follower of Artist 42:16 front 1 Lewis E M 42:16-16A 42:16 front cd 5091 2111 6413 48-bit color 600 ppi 1 Gradual
Lewis E M 42:16-16A Lewis E M 42.16 reverse mcai420162 1240 1260 216 x 325 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains two Communions found in the Common of Virgins. Parchment Latin England Gothic bookhand 42:16 reverse 2 Lewis E M 42:16-16A 42:16 reverse cd 5091 2111 6413 48-bit color 600 ppi 2 Gradual
Lewis E M 42:16-16A Lewis E M 42.16a front mcai420163 1240 1260 221 x 326 mm Initial N with a double headed eagle Parchment Latin England Gothic bookhand William of Brailes, follower of Artist 42:16a front 3 Lewis E M 42:16-16A 42:16a front cd 5091 2111 6414 48-bit color 600 ppi 3 Gradual
Lewis E M 42:16-16A Lewis E M 42.16a reverse mcai420164 1240 1260 221 x 326 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the Introit for the Commemoration of St. Paul. Parchment Latin England Gothic bookhand 42:16a reverse 4 Lewis E M 42:16-16A 42:16a reverse cd 5091 2111 6414 48-bit color 600 PPI 4 Gradual
Lewis E M 42:16B Lewis E M 42.16B front mcai420165 1300 1325 214 x 326 mm Initial P with the Presentation in the Temple and the Flight into Egypt in the border Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 42:16B front cd 5091 2111 6415 48-bit color 600 ppi 1 Antiphonary
Lewis E M 42:16B Lewis E M 42.16B reverse mcai420166 1300 1325 214 x 326 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the beginning of the invitatory for Matins for the feast of the Purification. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 42:16B reverse cd 5091 2111 6415 48-bit color 600 ppi 2 Antiphonary
Lewis E M 42:17 Lewis E M 42.17 front mcai420171 1300 1325 249 x 346 mm Initial N with the Nativity of the Virgin Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 42:17 front cd 5091 2111 6416 48-bit color 600 ppi 1 Antiphonary
Lewis E M 42:17 Lewis E M 42.17 reverse mcai420172 1300 1325 249 x 346 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon and the invitatory of the feast of the Nativity of the Virgin. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 42:17 reverse cd 5091 2111 6416 48-bit color 600 ppi 2 Antiphonary
Lewis E M 42:18-19 Lewis E M 42.18 front mcai420181 1300 1399 230 x 326 mm Initial P with a Bishop consecrating the chalice and the host Parchment Latin France Gothic bookhand front 42:18 1 Lewis E M 42:18-19 front 42:18 cd 5091 2111 6418 48-bit color 600 ppi 1 Pontifical
Lewis E M 42:18-19 Lewis E M 42.18 reverse mcai420182 1300 1399 230 x 326 mm This image shows the reverse of a leaf with an historiated initial from a pontifical. This side of the leaf, the true verso, continues the instructions for the consecration of the chalice and the host. Parchment Latin France Gothic bookhand reverse 42:18 2 Lewis E M 42:18-19 reverse 42:18 cd 5091 2111 6418 48-bit color 600 ppi 2 Pontifical
Lewis E M 42:18-19 Lewis E M 42.19 front mcai420191 1300 1399 230 x 322 mm Initial S with a Bishop addressing clerics and monks Parchment Latin France Gothic bookhand front 42:19 3 Lewis E M 42:18-19 front 42:19 cd 5091 2111 6419 48-bit color 600 ppi 3 Pontifical
Lewis E M 42:18-19 Lewis E M 42.19 reverse mcai420192 1300 1399 230 x 322 mm This image shows the reverse of a leaf with an historiated initial from a pontifical. This side of the leaf, the true recto, instructions for prayers recited at various times of the year for an unknown ceremony. Parchment Latin France Gothic bookhand reverse 42:19 4 Lewis E M 42:18-19 reverse 42:19 cd 5091 2111 6419 48-bit color 600 ppi 4 Pontifical
Lewis E M 42:19A Lewis E M 42.19A front mcai420193 1500 1515 73 x 103 mm Crucifixion Parchment Latin Flanders front 1 Lewis E M 42:19A front cd 5091 2111 6419 48-bit color 600 ppi 1 Book of Hours
Lewis E M 42:19A Lewis E M 42.19A reverse mcai420194 1500 1515 73 x 103 mm This image shows the reverse of a leaf, probably from a Book of Hours, that contains a miniature. Parchment Latin Flanders reverse 2 Lewis E M 42:19A reverse cd 5091 2111 6419 48-bit color 600 ppi 2 Book of Hours
Lewis E M 42:20 Lewis E M 42.20 front mcai420201 1400 1499 114 x 132 mm Initial R with the Resurrection Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 42:20 front cd 5091 2111 6420 48-bit color 600 ppi 1 Missal
Lewis E M 42:20 Lewis E M 42.20 reverse mcai420202 1400 1499 114 x 132 mm This image shows the reverse of two cuttings, one with an historiated initial, from a gradual. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 42:20 reverse cd 5091 2111 6420 48-bit color 600 ppi 2 Missal
Lewis E M 42:20A Lewis E M 42.20A front mcai420203 1475 1499 171 x 236 mm Crucifixion Parchment Latin Flanders front 1 Lewis E M 42:20A front cd 5091 2111 6420 48-bit color 600 ppi 1 Missal
Lewis E M 42:20A Lewis E M 42.20A reverse mcai420204 1475 1499 171 x 236 mm This image shows the reverse of a cutting with a miniature. Parchment Latin Flanders reverse 2 Lewis E M 42:20A reverse cd 5091 2111 6420 48-bit color 600 ppi 2 Missal
Lewis E M 42:21 Lewis E M 42.21 front mcai420211 1400 1499 109 x 164 mm Pentecost Parchment Latin Flanders front 1 Lewis E M 42:21 front cd 5091 2111 6420 48-bit color 600 ppi 1 Book of Hours
Lewis E M 42:21 Lewis E M 42.21 reverse mcai420212 1400 1499 109 x 164 mm This image shows the reverse of a cutting from with a miniature probably from a Book of Hours. Parchment Latin Flanders reverse 2 Lewis E M 42:21 reverse cd 5091 2111 6420 48-bit color 600 ppi 2 Book of Hours
Lewis E M 42:22 Lewis E M 42.22 front mcai420221 1475 1499 247 x 343 mm Perceforest enthroned and surrounded by courtiers Parchment French Burgundy, France Bastarda front 1 Lewis E M 42:22 front cd 5091 2111 6422 48-bit color 600 ppi 1 Le Roman de Perceforest (The Romance of Perceforest)
Lewis E M 42:22 Lewis E M 42.22 reverse mcai420222 1475 1499 247 x 343 mm This image shows the reverse of a cutting with a miniature from a literary manuscript. Parchment French Burgundy, France Bastarda reverse 2 Lewis E M 42:22 reverse cd 5091 2111 6422 48-bit color 600 ppi 2 Le Roman de Perceforest (The Romance of Perceforest)
Lewis E M 42:23 Lewis E M 42.23 front mcai420231 1475 1499 168 x 301 mm St. Gregory enthroned Parchment Latin Flanders Bastarda front 42:23a 1 Lewis E M 42:23 front 42:23a cd 5091 2111 6423 48-bit color 600 ppi 1 Works of St. Gregory
Lewis E M 42:23 Lewis E M 42.23 front detail mcai420233 1475 1499 104 x 109 mm St. Gregory enthroned Parchment Latin Flanders Bastarda front 42:23a Detail 2 Lewis E M 42:23 front 42:23a Detail cd 5091 2111 6423 48-bit color 600 ppi 2 Works of St. Gregory
Lewis E M 42:23 Lewis E M 42.23 reverse mcai420234 1475 1499 104 x 109 mm This image shows the reverse of a cutting with a miniature. A portion of the miniature that decorated this side of the leaf is still visible and depicts angels surrounded by a cloud. The remaining text relates that this portion of the manuscript dealt with the first order of angels, known as Seraphim. Parchment Latin Flanders Bastarda reverse 42:23a 3 Lewis E M 42:23 reverse 42:23a cd 5091 2111 6423 48-bit color 600 ppi 3 Works of St. Gregory
Lewis E M 42:24-25 Lewis E M 42.24 front mcai420241 1490 1510 123 x 150 mm Raising of Lazarus Parchment Latin Tournai?, Flanders front 42:24 1 Lewis E M 42:24-25 front 42:24 cd 5091 2111 6423 48-bit color 600 ppi 1 Gospel Lectionary
Lewis E M 42:24-25 Lewis E M 42.24 reverse mcai420242 1490 1510 123 x 150 mm This image shows the reverse of a cutting with a miniature from a lectionary. Parchment Latin Tournai?, Flanders Gothic bookhand reverse 42:24 2 Lewis E M 42:24-25 reverse 42:24 cd 5091 2111 6423 48-bit color 600 ppi 2 Gospel Lectionary
Lewis E M 42:24-25 Lewis E M 42.25 front mcai420251 1490 1510 120 x 153 mm The Three Maries at the Tomb Parchment Latin Tournai?, Flanders front 42:25 3 Lewis E M 42:24-25 front 42:25 cd 5091 2111 6423 48-bit color 600 ppi 3 Gospel Lectionary
Lewis E M 42:24-25 Lewis E M 42.25 reverse mcai420252 1490 1510 120 x 153 mm This image shows the reverse of a cutting with a miniature from a lectionary. Parchment Latin Tournai?, Flanders Gothic bookhand reverse 42:25 4 Lewis E M 42:24-25 reverse 42:25 cd 5091 2111 6423 48-bit color 600 ppi 4 Gospel Lectionary
Lewis E M 42:26 Lewis E M 42.26 front mcai420261 Parchment Unknown 1 Lewis E M 42:26 cd 5091 2111 6424 Illuminated Fragment
Lewis E M 42:26 Lewis E M 42.26 reverse mcai420262 Parchment Unknown 2 Lewis E M 42:26 cd 5091 2111 6424 Verso of Illuminated Fragment
Lewis E M 42:27A-B Lewis E M 42.27A front mcai420273 1500 1515 124 x 98 mm Adoration of the Magi Parchment Latin Flanders 42:27A front 1 Lewis E M 42:27A-B 42:27A front cd 5091 2111 6425 48-bit color 600 ppi 1 Choir book
Lewis E M 42:27A-B Lewis E M 42.27A reverse mcai420274 1500 1515 124 x 98 mm This image shows the reverse of a cutting with a miniature from a choir book. Parchment Latin Flanders Gothic bookhand 42:27A reverse 2 Lewis E M 42:27A-B 42:27A reverse cd 5091 2111 6425 48-bit color 600 ppi 2 Choir book
Lewis E M 42:27A-B Lewis E M 42.27B front mcai420275 1500 1515 124 x 100 mm Monastic, fraternal, and lay worshipers receiving a divine blessing Parchment Latin Flanders 42:27B front 3 Lewis E M 42:27A-B 42:27B front cd 5091 2111 6425 48-bit color 600 ppi 3 Choir book
Lewis E M 42:27A-B Lewis E M 42.27B reverse mcai420276 1500 1515 124 x 100 mm The precise moment in the liturgy that this miniature begins remains to be identified. Parchment Latin Flanders Gothic bookhand 42:27B reverse 4 Lewis E M 42:27A-B 42:27B reverse cd 5091 2111 6425 48-bit color 600 ppi 4 Choir book
Lewis E M 42:28a-d Lewis E M 42.28a-d mcai420280 1485 1499 63 x 80 mm This image shows the reverse of a cutting with a portion of border ornament from a choir book. Parchment Latin Germany (southern?) Gothic bookhand 42:28d reverse 8 Lewis E M 42:28 42:28d reverse cd 5091 2111 6425 48-bit color 600 ppi 2 Choir book
Lewis E M 42:28A Lewis E M 42.28A front mcai420281 1400 1499 253 x 350 mm Initial D Parchment Latin Netherlands Gothic bookhand front 1 Lewis E M 42:28A front cd 5091 2111 6425 48-bit color 600 ppi 1 Breviary
Lewis E M 42:28A Lewis E M 42.28A reverse mcai420282 1400 1499 253 x 350 mm This image shows the reverse of a leaf with a decorated initial. This side of the leaf, the true verso, continues the psalms read at Sext on Sundays. Parchment Latin Netherlands Gothic bookhand reverse 2 Lewis E M 42:28A reverse cd 5091 2111 6427 48-bit color 600 ppi 2 Breviary
Lewis E M 42:28a-d Lewis E M 42.28a front mcai420283 1300 1325 221 x 67 mm Marginal figures Parchment Latin Germany? front 42:28a 1 Lewis E M 42:28 front 42:28a cd 5091 2111 6427 48-bit color 600 ppi 1 Undetermined
Lewis E M 42:28a-d Lewis E M 42.28a reverse mcai420284 1300 1325 221 x 67 mm This image shows the reverse of a cutiting with a portion of an ornamental border. Parchment Latin Germany? reverse 42:28a 2 Lewis E M 42:28 reverse 42:28a cd 5091 2111 6427 48-bit color 600 ppi 2 Undetermined
Lewis E M 42:28a-d Lewis E M 42.28b front mcai420285 1400 1499 131 x 95 mm Initial D with St. Andrew the Apostle Parchment Latin Netherlands Gothic bookhand 42:28b front 3 Lewis E M 42:28 42:28b front cd 5091 2111 6427 48-bit color 600 ppi 1 Missal
Lewis E M 42:28a-d Lewis E M 42.28b reverse mcai420286 1400 1499 131 x 95 mm This image shows the reverse of a cutting with an historiated initial from a missal. Parchment Latin Netherlands Gothic bookhand 42:28b reverse 4 Lewis E M 42:28 42:28b reverse cd 5091 2111 6427 48-bit color 600 ppi 2 Missal
Lewis E M 42:28a-d Lewis E M 42.28c front mcai420287 1290 1310 65 x 103 mm Initial D Parchment Latin France Gothic bookhand 42:28c front 5 Lewis E M 42:28 42:28c front cd 5091 2111 6428 48-bit color 600 ppi 1 Service book
Lewis E M 42:28a-d Lewis E M 42.28c reverse mcai420288 1290 1310 65 x 103 mm This image shows the reverse of a cutting with a figured initial. Parchment Latin France Gothic bookhand 42:28c reverse 6 Lewis E M 42:28 42:28c reverse cd 5091 2111 6428 48-bit color 600 ppi 2 Service book
Lewis E M 42:28a-d Lewis E M 42.28d front mcai420289 1485 1499 63 x 80 mm Border ornament Parchment Latin Germany (southern?) Gothic bookhand 42:28d front 7 Lewis E M 42:28 42:28d front cd 5091 2111 6428 48-bit color 600 ppi 1 Choir book
Lewis E M 42:29 Lewis E M 42.29 front mcai420291 1500 1550 132 x 180 mm This leaf represents a type of devotional image that originated and became especially popular in German-speaking lands in the late Middle Ages. Meant to be used in private prayer, these images were typically produced by nuns for their own use and to be distributed to the devout. Consequently, they are commonly called Nonnenarbeiten, the German word for "nuns' work". Parchment Latin Germany (southwestern) Gothic bookhand front 1 Lewis E M 42:29 front cd 5091 2111 6428 48-bit color 600 ppi 1 Devotional Image (Andachtsbild)
Lewis E M 42:29 Lewis E M 42.29 reverse mcai420292 1500 1550 130 x 296 mm The verso of this devotional miniature contains a partially legible note in a nineteenth-century hand, "Geschenck ... Rudolph," providing a tantalizing clue to its provenance or, in other words, its history of ownership. Parchment Latin Germany (southwestern) reverse 2 Lewis E M 42:29 reverse cd 5091 2111 6428 48-bit color 600 ppi 2 Devotional Image (Andachtsbild)
Lewis E M 43:2a Lewis E M 43.2a front mcai430021 1200 1299 The Book of Ruth begins with the story of Naomi, the mother-in-law of Ruth, who takes her two young sons to the land of Moab.&nbsp; Her sons grow up and marry two Moabite women, one of whom is Ruth who returns with Naomi to Bethlehem after the death of the two sons.&nbsp; Naomi departing Jerusalem with her two sons is the common iconography used to mark the beginning of this book. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing this manuscript. Parchment England? Gothic bookhand front 1 Lewis E M 43:02a front Initial I with Naomi and her two sons, beginning the Book of Ruth
Lewis E M 43:2a Lewis E M 43.2a mcai430023 1200 1299 57 x 20 mm The Book of Ruth begins with the story of Naomi, the mother-in-law of Ruth, who takes her two young sons to the land of Moab. Her sons grow up and marry two Moabite women, one of whom is Ruth who returns with Naomi to Bethlehem after the death of the two sons. Naomi departing Jerusalem with her two sons is the common iconography used to mark the beginning of this book. Parchment England? front 2 Lewis E M 43:02a front cd 5091 2111 6903 600 ppi Initial I with Naomi and her two sons, beginning the Book of Ruth
Lewis E M 43:2a Lewis E M 43.2a reverse mcai430024 1200 1299 57 x 20 mm This image shows the reverse of a cutting with an historiated initial from a bible. Parchment Latin England? Gothic bookhand reverse 3 Lewis E M 43:02a reverse cd 5091 2111 6903 600 ppi Bible
Lewis E M 43:2b Lewis E M 43.2b front mcai430025 1200 1299 24 x 25 mm This initial begins either the Book of Obadiah or Amos (both begin in the Latin Vulgate with initial U). The text on the reverse of this cutting is from Obadiah 1:12-13. Parchment England? front 1 Lewis E M 43:02b front cd 5091 2111 9447 600 ppi Initial U with a Prophet
Lewis E M 43:2b Lewis E M 43.2b reverse mcai430026 1200 1299 24 x 25 mm This image shows the reverse of a cutting with an historiated initial from a bible. Parchment England? Gothic bookhand reverse 2 Lewis E M 43:02b reverse cd 5091 2111 9447 600 ppi Bible
Lewis E M 43:2c Lewis E M 43.2c front mcai430027 1200 1299 39 x 32 mm This initial begins one of the books of the Minor Prophets, possibly that of Nahum, Habbakkuk, or Malachi, all of which begin in the Vulgate Bible with the initial &quot;O&quot;. The text on the reverse remains to be identified. Parchment England? front 1 Lewis E M 43:02c front cd 5091 2111 9447 600 ppi Initial O with a Prophet
Lewis E M 43:2c Lewis E M 43.2c reverse mcai430028 1200 1299 39 x 32 mm This image shows the reverse of a cutting with an historiated initial from a bible. Parchment Latin England? Gothic bookhand reverse 2 Lewis E M 43:02c reverse cd 5091 2111 9447 600 ppi Bible
Lewis E M 43:3 Lewis E M 43.3 opening mcai430030 304 x 210 mm This image shows the opening of a bifolium with an historiated initial from a Bible.&nbsp; The verso contains passages from I Kings 13:12 to 14:10.&nbsp; The recto, opposite, contains passages from I Kings: 22:15-49. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Unknown opening 1 Lewis E M 43:03 opening cd 5091 2111 9447 600 ppi Bible
Lewis E M 43:3 Lewis E M 43.3 front mcai430031 1275 1299 304 x 210 mm This image shows part of a bifolium with an historiated initial from Bible.&nbsp; It contains passages from I Kings 12:16 to 13:10. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda front 2 Lewis E M 43:03 front cd 5091 2111 9447 600 ppi Bible
Lewis E M 43:3 Lewis E M 43.3 reverse mcai430032 1275 1299 304 x 420 mm <p style="margin: 0in 0in 0pt 1.5in; text-indent: -1.5in"><font face="Times New Roman" size="3">Initial P with Ahaziah falling out of the window of his palace, beginning the Book of II Kings</font> Lewis E M 43:3-6 are sister leaves.&nbsp; It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents.&nbsp; The inscription on this folio makes reference to a sale between the Jesuits of Parma in Italy and Marchesa Cattarina Landa. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda reverse 3 Lewis E M 43:03 reverse cd 5091 2111 9448 600 ppi Initial P with Ahaziah falling out of the window of his palace, beginning the Book of II Kings
Lewis E M 43:4 Lewis E M 43.4 opening mcai430040 1275 1299 303 x 203 mm This image shows the opening of a bifolium with an historiated initial from a Bible.&nbsp; The verso contains passages from I Samuel 11:11- 13:2.&nbsp; The recto, opposite, contains passages from Ruth 2:11 - 4:1. Parchment Latin Provence, France Rotunda opening 1 Lewis E M 43:04 opening cd 5091 2111 9504 600 ppi Bible
Lewis E M 43:4 Lewis E M 43.4 front mcai430041 1275 1299 303 x 203 mm This image shows part of a bifolium with an historiated initial from Bible.&nbsp; It contains passages from I Samuel 10:5 - 11:9. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda front 2 Lewis E M 43:04 front cd 5091 2111 9502 600 ppi Bible
Lewis E M 43:4 Lewis E M 43.4 mcai430042 1275 1299 303 x 203 mm Lewis E M E M 43:3-6 are sister leaves.&nbsp; It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents.&nbsp; The inscription on this folio makes reference to a transaction between a D. Tragaliolo and another party named Cordano. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda front 3 Lewis E M 43:04 front cd 5091 2111 9502 600 ppi Initial U, beginning Jerome's Prologue to I-IV Kings.
Lewis E M 43:5 Lewis E M 43.5 opening mcai430050 1275 1299 310 x 404 mm This image shows the opening of a bifolium with an historiated initial from a Bible.&nbsp; The verso contains passages from I Esdras 4:54 - 5:38.&nbsp; The recto, opposite, contains passages from I Esdras 8:37 - 1:14. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda opening 1 Lewis E M 43:05 opening cd 5091 2111 9505 600 ppi Bible
Lewis E M 43:5 Lewis E M 43.5 mcai430051 310 x 202 mm This image shows part of a bifolium with an historiated initial from Bible.&nbsp; It contains passages from I Esdras 4:6 - 4:52. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Unknown reverse 2 Lewis E M 43:05 reverse cd 5091 2111 9504 600 ppi Bible
Lewis E M 43:5 Lewis E M 43.5 mcai430052 1275 1299 310 x 202 mm Initial U, with Tobit blinded by a sparrow's droppings, beginning the Book of Tobit Lewis E M 43:3-6 are sister leaves.&nbsp; It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents.&nbsp; The inscription on this folio makes reference to a transaction involving a Prospero Tedeschi and a Francisco Cittadino Parchment Latin Provence, France Rotunda reverse 3 Lewis E M 43:05 reverse cd 5091 2111 9505 600 ppi Initial U, with Tobit blinded by a sparrow's droppings, beginning the Book of Tobit
Lewis E M 43:6 Lewis E M 43.6 mcai430060 1275 1299 311 x 430 mm This image shows the opening of a bifolium with an historiated initial from a Bible.&nbsp; The verso contains passages from Judith 3:9 - 5: 19.&nbsp; The recto, opposite, contains passages from Esther 2:20-4:14. Parchment Latin Provence, France Rotunda opening 1 Lewis E M 43:06 opening cd 5091 2111 9509 600 ppi Bible
Lewis E M 43:6 Lewis E M 43.6 mcai430061 1275 1299 311 x 215 mm The Book of Judith is one of the deutero-canonical books included in the Vulgate Bible. It tells the story of the Old Testament heroine Judith, a Jewish widow. This initial depicts the moment when Judith beheads Holofernes, the leader of the Assyrian army. While the Jewish city of Bethulia was under siege, Judith entered the Assyrian camp to seduce Holofernes only to slay him in his sleep. Her bravery inspired the Jews to defend themselves and drive away the Assyrians. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda opening 2 Lewis E M 43:06 opening cd 5091 2111 9506 600 ppi Initial A with Judith beheading Holofernes, beginning the Book of Judith
Lewis E M 43:6 Lewis E M 43.6 mcai430062 1275 1299 311 x 215 mm Lewis E M E M 43:3-6 are sister leaves.&nbsp; It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents.&nbsp; The inscription on this folio makes reference to an intriguing lawsuit involving the Marchesa Cattarina Landa and her husband Marqese Nicolao Lando and a solution of bees wax, or cera alba. We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves. Parchment Latin Provence, France Rotunda reverse 3 Lewis E M 43:06 reverse cd 5091 2111 9506 600 ppi Bible
Lewis E M 43:7 Lewis E M 43.7 front mcai430071 1275 1325 119 x 90 mm This miniature marks the beginning of Book 44 of the Digest, the first of three parts of the Corpus iuris civilis (Corpus of Civil Law) compiled by the legal scholar Tiborian under the orders of the Byzantine Emperor Justinian (r. 527-565 A.D). Tiborian collected and organized the existing body of classical and current law into a coherent collection of legal doctrine.&nbsp;Book 44 treats legal exceptions, objections, and precedents. Parchment Latin Provence, France Rotunda Justinian (Emperor, r. 527-565 A.D.) Author front 1 Lewis E M 43:07 front cd 5091 2111 9509 600 ppi Court Scene
Lewis E M 43:7 Lewis E M 43.7 reverse mcai430072 1275 1325 119 x 90 mm This image shows the reverse of a cutting with a miniature from a copy of the Digest of the Corpus iuris civilis. Parchment Latin Provence, France Rotunda Justinian (Emperor, r. 527-565 A.D.) Author reverse 2 Lewis E M 43:07 reverse cd 5091 2111 9509 600 ppi Corpus iuris civilis
Lewis E M 43:7a Lewis E M 43.7a front mcai430073 1400 1499 186 x 128 mm This leaf was most likely taken from a book of hours. The Presentation in the Temple usually appears at the beginning of the prayers recited at None in the Hours of the Virgin. Parchment France front 1 Lewis E M 43:07a front cd 5091 2111 9509 600 ppi Presentation in the Temple
Lewis E M 43:7a Lewis E M 43.7a reverse mcai430074 1400 1499 186 x 128 mm This image shows the reverse of a leaf from a Book of Hours. Parchment France reverse 2 Lewis E M 43:07a reverse cd 5091 2111 9509 600 ppi Presentation in the Temple
Lewis E M 43:8 Lewis E M 43.8 front mcai430081 1480 332 x 167 mm This cutting shows a fragment of a genealogical roll with the history of the world from Creation to 1380. Known as the Chronique Universelle (Universal Chronicle), a title supplied by modern scholars, this anonymous French text condensed Biblical, Classical, and the histories of the royal houses of England and France in an easily digestible roll format. This fragment contains a roundel depicting the murder of 3,000 Bretons by the English during the Hundred Year's War. Parchment Latin Burgundy, France Bastarda front 1 Lewis E M 43:08 front cd 5091 2111 9514 600 ppi Massacre of the Bretons by the English
Lewis E M 43:8 Lewis E M 43.8 reverse mcai430082 1480 332 x 167 mm This image shows the reverse of a cutting from the Chronique Universelle. Parchment Burgundy, France reverse 2 Lewis E M 43:08 reverse cd 5091 2111 9514 600 ppi La Chronique Universelle (The Universal Chronicle)
Lewis E M 43:9 Lewis E M 43.9 front mcai430091 1400 1499 279 x 205 mm This leaf contains the beginning of the Decretals of Pope Boniface VIII, promulgated in 1298 and known as the Sextus Liber Decretalium (The Sixth Book of Decretals). The miniature is a nineteenth-century forgery, probably painted over a damaged miniature or one that was never completed. Parchment Latin France Cursive Boniface VIII Author front 1 Lewis E M 43:09 front cd 5091 2111 9450 600 ppi Pope Boniface VIII and attendants
Lewis E M 43:9 Lewis E M 43.9 reverse mcai430092 1400 1499 279 x 205 mm This image shows the reverse of a leaf with a forged miniature from a copy of the Decretals of Pope Boniface VIII. Parchment Latin France Cursive Boniface VIII Author reverse 2 Lewis E M 43:09 reverse cd 5091 2111 9450 600 ppi Liber Sextus Decretalium, with gloss of Johannes Andreae
Lewis E M 43:9a Lewis E M 43.9a mcai430093 ca. 1450 325 x 164 mm These small miniatures were likely excised from a miniature book of hours of a size that could easily fit in the palm of one's hand. The scenes are: (from top left) the Nativity, the Visitation, the Annunciation, King David in Penance, the Annunciation to the Shepherds, the Adoration of the Magi, the Presentation of the Christ-Child in the Temple, the Flight into Egypt, the Massacre of the Innocents, the Crucifixion, the Pentecost, and finally, the Coronation of the Virgin. Parchment Flanders front 1 Lewis E M 43:09a front cd 5091 2111 9448 600 ppi 12 miniatures with Biblical Scenes
Lewis E M 43:9b Lewis E M 43.9b front mcai430095 1400 1499 134 x 102 mm This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), &quot;Hodie in Jordane baptizato Domino ...&quot; (Today when the Lord had been baptized in the Jordan). Parchment Italy (northern) front 1 Lewis E M 43:09b front cd 5091 2111 9450 600 ppi Initial H with the Adoration of the Magi
Lewis E M 43:9b Lewis E M 43.9b reverse mcai430096 1400 1499 134 x 102 mm This image shows the reverse of an historiated initial from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 43:09b reverse cd 5091 2111 9450 600 ppi Antiphonary
Lewis E M 43:10 Lewis E M 43.10 front mcai430101 1475 1499 164 x 99 mm As the rubric indicates, this initial begins Matins of the Hours of the Holy Spirit, which was commonly found in many books of hours. Parchment Latin France Bastarda front 1 Lewis E M 43:10 front cd 5091 2111 9516 600 ppi Initial D with the Pentecost
Lewis E M 43:10 Lewis E M 43.10 reverse mcai430102 1475 1499 164 x 99 mm This image shows the reverse of a cutting with an historiated initial from a book of hours. Parchment Latin France Bastarda reverse 2 Lewis E M 43:10 reverse cd 5091 2111 9516 600 ppi Book of Hours
Lewis E M 43:11 Lewis E M 43.11 front mcai430111 ca. 1500 180 x 120 mm This miniature begins the Penitential Psalms. The scene of David watching Bathsheba at bath was a popular theme to accompany these seven psalms that were recited as an act of penance. After seeing her, David conspires to have Bathsheba's husband Uriah sent to the frontlines of battle, effectively murdering him so that the king could have Bathsheba for himself. The story of David's sin, told in II Samuel, led to his penance and eventual redemption, providing a model for the medieval penitent. Parchment France (northern) Bastarda front 1 Lewis E M 43:11 front cd 5091 2111 9516 600 ppi David and Bathsheba
Lewis E M 43:11 Lewis E M 43.11 reverse mcai430112 ca. 1500 180 x 120 mm This image shows the reverse of a leaf from a Book of Hours picturing David watching Bathsheba bathe. Parchment France (northern) Bastarda reverse 2 Lewis E M 43:11 reverse cd 5091 2111 9516 600 ppi Book of Hours
Lewis E M 43:12 Lewis E M 43.12 front mcai430121 1500 1525 176 x 180 mm This initial begins an unidentified chant used in the celebrations for the feast of St. Vincent Ferrer (April 5), a Dominican saint who died in 1419 and was canonized in 1458. The initial was illuminated by an artist within the circle of the Master of Petrarch&rsquo;s Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarch&rsquo;s Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century. Parchment Paris, France Master of Petrarch's Triumphs, follower of Artist front 1 Lewis E M 43:12 front cd 5091 2111 9516 600 ppi Initial S with St. Vincent Ferrer
Lewis E M 43:12 Lewis E M 43.12 reverse mcai430122 1500 1525 176 x 180 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latrin Paris, France Liturgical bookhand reverse 2 Lewis E M 43:12 reverse cd 5091 2111 9516 600 ppi Choir book
Lewis E M 43:13 Lewis E M 43.13 front mcai430131 1500 1525 163 x 164 mm This initial begins the Introit for the feast of St. Anne (July 26), &quot;Gaudeamus omnes in Domino ...,&quot; (Rejoice we all in the Lord). The image of St. Anne teaching the young Virgin Mary became popular in the late Middle Ages with the rise of St. Anne's cult. The scene provided a model for the way in which mothers would teach young girls to read from their books of devotions. &lt;p&gt;Lewis E M 43:13-14 appear to be from the same manuscript. The initials in these cuttings were illuminated by an artist within the circle of the Master of Petrarch&rsquo;s Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarch&rsquo;s Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century. Parchment Paris, France Master of Petrarch's Triumphs, follower of Artist front 1 Lewis E M 43:13 front cd 5091 2111 9518 600 ppi Initial G with St. Anne teaching the Virgin Mary
Lewis E M 43:13 Lewis E M 43.13 reverse mcai430132 1500 1525 163 x 164 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Paris, France Liturgical bookhand Master of Petrarch's Triumphs, follower of Artist reverse 2 Lewis E M 43:13 reverse cd 5091 2111 9518 600 ppi Gradual
Lewis E M 43:14 Lewis E M 43.14 front mcai430141 1500 1525 164 x 175 mm This initial begins an unidentified chant probably for the feast of St. Gregory the Great (d. 604). The scene portrays a miracle from the life of St. Gregory, who while performing Mass, witnessed the stigmatized Christ on the altar. Lewis E M 43:13-14 appear to be from the same manuscript. The initials in these cuttings were illuminated by an artist within the circle of the Master of Petrarch&rsquo;s Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarch&rsquo;s Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century. Parchment Paris, France Master of Petrarch's Triumphs, follower of Artist front 1 Lewis E M 43:14 front cd 5091 2111 9518 600 ppi Initial C with the Mass of St. Gregory the Great
Lewis E M 43:14 Lewis E M 43.14 reverse mcai430142 1500 1525 164 x 175 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Paris, France Liturgical bookhand reverse 2 Lewis E M 43:14 reverse cd 5091 2111 9518 600 ppi Gradual
Lewis E M 43:15 Lewis E M 43.15 front mcai430151 1500 1525 197 x 162 mm The liturgy that this initial begins remains to be determined. The subject of this initial is unusual. It may represent St. Gregory I, appearing as a Benedictine monk, having divested himself of his cope and the papal tiara, which appears on the floor in front of two Benedictine monks. One of these monks holds a scroll inscribed, &quot;Ora Pater pro filiis tuis Ambertinensibus et pro scriptore horum voluminum&quot; (Pray, Father, for your Ambertine sons and for the scribe of this volume). An inscription on this monks robe identifies him as &quot;F. L. de la Baniere.&quot; A second monk, behind the first is also identified by an inscription as &quot;F. G. C(?) Harmolue.&quot; These monks may have resided in a monastery in the town of Ambert in the Auvergne region of France.&lt;p&gt; Lewis E M 43:15-18 are from the same manuscript. Parchment Latin France front 1 Lewis E M 43:15 front cd 5091 2111 9436 600 ppi Initial G with St. Gregory I () appearing to a group of Benedictine Monks
Lewis E M 43:15 Lewis E M 43.15 reverse mcai430152 1500 1525 197 x 162 mm This image shows the reverse of a cutting with an initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 43:15 reverse cd 5091 2111 9436 600 ppi Gradual
Lewis E M 43:16 Lewis E M 43.16 front mcai430161 1500 1525 197 x 164 mm This initial begins the Introit for the feast of Michaelmas, or the Dedication of St. Michael the Archangel (Sept. 29), &quot;Benedicite Domino omnes angeli ejus ...&quot; (Bless the Lord, all you angels of his). Lewis E M 43:15-18 are from the same manuscript. Parchment France front 1 Lewis E M 43:16 front cd 5091 2111 9436 600 ppi Initial B with St. Michael Archangel slaying the dragon
Lewis E M 43:16 Lewis E M 43.16 reverse mcai430162 1500 1525 197 x 164 mm This image shows the reverse of a cutting with an initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 43:16 reverse cd 5091 2111 9436 600 ppi Gradual
Lewis E M 43:17 Lewis E M 43.17 front mcai430171 1500 1525 196 x 165 mm This initial begins the Introit the feast of Corpus Christi, &quot;Cibavit eos ex adipe frumenti ...&quot; (Full ears of wheat are the nourishment he gives them). &lt;p&gt; Lewis E M 43:15-18 are from the same manuscript. Parchment France front 1 Lewis E M 43:17 front cd 5091 2111 9439 600 ppi Initial C with the Last Supper
Lewis E M 43:17 Lewis E M 43.17 reverse mcai430172 1500 1525 196 x 165 mm This image shows the reverse of a cutting of an historial initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 43:17 reverse cd 5091 2111 9439 600 ppi Gradual
Lewis E M 43:18 Lewis E M 43.18 front mcai430181 1500 1525 191 x 186 mm This initial begins the Introit for Easter Sunday, &quot;Resurrexi et adhuc tecum sum ...&quot; (I have risen and am still with thee). Lewis E M 43:15-18 are from the same manuscript. Parchment France front 1 Lewis E M 43:18 front cd 5091 2111 9439 600 ppi Initial R with the Resurrection
Lewis E M 43:18 Lewis E M 43.18 reverse mcai430182 1500 1525 191 x 186 mm This image shows the reverse of a cutting with an initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 43:18 reverse cd 5091 2111 9439 600 ppi Gradual
Lewis E M 43:19 Lewis E M 43.19 front mcai430191 1500 1525 160 x 170 mm Textual evidence on the reverse of this initial suggests that it may begin the Invitatory for Wednesday Matins, &quot;Deum magnum Dominum. Venite adoremus&quot; (The Lord, a great God, come let us adore [him]). The reverse contains part of the hymn for Wednesday Matins, &quot;Rerum creator optime ...&quot; (Good creator of the world). Parchment France front 1 Lewis E M 43:19 front cd 5091 2111 9440 600 ppi Initial D with King David and his army adoring God
Lewis E M 43:19 Lewis E M 43.19 reverse mcai430192 1500 1525 160 x 170 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 43:19 reverse cd 5091 2111 9440 600 ppi Psalter
Lewis E M 43:1a Lewis E M 43.1a front mcai4301a1 1100 1199 82 x 86 mm Initial E Parchment Latin France Caroline Minuscule front 1 Lewis E M 43:01a front cd 5091 2111 6903 48-bit color 600 ppi 1 Antiphonary
Lewis E M 43:1a Lewis E M 43.1a reverse mcai4301a2 1100 1199 82 x 86 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin France Caroline Minuscule reverse 2 Lewis E M 43:01a reverse cd 5091 2111 6903 48-bit color 600 ppi 2 Antiphonary
Lewis E M 43:1b Lewis E M 43.1b front mcai4301b1 1285 1299 122 x 95 mm Border ornament Parchment Latin France Gothic bookhand front 1 Lewis E M 43:01b front cd 5091 2111 6903 48-bit color 600 ppi 1 Illuminated Music Fragment
Lewis E M 43:1b Lewis E M 43.1b reverse mcai4301b2 Verso of Illuminated Border Fragment Parchment Unknown 2 Lewis E M 43:01b cd 5091 2111 6903 Music Fragment
Lewis E M 43:1c-e Lewis E M 43.1c front mcai4301c1 1290 1310 46 x 144 mm Initial P with the Nativity Parchment Latin France (northern) Gothic bookhand 43:1c front 1 Lewis E M 43:01c-e 43:1c front cd 5091 2111 6903 48-bit color 600 ppi 1 Missal
Lewis E M 43:1c-e Lewis E M 43.1c reverse mcai4301c2 1290 1310 46 x 144 mm This image shows the reverse of a cutting from a missal with an historiated initial. Parchment Latin France (northern) Gothic bookhand 43:1c reverse 2 Lewis E M 43:01c-e 43:1c reverse cd 5091 2111 6903 48-bit color 600 ppi 2 Missal
Lewis E M 43:1c-e Lewis E M 43.1d front mcai4301d1 1290 1310 67 x 140 mm Initial A with King David lifting his soul to God Parchment Latin France (northern) Gothic bookhand 43:1d front 3 Lewis E M 43:01c-e 43:1d front cd 5091 2111 6903 48-bit color 600 ppi 3 Missal
Lewis E M 43:1c-e Lewis E M 43.1d reverse mcai4301d2 1290 1310 67 x 140 mm This image shows the reverse of a cutting from a missal with an historiated initial. Parchment Latin France (northern) Gothic bookhand 43:1d reverse 4 Lewis E M 43:01c-e 43:1d reverse cd 5091 2111 6903 48-bit color 600 ppi 4 Missal
Lewis E M 43:1c-e Lewis E M 43.1e front mcai4301e1 1290 1310 52 x 101 mm Initial S with the Pentecost Parchment Latin France (northern) 43:1e front 5 Lewis E M 43:01c-e 43:1e front cd 5091 2111 6903 48-bit color 600 ppi 5 Missal
Lewis E M 43:1c-e Lewis E M 43.1e reverse mcai4301e2 1290 1310 52 x 101 mm This image shows the reverse of a cutting with an historiated initial from a missal. Parchment Latin France (northern) Gothic bookhand 43:1e reverse 6 Lewis E M 43:01c-e 43:1e reverse cd 5091 2111 6903 48-bit color 600 ppi 6 Missal
Lewis E M 43:1f Lewis E M 43.1f front mcai4301f1 Parchment Unknown 1 Lewis E M 43:01f cd 5091 2111 6903 Illuminated Initial Music Fragment
Lewis E M 43:1f Lewis E M 43.1f reverse mcai4301f2 Parchment Unknown 2 Lewis E M 43:01f cd 5091 2111 6903 Music Fragment
Lewis E M 43:1g Lewis E M 43.1g front mcai4301g1 Parchment Unknown 1 Lewis E M 43:01g cd 5091 2111 6903 Illuminated Historiated Initial
Lewis E M 43:1g Lewis E M 43.1g reverse mcai4301g2 Parchment Unknown 2 Lewis E M 43:01g cd 5091 2111 6903 Fragment
Lewis E M 43:20 Lewis E M 43.20 front mcai430201 1500 1525 188 x 260 mm This initial begins the Introit for the feast of All Saints (Nov. 1), &quot;Gaudeamus omnes in Domino ...&quot; (Rejoice we all in the Lord). Lewis E M 43:20 and 25 are from the same manuscript. Parchment Spain front 1 Lewis E M 43:20 front cd 5091 2111 9440 48-bit color 600 ppi Initial G with the Virgin enthroned and surrounded by the symbols of the four Evangelists and the Apostles below
Lewis E M 43:20 Lewis E M 43.20 reverse mcai430202 1500 1525 188 x 260 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Spain Rotunda reverse 2 Lewis E M 43:20 reverse cd 5091 2111 9442 48-bit color 600 ppi Gradual
Lewis E M 43:21 Lewis E M 43.21 front mcai430211 ca. 1510 1520 264 x 378 mm This image shows an altar card. Beginning in the sixteenth century, altar cards were placed on the altar during Mass. They contained the prayers that the priest recited during every Mass. Although they functioned primarily as memory aids, they were usually beautifully decorated. This card, which contains the Nicene Creed, was executed by a follower of John Pichore, an illuminator active in Paris at the beginning of the sixteenth century. The Morgan Library has a sister leaf under the shelfmark MS M.1147. &nbsp; Parchment Tours?, France John Pichore, circle of Artist front 1 Lewis E M 43:21 front cd 5091 2111 9442 48-bit color 400 ppi Altar Card with the Deposition from the Cross
Lewis E M 43:21 Lewis E M 43.21 reverse mcai430212 ca. 1510 1520 264 x 378 mm This image shows&nbsp;the reverse of an altar card with the Deposition from the Cross Parchment Tours?, France reverse 2 Lewis E M 43:21 reverse cd 5091 2111 9442 48-bit color 400 ppi Credo (Nicene Creed)
Lewis E M 43:22a Lewis E M 43.22a front mcai430223 1500 1525 56 x 104 mm This cutting and Lewis E M 43:23a are from the same manuscript, and probably from the same folio. Each cutting shows an angels holding several of the Instruments of the Passion of Christ, or the &quot;Arma Christi&quot; (Weapons of Christ), as they are sometimes called. These are the objects associated with the pain and suffering that Christ experienced leading up to his death on the Cross. In this cutting, the angel holds a cross, a lance with a sponge at the end, and the Crown of Thorns. The Instruments of the Passion were revered as the weapons with which Christ defeated sin and saved mankind. Parchment Rouen, France front 1 Lewis E M 43:22a front cd 5091 2111 9442 48-bit color 600 ppi Undetermined
Lewis E M 43:22a Lewis E M 43.22a reverse mcai430224 1500 1525 This image shows the reverse of a cutting with border ornament. Parchment Rouen, France reverse 2 Lewis E M 43:22a reverse cd 5091 2111 9442 Undetermined
Lewis E M 43:22b Lewis E M 43.22b front mcai430225 1475 1499 169 x 105 mm This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours. Parchment France front 1 Lewis E M 43:22b front cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:22b Lewis E M 43.22b reverse mcai430226 1475 1499 This image shows the reverse of a cutting with border ornament. Parchment France reverse 2 Lewis E M 43:22b reverse cd 5091 2111 9443 Undetermined
Lewis E M 43:22c Lewis E M 43.22c front mcai430227 1475 1499 237 x 139 mm This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours. Parchment France front 1 Lewis E M 43:22c front cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:22c Lewis E M 43.22c reverse mcai430228 1475 1499 237 x 139 mm This image shows the reverse of a cutting with border ornament. Parchment France reverse 2 Lewis E M 43:22c reverse cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:23a Lewis E M 43.23a front mcai430233 1500 1525 120 x 56 mm This cutting and Lewis E M 43:22a from the same manuscript, and probably from the same folio. Each cutting shows an angels holding several of the Instruments of the Passion of Christ, or the &quot;Arma Christi&quot; (Weapons of Christ), as they are sometimes called. These are the objects associated with the pain and suffering that Christ experienced leading up to his death on the Cross. In this cutting, the angel holds the three nails, the lance, the column, and the rope which bound Christ to the column. The Instruments of the Passion were revered as the weapons with which Christ defeated sin and saved mankind. Parchment Rouen, France front 1 Lewis E M 43:23a front cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:23a Lewis E M 43.23a reverse mcai430234 1500 1525 120 x 56 mm This image shows the reverse of a cutting with border ornament. Parchment Rouen, France reverse 2 Lewis E M 43:23a reverse cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:23b Lewis E M 43.23b front mcai430235 1475 1499 170 x 78 mm This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours. Parchment France front 1 Lewis E M 43:23b front cd 5091 2111 9443 600 ppi Undetermined
Lewis E M 43:23b Lewis E M 43.23b reverse mcai430236 1475 1499 170 x 78 mm This image shows the reverse of a cutting with border ornament. Parchment France reverse 1 Lewis E M 43:23b reverse cd 5091 2111 9444 600 ppi Undetermined
Lewis E M 43:23c Lewis E M 43.23c front mcai430237 1475 1499 241 x 136 mm This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours. &nbsp; Parchment France front 1 Lewis E M 43:23c front cd 5091 2111 9444 600 ppi Undetermined
Lewis E M 43:23c Lewis E M 43.23c reverse mcai430238 1475 1499 241 x 136 mm This image shows the reverse of a cutting with border ornament. Parchment France reverse 2 Lewis E M 43:23c reverse cd 5091 2111 9444 600 ppi Undetermined
Lewis E M 43:24 Lewis E M 43.24 front mcai430241 1500 1525 162 x 173 mm This initial probably begins the Introit for the feast of the Ascension, &quot;Viri Galilei quid admiramini aspicientes in caelum?&quot; (Men of Galilee, what are you wondering at, looking heavenwards?). Parchment France front 1 Lewis E M 43:24 front cd 5091 2111 9444 600 ppi Initial U with the Ascension
Lewis E M 43:24 Lewis E M 43.24 reverse mcai430242 1500 1525 162 x 173 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 43:24 reverse cd 5091 2111 9446 600 ppi Gradual
Lewis E M 43:25 Lewis E M 43.25 front mcai430251 1500 1525 255 x 185 mm The iconography of this initial suggests that it begins a chant for the feast of the Epiphany (Jan. 6), which in the Western Christianity celebrates the arrival of the Magi in Bethlehem to see the newborn Christ. The common Introit for Mass of that feast is, &quot;Ecce advenit dominator Dominus ...&quot; (See he comes, our Lord and Ruler). &lt;p&gt;Lewis E M 43:20 and 25 are from the same manuscript. Parchment Spain front 1 Lewis E M 43:25 front cd 5091 2111 9446 600 ppi Initial E() with the Adoration of the Magi
Lewis E M 43:25 Lewis E M 43.25 reverse mcai430252 1500 1525 255 x 185 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Spain Rotunda reverse 2 Lewis E M 43:25 reverse cd 5091 2111 9446 600 ppi Gradual
Lewis E M 44:1 Lewis E M 44.1 front mcai440011 Parchment Unknown 1 Lewis E M 44:01 cd 5091 2111 9453 Inhabited Initial
Lewis E M 44:1 Lewis E M 44.1 reverse mcai440012 Parchment Unknown 2 Lewis E M 44:01 cd 5091 2111 9453 Verso to Inhabited Initial
Lewis E M 44:2 Lewis E M 44.2 front mcai440021 Parchment Unknown 1 Lewis E M 44:02 cd 5091 2111 9453 Historiated Initial
Lewis E M 44:2 Lewis E M 44.2 reverse mcai440022 Parchment Unknown 2 Lewis E M 44:02 cd 5091 2111 9453 Verso of Historiated Initial
Lewis E M 44:2A-3C Lewis E M 44.2A front mcai440023 1200 1250 142 x 205 mm Massacre of the Innocents Parchment Latin Germany (central) front 44:2A 1 Lewis E M 44:02A-3C front 44:2A cd 5091 2111 9456 48-bit color 600 ppi 1 Psalter
Lewis E M 44:2A-3C Lewis E M 44.2A reverse mcai440024 1200 1250 142 x 205 mm Flight into Egypt Parchment Latin Germany (central) reverse 44:2A 2 Lewis E M 44:02A-3C reverse 44:2A cd 5091 2111 9456 48-bit color 600 ppi 2 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3A front mcai440033 1200 1250 93 x 87 mm Initial O with the Ascension Parchment Latin Germany (central) front 44:3A 3 Lewis E M 44:02A-3C front 44:3A cd 5091 2111 9456 48-bit color 600 ppi 3 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3A reverse mcai440034 1200 1250 93 x 87 mm This image shows the reverse of a cutting with an historiated initial from a psalter. The text on this side of the cutting is from Psalm 51. Parchment Latin Germany (central) Proto-Gothic reverse 44:3A 4 Lewis E M 44:02A-3C reverse 44:3A cd 5091 2111 9456 48-bit color 600 ppi 4 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3B front mcai440035 1200 1250 50 x 95 mm Beheading of a saint Parchment Latin Germany (central) front 44:3B 5 Lewis E M 44:02A-3C front 44:3B cd 5091 2111 9456 48-bit color 600 ppi 5 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3B reverse mcai440036 1200 1250 50 x 95 mm This image shows the reverse of a cutting with a miniature from a psalter. This side of the cutting contains a fragment of leaf with the calendar for July. Parchment Latin Germany (central) Proto-Gothic reverse 44:3B 6 Lewis E M 44:02A-3C reverse 44:3B cd 5091 2111 9456 48-bit color 600 ppi 6 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3C front mcai440037 1200 1250 51 x 95 mm Beheading of a saint Parchment Latin Germany (central) front 44:3C 7 Lewis E M 44:02A-3C front 44:3C cd 5091 2111 9456 48-bit color 600 ppi 7 Psalter
Lewis E M 44:2A-3C Lewis E M 44.3C reverse mcai440038 1200 1250 51 x 95 mm This image shows the reverse of a cutting with a miniature from a Psalter. This side of the cutting contains a fragment of leaf with the calendar for April. Parchment Latin Germany (central) Proto-Gothic reverse 44:3C 8 Lewis E M 44:02A-3C reverse 44:3C cd 5091 2111 9456 48-bit color 600 ppi 8 Psalter
Lewis E M 44:4-5 Lewis E M 44.4 front mcai440041 1485 1499 189 x 177 mm Initial A, with four Dominican Saints: Sts. Albert the Great(?), Peter Martyr, Thomas Aquinas, and Dominic Parchment Latin Cologne?, Germany front 44:4 1 Lewis E M 44:04-05 front 44:4 cd 5091 2111 9456 48-bit color 600 ppi 1 Gradual
Lewis E M 44:4-5 Lewis E M 44.4 reverse mcai440042 1485 1499 189 x 177 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Cologne?, Germany Gothic bookhand reverse 44:4 2 Lewis E M 44:04-05 reverse 44:4 cd 5091 2111 9457 48-bit color 600 ppi 2 Gradual
Lewis E M 44:4-5 Lewis E M 44.5 front mcai440051 1485 1499 208 x 210 mm Initial G Parchment Latin Cologne?, Germany front 44:5 3 Lewis E M 44:04-05 front 44:5 cd 5091 2111 9457 48-bit color 600 ppi 3 Gradual
Lewis E M 44:4-5 Lewis E M 44.5 reverse mcai440052 1485 1499 208 x 210 mm This image shows the reverse of a cutting with a decorated initial from a gradual. Parchment Latin Cologne?, Germany Gothic bookhand reverse 44:5 4 Lewis E M 44:04-05 reverse 44:5 cd 5091 2111 9457 48-bit color 600 ppi 4 Gradual
Lewis E M 44:6 Lewis E M 44.6 front mcai440061 Parchment Unknown 1 Lewis E M 44:06 cd 5091 2111 9458 Illuminated Manuscript Fragment
Lewis E M 44:6 Lewis E M 44.6 reverse mcai440062 Parchment Unknown 2 Lewis E M 44:06 cd 5091 2111 9458 Verso of Lewis E M 44:6
Lewis E M 44:6A-B Lewis E M 44.6A front mcai440063 1450 1475 237 x 353 mm Initial P Parchment Latin Lower Rhine, Germany Gothic bookhand front 44:6A 1 Lewis E M 44:06A-B front 44:6A cd 5091 2111 9460 48-bit color 600 ppi 1 Illuminated Music Fragment
Lewis E M 44:6A-B Lewis E M 44.6A reverse mcai440064 1450 1475 237 x 353 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and part of the Communion for the Second Mass of Christmas Day. Parchment Latin Lower Rhine, Germany Gothic bookhand reverse 44:6A 2 Lewis E M 44:06A-B reverse 44:6A cd 5091 2111 9460 48-bit color 600 ppi 2 Music Fragment with Decorated Initial
Lewis E M 44:6A-B Lewis E M 44.6B front mcai440065 1450 1475 238 x 352 mm Initial S Parchment Latin Lower Rhine, Germany Gothic bookhand front 44:6B 3 Lewis E M 44:06A-B front 44:6B cd 5091 2111 9461 48-bit color 600 ppi 3 Gradual
Lewis E M 44:6A-B Lewis E M 44.6B reverse mcai440066 1450 1475 238 x 352 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and part of the Communion for a feast preceding the feast of the Purification of the Virgin. Parchment Latin Lower Rhine, Germany Gothic bookhand reverse 44:6B 4 Lewis E M 44:06A-B reverse 44:6B cd 5091 2111 9461 48-bit color 600 ppi 4 Gradual
Lewis E M 44:7 Lewis E M 44.7 front mcai440071 1500 1525 140 x 128 mm Initial D with Christ showing his wounds and the Arma Christi Parchment Latin Augsburg, Germany Nikolaus Bertschi Artist front 1 Lewis E M 44:07 front cd 5091 2111 9463 48-bit color 600 ppi 1 Gradual
Lewis E M 44:7 Lewis E M 44.7 reverse mcai440072 1500 1525 140 x 128 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 44:07 reverse cd 5091 2111 9463 48-bit color 600 ppi 2 Gradual
Lewis E M 44:8 Lewis E M 44.8 front mcai440081 1500 1525 259 x 363 mm Initial D with Christ showing his wounds Parchment Latin Augsburg, Germany Gothic bookhand Nikolaus Bertschi Artist front 1 Lewis E M 44:08 front cd 5091 2111 9463 48-bit color 600 ppi 1 Missal
Lewis E M 44:8 Lewis E M 44.8 reverse mcai440082 1500 1525 259 x 363 mm This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true verso, continues the liturgy for the first Sunday after Pentecost, which begins on the front. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 44:08 reverse cd 5091 2111 9465 48-bit color 600 ppi 2 Missal
Lewis E M 44:8A Lewis E M 44.8A front mcai440083 1485 1499 127 x 150 mm Initial T with the Crucifixion Parchment Latin Augsburg, Germany front 1 Lewis E M 44:08A front cd 5091 2111 9465 48-bit color 600 ppi 1 Missal
Lewis E M 44:8A Lewis E M 44.8A reverse mcai440084 1485 1499 127 x 150 mm This image shows the reverse of a cutting from a missal. Parchment Latin Augsburg, Germany Gothic bookhand Leonhard Wagner Scribe reverse 2 Lewis E M 44:08A reverse cd 5091 2111 9465 48-bit color 600 ppi 2 Missal
Lewis E M 44:9 Lewis E M 44.9 front mcai440091 1450 1475 80 x 84 mm Initial A with the Adoration of the Christ Child Parchment Latin Augsburg, Germany Johannes Baimler, workshop Artist front 1 Lewis E M 44:09 front cd 5091 2111 9465 48-bit color 600 ppi 1 Antiphonary
Lewis E M 44:9 Lewis E M 44.9 reverse mcai440092 1450 1475 80 x 84 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 44:09 reverse cd 5091 2111 9465 48-bit color 600 ppi 2 Antiphonary
Lewis E M 44:9A Lewis E M 44.9A front mcai440093 1490 1510 188 x 192 mm Initial G with the Adoration of Christ Parchment Latin Augsburg, Germany Gothic bookhand Georg and Leonhard Beck, workshop Artist front 1 Lewis E M 44:09A front cd 5091 2111 9466 48-bit color 600 ppi 1 Choir book
Lewis E M 44:9A Lewis E M 44.9A reverse mcai440094 1490 1510 188 x 192 mm This image shows the reverse of an initial with an historiated initial from a choir book. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 44:09A reverse cd 5091 2111 9466 48-bit color 600 ppi 2 Choir book
Lewis E M 44:10 Lewis E M 44.10 front mcai440101 1400 1425 243 x 340 mm Crucifixion Parchment Latin Germany Gothic bookhand front 1 Lewis E M 44:10 front cd 5091 2111 9466 48-bit color 600 ppi 1 Missal
Lewis E M 44:10 Lewis E M 44.10 reverse mcai440102 1400 1425 243 x 340 mm This image shows the reverse of a leaf with a miniature from a missal. This side of the leaf, the true verso, contains alternate prayers from the Canon of the Mass for various feast days. Parchment Latin Germany Gothic bookhand reverse 2 Lewis E M 44:10 reverse cd 5091 2111 9467 48-bit color 600 ppi 2 Missal
Lewis E M 44:11 Lewis E M 44.11 opening mcai440110 1250 1299 392 x 285 mm This image shows a leaf of a bifolium from a missal that was reused in a later binding. The decorated initial is really the monogram of the initials VD, for the beginning of the Preface of the Holy Trinity, "Vere dignum" (Truly it is right). The work of two scribes is evident in this opening. The scribe working on the recto of the opening is later than the scribe on the verso. Parchment Latin Germany Proto-Gothic opening 2 Lewis E M 44:11 opening cd 5091 2111 9468 48-bit color 400 ppi 2 Missal
Lewis E M 44:11 Lewis E M 44.11 front mcai440111 1250 1299 196 x 285 mm This image shows a leaf of a bifolium from a missal that was reused in a later binding. The text is from the Preface of the Canon of the Mass. Parchment Latin Germany Proto-Gothic front 1 Lewis E M 44:11 front cd 5091 2111 9467 48-bit color 600 ppi 1 Missal
Lewis E M 44:11 Lewis E M 44.11 reverse mcai440112 1250 1299 196 x 285 mm Crucifixion Parchment Latin Germany Proto-Gothic reverse 3 Lewis E M 44:11 reverse cd 5091 2111 9468 48-bit color 600 ppi 3 Missal
Lewis E M 44:12 Lewis E M 44.12 front mcai440121 1440 1460 125 x 254 mm The Fifth Elder Parchment German Bavaria, Germany Otto von Passau Author front 1 Lewis E M 44:12 front cd 5091 2111 9468 48-bit color 600 ppi 1 Die Vierundzwanzig Alten oder Der goldene Thron (The Twenty-Four Elders or the Golden Throne)
Lewis E M 44:12 Lewis E M 44.12 reverse mcai440122 1440 1460 125 x 254 mm This image shows the reverse of a cutting with a miniature from a manuscript of Otto von Passau's Twenty-Four Elders. Parchment German Bavaria, Germany Curisive bookhand Otto von Passau Author reverse 2 Lewis E M 44:12 reverse cd 5091 2111 9469 48-bit color 600 ppi 2 Die Vierundzwanzig Alten oder Der goldene Thron (The Twenty-Four Elders or the Golden Throne)
Lewis E M 44:13 Lewis E M 44.13 front mcai440131 1185 1199 130 x 172 mm Initial B with David as a Musician Parchment Latin Bodensee, Germany front 1 Lewis E M 44:13 front cd 5091 2111 9469 48-bit color 600 ppi 1 Psalter
Lewis E M 44:13 Lewis E M 44.13 reverse mcai440132 1185 1199 130 x 172 mm This image shows the reverse of a cutting with an historiated initial from a psalter. Parchment Latin Bodensee, Germany Proto-Gothic reverse 2 Lewis E M 44:13 reverse cd 5091 2111 9469 48-bit color 600 ppi 2 Psalter
Lewis E M 44:14 Lewis E M 44.14 front mcai440141 1240 1260 95 x 138 mm In this miniature, Christ appears within an almond-shaped mandorla and seated upon the arc of a sphere. He holds in his left hand an orb that represents the world while he makes a gesture of blessing with his right. In each corner are the symbols of the four evangelists. This miniature may have once decorated a psalter, as images such as this were sometimes included at the beginning of the Book of Psalms. However, as the imagery of the miniature relates to the Last Judgment, it may have decorated any number of types of religious manuscripts. As the cutting lacks any text, it is difficult to identify the context for which this image was made. Parchment Latin Regensburg, Germany front 1 Lewis E M 44:14 front cd 5091 2111 9469 48-bit color 600 ppi 1 Psalter
Lewis E M 44:14 Lewis E M 44.14 reverse mcai440142 1240 1260 95 x 138 mm This image shows the reverse of a cutting with a miniature. Parchment Latin Regensburg, Germany reverse 2 Lewis E M 44:14 reverse cd 5091 2111 9469 48-bit color 600 ppi 2 Psalter
Lewis E M 44:15 Lewis E M 44.15 front mcai440151 1300 1315 132 x 182 mm This initial begins the first response of the first nocturn of Matins for Easter Sunday, "Angelus Domini descendit de celo ..." (The angel of the Lord descended from heaven). Parchment Latin Regensburg?, Germany Gothic bookhand front 1 Lewis E M 44:15 front cd 5091 2111 9469 48-bit color 600 ppi 1 Antiphonary
Lewis E M 44:15 Lewis E M 44.15 reverse mcai440152 1300 1315 132 x 183 mm This image shows the reverse of a cutting with an initial from an antiphonary. Parchment Latin Regensburg?, Germany reverse 2 Lewis E M 44:15 reverse cd 5091 2111 9470 48-bit color 600 ppi 2 Antiphonary
Lewis E M 44:16 Lewis E M 44.16 mcai440161 1300 1325 268 x 404 mm This initial probably begins the Introit for the feast of Corpus Christi, "Cibavit eos ex adype frumenti ..." (Full ears of wheat are the nourishment he gives them), as suggested by the iconography. The illumination is by a follower of the Cologne illuminator Johannes van Valkenburg, a Franciscan scribe and illuminator active from the late thirteenth century through the first quarter of the fourteenth. Another cutting in the Free Library's collection has been attributed to his hand (Lewis E M 4:3). Parchment Latin Cologne?, Germany Johannes von Valkenburg, follower of Artist front 1 Lewis E M 44:16 front cd 5091 2111 9470 48-bit color 400 ppi 1 Gradual
Lewis E M 44:17 Lewis E M 44.17 front mcai440171 1300 1325 457 x 250 mm This bifolium contains the first part of the Canon of the Mass. This side of the bifolium contains the beginning of the Canon, starting with the initial T of "Te igitur" (You therefore [most merciful father]. The opposite side of the opening contains the text and chant for the Lord's Prayer. The iconography traditionally associated with the Canon of the Mass is the Crucifixion, which is only suggested here in the form of the T as a reference to the Tau, or T-shaped Cross. In place of St. John and the Virgin, who normally flank the Cross, is a priest praying to St. Dorothea of Caesarea, a fourth-century virgin martyr. The variation indicates that this missal was intended for use in a church dedicated to this saint. Parchment Latin Germany Gothic bookhand front 1 Lewis E M 44:17 front cd 5091 2111 9470 48-bit color 400 ppi 1 Missal
Lewis E M 44:17 Lewis E M 44.17 reverse mcai440172 1300 1325 457 x 250 mm This image shows a reverse of a bifolium with an historiated initial. Parchment Latin Germany Gothic bookhand reverse 2 Lewis E M 44:17 reverse cd 5091 2111 9470 48-bit color 400 ppi 2 Missal
Lewis E M 44:18 Lewis E M 44.18 front mcai440181 1500 1525 180 x 185 mm The text comes from the blessing of the chalice during mass, "Simili modo posteaquam cenatum est accipiens et hunc preclarum calicem" (Similarly, when the supper was ended, taking also this goodly chalice). The reverse of the cutting, however, is blank, and there are no rubrics instructing the celebrant, suggesting that the cutting is not from a missal and may instead have come from a manuscript that was used for personal devotion. The initial depicts the Entombment and the Lamentation over Christ's body. The scenes decorating the border illustrate (beginning at the top) the sacrifice of Isaac, Moses and the snake, Absalom caught by the oak, the flagellation of Christ, Peter's denial, and Christ bearing the Cross. Parchment Latin Augsburg, Germany Gothic bookhand front 1 Lewis E M 44:18 front cd 5091 2111 9471 48-bit color 600 ppi 1 Devotional text
Lewis E M 44:18 Lewis E M 44.18 reverse mcai440182 1500 1525 180 x 185 mm This image shows the reverse of a cutting with an historiated initial from a devotional text. Parchment Latin Augsburg, Germany Gothic bookhand reverse 2 Lewis E M 44:18 reverse cd 5091 2111 9471 48-bit color 600 ppi 2 Devotional text
Lewis E M 44:19 Lewis E M 44.19 front mcai440191 1475 1499 154 x 145 mm This initial begins the Introit for the first Sunday in Advent: "Ad te levavi animam meam ..." (I lift my soul to you). Parchment Latin Lower Rhine, Germany front 1 Lewis E M 44:19 front cd 5091 2111 9471 48-bit color 600 ppi 1 Gradual
Lewis E M 44:19 Lewis E M 44.19 reverse mcai440192 1475 1499 154 x 145 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lower Rhine, Germany Gothic bookhand reverse 2 Lewis E M 44:19 reverse cd 5091 2111 9471 48-bit color 600 ppi 2 Gradual
Lewis E M 44:20-22 Lewis E M 44.20 mcai440201 1475 1499 154 x 379 mm This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:21-22. Parchment Latin Middle Rhine, Germany front 44:20 1 Lewis E M 44:20-22 front 44:20 cd 5091 2111 9473 48-bit color 600 ppi 1 Gradual
Lewis E M 44:20-22 Lewis E M 44.21 mcai440211 1475 1499 140 x 382 mm This initial begins the Introit for the vigil of the feast of St. Andrew the Apostle (Nov. 30), "Dominus secus mare galilee vidit duos fratres Petrum et Andream ..." (The Lord, passing by the sea of Galilee, saw the two brothers Peter and Andrew). This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:20 and 22. Parchment Latin Middle Rhine, Germany front 44:21 2 Lewis E M 44:20-22 front 44:21 cd 5091 2111 9473 48-bit color 600 ppi 2 Gradual
Lewis E M 44:20-22 Lewis E M 44.22 mcai440221 1475 1499 138 x 341 mm This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:20-21. Parchment Latin Middle Rhine, Germany front 44:22 3 Lewis E M 44:20-22 front 44:22 cd 5091 2111 9474 48-bit color 600 ppi 3 Gradual
Lewis E M 44:23 Lewis E M 44.23 front mcai440231 1400 1499 218 x 245 mm The textual context of this initial remains to be determined. Parchment Latin Spain? front 1 Lewis E M 44:23 front cd 5091 2111 9474 48-bit color 600 ppi 1 Breviary
Lewis E M 44:23 Lewis E M 44.23 reverse mcai440232 1400 1499 218 x 245 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin Spain? Rotunda reverse 2 Lewis E M 44:23 reverse cd 5091 2111 9474 48-bit color 600 ppi 2 Breviary
Lewis E M 44:24 Lewis E M 44.24 front mcai440241 1175 1199 343 x 256 mm This initial begins Isaiah 1:1, "Visio Isaiae, filii Amos, quam vidit super Judam et Jerusalem ..." (The vision of Isaiah the son of Amos, which he saw concerning Judah and Jerusalem). According to medieval legend, Isaiah was martyred by being sawn in half. This fragment from a twelfth-century Bible was cut up during the Middle Ages and used to bind a later manuscript or early printed book. Parchment Latin Würzburg?, Germany Proto-Gothic front 1 Lewis E M 44:24 front cd 5091 2111 9476 48-bit color 600 ppi 1 Bible
Lewis E M 44:24 Lewis E M 44.24 reverse mcai440242 1175 1199 343 x 256 mm This image shows the reverse of a cutting with an historiated initial from a Bible. Parchment Latin Würzburg?, Germany Proto-Gothic reverse 2 Lewis E M 44:24 reverse cd 5091 2111 9476 48-bit color 600 ppi 2 Bible
Lewis E M 44:24A Lewis E M 44.24A front mcai440243 1485 1499 220 x 365 mm This image of the Crucifixion came from a printed missal that was later illuminated. The invention of printing allowed for books to be produced in multiple copies and much more cheaply. Nevertheless, some printed books were elaborately decorated by hand. Because multiple copies of this book were produced, it is possible to determine from where in the missal this page came by comparing it to complete copies of the edition. Therefore, we know that this page came before the Canon of the Mass, which is typically were one finds an image of the Crucifixion in missals. Parchment Latin Nuremburg, Germany front 1 Lewis E M 44:24A front cd 5091 2111 9477 48-bit color 600 ppi 1 Missal
Lewis E M 44:24A Lewis E M 44.24A reverse mcai440244 1485 1499 220 x 365 mm This image depicts the veneration of the Nuremberg saint Sebaldus, who stands on a pedestal and carries a model of the Church in Nuremburg that was dedicated to him. The two kneeling figures are the Nurenberg patricians, Paul Volckamer (d. 1505), on the left, and Sebald Schreyer (1446 -1520), on the right, who are identified by the coats of arms at their feet. In addition to honoring the town saint, the image serves as a donor portrait, as the two men commissioned the missal from which this leaf came. Parchment Latin Nuremburg, Germany Gothic bookhand reverse 2 Lewis E M 44:24A reverse cd 5091 2111 9477 48-bit color 600 ppi 2 Missal
Lewis E M 44:25 Lewis E M 44.25 front mcai440251 1490 1510 132 x 108 mm In this image, a lay woman, identified by her aristocratic costume, is shown praying the rosary before an image of the Virgin and Child. Although the identity of the woman is lost, one may assume that she played a role in the commissioning and use of this manuscript. This display of ownership or patronage was not uncommon. It was a way to document one's piety as well as a reminder to keep the individual in the reader's prayers. Parchment Latin Germany (southern) front 1 Lewis E M 44:25 front cd 5091 2111 9478 48-bit color 600 ppi 1 Choir book
Lewis E M 44:25 Lewis E M 44.25 reverse mcai440252 1490 1510 132 x 108 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 44:25 reverse cd 5091 2111 9478 48-bit color 600 ppi 2 Choir book
Lewis E M 44:26 Lewis E M 44.26 front mcai440261 1500 1515 142 x 146 mm This initial probably begins the first response of the first nocturn of Matins for the feast of St. Lawrence (Aug. 10), "Levita Laurentius bonum opus operatus est ..." (The deacon Lawrence performed a pious act). Parchment Latin Germany (southern) front 1 Lewis E M 44:26 front cd 5091 2111 9478 48-bit color 600 ppi 1 Choir book
Lewis E M 44:26 Lewis E M 44.26 reverse mcai440262 1500 1515 142 x 146 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Germany (southern) Gothic bookhand reverse 2 Lewis E M 44:26 reverse cd 5091 2111 9478 48-bit color 600 ppi 2 Choir book
Lewis E M 44:27-28 Lewis E M 44.27 front mcai440271 1100 1199 167 x 215 mm Lewis E M 44:27 and 28 are both from the same Greek manuscript that contains the New Testament, the Psalms, and the Book of Odes (a collection of Canticles from the Old and New Testaments). The manuscript from which the leaves were taken has been identified as Manuscript 1 in the Palermo Museum in Sicily, which is still mainly intact. It is not clear when these leaves were removed but it occurred sometime before 1893, for the loss is noted in a catalogue of the Palermo collection made that year. Parchment Greek Constantinople, Turkey front 44:27 1 Lewis E M 44:27-28 front 44:27 cd 5091 2111 9478 48-bit color 600 ppi 1 New Testament-Psalter
Lewis E M 44:27-28 Lewis E M 44.27 reverse mcai440272 1100 1199 167 x 215 mm This image shows the reverse of a leaf with a miniature from a Bible. Parchment Greek Constantinople, Turkey reverse 44:27 2 Lewis E M 44:27-28 reverse 44:27 cd 5091 2111 9478 48-bit color 600 ppi 2 New Testament-Psalter
Lewis E M 44:27-28 Lewis E M 44.28 front mcai440281 1100 1199 169 x 215 mm This miniature was positioned between the two Odes of Moses (Exodus 15:1-19 and Deuteronomy 32:1-43). The Book of Odes is found only in Eastern Orthodox Bibles, where it appears after the Psalms and comprises prayers and canticles from both the Old and New Testaments. Lewis E M 44:27 and 28 are both from the same Greek manuscript that contains the New Testament, the Psalms, and the Book of Odes. The manuscript from which the leaves were taken has been identified as Manuscript 1 in the Palermo Museum in Sicily, which is still mainly intact. It is not clear when these leaves were removed, but it occurred sometime before 1893, for the loss is noted in a catalogue of the Palermo collection made that year. Parchment Greek Constantinople, Turkey front 44:28 3 Lewis E M 44:27-28 front 44:28 cd 5091 2111 9479 48-bit color 600 ppi 3 New Testament-Psalter
Lewis E M 44:27-28 Lewis E M 44.28 reverse mcai440282 1100 1199 169 x 215 mm This image shows the reverse of a leaf with a miniature from a Bible. Parchment Greek Constantinople, Turkey reverse 44:28 4 Lewis E M 44:27-28 reverse 44:28 cd 5091 2111 9479 48-bit color 600 ppi 4 New Testament-Psalter
Lewis E M 45:1 Lewis E M 45.1 opening mcai450010 1300 1350 466 x 343 mm This bifolium from a choir book contains portions of the Gospel Lesson for Epiphany, beginning on the recto of the first folio with Luke 3:21, "Factum est aute[m] cum baptizaretur omnis populus ..." (Now it came to pass, when all the people were baptized). The text of the lesson breaks between the two folios shown here indicating that at least one other bifolium came between the two leaves of this bifolium. Parchment Latin Bologna, Italy Rotunda opening 3 Lewis E M 45:01 opening cd 5091 2111 9402 48-bit color 400 ppi 3 Choir book
Lewis E M 45:1 Lewis E M 45.1 front mcai450011 1300 1350 233 x 343 mm Initial D with a Deacon chanting from a book Parchment Latin Bologna, Italy Rotunda front 1 Lewis E M 45:01 front cd 5091 2111 9400 48-bit color 600 ppi 1 Choir book
Lewis E M 45:1 Lewis E M 45.1 reverse mcai450012 1300 1350 233 x 343 mm This bifolium from a choir book contains portions of the Gospel Lesson for Epiphany, beginning on the recto of the first folio with Luke 3:21, "Factum est aute[m] cum baptizaretur omnis populus ..." (Now it came to pass, when all the people were baptized). The text on this folio is from Luke 3:31-32. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 45:01 reverse cd 5091 2111 9400 48-bit color 600 ppi 2 Choir book
Lewis E M 45:2 Lewis E M 45.2 front mcai450021 1290 1310 213 x 260 mm Marriage ceremony Parchment Latin Bologna, Italy Littera bononiensis Gregory IX Author front 1 Lewis E M 45:02 front cd 5091 2111 9402 48-bit color 600 ppi 1 Decretals
Lewis E M 45:2 Lewis E M 45.2 reverse mcai450022 1290 1310 213 x 260 mm This image shows the reverse of a cutting with a miniature from a copy of Gregory IX's Decretals. Parchment Latin Bologna, Italy Littera bononiensis Gregory IX Author reverse 2 Lewis E M 45:02 reverse cd 5091 2111 9403 48-bit color 600 ppi 2 Decretals
Lewis E M 45:3 Lewis E M 45.3 front mcai450031 Parchment Unknown 1 Lewis E M 45:03 cd 5091 2111 9403 Illuminated Fragment
Lewis E M 45:3 Lewis E M 45.3 reverse mcai450032 Parchment Unknown 2 Lewis E M 45:03 cd 5091 2111 9403 Music Fragment
Lewis E M 45:4 Lewis E M 45.4 front mcai450041 1300 1399 46 x 110 mm Not enough textual or iconographic evidence remains to identify the precise moment in the liturgy that this initial begins. It was painted, however, by an artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century. Parchment Latin Bologna, Italy front 1 Lewis E M 45:04 front cd 5091 2111 9404 48-bit color 600 ppi 1 Choir book
Lewis E M 45:4 Lewis E M 45.4 reverse mcai450042 1300 1399 46 x 110 mm This image shows the reverse of a cutting from a choir book. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 45:04 reverse cd 5091 2111 9404 48-bit color 600 ppi 2 Choir book
Lewis E M 45:5 Lewis E M 45.5 front mcai450051 Parchment Unknown 1 Lewis E M 45:05 cd 5091 2111 9404 Illuminated Fragment
Lewis E M 45:5 Lewis E M 45.5 reverse mcai450052 Parchment Unknown 2 Lewis E M 45:05 cd 5091 2111 9404 Fragments
Lewis E M 45:6-10 Lewis E M 45.6 front mcai450061 1350 1375 223 x 267 mm This initial begins an unidentified chant. The iconography comes from a passage in the book of Revelation, which records St. John the Evangelist's vision of the Apocalypse. The passage, Rev. 17:12-14, reads: "And the ten horns which thou sawest, are ten kings, who have not yet received a kingdom, but shall receive power as kings one hour after the beast. These have one design: and their strength and power they shall deliver to the beast. These shall fight with the Lamb, and the Lamb shall overcome them, because he is Lord of lords, and King of kings, and they that are with him are called, and elect, and faithful." The Lamb is symbolic of Christ and the kings can be said to represent the powers of the earthly world. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 45:6 1 Lewis E M 45:06-10 front 45:6 cd 5091 2111 9404 48-bit color 600 ppi 1 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.6 reverse mcai450062 1350 1375 223 x 267 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 45:6 2 Lewis E M 45:06-10 reverse 45:6 cd 5091 2111 9406 48-bit color 600 ppi 2 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.7 front mcai450071 1350 1375 293 x 260 mm This initial begins the first response for the first nocturn of Matins for the feast of St. Vincent of Saragossa (Jan. 22), "Sacram praesentis diei solemnitatem humili celebremus ..." (Let us celebrate with humble devotion the sacred solemnity of the present day). St. Vincent, a Spanish martyr, suffered a gruesome sequence of torments for his faith including being tied to a cross as his limbs were broken, scourged, tortured with iron combs that tore his flesh (depicted in the initial), and burnt on a gridiron, among others, before giving up his spirit. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 45:7 3 Lewis E M 45:06-10 front 45:7 cd 5091 2111 9406 48-bit color 600 ppi 3 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.7 reverse mcai450072 1350 1375 293 x 260 mm This image shows the reverse of an cutting from a antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 45:7 4 Lewis E M 45:06-10 reverse 45:7 cd 5091 2111 9408 48-bit color 600 ppi 4 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.8 front mcai450081 1350 1375 298 x 298 mm This initial may begin a variation on the first response of the first nocturn of Matins for the feast of St. Lucy (Dec. 13), " Dilexisti iustitiam et odisti iniquitatem ..." (Thou hast loved justice, and halted iniquity). This, chant, however, is more commonly used as the Introit for the Mass of St. Lucy. St. Lucy, an early Christian virgin martyr, was stabbed to death under the orders of the Roman magistrate Paschasius for her refusal to denounce her faith.An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 45:8 5 Lewis E M 45:06-10 front 45:8 cd 5091 2111 9408 48-bit color 600 ppi 5 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.8 reverse mcai450082 1350 1375 298 x 298 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 45:8 6 Lewis E M 45:06-10 reverse 45:8 cd 5091 2111 9411 48-bit color 600 ppi 6 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.9 front mcai450091 1350 1375 265 x 225 mm This initial begins the first response for the first nocturn of Matins for the feast of St. Agatha (Feb. 18), "Dum torqueretur beata Agatha in mamilla graviter dixit ad iudicem impie crudelis et dire tyranne ..." (While blessed Agatha was being cruelly tortured in her breasts, she said to the judge, "Godless, cruel, infamous tyrant"). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 45:9 7 Lewis E M 45:06-10 front 45:9 cd 5091 2111 9411 48-bit color 600 ppi 7 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.9 reverse mcai450092 1350 1375 265 x 225 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 45:9 8 Lewis E M 45:06-10 reverse 45:9 cd 5091 2111 9412 48-bit color 600 ppi 8 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.10 front mcai450101 1350 1375 290 x 306 mm This initial begins the first response for the first nocturn of Matins for the feast of St. Thomas Aquinas, "Sancti viri verbum propheticum praemonstravit mundo mirificum sanctum Thomam ..." (The prophetic word of the holy man predicted to the world the admirable St. Thomas) An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10. Parchment Latin Bologna, Italy Niccolò di Giacomo da Bologna, workshop Artist front 45:10 9 Lewis E M 45:06-10 front 45:10 cd 5091 2111 9412 48-bit color 600 ppi 9 Antiphonary
Lewis E M 45:6-10 Lewis E M 45.10 reverse mcai450102 1350 1375 290 x 306 mm This image shows the reverse of a cutting from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 45:10 10 Lewis E M 45:06-10 reverse 45:10 cd 5248 0520 3362 48-bit color 600 ppi 10 Antiphonary
Lewis E M 45:11 Lewis E M 45.11 front mcai450111 1400 1450 120 x 179 mm This initial probably begins the first response of the first nocturn of Matins for the feast of the Translation of St. Dominic, "Fulget decus ecclesiae..." (The splendor of the Church illuminates). This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Italy Christoforo Cortese, attributed to Artist front 45:11 1 Lewis E M 45:11 front 45:11 cd 5248 0520 3362 48-bit color 600 ppi 1 Choir book
Lewis E M 45:11 Lewis E M 45.11 reverse mcai450112 1400 1450 120 x 179 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Italy Rotunda reverse 45:11 2 Lewis E M 45:11 reverse 45:11 cd 5248 0520 3362 48-bit color 600 ppi 2 Choir book
Lewis E M 45:12 Lewis E M 45.12 front mcai450121 Parchment Unknown 1 Lewis E M 45:12 cd 5248 0520 3362 Illuminated Fragment of Jesus
Lewis E M 45:12 Lewis E M 45.12 reverse mcai450122 Parchment Unknown 2 Lewis E M 45:12 cd 5248 0520 3362 Music Fragment
Lewis E M 45:13 Lewis E M 45.13 front mcai450131 1425 1450 170 x 469 mm This initial begins the Introit for the Common of Martyrs, "Salus autem iustorum a Domino ..." (The Lord is the salvation of the just). This initial has been attributed to the later career of the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese. Parchment Latin Venice, Italy Rotunda Christoforo Cortese Artist front 1 Lewis E M 45:13 front cd 5248 0520 3356 48-bit color 400 ppi 1 Gradual
Lewis E M 45:13 Lewis E M 45.13 reverse mcai450132 1425 1450 170 x 469 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 45:13 reverse cd 5248 0520 3356 48-bit color 400 ppi 2 Gradual
Lewis E M 45:14 Lewis E M 45.14 front mcai450141 1250 1275 98 x 128 mm This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, "Aspiciens a longe..." (Long had I been watching). This cutting and other cuttings in the Free Library's collection from the same antiphonary (Lewis E M 26:20-29) are some of the only examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. Parchment Latin Padua or Venice, Italy Transitional script (Italian) front 45:14 1 Lewis E M 45:14 front 45:14 cd 5248 0520 3356 48-bit color 600 ppi 1 Antiphonary
Lewis E M 45:14 Lewis E M 45.14 reverse mcai450142 1250 1275 98 x 128 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Padua or Venice, Italy Transitional script (Italian) reverse 45:14 2 Lewis E M 45:14 reverse 45:14 cd 5248 0520 3356 48-bit color 600 ppi 2 Antiphonary
Lewis E M 45:15-25 Lewis E M 45.15 front mcai450151 1450 1499 258 x 364 mm This initial begins the hymn "Exultet celum laudibus resultet terra gaudiis ..." (Let heaven rejoice with praise), sung at first Vespers for the Common of Apostles. The hymn sung at Lauds begins on the reverse or true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:15 1 Lewis E M 45:15-25 front 45:15 cd 5248 0520 3356 48-bit color 400 ppi 1 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.15 reverse mcai450152 1450 1499 258 x 364 mm Initial E begins the hymn "Eterna Christi munera apostolorum gloriam...," sung at Lauds for the Common of Apostles. The initial D begins the hymn "Deus tuorum militum fors et corona premium ...," sung at first Vespers for the Common of One Martyr. The reverse of this leaf is the true recto. Parchment Latin Ferrara, Italy Rotunda reverse 45:15 2 Lewis E M 45:15-25 reverse 45:15 cd 5248 0520 7186 48-bit color 400 ppi 2 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.16 front mcai450161 1450 1499 259 x 369 mm The initial D begins Psalm 38:1, "Dixi custodiam vias meas ut non delinquam in lingua mea ..." (I said, I will take heed to my ways that I offend not with my tongue), recited at Matins on Tuesdays. The Old Testament king David, who was believed to have composed the psalms, is pictured in the initial pointing to his mouth, a reference to the first verse of the psalm. The front of this leaf is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:16 3 Lewis E M 45:15-25 front 45:16 cd 5248 0520 7186 48-bit color 400 ppi 3 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.16 reverse mcai450162 1450 1499 259 x 369 mm This reverse of this leaf, the true recto, contains the final verses of the hymn "Splendor paternae gloriae" (O Splendor of God's glory), sung at Monday Lauds. Parchment Latin Ferrara, Italy Rotunda reverse 45:16 4 Lewis E M 45:15-25 reverse 45:16 cd 5248 0520 7186 48-bit color 400 ppi 4 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.17 front mcai450171 1450 1499 259 x 365 mm The front of this leaf, the true verso, begins with the hymn "Rerum deus tenax vigor immotus ..." (O strength and stay upholding all creation), sung daily at None, and continues with the antiphons for Sundays and special feast days, followed by the Psalm reading read daily at None, beginning with Psalm 118:129. This side is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:17 5 Lewis E M 45:15-25 front 45:17 cd 5248 0520 7186 48-bit color 400 ppi 5 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.17 reverse mcai450172 1450 1499 259 x 265 mm The reverse of this leaf, the true recto, contains the end of the psalm and the final prayers recited daily at Sext. Parchment Latin Ferrara, Italy Rotunda reverse 45:17 6 Lewis E M 45:15-25 reverse 45:17 cd 5248 0520 7187 48-bit color 400 ppi 6 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.18 front mcai450181 1450 1499 259 x 368 mm The decorated initial begins the hymn "Ad cenam agni providi ..." (Foreseeing the supper of the Lamb), sung at Vespers on Sundays during Eastertide. The text above, which continues from the reverse, or true recto, is from the hymn "Lustris sex qui iam peractis tempus implens corporis ..." (Thus did Christ to perfect manhood in our mortal flesh attain ...). Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:18 7 Lewis E M 45:15-25 front 45:18 cd 5248 0520 7187 48-bit color 400 ppi 7 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.18 reverse mcai450182 1450 1499 259 x 368 mm This reverse of this leaf, the true recto, contains verses from the hymn, "Pange lingua gloriosi proelium certaminis ..." (Sing my tongue the Savior's glory), sung daily during Holy Week. Parchment Latin Ferrara, Italy Rotunda reverse 45:18 8 Lewis E M 45:15-25 reverse 45:18 cd 5248 0520 7187 48-bit color 400 ppi 8 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.19 front mcai450191 1450 1499 261 x 363 mm The initial begins the hymn "Ihesu corona virginum que mater illa concepit ..." (Jesus, the Virgin's crown, born of that Mother), sung here at Vespers for the Common of Virgins. This side of the leaf is the true recto. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:19 9 Lewis E M 45:15-25 front 45:19 cd 5248 0520 7187 48-bit color 400 ppi 9 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.19 reverse mcai450192 1450 1499 261 x 363 mm The reverse of this leaf, the true verso, contains the hymn, "Virginis prolex opifexque matris ..." (Jesus, Son of the Virgin, and your Mother's creator), sung at Matins for the Common of Virgins. Parchment Latin Ferrara, Italy Rotunda reverse 45:19 10 Lewis E M 45:15-25 reverse 45:19 cd 5248 0520 7188 48-bit color 400 ppi 10 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.20 front mcai450201 1450 1499 260 x 366 mm This initial begins the hymn, "Sanctorum meritis inclita gaudia pangamus socii gesta ..." (Let us sing with glorious praise the triumphs of the saints), sung at Vespers for the Common of Several Martyrs. This side of the leaf is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:20 11 Lewis E M 45:15-25 front 45:20 cd 5248 0520 7188 48-bit color 400 ppi 11 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.20 reverse mcai450202 1450 1499 260 x 366 mm This side of the leaf, the true recto, contains the last verses of the hymn at Vespers for the Common of One Martyr, and the beginning of the hymn "Martir dei qui unicum patris sequendo filium ..." (Martyr of God, follower of the Father's only Son), sung at Lauds of the Common of One Martyr. Parchment Latin Ferrara, Italy Rotunda reverse 45:20 12 Lewis E M 45:15-25 reverse 45:20 cd 5248 0520 7188 48-bit color 400 ppi 12 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.21 front mcai450211 1450 1499 260 x 368 mm This side of the leaf, the true verso, contains last verses of the hymn "Rector potens verax deus ..." (Mighty ruler, faithful God), sung daily at Sext, and the first verses of the psalm reading for Sext, beginning with Psalm 81:118, "Defecit in salutare tuum anima mea ..." (My soul pines for your salvation). Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:21 13 Lewis E M 45:15-25 front 45:21 cd 5248 0520 7188 48-bit color 400 ppi 13 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.21 reverse mcai450212 1450 1499 260 x 368 mm This side of the leaf, the true recto, contains the last verse of the psalm reading (Psalm 118:80), the remaining prayers said at Terce, and the beginning of the hymn "Rector potens verax deus ..." (Mighty ruler, faithful God), sung daily at Sext. Parchment Latin Ferrara, Italy Rotunda reverse 45:21 14 Lewis E M 45:15-25 reverse 45:21 cd 5248 0520 7189 48-bit color 400 ppi 14 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.22 front mcai450221 1450 1499 258 x 368 mm This initial begins Psalm 68, "Salvum me fac deus quoniam intraverunt aquae usque ad animam meam ..." (Save me, O God, for the waters have come even into my soul), recited at Matins on Thursday. Traditionally, the iconography for the illustration of this psalm calls for the Old Testament king David in the waters praying to God in heaven. Here, the representation of David as Classical male nude desperately clinging to the tree is indicative of the influence of Humanism on Italian artists. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:22 15 Lewis E M 45:15-25 front 45:22 cd 5248 0520 7189 48-bit color 400 ppi 15 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.22 reverse mcai450222 1450 1499 258 x 368 mm This side of the leaf, the true recto, contains the beginning of Matins on Thursdays, including the hymn, "Nox atra rerum contegit terre calores omnium ..." (Night's pall has shrouded in darkness the colors of creation). Parchment Latin Ferrara, Italy Rotunda reverse 45:22 16 Lewis E M 45:15-25 reverse 45:22 cd 5248 0520 7189 48-bit color 400 ppi 16 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.23 front mcai450231 1450 1499 260 x 365 mm This initial begins the first of two psalm readings for Prime on Sundays, beginning with Psalm 53:3, "Deus in nomine tuo salvum me fac ..." (O God, by your name, save me). The second psalm is Psalm 117, "Confitemini domino quam bonus ..." (Give thanks to the Lord, for he is good). This side of the leaf is the true recto. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:23 17 Lewis E M 45:15-25 front 45:23 cd 5248 0520 7189 48-bit color 400 ppi 17 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.23 reverse mcai450232 1450 1499 260 x 365 mm The text on this side of the leaf, the true verso, continues Psalm 117, "Confitemini domino quoniam bonus ..." (Give thanks to the Lord, for he is good), which begins on the front. This psalm is the first psalm recited at Prime on Sunday. Parchment Latin Ferrara, Italy Rotunda reverse 45:23 18 Lewis E M 45:15-25 reverse 45:23 cd 5248 0520 7190 48-bit color 400 ppi 18 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.24 front mcai450241 1450 1499 260 x 366 mm With this initial, the illuminator has made a small mistake. The initial C should be a U, beginning the hymn "Ut queant laxis resonare furbris (sic) mira gestor[um] famuli tuorum ..." (So that your servants may, with loosened voices, resound the wonders of your deeds), sung at first Vespers for the feast of the Birth of St. John the Baptist (June 24th). Mistakes such as these could result from the artist's inability to read the text or simply that he made the manuscript-equivalent of a typo, forming a C instead of a U. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:24 19 Lewis E M 45:15-25 front 45:24 cd 5248 0520 7190 48-bit color 400 ppi 19 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.24 reverse mcai450242 1450 1499 260 x 266 mm This side of the leaf, the true recto, contains the hymns "Quodcumque vinclis super terram strinxerit ..." (Anything that you fasten on earth with chains) and "Iam bone pastor Petre clemens accipe ..." (Now good shepherd Peter mercifully receive). These hymns were sung at first Vespers and Lauds for the feast of the Chair of St. Peter (Feb. 22). Parchment Latin Ferrara, Italy Rotunda reverse 45:24 20 Lewis E M 45:15-25 reverse 45:24 cd 5248 0520 7190 48-bit color 400 ppi 20 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.25 front mcai450251 1450 1499 262 x 364 mm This initial begins Psalm 26, "Dominus illuminatio mea et salvus mea ..." (The Lord is my light and salvation), recited at Matins on Mondays. The Old Testament king David, who is traditionally believed to have composed the psalms, is shown pointing to his eyes, enacting the first words of the psalm. According to medieval theories of vision, the eyes received the light of divine illumination that was then impressed upon the mind. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order. Parchment Latin Ferrara, Italy Rotunda front 45:25 21 Lewis E M 45:15-25 front 45:25 cd 5248 0520 7190 48-bit color 400 ppi 21 Choir psalter
Lewis E M 45:15-25 Lewis E M 45.25 reverse mcai450252 1450 1499 262 x 364 mm This side of the leaf, the true verso, continues the text of Psalm 26 which begins on the front. Parchment Latin Ferrara, Italy Rotunda reverse 45:25 22 Lewis E M 45:15-25 reverse 45:25 cd 5248 0520 7192 48-bit color 400 ppi 22 Choir psalter
Lewis E M 45:25 Lewis E M 45.25 mcai450253 Parchment Unknown 1 Lewis E M 45:25 cd 5248 0520 7192 Iluminated Fragment
Lewis E M 45:25 Lewis E M 45.25 mcai450254 Parchment Unknown 2 Lewis E M 45:25 cd 5248 0520 7192 Music Fragment
Lewis E M 45:26 Lewis E M 45.26 front a mcai450263 Parchment Unknown 1 Lewis E M 45:26 cd 5248 0520 7192 Illuminated Medieval Manuscript Fragment
Lewis E M 45:26 Lewis E M 45.26 reverse a mcai450264 Parchment Unknown 2 Lewis E M 45:26 cd 5248 0520 7192 Medieval Manuscript Fragment
Lewis E M 45:26 Lewis E M 45.26 front b mcai450265 Parchment Unknown 3 Lewis E M 45:26 cd 5248 0520 7192 Illuminated Medieval Manuscript Fragment
Lewis E M 45:26 Lewis E M 45.26 reverse b mcai450266 Parchment Unknown 4 Lewis E M 45:26 cd 5248 0520 7193 Medieval Manuscript Fragment
Lewis E M 45:27 Lewis E M 45.27 front mcai450271 Parchment Unknown 1 Lewis E M 45:27 cd 5248 0520 7193 Illuminated Medieval Manuscript Fragment
Lewis E M 45:27 Lewis E M 45.27 reverse mcai450272 Parchment Unknown 2 Lewis E M 45:27 cd 5248 0520 7193 Music Fragment
Lewis E M 45:28 Lewis E M 45.28 front mcai450281 Parchment Unknown 1 Lewis E M 45:28 cd 5248 0520 7194 Illuminated Medieval Manuscript Fragment
Lewis E M 45:28 Lewis E M 45.28 reverse mcai450282 Parchment Unknown 2 Lewis E M 45:28 cd 5248 0520 7194 Music Fragment
Lewis E M 46:1a Lewis E M 46.1a front mcai460013 1100 1150 88 x 187 mm Although the text that this initial begins remains to be identified, it concerns St. Agatha of Catania, a virgin martyr from early Christian times. The red letters "AG" at the top of the cutting and the mention of her name on the reverse indicate that this text is most likely a biography of the saint. Parchment Latin Italy (central) Caroline Minuscule front 1 Lewis E M 46:01a-c front cd 5248 0520 7197 48-bit color 600 ppi 1 Undetermined
Lewis E M 46:1a Lewis E M 46.1a reverse mcai460014 1100 1150 88 x 187 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin Italy (central) Caroline Minuscule reverse 2 Lewis E M 46:01a-c reverse cd 5248 0520 7197 48-bit color 600 ppi 2 Undetermined
Lewis E M 46:1b Lewis E M 46.1b front mcai460015 1000 1099 79 x 102 mm This initial begins an undetermined passage in Florus of Lyon's commentary on the Epistles of Paul. Florus was a theologian, canonist, liturgist, and poet active in Lyon in the first half of the ninth century. The white-vine scroll decoration is very typical of manuscript illumination associated with the monasteries during the Romanesque period. It was later borrowed by illuminators of Humanist manuscripts who thought they were copying ancient manuscripts from the Classical period. Parchment Latin Italy (central) Florus of Lyon Author front 1 Lewis E M 46:01a-c front cd 5248 0520 7197 48-bit color 600 ppi 1 Biblical commentary
Lewis E M 46:1b Lewis E M 46.1b reverse mcai460016 1000 1099 79 x 102 mm This image shows the reverse of a cutting with an decorated initial. Parchment Latin Italy (central) Caroline Minuscule Florus of Lyon Author reverse 2 Lewis E M 46:01a-c reverse cd 5248 0520 7197 48-bit color 600 ppi 2 Biblical commentary
Lewis E M 46:1c Lewis E M 46.1c front mcai460017 1100 1150 100 x 94 mm The precise moment in the liturgy that this initial begins remains to be determined. The interlace pattern resulting from the entwined necks of the two birds that form the letter "M" demonstrates the enduring legacy of pre-Christian Celtic design motifs in medieval art. Parchment Latin Italy (central) Minuscule (with some Gothic elements) front 1 Lewis E M 46:01a-c front cd 5248 0520 7197 48-bit color 600 ppi 1 Choir book
Lewis E M 46:1c Lewis E M 46.1c reverse mcai460018 1100 1150 100 x 94 mm This image shows the reverse of a cutting with an decorated initial from a choir book. Parchment Latin Italy (central) Minuscule (with some Gothic elements) reverse 2 Lewis E M 46:01a-c reverse cd 5248 0520 7197 48-bit color 600 ppi 2 Choir book
Lewis E M 46:2 Lewis E M 46.2 front mcai460021 Parchment Unknown 1 Lewis E M 46:02 cd 5248 0520 7197 Illuminated Mansucript Leaf
Lewis E M 46:2 Lewis E M 46.2 reverse mcai460022 Parchment Unknown 2 Lewis E M 46:02 cd 5248 0520 7198 Verso of Illuminated Manuscript Leaf
Lewis E M 46:3a-c Lewis E M 46.3 front a mcai460033 1250 1299 108 x 122 mm This initial begins an unidentified chant probably sung at the first response of the first nocturn of Matins for the feast of St. Nicholas of Myra (Dec. 6). According to his legend, St. Nicholas miraculously restored to life three children who had been murdered, dismembered, and salted down in a pickling tub by a nefarious inn-keeper. Parchment Latin Florence?, Italy front a 1 Lewis E M 46:03 front a cd 5248 0520 7198 48-bit color 600 ppi 1 Antiphonary
Lewis E M 46:3a-c Lewis E M 46.3 reverse a mcai460034 1250 1299 108 x 122 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Florence?, Italy Rotunda reverse a 2 Lewis E M 46:03 reverse a cd 5248 0520 7198 48-bit color 600 ppi 2 Antiphonary
Lewis E M 46:3a-c Lewis E M 46.3 front b mcai460035 1250 1299 86 x 71 mm This initial begins the first response of the first nocturn of Matins for the feast of St. Laurence of Rome (Aug. 10): "Levita Laurentius bonam opus operatus est ..." (The deacon Lawrence performed a pious act). According to his legend, the third-century saint was martyred under the persecution of Roman Emperor Valerian who ordered him to be burned alive on a gridiron. Parchment Latin Florence?, Italy front b 3 Lewis E M 46:03 front b cd 5248 0520 7198 48-bit color 600 ppi 3 Antiphonary
Lewis E M 46:3a-c Lewis E M 46.3 reverse b mcai460036 1250 1299 86 x 71 mm These cuttings can be dated to ca. 1260s-1270s. Parchment Latin Florence?, Italy Rotunda reverse b 4 Lewis E M 46:03 reverse b cd 5248 0520 7198 48-bit color 600 ppi 4 Antiphonary
Lewis E M 46:3a-c Lewis E M 46.3 front c mcai460037 1250 1299 115 x 136 mm This initial begins the first response of the first nocturn of Matins for the feast of St. John the Baptist (June 24), "Fuit homo missus a deo ..." (There was a man sent from God). Parchment Latin Florence?, Italy front c 5 Lewis E M 46:03 front c cd 5248 0520 7198 48-bit color 600 ppi 5 Antiphonary
Lewis E M 46:3a-c Lewis E M 46.3 reverse c mcai460038 1250 1299 115 x 136 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Florence?, Italy Rotunda reverse c 6 Lewis E M 46:03 reverse c cd 5248 0520 7198 48-bit color 600 ppi 6 Antiphonary
Lewis E M 46:4 Lewis E M 46.4 front mcai460041 1340 1360 109 x 108 mm This initial begins an unidentified chant for a feast celebrating St. Peter. He can be identified here by the key he holds and points to with the other hand. The Gospel of Matthew (16:18-19) records that Christ symbolically gave Peter the keys to heaven. Parchment Latin Florence, Italy front 1 Lewis E M 46:04 front cd 5248 0520 7198 48-bit color 600 ppi 1 Choir book
Lewis E M 46:4 Lewis E M 46.4 reverse mcai460042 1340 1360 109 x 108 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 46:04 reverse cd 5248 0520 7198 48-bit color 600 ppi 2 Choir book
Lewis E M 46:5a-b Lewis E M 46.5 front a mcai460053 1325 1350 152 x 131 mm This initial begins the Introit for Trinity Sunday, "Benedicta sit sancta Trinitas ..." (Blessed be the Holy Trinity). Lewis E M 46:5a-b are from the same manuscript but were executed by different illuminators. The dividing up of labor in this way is not unusual, especially as the demand for luxury choir books grew in the fourteenth century. The illuminator of Lewis E M 46:5a has not been identified. Parchment Latin Siena, Italy front a 1 Lewis E M 46:05 front a cd 5248 0520 7199 48-bit color 600 ppi 1 Gradual
Lewis E M 46:5a-b Lewis E M 46.5 reverse a mcai460054 1325 1350 152 x 131 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena, Italy Rotunda reverse a 2 Lewis E M 46:05 reverse a cd 5248 0520 7199 48-bit color 600 ppi 2 Gradual
Lewis E M 46:5a-b Lewis E M 46.5 front b mcai460055 1325 1350 111 x 119 mm This initial begins the Introit for the feast of the Conversion of St. Paul (Jan. 25), "Scio cui credidi et certus sum ..." (I know him whom I believed and I am certain). Lewis E M 26:5a-b are from the same manuscript but were executed by different illuminators. The dividing up of labor in this way is not unusual, especially as the demand for luxury choir books grew in the fourteenth century. Lewis E M 46:5b has been attributed to the Sant'Eugenio Master, an illuminator active in Siena ca. 1330-1345. So-called after an antiphonary painted by him in the Benedictine abbey of Sant'Eugenio, this master may have been, according to recent scholarship, an illuminator named Cola di Fuccio, who was active through the Ospedale di Santa Maria della Scala in Siena. He is documented from 1316 to 1344. Parchment Latin Siena, Italy Sant'Eugenio Master (Cola di Fuccio) Artist front b 3 Lewis E M 46:05 front b cd 5248 0520 7199 48-bit color 600 ppi 3 Gradual
Lewis E M 46:5a-b Lewis E M 46.5 reverse b mcai460056 1325 1350 111 x 119 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena, Italy Rotunda reverse b 4 Lewis E M 46:05 reverse b cd 5248 0520 7199 48-bit color 600 ppi 4 Gradual
Lewis E M 46:6 Lewis E M 46.6 front mcai460061 1340 1360 177 x 182 mm This initial begins the Introit for the first Sunday in Advent, "Ad te levavi animam meam ..." (I raise my soul to you). Here, Christ appears above a crowd who look up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. The illumination has been attributed to the Master of the Graduale del Carmine, so-called after a choir book illuminated by his hand for the church of Santa Maria del Carmine. He was active from ca. 1340-1360. Parchment Latin Siena, Italy front 1 Lewis E M 46:06 front cd 5248 0520 7199 48-bit color 600 ppi 1 Gradual
Lewis E M 46:6 Lewis E M 46.6 reverse mcai460062 1340 1360 177 x 182 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 46:06 reverse cd 5248 0520 7199 48-bit color 600 ppi 2 Gradual
Lewis E M 46:7 Lewis E M 46.7 front mcai460071 1390 1410 208 x 248 mm This initial begins the Introit for the first Sunday in Advent, "Ad te levavi animam meam ..." (I raise my soul to you). Here, Christ appears above a group of Camaldolese monks and the Old Testament king David, who looks up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. This initial has been attributed to the Sienese illuminator Andrea di Bartolo, an artist active in Siena from ca. 1390 to his death in 1428. Parchment Latin Siena, Italy Andrea di Bartolo Artist front 1 Lewis E M 46:07 front cd 5248 0520 7200 48-bit color 600 ppi 1 Gradual
Lewis E M 46:7 Lewis E M 46.7 reverse mcai460072 1390 1410 208 x 248 mm This is a reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 46:07 reverse cd 5248 0520 7200 48-bit color 600 ppi 2 Gradual
Lewis E M 46:8 Lewis E M 46.8 front mcai460081 1450 1475 216 x 306 mm This initial begins the Introit for the feast of St. John the Evangelist (Dec. 27): "In medio ecclesie aperuit os eius ..." (In the middle of the church, he opened his mouth). The inscription in the book the saint holds is not legible, but it begins with the letter "I," suggesting the opening of John's Gospel, "In principio erat verbum ..." (In the beginning was the Word). Although executed by different artists, physical evidence indicates that Lewis E M 46:8-9 are from the same manuscript. The illuminator of this initial is a close follower of Francesco di Antonio del Chierico (active c.1452-d.1484), a Florentine illuminator who was a favorite of the Florentine statesman and patron of the arts Lorenzo de' Medici (January 1, 1449 ? 9 April 1492). Parchment Latin Florence, Italy Rotunda Francesco d'Antonio del Chierico, follower of Artist front 1 Lewis E M 46:08 front cd 5248 0520 7201 48-bit color 600 ppi 1 Gradual
Lewis E M 46:8 Lewis E M 46.8 reverse mcai460082 1450 1475 216 x 306 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 46:08 reverse cd 5248 0520 7201 48-bit color 600 ppi 2 Gradual
Lewis E M 46:9 Lewis E M 46.9 front mcai460091 1450 1475 294 x 228 mm This initial begins the Introit for the Second Mass at Christmas: "Lux fulgebit hodie super nos ..." (Today, the light will shine upon us). The decoration of this initial has been identified as the work of two Florentine artists: Ser Ricciardo di Nanni, who painted the figure of the Christ-Child, and Filippo di Matteo Torelli, who was responsible for the initial itself. Ricciardo (fl. 1449?80), a priest at Castel Fiorentiono was a student of Torelli's (1409 - 2 May, 1468), and they frequently collaborated on projects. Although they were executed by different artists, physical evidence indicates that Lewis E M 46:8-9 are from the same manuscript. Parchment Latin Italy Rotunda Ser Ricciardo di Nanni | Filippo di Matteo Torelli Artist front 1 Lewis E M 46:09 front cd 5248 0520 7202 48-bit color 600 ppi 1 Gradual
Lewis E M 46:9 Lewis E M 46.9 reverse mcai460092 1450 1475 294 x 228 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 46:09 reverse cd 5248 0520 7202 48-bit color 600 ppi 2 Gradual
Lewis E M 46:10 Lewis E M 46.10 front mcai460101 1440 1460 217 x 318 mm This initial begins Psalm 143, "Benedictus Dominus Deus meus ..." (Blessed by the Lord, my God), sung at Saturday Vespers for the Divine Office. Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 46:10 front cd 5248 0520 7203 48-bit color 600 ppi 1 Breviary
Lewis E M 46:10 Lewis E M 46.10 reverse mcai460102 1440 1460 217 x 318 mm This image shows the reverse of a cutting with an historiated initial from a breviary. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 46:10 reverse cd 5248 0520 7203 48-bit color 600 ppi 2 Breviary
Lewis E M 46:11 Lewis E M 46.11 front mcai460111 1440 1460 235 x 415 mm Initial T with the Apostles Parchment Latin Italy Rotunda front 1 Lewis E M 46:11 front cd 5248 0520 7204 48-bit color 400 ppi 1 Hymnal
Lewis E M 46:11 Lewis E M 46.11 reverse mcai460112 1440 1460 235 x 415 mm This image shows the reverse of a cutting with an historiated initial from a hymnal. Parchment Latin Italy Rotunda reverse 2 Lewis E M 46:11 reverse cd 5248 0520 7204 48-bit color 400 ppi 2 Hymnal
Lewis E M 46:12 Lewis E M 46.12 front mcai460121 1440 1460 125 x 329 mm This initial begins the hymn, "Ad cenam agni providi ..." (At the Lamb's table I discerned...). This hymn was sung on Easter Sunday. Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 46:12 front cd 5248 0520 7204 48-bit color 600 ppi 1 Hymnal
Lewis E M 46:12 Lewis E M 46.12 reverse mcai460122 1440 1460 125 x 329 mm This image shows the reverse of a cutting with an historiated initial from a hymnal. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 46:12 reverse cd 5248 0520 7204 48-bit color 600 ppi 2 Hymnal
Lewis E M 46:13 Lewis E M 46.13 mcai460131 1500 1525 242 x 344 mm These cuttings once belonged to the missal of Cardinal Giulio de? Medici, commissioned sometime before he became Pope Clement VII in 1523. Painted by the illuminator Matteo da Milano (active ca. 1492-1523), the missal was stolen from the Sistine Chapel by Napoleon?s troops in 1798 and later came into the possession of the collector Luigi Celotti, who dismembered the codex and sold it as single leaves in 1825 at a major sale at Christie?s. Celotti is responsible for adding the cartouche identifying the missal?s one-time patron. Parchment Latin Rome, Italy Display script Matteo da Milano Artist front 1 Lewis E M 46:13 front cd 5248 0520 7205 48-bit color 600 ppi 1 Missal
Lewis E M 46:14 Lewis E M 46.14 front mcai460141 1350 1375 235 x 328 mm This initial begins the first response of the first nocturn of Matins of the feast of the Circumcision (Jan. 1), "In principio erat verbum ..." (In the beginning was the Word). Parchment Latin Tuscany, Italy Rotunda front 1 Lewis E M 46:14 front cd 5248 0520 7205 48-bit color 600 ppi 1 Antiphonary
Lewis E M 46:14 Lewis E M 46.14 reverse mcai460142 1350 1375 235 x 328 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Tuscany, Italy Rotunda reverse 2 Lewis E M 46:14 reverse cd 5248 0520 7206 48-bit color 600 ppi 2 Antiphonary
Lewis E M 46:15 Lewis E M 46.15 front mcai460151 1290 1310 135 x 346 mm Initial C with two unidentified saints praying at an altar Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 46:15 front cd 5248 0520 7206 48-bit color 600 ppi 1 Antiphonary
Lewis E M 46:15 Lewis E M 46.15 reverse mcai460152 1290 1310 135 x 346 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 46:15 reverse cd 5248 0520 7207 48-bit color 600 ppi 2 Antiphonary
Lewis E M 46:16 Lewis E M 46.16 front mcai460161 1400 1499 193 x 208 mm This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), "Hodie in Jordane baptizato Domino..." (Today, when the Lord had been baptized in the Jordan). The inclusion of Joseph, the Virgin Mary's husband, points to changes in late medieval attitudes towards Christ's foster-father. Traditionally, Joseph would only infrequently appear in scenes of the Nativity and the Adoration of the Magi, and when he did, he was often depicted as a crippled old man or sometimes more negatively as an inept buffoon. As devotion in the late Middle Ages became more personal, however, theologians and, later, artists adopted a more positive attitude toward Joseph by giving him a more respectable image as the loving and attentive foster-father. Parchment Latin Italy (northeastern) front 1 Lewis E M 46:16 front cd 5248 0520 7207 48-bit color 600 ppi 1 Antiphonary
Lewis E M 46:16 Lewis E M 46.16 reverse mcai460162 1400 1499 193 x 208 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy (northeastern) Rotunda reverse 2 Lewis E M 46:16 reverse cd 5248 0520 7207 48-bit color 600 ppi 2 Antiphonary
Lewis E M 46:17 Lewis E M 46.17 front mcai460171 1450 1499 210 x 310 mm This initial begins the Introit for the Third Mass on Christmas Day, "Puer natus est nobis ..." (For our sakes, a child is born). Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 46:17 front cd 5248 0520 7208 48-bit color 600 ppi 1 Missal
Lewis E M 46:17 Lewis E M 46.17 reverse mcai460172 1450 1499 210 x 310 mm This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true recto, is part of the Second Mass for Christmas Day, from the Gospel reading of Luke 2:15-20 to the Postcommunion prayer. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 46:17 reverse cd 5248 0520 7208 48-bit color 600 ppi 2 Missal
Lewis E M 46:18 Lewis E M 46.18 front mcai460181 1300 1350 168 x 295 mm This initial begins the Introit for the Third Mass on Christmas Day, "Puer natus est nobis ..." (For our sakes, a child is born). Parchment Latin Italy front 1 Lewis E M 46:18 front cd 5248 0520 2631 48-bit color 600 ppi 1 Gradual
Lewis E M 46:18 Lewis E M 46.18 reverse mcai460182 1300 1350 168 x 295 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Italy Rotunda reverse 2 Lewis E M 46:18 reverse cd 5248 0520 2631 48-bit color 600 ppi 2 Gradual
Lewis E M 46:19 Lewis E M 46.19 front mcai460191 1290 1310 135 x 161 mm This initial begins the Introit for the Third Mass on Christmas Day, "Puer natus est nobis ..." (For our sakes, a child is born). Parchment Latin Rimini?, Italy front 1 Lewis E M 46:19 front cd 5248 0520 2631 48-bit color 600 ppi 1 Gradual
Lewis E M 46:19 Lewis E M 46.19 reverse mcai460192 1290 1310 135 x 161 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Rimini?, Italy reverse 2 Lewis E M 46:19 reverse cd 5248 0520 2631 48-bit color 600 ppi 2 Gradual
Lewis E M 47:1 Lewis E M 47.1 front mcai470011 1375 1399 173 x 234 mm This initial probably begins the Introit for the Common of the Doctors of the Church, "In medio ecclesiae aperuit os eius ..." (In the midst of the temple he opened his mouth). The bishop seated below the head of Christ may be St. Ambrose, one of the four Doctors of the Church, and bishop of Milan from 374-397. The Benedictine saint below is likely to be St. Benedict of Nursia, the founder of the Benedictine Order and father of Western monasticism. Parchment Latin Padua, Italy Rotunda front 1 Lewis E M 47:01 front cd 5248 0520 2632 48-bit color 600 ppi 1 Gradual
Lewis E M 47:1 Lewis E M 47.1 reverse mcai470012 1375 1399 173 x 234 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Padua, Italy Rotunda reverse 2 Lewis E M 47:01 reverse cd 5248 0520 2632 48-bit color 600 ppi 2 Gradual
Lewis E M 47:2 Lewis E M 47.2 front mcai470021 1250 1299 196 x 171 mm This initial begins the Introit for the feast of the Annunciation (Mar. 25), "Missus est Gabriel Angelus ..." (The Angel Gabriel was sent). Parchment Latin Italy (central) Rotunda front 1 Lewis E M 47:02 front cd 5248 0520 2632 48-bit color 600 ppi 1 Gradual
Lewis E M 47:2 Lewis E M 47.2 reverse mcai470022 1250 1299 196 x 171 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 47:02 reverse cd 5248 0520 2632 48-bit color 600 ppi 2 Gradual
Lewis E M 47:3 Lewis E M 47.3 front mcai470031 1250 1299 128 x 188 mm Although the precise moment in the liturgy that this initial begins remains to be determined, this monk's black robe identifies him as a Benedictine saint who is most likely the order's founder, St. Benedict of Nursia. The book in his left hand would then represent his "Rule," the text upon which Western monasticism is founded. Parchment Latin Umbria, Italy Rotunda front 1 Lewis E M 47:03 front cd 5248 0520 2638 48-bit color 600 ppi 1 Choir book
Lewis E M 47:3 Lewis E M 47.3 reverse mcai470032 1250 1299 128 x 188 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Umbria, Italy Rotunda reverse 2 Lewis E M 47:03 reverse cd 5248 0520 2638 48-bit color 600 ppi 2 Choir book
Lewis E M 47:3A Lewis E M 47.3A front mcai470033 1300 1315 233 x 197 mm This initial begins the Introit for the Third Mass of Christmas Day, "Puer natus est nobis ..." (For our sakes a child is born). Parchment Latin Venice, Italy front 1 Lewis E M 47:03A front cd 5248 0520 2638 48-bit color 600 ppi 1 Gradual
Lewis E M 47:3A Lewis E M 47.3A reverse mcai470034 1300 1315 233 x 197 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 47:03A reverse cd 5248 0520 2638 48-bit color 600 ppi 2 Gradual
Lewis E M 47:4 Lewis E M 47.4 front mcai470041 1540 1560 155 x 223 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the unknown recipient wearing a monk's habit prays to the Virgin and Child. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the "Master T.o Ve," he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. Parchment Latin Venice, Italy Master T.o Ve Artist front 1 Lewis E M 47:04 front cd 5248 0520 2640 48-bit color 600 ppi 1 Dogale
Lewis E M 47:4 Lewis E M 47.4 reverse mcai470042 1540 1560 155 x 223 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Latin Venice, Italy reverse 2 Lewis E M 47:04 reverse cd 5248 0520 2640 48-bit color 600 ppi 2 Dogale
Lewis E M 47:5 Lewis E M 47.5 front mcai470051 1523 1500 1525 139 x 209 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, Bartholomeo Zorsi, identified here by his coat of arms below, kneels before the Virgin and Christ-child, who extends a hand in blessing toward the governor. St. Bartholomew, his protector saint, appears off to the side with his flayed skin thrown over his shoulder. Above is the lion of St. Mark, the patron saint of Venice. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the "Master T.o Ve," he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. Parchment Latin Venice, Italy Master T.o Ve Artist front 1 Lewis E M 47:05 front cd 5248 0520 2640 48-bit color 600 ppi 1 Dogale
Lewis E M 47:5 Lewis E M 47.5 reverse mcai470052 1523 1500 1525 139 x 209 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Latin Venice, Italy Cancelleresca reverse 2 Lewis E M 47:05 reverse cd 5248 0520 2640 48-bit color 600 ppi 2 Dogale
Lewis E M 47:6 Lewis E M 47.6 front mcai470061 1540 1560 163 x 231 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the recipient kneels before the Virgin and Child. Behind him are two saints who appear to be St. John the Evangelist and St. Francis of Assisi, providing possible clues to the recipient's Christian name. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the "Maestro T.o Ve," he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. Parchment Latin Venice, Italy Master T.o Ve Artist front 1 Lewis E M 47:06 front cd 5248 0520 2634 48-bit color 600 ppi 1 Dogale
Lewis E M 47:6 Lewis E M 47.6 reverse mcai470062 1540 1560 163 x 231 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Latin Venice, Italy Cancelleresca reverse 2 Lewis E M 47:06 reverse cd 5248 0520 2634 48-bit color 600 ppi 2 Dogale
Lewis E M 47:7 Lewis E M 47.7 mcai470071 1540 1560 141 x 206 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the unknown recipient takes a book from St. Mark seated upon a lion, his symbol, as God looks on from above. As the patron saint of Venice, St. Mark represents the city and by extension, the Doge. Parchment Latin Venice, Italy front 1 Lewis E M 47:07 front cd 5248 0520 2634 48-bit color 600 ppi 1 Dogale
Lewis E M 47:8 Lewis E M 47.8 mcai470081 1540 1560 148 x 200 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the Archangel Gabriel stands at the base of stairs leading to heaven and directs the unknown recipient, whose name may have been Gabriel, towards God. Parchment Latin Venice, Italy front 1 Lewis E M 47:08 front cd 5248 0520 2634 48-bit color 600 ppi 1 Dogale
Lewis E M 47:9 Lewis E M 47.9 mcai470091 1540 1560 159 x 231 mm Leaf from a Dogale Parchment Latin Venice, Italy Master T.o Ve Artist front 1 Lewis E M 47:09 front cd 5248 0520 2636 48-bit color 600 ppi 1 Dogale
Lewis E M 47:10 Lewis E M 47.10 mcai470101 Parchment Unknown 1 Lewis E M 47:10 cd 5248 0520 2636 Illuminated Manuscript Fragment
Lewis E M 47:11 Lewis E M 47.11 front mcai470111 1540 1560 158 x 225 mm A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the recipient kneels before the Virgin and Child. Behind him are two saints. The first saint is St. Philip the Apostle, identified here by his cross. The other saint has been identified as St. Louis of Toulouse, to whom a Franciscan church in Venice called San Alvise (the Venetian dialect form of Louis) is dedicated. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the "Master T.o Ve," he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. Parchment Latin Venice, Italy Master T.o Ve Artist front 1 Lewis E M 47:11 front cd 5248 0520 2636 48-bit color 600 ppi 1 Dogale
Lewis E M 47:11 Lewis E M 47.11 reverse mcai470112 1540 1560 158 x 225 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Latin Venice, Italy reverse 2 Lewis E M 47:11 reverse cd 5248 0520 2636 48-bit color 600 ppi 2 Dogale
Lewis E M 47:11A Lewis E M 47.11A front≥ mcai470113 1540 1560 154 x 217 mm Leaf from a Dogale Parchment Latin | Italian Venice, Italy front 1 Lewis E M 47:11A front cd 5248 0520 2644 48-bit color 600 ppi 1 Dogale
Lewis E M 47:11A Lewis E M 47.11A reverse mcai470114 1540 1560 154 x 217 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Latin | Italian Venice, Italy Cancelleresca reverse 2 Lewis E M 47:11A reverse cd 5248 0520 2644 48-bit color 600 ppi 2 Dogale
Lewis E M 47:12-15 Lewis E M 47.12 front mcai470121 1300 1350 233 x 330 mm This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, "Aspiciens a longe ..." (Long had I been watching). Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting. His work can be seen in the figures in this initial, especially in the depiction of the two figures. Parchment Latin Italy Rotunda front 47:12 1 Lewis E M 47:12-15 front 47:12 cd 5248 0520 2644 48-bit color 600 ppi 1 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.12 reverse mcai470122 1300 1350 233 x 330 mm This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true recto, contains the Magnificat antiphon of first Vespers, the invitatory for Matins and the first antiphon for the first nocturn of Matins for the first Sunday in Advent. Parchment Latin Italy Rotunda reverse 47:12 2 Lewis E M 47:12-15 reverse 47:12 cd 5248 0520 2637 48-bit color 600 ppi 2 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.13 front mcai470131 1300 1350 235 x 331 mm Initial D with St. Andrew the Apostle Parchment Latin Italy Rotunda front 47:13 3 Lewis E M 47:12-15 front 47:13 cd 5248 0520 2637 48-bit color 600 ppi 3 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.13 reverse mcai470132 1300 1350 235 x 331 mm This cutting can be dated to ca. 1325. Parchment Latin Italy Rotunda reverse 47:13 4 Lewis E M 47:12-15 reverse 47:13 cd 5248 0520 2646 48-bit color 600 ppi 4 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.14 front mcai470141 1300 1350 237 x 330 mm This initial begins the first response for the first nocturn of Matins for Quinquagesima Sunday, "Locutus est Dominus ad Abraham ..." (The Lord appeared to Abraham). Here, God is represented only by his hand that extends from the heavens to bless the Old Testament patriarch. Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting (see Lewis E M 47:12:15). Parchment Latin Italy Rotunda front 47:14 5 Lewis E M 47:12-15 front 47:14 cd 5248 0520 2646 48-bit color 600 ppi 5 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.14 reverse mcai470142 1300 1350 237 x 330 mm This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Matins of Quinquagesima Sunday. Parchment Latin Italy Rotunda reverse 47:14 6 Lewis E M 47:12-15 reverse 47:14 cd 5248 0520 2639 48-bit color 600 ppi 6 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.12-15 mcai470151 1300 1350 240 x 329 mm This initial begins the first response for the first nocturn of Matins for the Second Sunday in Lent, "Tolle arma tua pharetram, et affer de venatione tua ..." (Take your weapons, quiver and bow) .Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting (see Lewis E M 47:12:15). Parchment Latin Italy Rotunda front 47:15 7 Lewis E M 47:12-15 front 47:15 cd 5248 0520 2639 48-bit color 600 ppi 7 Antiphonary
Lewis E M 47:12-15 Lewis E M 47.12-15 mcai470152 1300 1350 240 x 329 mm This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Matins of the Second Sunday in Lent. Parchment Latin Italy Rotunda reverse 47:15 8 Lewis E M 47:12-15 reverse 47:15 cd 5248 0520 2643 48-bit color 600 ppi 8 Antiphonary
Lewis E M 47:15 Lewis E M 47.15 mcai470153 Parchment Unknown 1 Lewis E M 47:15 cd 5248 0520 2643 Iluminated Manuscript
Lewis E M 47:16 Lewis E M 47.16 mcai470161 1400 1450 174 x 393 mm This initial probably begins the first response of the first nocturn of Matins for the feast of St. Hermagoras (July 12), "Accipe baculum pontificatus ..." (Accept this pontifical staff). St. Hermagoras was the first bishop and patron of Aquileia in Italy. According to his legend, he was consecrated at Rome by St. Peter. Latin inscriptions above the figure's heads identify them as St. Ermargora and St. Petrus. Parchment Latin Venice?, Italy front 1 Lewis E M 47:16 front cd 5248 0520 2643 48-bit color 600 ppi 1 Antiphonary
Lewis E M 47:17 Lewis E M 47.17 front mcai470171 1300 1350 104 x 293 mm The liturgy that this initial begins remains to be determined, as does the iconography. The saintly scribe's youthful features suggest St. John the Evangelist. Parchment Latin Siena, Italy front 1 Lewis E M 47:17 front cd 5248 0520 2643 48-bit color 600 ppi 1 Choir book
Lewis E M 47:17 Lewis E M 47.17 reverse mcai470172 1300 1350 104 x 293 mm This image shows the reverse of a cutting with an historiated initial from a choir book. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 47:17 reverse cd 5248 0520 3332 48-bit color 600 ppi 2 Choir book
Lewis E M 47:18-20 Lewis E M 47.18 front mcai470181 1290 1310 163 x 175 mm This initial begins the Introit for Trinity Sunday, "Benedicta sit sancta Trinitas ..." (Blessed be the Holy Trinity). Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbria illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy. Parchment Latin Umbria, Italy Rotunda First Master of the Gubbio Choirbooks Artist front 47:18 1 Lewis E M 47:18-20 front 47:18 cd 5248 0520 3332 48-bit color 600 ppi 1 Gradual
Lewis E M 47:18-20 Lewis E M 47.18 reverse mcai470182 1290 1310 163 x 175 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Umbria, Italy Rotunda reverse 47:18 2 Lewis E M 47:18-20 reverse 47:18 cd 5248 0520 3332 48-bit color 600 ppi 2 Gradual
Lewis E M 47:18-20 Lewis E M 47.19 front mcai470191 1290 1310 161 x 250 mm Although the iconography of this initial suggests that the chant was sung during the celebration of Pentecost Sunday, the exact moment in the liturgy that this initial begins remains to be determined. Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbrian illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy. Parchment Latin Umbria, Italy Rotunda First Master of the Gubbio Choirbooks Artist front 47:19 3 Lewis E M 47:18-20 front 47:19 cd 5248 0520 3332 48-bit color 600 ppi 3 Gradual
Lewis E M 47:18-20 Lewis E M 47.19 reverse mcai470192 1290 1310 161 x 250 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Umbria, Italy Rotunda reverse 47:19 4 Lewis E M 47:18-20 reverse 47:19 cd 5248 0520 3345 48-bit color 600 ppi 4 Gradual
Lewis E M 47:18-20 Lewis E M 47.20 front mcai470201 1290 1310 110 x 265 mm The liturgy that this initial begins remains to be determined. Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbrian illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy. Parchment Latin Umbria, Italy Rotunda First Master of the Gubbio Choirbooks Artist front 47:20 5 Lewis E M 47:18-20 front 47:20 cd 5248 0520 3345 48-bit color 600 ppi 5 Gradual
Lewis E M 47:18-20 Lewis E M 47.20 reverse mcai470202 1290 1310 110 x 265 mm This is the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Umbria, Italy Rotunda reverse 47:20 6 Lewis E M 47:18-20 reverse 47:20 cd 5248 0520 3345 48-bit color 600 ppi 6 Gradual
Lewis E M 47:21-22 Lewis E M 47.21 front mcai470211 1300 1350 197 x 234 mm This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, "Aspiciens a longe ..." (Long had I been watching). In this initial, Christ appears above two saints who look up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. Lewis E M 47:21-22 are from the same manuscript. Parchment Latin Veneto?, Italy Rotunda front 47:21 1 Lewis E M 47:21-22 front 47:21 cd 5248 0520 3345 48-bit color 600 ppi 1 Antiphonary
Lewis E M 47:21-22 Lewis E M 47.21 reverse mcai470212 1300 1350 197 x 234 mm This image shows the reverse of a cutting with a decorated initial from an antiphonary. Parchment Latin Veneto?, Italy Rotunda reverse 47:21 2 Lewis E M 47:21-22 reverse 47:21 cd 5248 0520 3349 48-bit color 600 ppi 2 Antiphonary
Lewis E M 47:21-22 Lewis E M 47.22 front mcai470221 1300 1350 188 x 232 mm This initial begins the first response of the first nocturn of Matins for Easter Sunday, "Angelus Domini descendit de caelo ..." (The angel of the Lord came down from heaven). Parchment Latin Veneto?, Italy Rotunda front 47:22 3 Lewis E M 47:21-22 front 47:22 cd 5248 0520 3349 48-bit color 600 ppi 3 Antiphonary
Lewis E M 47:21-22 Lewis E M 47.22 reverse mcai470222 1300 1350 188 x 232 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. This side, the true recto, shows a fragment of the invitatory of Matins for Easter Sunday. Parchment Latin Veneto?, Italy Rotunda reverse 47:22 4 Lewis E M 47:21-22 reverse 47:22 cd 5248 0520 3349 48-bit color 600 ppi 4 Antiphonary
Lewis E M 48:1 Lewis E M 48.1 front mcai480011 Parchment Unknown 1 Lewis E M 48:01 cd 5248 0520 3344 Inhabited Initial
Lewis E M 48:1 Lewis E M 48.1 reverse mcai480012 Parchment Unknown 2 Lewis E M 48:01 cd 5248 0520 3344 Music Fragment
Lewis E M 48:2 Lewis E M 48.2 front mcai480021 1450 1475 115 x 113 mm In this initial beginning an unknown chant, St. Benedict, the sixth-century saint and founder of the Benedictine order, holds a book inscribed with the words, "Asculta o fili precepta patris tui et inclina aure[m] cordis tui . . ." (Listen, O my son, to the precepts of thy master, and incline the ear of thy heart). These words are the first of his influential "Rule," a set of instructions and teachings on leading the monastic life that became the foundational text of Western monasticism. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. Parchment Latin Milan, Italy Rotunda front 1 Lewis E M 48:02 front cd 5248 0520 3344 48-bit color 600 ppi 1 Antiphonary
Lewis E M 48:2 Lewis E M 48.2 reverse mcai480022 1450 1475 115 x 113 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 48:02 reverse cd 5248 0520 3344 48-bit color 600 ppi 2 Antiphonary
Lewis E M 48:3 Lewis E M 48.3 front mcai480031 Parchment Unknown 1 Lewis E M 48:03 cd 5248 0520 3344 Illuminated Fragment
Lewis E M 48:3 Lewis E M 48.3 reverse mcai480032 Parchment Unknown 2 Lewis E M 48:03 cd 5248 0520 3344 Music Fragment
Lewis E M 48:3A Lewis E M 48.3A mcai480033 1425 1450 195 x 382 mm This initial probably begins the first response of the first nocturn of Matins of the feast of the Nativity of the Virgin (Sept. 8): "Hodie nata est beata Virgo Maria ex progenie David ..." (Today the Blessed Virgin Mary was born of the line of David). The illumination has been attributed to the Sienese painter Pietro di Giovanni d'Ambrogio (or Ambrosi), active in the second quarter of the fifteenth century, or a close follower of his. Although primarily a panel painter, Pietro di Giovanni is known to have worked as an illuminator as well. Parchment Latin Siena, Italy Pietro di Giovanni d'Ambrogio, or a follower Artist front 1 Lewis E M 48:03A front cd 5248 0520 3350 48-bit color 400 ppi 1 Antiphonary
Lewis E M 48:4 Lewis E M 48.4 front mcai480041 1400 1499 249 x 337 mm Initial S with the Triumphant Scipio Parchment Latin Lombardy, Italy Rotunda Francesco Petrarca Author front 1 Lewis E M 48:04 front cd 5248 0520 3350 48-bit color 600 ppi 1 Africa
Lewis E M 48:4 Lewis E M 48.4 reverse mcai480042 1400 1499 249 x 337 mm This image shows the reverse of a leaf with an historiated initial from Francesco Petrach's epic poem "Africa." This side of the leaf, the true verso, continues part of Book IX, which begins on the front. Parchment Latin Lombardy, Italy Rotunda Francesco Petrarca Author reverse 2 Lewis E M 48:04 reverse cd 5248 0520 3354 48-bit color 600 ppi 2 Africa
Lewis E M 48:5 Lewis E M 48.5 front mcai480051 1440 1460 146 x 135 mm Begins the Introit for the First Sunday in Advent, "Ad te levavi animam meam ..." (All my heart goes out to thee). The Old Testament king David can be identified by his psaltery, the musical instrument placed on the ground in front of him. The psaltery is an allusion to his supposed authorship of the psalms. Parchment Latin Lombardy, Milan?, Italy Rotunda front 1 Lewis E M 48:05 front cd 5248 0520 3354 48-bit color 600 ppi 1 Gradual
Lewis E M 48:5 Lewis E M 48.5 reverse mcai480052 1440 1460 146 x 135 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lombardy, Milan?, Italy Rotunda reverse 2 Lewis E M 48:05 reverse cd 5248 0520 3354 48-bit color 600 ppi 2 Gradual
Lewis E M 48:6 Lewis E M 48.6 front mcai480061 1490 1510 141 x 226 mm This initial begins the first response of the first nocturn of Matins for the feast of Corpus Christi, "Immolabit haedum multitudo filiorum Israel ad vesperam paschae ..." (With the whole assembly of Israel present, the young goat shall be slaughtered on the eve of the Passover). The feast of Corpus Christi commemorates the Holy Eucharist in which the sacrifice of Christ is celebrated. The use of Old Testament imagery in this Christian context has a theological explanation. According to the Book of Exodus in the Hebrew Bible and Christian Old Testament, the blood of a sacrificial lamb marked the homes of the Israelites so that the angel sent to slay the first-born sons of the Egyptians (the tenth plague) would pass over their homes. Since early times, Christians saw this event as a prefiguration of Christ's death in which he became the sacrificial Lamb of God for the salvation of mankind. Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 48:06 front cd 5248 0520 3354 48-bit color 600 ppi 1 Antiphonary
Lewis E M 48:6 Lewis E M 48.6 reverse mcai480062 1490 1510 141 x 226 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 48:06 reverse cd 5248 0520 3352 48-bit color 600 ppi 2 Antiphonary
Lewis E M 48:7 Lewis E M 48.7 front mcai480071 1440 1460 216 x 224 mm This initial begins the Introit for Easter Sunday, "Resurrexi, et adhuc tecum sum, alleluya ..." (I have risen and am still with thee, Alleluia). Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 48:07 front cd 5248 0520 3352 48-bit color 600 ppi 1 Gradual
Lewis E M 48:7 Lewis E M 48.7 reverse mcai480072 1440 1460 216 x 224 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 48:07 reverse cd 5248 0520 3352 48-bit color 600 ppi 2 Gradual
Lewis E M 48:8 Lewis E M 48.8 front mcai480081 1490 1510 80 x 89 mm Although the exact text that this initial begins has not yet been identified, it may begin a chant sung during the feast of St. Martin of Tours (Nov. 11). Text on the reverse supports this identification. Parchment Latin Milan, Italy Rotunda front 1 Lewis E M 48:08 front cd 5248 0520 3352 48-bit color 600 ppi 1 Antiphonary
Lewis E M 48:8 Lewis E M 48.8 reverse mcai480082 1490 1510 80 x 89 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Milan, Italy Rotunda reverse 2 Lewis E M 48:08 reverse cd 5248 0520 3352 48-bit color 600 ppi 2 Antiphonary
Lewis E M 48:9 Lewis E M 48.9 front mcai480091 1100 1199 61 x 128 mm These cuttings are some of the earliest examples of European illumination in the Free Library's collections. Taken from at least two different manuscripts containing probably patristic writings, the cuttings display features typical of the Romanesque style: a nearly abstract formalism that relies on heavy linear patterns to suggest volume and delineate features, flat areas of color that defy rather than define illusionistic space, and a rhetorical expressiveness in the figures' hand gestures and faces that helps to guide the viewer's eye across the page and toward the text. Parchment Latin Italy Caroline Minuscule front 1 Lewis E M 48:09 front cd 5248 0520 3352 48-bit color 600 ppi 1 Patristic writings
Lewis E M 48:9 Lewis E M 48.9 reverse mcai480092 1100 1199 61 x 128 mm This image shows the reverse of three cuttings now pasted together on one mat. As the differences in script indicate, the cuttings are from at least two different manuscripts. Parchment Latin Italy Caroline Minuscule reverse 2 Lewis E M 48:09 reverse cd 5247 0511 5517 48-bit color 600 ppi 2 Patristic writings
Lewis E M 48:10A-E Lewis E M 48.10A-E front mcai480101 1250 1275 164 x 386 mm This initial begins the Gospel of John, with the words "In principio erat verbum ..." (In the beginning was the word). The animated figures filling the shaft of the letter I are typical expressions of the Italian decorative imagination. The eagle, which symbolizes John, turns his head down toward the Evangelist, standing below and gesturing upwards toward his own divinely inspired words. A third figure bears the weight of the architectural ornament that frames the saint and the eagle. Parchment Latin Bologna or Padua?, Italy Rotunda front 1 Lewis E M 48:10A-E front cd 5247 0511 5517 48-bit color 400 ppi 1 Bible, Gospel of John
Lewis E M 48:10A-E Lewis E M 48.10A-E reverse mcai480102 1250 1275 164 x 386 mm This initial from a leaf taken from a bible begins the Prologue to the Gospel of John. Parchment Latin Bologna or Padua?, Italy Rotunda reverse 3 Lewis E M 48:10A-E reverse cd 5247 0511 5517 48-bit color 400 ppi 2 Bible, Gospel of John
Lewis E M 48:11 Lewis E M 48.11 front mcai480111 1250 1299 173 x 191 mm This initial probably begins the Introit for the feast of St. Andrew (Nov. 30), "Dominus secus mare Galilaee vidit duos fratres ..." (The Lord, by the sea of Galile, saw two brothers). Parchment Latin Italy (southern?) front 1 Lewis E M 48:11 front cd 5247 0511 5517 48-bit color 600 ppi 1 Gradual
Lewis E M 48:11 Lewis E M 48.11 reverse mcai480112 1250 1299 173 x 191 mm This image shoes the reverse of a cutting from a gradual. Parchment Latin Italy (southern?) reverse 2 Lewis E M 48:11 reverse cd 5247 0511 5517 48-bit color 600 ppi 2 Gradual
Lewis E M 48:12-13 Lewis E M 48.12 front mcai480121 1290 1310 270 x 440 mm This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. The initial C begins the prologue to Book X of the Codex, the part that contained all of the extant imperial constitutions from the time of Hadrian. Parchment Latin Bologna or Padua?, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author front 48:12 1 Lewis E M 48:12-13 front 48:12 cd 5247 0511 5518 48-bit color 400 ppi 1 Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13 Lewis E M 48.12 reverse mcai480122 1290 1310 270 x 440 mm This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. This image, true recto of this leaf, shows the conclusion to Book IX. Parchment Latin Bologna or Padua?, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author reverse 48:12 2 Lewis E M 48:12-13 reverse 48:12 cd 5247 0511 5518 48-bit color 400 ppi 2 Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13 Lewis E M 48.13 front mcai480131 1290 1310 270 x 441 mm This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. The initial Q begins Book VI of the Codex, the part that contained all of the extant imperial constitutions from the time of Hadrian. Parchment Latin Bologna or Padua?, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author front 48:13 3 Lewis E M 48:12-13 front 48:13 cd 5247 0511 5518 48-bit color 400 ppi 3 Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13 Lewis E M 48.13 reverse mcai480132 1290 1310 270 x 441 mm This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. This image shows the continuation of Book IV begun on the front, or true recto, of this fragment. Parchment Latin Bologna or Padua?, Italy Littera bononiensis Justinian (Emperor, r. 527-565 A.D.) Author reverse 48:13 4 Lewis E M 48:12-13 reverse 48:13 cd 5247 0511 5519 48-bit color 400 ppi 4 Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:14 Lewis E M 48.14 front mcai480141 1325 1350 90 x 331 mm This initial begins the Introit for the feast of John the Evangelist (Dec. 27), "In medio ecclesiae aperuit os ejus," (In the middle of the church, he opened his mouth). It was executed by an illuminator known as the Master of the Dominican Effigies after his eponymous manuscript in the Florentine church Santa Maria Novella. Active in Florence throughout the second quarter of the fourteenth century, the Master of the Dominican Effigies collaborated with and appears to have inherited commissions from Pacino da Buonaguida, who illuminated two cuttings in the Free Library's collection (Lewis E M 25:7a and 8). This cutting is from the same manuscript as Lewis E M 25:33. Parchment Latin Florence, Italy Master of the Dominican Effigies Artist front 1 Lewis E M 48:14 front cd 5247 0511 5519 48-bit color 600 ppi 1 Gradual
Lewis E M 48:14 Lewis E M 48.14 reverse mcai480142 1325 1350 90 x 331 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 48:14 reverse cd 5247 0511 5519 48-bit color 600 ppi 2 Gradual
Lewis E M 48:15 Lewis E M 48.15 front mcai480151 1340 1360 257 x 370 mm This initial begins the Introit for the feast of St. Anne (July 26), "Gaudeamus omnes in domino" (Rejoice we all in the Lord). Parchment Latin Perugia, Italy Rotunda front 1 Lewis E M 48:15 front cd 5247 0511 5519 48-bit color 400 ppi 1 Gradual
Lewis E M 48:15 Lewis E M 48.15 reverse mcai480152 1340 1360 257 x 370 mm This leaf from a gradual contains part of the chant for the feast of St. Mary Magadalene (July 21). Parchment Latin Perugia, Italy Rotunda reverse 2 Lewis E M 48:15 reverse cd 5247 0511 5520 48-bit color 600 ppi 2 Gradual
Lewis E M 48:16 Lewis E M 48.16 front mcai480161 1485 1499 215 x 254 mm This initial begins the Introit for the feast of All Saints (Nov. 1), "Gaudeamus omnes in Domino ..." (Rejoice we all in the Lord). Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 48:16 front cd 5247 0511 5520 48-bit color 600 ppi 1 Gradual
Lewis E M 48:16 Lewis E M 48.16 reverse mcai480162 1485 1499 215 x 254 mm This image shows the reverse of a cutting with an historiated intial from a gradual Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 48:16 reverse cd 5247 0511 5520 48-bit color 600 ppi 2 Gradual
Lewis E M 48:17 Lewis E M 48.17 front mcai480171 Parchment Unknown 1 Lewis E M 48:17 cd 5247 0511 5521 Illuminated Fragment
Lewis E M 48:17 Lewis E M 48.17 reverse mcai480172 Verso Parchment Unknown 2 Lewis E M 48:17 cd 5247 0511 5521 Verso of Illuminated Fragment
Lewis E M 48:18-20 Lewis E M 48.18 front mcai480181 1300 1399 190 x 192 mm This initial begins the first antiphon at Lauds for the feast of St. Dominic of Cuso (Aug. 4), the founder of the Dominican Order, "Adest dies laetitiae ?" According to St. Dominic's legend, a friar living in Brescia saw at the hour of the saint's death a vision in which Christ and the Virgin Mary lowered two ladders upon which St. Dominic's soul ascended into heaven. This initial includes only Christ but the two Dominican friars represent St. Dominic, on the right, and the Brescian friar, on the left. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century. Parchment Latin Italy Rotunda Neri da Rimini Artist front 48:18 1 Lewis E M 48:18-20 front 48:18 cd 5247 0511 5521 48-bit color 600 ppi 1 Antiphonary
Lewis E M 48:18-20 Lewis E M 48.18 reverse mcai480182 1300 1399 190 x 192 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy Rotunda reverse 48:18 2 Lewis E M 48:18-20 reverse 48:18 cd 5247 0511 5521 48-bit color 600 ppi 2 Antiphonary
Lewis E M 48:18-20 Lewis E M 48.19 front mcai480191 1300 1399 231 x 220 mm This initial begins the first response of the first nocturn of Wednesday Matins in the fourth week after Easter: "Deus, canticum novum cant[abo tibi] ..." (Lord, I will sing to you a new song). According to tradition, David, the biblical king of Israel, composed the psalms. Hence, David is often shown playing a harp or psaltery according to his role as the author of these sung prayers. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century. Parchment Latin Italy Rotunda Neri da Rimini Artist front 48:19 3 Lewis E M 48:18-20 front 48:19 cd 5247 0511 5522 48-bit color 600 ppi 3 Antiphonary
Lewis E M 48:18-20 Lewis E M 48.19 reverse mcai480192 1300 1399 231 x 220 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy Rotunda reverse 48:19 4 Lewis E M 48:18-20 reverse 48:19 cd 5247 0511 5522 48-bit color 600 ppi 4 Antiphonary
Lewis E M 48:18-20 Lewis E M 48.20 front mcai480201 1300 1399 249 x 227 mm This initial begins the response, "Si bona suscepimus ..." (If we have received good things), which was sung during remaining Sundays in October and November. Much of late medieval devotion centered on prayers to the Virgin to intercede on one's behalf with her son Jesus Christ. Her special relationship with Christ led, in large part, the extreme popularity of the cult of the Virgin in the late Middle Ages. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century. Parchment Latin Italy Rotunda Neri da Rimini Artist front 48:20 5 Lewis E M 48:18-20 front 48:20 cd 5247 0511 5522 48-bit color 600 ppi 5 Antiphonary
Lewis E M 48:18-20 Lewis E M 48.20 reverse mcai480202 1300 1399 249 x 227 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Italy Rotunda reverse 48:20 6 Lewis E M 48:18-20 reverse 48:20 cd 5247 0511 5523 48-bit color 600 ppi 6 Antiphonary
Lewis E M 48:21 Lewis E M 48.21 front mcai480211 Parchment Unknown 1 Lewis E M 48:21 cd 5247 0511 5523 Illuminated Fragment
Lewis E M 48:21 Lewis E M 48.21 reverse mcai480212 Parchment Unknown 2 Lewis E M 48:21 cd 5247 0511 5523 Verso of Illuminated Fragment
Lewis E M 48:22-23 Lewis E M 48.22 front mcai480221 1400 1499 254 x 366 mm Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon "Vidi aquam egredientem ..." (I saw water flowing), sung during Mass at the aspersion of the holy water from Easter to Pentecost. Lewis E M 48:22-23 and 25-26 are from the same manuscript. Parchment Latin Italy Rotunda front 48:22 1 Lewis E M 48:22-23 front 48:22 cd 5247 0511 5523 48-bit color 400 ppi 1 Processional
Lewis E M 48:22-23 Lewis E M 48.22 reverse mcai480222 1400 1499 254 x 366 mm This image shows the reverse of a leaf with a large flourished initial from a processional. The text continues from the front with the antiphon, "Vide aquam egredientem" (I saw water flowing), sung during Mass at the aspersion of the holy water from Easter to Pentecost. Parchment Latin Italy Rotunda reverse 48:22 2 Lewis E M 48:22-23 reverse 48:22 cd 5247 0511 5523 48-bit color 400 ppi 2 Processional
Lewis E M 48:22-23 Lewis E M 48.23 front mcai480231 1400 1499 254 x 367 mm Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon "Exaudi nos domine ..." (Hear us Lord), sung during Mass throughout the year at the aspersion of the holy water. Lewis E M 48:22-23 and 25-26 are from the same manuscript. Parchment Latin Italy Rotunda front 48:23 3 Lewis E M 48:22-23 front 48:23 cd 5247 0511 5524 48-bit color 400 ppi 3 Processional
Lewis E M 48:22-23 Lewis E M 48.23 reverse mcai480232 1400 1499 254 x 367 mm This cutting can be dated to the 14th or 15th centuries. Parchment Latin Italy Rotunda reverse 4 Lewis E M 48:22-23 reverse cd 5247 0511 5524 48-bit color 400 ppi 4 Processional
Lewis E M 48:24 Lewis E M 48.24 front mcai480241 1500 1599 318 x 455 mm This initial begins the hymn "Vexilla regis prodeunt ..." (Abroad the regal banners fly), sung at Vespers on the first and second Sundays of Passion Week. Parchment Latin Italy Rotunda front 1 Lewis E M 48:24 front cd 5247 0511 5524 48-bit color 400 ppi 1 Hymnal
Lewis E M 48:24 Lewis E M 48.24 mcai480242 1500 1599 318 x 455 mm This image shows the reverse of a leaf with a flourished initial. It contains the final verses of the hymn, "Aures ad nostras deitatis preces ...," sung during Lent in the rite of the Carmelite Order, specifically during second Vespers on Sundays. Parchment Latin Italy Rotunda reverse 2 Lewis E M 48:24 reverse cd 5247 0510 9507 48-bit color 400 ppi 2 Hymnal
Lewis E M 48:24 Lewis E M 48.24 reverse mcai480242 1500 1599 318 x 455 mm This image shows the reverse of a leaf with a flourished initial. It contains the final verses of the hymn, "Aures ad nostras deitatis preces ...," sung during Lent in the rite of the Carmelite Order, specifically during second Vespers on Sundays. Parchment Latin Italy Rotunda reverse 2 Lewis E M 48:24 reverse cd 5247 0511 5502 48-bit color 400 ppi 2 Hymnal
Lewis E M 48:25-26 Lewis E M 48.25-26 mcai480251 1400 1499 256 x 367 mm Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon "Asperges me Domine..." (Thou shalt sprinkle me), sung during Mass at the aspersion of the holy water outside of Eastertide. Lewis E M 48:22-23 and 25-26 are from the same manuscript. Parchment Latin Italy Rotunda front 48:25 1 Lewis E M 48:25-26 front 48:25 cd 5247 0510 9507 48-bit color 400 ppi 1 Processional
Lewis E M 48:25-26 Lewis E M 48.25 front mcai480251 1400 1499 256 x 367 mm Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon "Asperges me Domine..." (Thou shalt sprinkle me), sung during Mass at the aspersion of the holy water outside of Eastertide. Lewis E M 48:22-23 and 25-26 are from the same manuscript. Parchment Latin Italy Rotunda front 48:25 1 Lewis E M 48:25-26 front 48:25 cd 5247 0511 5502 48-bit color 400 ppi 1 Processional
Lewis E M 48:25-26 Lewis E M 48.25-26 mcai480252 1400 1499 256 x 367 mm This image shows the reverse of a leaf with a large flourished initial from a processional. The reverse, originally the true recto, continues the antiphon begun on Lewis E M 48:23, "Exaudi nos domine ..." (Hear us Lord), sung during Mass at the aspersion of the holy water. Parchment Latin Italy Rotunda reverse 48:25 2 Lewis E M 48:25-26 reverse 48:25 cd 5247 0510 9507 48-bit color 400 ppi 2 Processional
Lewis E M 48:25-26 Lewis E M 48.25 reverse mcai480252 1400 1499 256 x 367 mm This image shows the reverse of a leaf with a large flourished initial from a processional. The reverse, originally the true recto, continues the antiphon begun on Lewis E M 48:23, "Exaudi nos domine ..." (Hear us Lord), sung during Mass at the aspersion of the holy water. Parchment Latin Italy Rotunda reverse 48:25 2 Lewis E M 48:25-26 reverse 48:25 cd 5247 0511 5502 48-bit color 400 ppi 2 Processional
Lewis E M 48:25-26 Lewis E M 48.26 front mcai480261 1400 1499 248 x 369 mm Processionals contain the chants and prayers for liturgical processions. Lewis E M 48:22-23 and 25-26 are from the same manuscript. Parchment Latin Italy Rotunda front 48:26 3 Lewis E M 48:25-26 front 48:26 48-bit color 400 ppi 3 Processional
Lewis E M 48:25-26 Lewis E M 48.26 reverse mcai480262 1400 1499 248 x 369 mm This image shows the reverse of a leaf with a decorated initial from a processional. Parchment Latin Italy Rotunda reverse 48:26 4 Lewis E M 48:25-26 reverse 48:26 48-bit color 400 ppi 4 Processional
Lewis E M 48:10A-E Lewis E M 48.10A mcai48101a 1300 1399 234 x 329 mm This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), "Diem festum sacritissime virginis celebremus ..." (Let us celebrate the feast of a most saintly Virgin). Lewis E M 48:10a-e are from the same manuscript. Parchment Latin Italy Rotunda front 48:10A 2 Lewis E M 48:10A-E front 48:10A cd 5248 0520 3359 48-bit color 600 ppi 1 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10B mcai48101b 1300 1399 236 x 327 mm This initial begins the first response of the first nocturn of Matins for Thursdays in the Ferial Office, "Deus in te speravi. ..." (In thee, O Lord, have I hoped). Lewis E M 48:10a-e are from the same manuscript. Parchment Latin Italy Rotunda front 48:10B 5 Lewis E M 48:10A-E front 48:10B cd 5248 0520 3353 48-bit color 600 ppi 3 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10C mcai48101c 1300 1399 238 x 328 mm This initial begins the first response for the first nocturn of Matins for the first Sunday in Lent. The response begins "Ecce nunc tempus acceptabile ..." (Behold, now is the acceptable time). Lewis E M 48:10a-e are from the same manuscript. Parchment Latin Italy Rotunda front 48:10C 7 Lewis E M 48:10A-E front 48:10C cd 5248 0520 3357 48-bit color 600 ppi 5 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10D mcai48101d 1300 1399 233 x 329 mm Initial E Parchment Latin Italy Rotunda front 48:10D 9 Lewis E M 48:10A-E front 48:10D cd 5248 0520 3360 48-bit color 600 ppi 7 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10E mcai48101e 1300 1399 232 x 328 mm This initial begins the first response of the first nocturn for Matins for the feast of St. Vincent (Jan. 22), "Sacram praesentis diei solempnitatem humili celebremus ..." (We celebrate with humility the sacred solemnity of the present day). Parchment Latin Italy Rotunda front 48:10E 11 Lewis E M 48:10A-E front 48:10E cd 5248 0520 3363 48-bit color 600 ppi 9 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10A reverse mcai48102a 1300 1399 234 x 329 mm This image shows the reverse of a leaf with a decorated initial taken from an antiphonary. It contains some of the antiphons for the first nocturn of Matins for the feast of St. Agnes (Jan. 21). Parchment Latin Italy Rotunda reverse 48:10A 4 Lewis E M 48:10A-E reverse 48:10A cd 5248 0520 3359 48-bit color 600 ppi 2 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10B reverse mcai48102b 1300 1399 236 x 327 mm These cuttings can be dated to the 14th or 15th centuries. Parchment Latin Italy Rotunda reverse 48:10B 6 Lewis E M 48:10A-E reverse 48:10B cd 5248 0520 3353 48-bit color 600 ppi 4 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10C reverse mcai48102c 1300 1399 238 x 328 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the second and third responses for the first nocturn of Matins for the first Sunday in Lent. Parchment Latin Italy Rotunda reverse 48:10C 8 Lewis E M 48:10A-E reverse 48:10C cd 5248 0520 3357 48-bit color 600 ppi 6 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10D reverse mcai48102d 1300 1399 233 x 329 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the invitatory and antiphons for the first nocturn of Matins for the third Sunday in Advent. Parchment Latin Italy Rotunda reverse 48:10D 10 Lewis E M 48:10A-E reverse 48:10D cd 5248 0520 3360 48-bit color 600 ppi 8 Antiphonary
Lewis E M 48:10A-E Lewis E M 48.10E reverse mcai48102e 1300 1399 232 x 328 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the invitatory and antiphons of the first nocturn for Matins for the feast of St. Vincent (Jan. 22). Parchment Latin Italy Rotunda reverse 48:10E 12 Lewis E M 48:10A-E reverse 48:10E cd 5248 0520 3363 48-bit color 600 ppi 10 Antiphonary
Lewis E M 49:1 Lewis E M 49.1 front mcai490011 Parchment Unknown 1 Lewis E M 49:01 cd 5247 0511 5490 Historiated Initial
Lewis E M 49:1 Lewis E M 49.1 reverse mcai490012 Parchment Unknown 2 Lewis E M 49:01 cd 5247 0511 5490 Music Fragment
Lewis E M 49:2 Lewis E M 49.2 front mcai490021 Parchment Unknown 1 Lewis E M 49:02 cd 5247 0511 5490 Illuminated Music Fragment
Lewis E M 49:2 Lewis E M 49.2 reverse mcai490022 Parchment Unknown 2 Lewis E M 49:02 cd 5247 0511 5490 Music Fragment
Lewis E M 49:3 Lewis E M 49.3 front mcai490031 Parchment Unknown 1 Lewis E M 49:03 cd 5247 0511 1736 Illuminated Historiated Initial Music Fragment
Lewis E M 49:3 Lewis E M 49.3 reverse mcai490032 Parchment Unknown 2 Lewis E M 49:03 cd 5247 0511 1736 Music Fragment
Lewis E M 49:4 Lewis E M 49.4 front mcai490041 1400 1499 The conclusion of the Gospel for the Fourth Sunday after Pentecost (Mark 8:24-26) and the beginning of the Gospel for the Fifth Sunday after Pentecost. (Matthew 5:19-22) The miniature shows Jesus talking to the apostles. Parchment Italy Rotunda front 1 Lewis E M 49:04 front cd 5247 0511 1741 Evangelary
Lewis E M 49:4 Lewis E M 49.4 reverse mcai490042 Parchment Unknown 2 Lewis E M 49:04 cd 5247 0511 1741 Evangelary
Lewis E M 49:5 Lewis E M 49.5 front mcai490051 1539 270 x 370 mm The arms of Juan Pardo de Tavera, Cardinal of Toledo, are depicted in the bottom center of the leaf. Parchment Latin Toledo, Spain Rotunda 1 Lewis E M 49:05 cd 5247 0511 1741 Leaf from a missal with miniature depicting Jesus washing Peter's feet
Lewis E M 49:5 Lewis E M 49.5 reverse mcai490052 1539 270 x 370 mm Parchment Latin Toledo, Spain Rotunda reverse 2 Lewis E M 49:05 reverse cd 5247 0511 1741 Leaf from a missal with miniature depicting Jesus washing Peter's feet
Lewis E M 49:7 Lewis E M 49.7 front mcai490071 Parchment Unknown 1 Lewis E M 49:07 cd 5247 0511 5493 Illuminated Manuscript Fragment
Lewis E M 49:7 Lewis E M 49.7 reverse mcai490072 Parchment Unknown 2 Lewis E M 49:07 cd 5247 0511 5493 Verso of Illuminated Manuscript Fragment
Lewis E M 49:8 Lewis E M 49.8 front a mcai490080 Parchment Unknown 1 Lewis E M 49:08 cd 5247 0511 1740 Manuscript Fragment with Decorated Initial
Lewis E M 49:8 Lewis E M 49.8 reverse a mcai490081 Parchment Unknown 2 Lewis E M 49:08 cd 5247 0511 5493 Illuminated Manuscript Border Fragment
Lewis E M 49:8 Lewis E M 49.8 front b mcai490082 Parchment Unknown 3 Lewis E M 49:08 cd 5247 0511 1740 Illuminated Manuscript Border Fragment
Lewis E M 49:9 Lewis E M 49.9 front mcai490091 Parchment Unknown 1 Lewis E M 49:09 cd 5247 0511 5495 Historiated Initial
Lewis E M 49:9 Lewis E M 49.9 reverse mcai490092 Parchment Unknown 2 Lewis E M 49:09 cd 5247 0511 5495 Historiated Initial
Lewis E M 49:10 Lewis E M 49.10 front mcai490101 Parchment Unknown 1 Lewis E M 49:10 cd 5247 0511 5495 Historiated Initial
Lewis E M 49:10 Lewis E M 49.10 reverse mcai490102 Parchment Unknown 2 Lewis E M 49:10 cd 5247 0511 5495 Music Leaf
Lewis E M 49:11 Lewis E M 49.11 front mcai490111 Parchment Unknown 1 Lewis E M 49:11 cd 5247 0511 5496 Female Saint with Attendant Transporting a Reliquary by Boat
Lewis E M 49:11 Lewis E M 49.11 reverse mcai490112 Parchment Unknown 2 Lewis E M 49:11 cd 5247 0511 5496 Medieval Manuscript Fragment
Lewis E M 49:12 Lewis E M 49.12 front mcai490121 Parchment Unknown 1 Lewis E M 49:12 cd 5247 0511 5497 Illuminated Medieval Manuscript Fragment
Lewis E M 49:12 Lewis E M 49.12 reverse mcai490122 Parchment Unknown 2 Lewis E M 49:12 cd 5247 0511 5497 Medieval Manuscript Fragment
Lewis E M 50:1 Lewis E M 50.1 front mcai500011 86 x 83 mm The initial A in this cutting was painted in Italy, probably in the fifteenth or sixteenth centuries. The scene within the initial, however, is by an artist working in the nineteenth-century. Medieval art became fashionable in the Victorian period, and the demand for illuminated manuscripts tempted many artists to make forgeries to sell to unwitting buyers. Parchment Latin Italy front 1 Lewis E M 50:01 front cd 5247 0511 1738 48-bit color 600 ppi 1 Choir book
Lewis E M 50:1 Lewis E M 50.1 reverse mcai500012 86 x 83 mm This image shows the reverse of a cutting from a medieval choir book with an historiated initial painted in the nineteenth century. Parchment Latin Italy Rotunda reverse 2 Lewis E M 50:01 reverse cd 5247 0511 1738 48-bit color 600 ppi 2 Choir book
Lewis E M 50:2 Lewis E M 50.2 front mcai500021 1450 1499 109 x 152 mm St. Laurence of Rome Parchment Latin Italy (northern) front 1 Lewis E M 50:02 front cd 5247 0511 1738 48-bit color 600 ppi 1 Antiphonary
Lewis E M 50:2 Lewis E M 50.2 reverse mcai500022 1450 1499 109 x 152 mm This image shows the reverse of a cutting from an historiated initial in a choir book. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 50:02 reverse cd 5247 0511 1738 48-bit color 600 ppi 2 Antiphonary
Lewis E M 50:3 Lewis E M 50.3 front mcai500031 1500 1599 87 x 429 mm The saint pictured in this cutting is St. Scholastica, the patron saint of nuns and the sister of St. Benedict of Nursia, the founder of the Dominican Order. She is identified here by her Dominican habit and her attributes, the dove and a lily. Parchment Latin France? front 1 Lewis E M 50:03 front cd 5247 0511 1738 48-bit color 400 ppi 1 undetermined
Lewis E M 50:3 Lewis E M 50.3 reverse mcai500032 Parchment Unknown 2 Lewis E M 50:03 cd 5247 0511 1738 Medieval Manuscript Fragment Verso
Lewis E M 50:4 Lewis E M 50.4 front mcai500041 1400 1450 207 x 219 mm This initial begins the Introit for the Dedication of a Church, "Terribilis est locus iste hic domus dei est et porta caeli ..." (This is a fearsome place; it is the house of God and the gate of heaven). Much of the initial has been restored by a nineteenth-century hand, but the style recalls the work of Sienese illumination of the fifteenth century. Parchment Latin Central Italy front 1 Lewis E M 50:04 front cd 5247 0511 1738 48-bit color 600 ppi 1 Gradual
Lewis E M 50:4 Lewis E M 50.4 reverse mcai500042 1400 1450 207 x 219 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Central Italy Rotunda reverse 2 Lewis E M 50:04 reverse cd 5247 0511 5499 48-bit color 600 ppi 2 Gradual
Lewis E M 50:5 Lewis E M 50.5 front mcai500051 1400 1450 188 x 345 mm This initial begins the Introit for the feast of St. John the Baptist (June 24), "De ventre matris meae uocauit me dominus nomine meo ..." (When I was still lying in my mother's womb the Lord sent his summons to me by name). Much of the initial has been restored by a nineteenth-century hand, but the style recalls the work of Sienese illumination of the fifteenth century. Parchment Latin Siena?, Italy front 1 Lewis E M 50:05 front cd 5247 0511 5499 48-bit color 600 ppi 1 Gradual
Lewis E M 50:5 Lewis E M 50.5 reverse mcai500052 1400 1450 188 x 345 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin Siena?, Italy Rotunda reverse 2 Lewis E M 50:05 reverse cd 5247 0511 2338 48-bit color 600 ppi 2 Gradual
Lewis E M 50:6 Lewis E M 50.6 front mcai500061 1400 1499 205 x 290 mm Initial C with Christ adored by the Apostles and angels Parchment Latin Italy front 1 Lewis E M 50:06 front cd 5247 0511 2338 48-bit color 600 ppi 1 Choir book
Lewis E M 50:6 Lewis E M 50.6 reverse mcai500062 Parchment Unknown 2 Lewis E M 50:06 cd 5247 0511 2335 Music Leaf Verso
Lewis E M 50:7 Lewis E M 50.7 front mcai500071 1500 1515 195 x 194 mm This initial may begin the Introit for the feast of the Assumption (Aug. 15), "Gaudeamus omnes in domini" (Rejoice we all in the all the Lord). Parchment Latin France front 1 Lewis E M 50:07 front cd 5247 0511 2335 48-bit color 600 ppi 1 Gradual
Lewis E M 50:7 Lewis E M 50.7 reverse mcai500072 1500 1515 159 x 194 mm This image shows the reverse of a cutting with an historiated initial from a gradual. Parchment Latin France Liturgical bookhand reverse 2 Lewis E M 50:07 reverse cd 5247 0511 2335 48-bit color 600 ppi 2 Gradual
Lewis E M 63:1-31 Lewis E M 63.1 front mcai630011 1300 1399 347 x 485 mm This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. The page begins the Book of Leviticus, which is mainly concerned with laws and priestly rituals. In the initial V that begins the book, Aaron appears offering a sacrificial lamb to God. The image of the sacrificial lamb prefigures Christ's sacrifice, which is described in the New Testament. Parchment Latin Germany Gothic bookhand front 63:1 1 Lewis E M 63:01-31 front 63:1 cd 5248 0520 7119 48-bit color 400 ppi 1 Bible
Lewis E M 63:1-31 Lewis E M 63.1 reverse mcai630012 1300 1399 347 x 485 mm This image shows the reverse of a leaf with an historiated initial from a Bible. Parchment Latin Germany Gothic bookhand reverse 63:1 2 Lewis E M 63:01-31 reverse 63:1 cd 5248 0520 7119 48-bit color 400 ppi 2 Bible
Lewis E M 63:1-31 Lewis E M 63.2 front mcai630021 1300 1399 347 x 485 mm This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Judges, which in its first chapters tells how God chose Judah to lead the Israelites against the Canaanites and Perizzites and how they were defeated. The historiated initial P on this page represents Judah being appointed leader of Israel. Parchment Latin Germany Gothic bookhand front 63:2 3 Lewis E M 63:01-31 front 63:2 cd 5248 0520 7120 48-bit color 400 ppi 3 Bible
Lewis E M 63:1-31 Lewis E M 63.2 reverse mcai630022 1300 1399 347 x 485 mm This image shows the reverse of a leaf with an historiated initial from a Bible. Parchment Latin Germany Gothic bookhand reverse 63:2 4 Lewis E M 63:01-31 reverse 63:2 cd 5248 0520 7120 48-bit color 400 ppi 4 Bible
Lewis E M 63:1-31 Lewis E M 63.3 front mcai630031 1300 1399 347 x 485 mm This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins 3 Kings, which tells of David's later life. In the initial E, David appears in bed, weak with old age, being attended to by the young and beautiful maiden Abishag. Parchment Latin Germany Gothic bookhand front 63:3 5 Lewis E M 63:01-31 front 63:3 cd 5248 0520 7121 48-bit color 400 ppi 5 Bible
Lewis E M 63:1-31 Lewis E M 63.3 reverse mcai630032 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:3 6 Lewis E M 63:01-31 reverse 63:3 cd 5248 0520 7121 48-bit color 400 ppi 6 Bible
Lewis E M 63:1-31 Lewis E M 63.4 front mcai630041 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:4 7 Lewis E M 63:01-31 front 63:4 cd 5248 0520 7122 48-bit color 400 ppi 7 Bible
Lewis E M 63:1-31 Lewis E M 63.4 reverse mcai630042 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:4 8 Lewis E M 63:01-31 reverse 63:4 cd 5248 0520 7122 48-bit color 400 ppi 8 Bible
Lewis E M 63:1-31 Lewis E M 63.5 front mcai630051 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:5 9 Lewis E M 63:01-31 front 63:5 cd 5248 0520 7123 48-bit color 400 ppi 9 Bible
Lewis E M 63:1-31 Lewis E M 63.5 reverse mcai630052 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:5 10 Lewis E M 63:01-31 reverse 63:5 cd 5248 0520 7123 48-bit color 400 ppi 10 Bible
Lewis E M 63:1-31 Lewis E M 63.6 front mcai630061 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:6 11 Lewis E M 63:01-31 front 63:6 cd 5248 0520 7124 48-bit color 400 ppi 11 Bible
Lewis E M 63:1-31 Lewis E M 63.6 reverse mcai630062 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:6 12 Lewis E M 63:01-31 reverse 63:6 cd 5248 0520 7124 48-bit color 400 ppi 12 Bible
Lewis E M 63:1-31 Lewis E M 63.7 front mcai630071 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:7 13 Lewis E M 63:01-31 front 63:7 cd 5248 0520 7761 48-bit color 400 ppi 13 Bible
Lewis E M 63:1-31 Lewis E M 63.7 reverse mcai630072 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:7 14 Lewis E M 63:01-31 reverse 63:7 cd 5248 0520 7761 48-bit color 400 ppi 14 Bible
Lewis E M 63:1-31 Lewis E M 63.8 front mcai630081 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:8 15 Lewis E M 63:01-31 front 63:8 cd 5248 0520 7762 48-bit color 400 ppi 15 Bible
Lewis E M 63:1-31 Lewis E M 63.8 reverse mcai630082 1300 1399 347 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:8 16 Lewis E M 63:01-31 reverse 63:8 cd 5248 0520 7762 48-bit color 400 ppi 16 Bible
Lewis E M 63:1-31 Lewis E M 63.9 front mcai630091 1300 1399 350 x 486 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:9 17 Lewis E M 63:01-31 front 63:9 cd 5248 0520 7689 48-bit color 400 ppi 17 Bible
Lewis E M 63:1-31 Lewis E M 63.9 reverse mcai630092 1300 1399 350 x 486 mm This image shows the reverse of a leaf with an historiated initial from a Bible. Parchment Latin Germany Gothic bookhand reverse 63:9 18 Lewis E M 63:01-31 reverse 63:9 cd 5248 0520 7689 48-bit color 400 ppi 18 Bible
Lewis E M 63:1-31 Lewis E M 63.10 front mcai630101 1300 1399 349 x 487 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:10 19 Lewis E M 63:01-31 front 63:10 cd 5248 0520 7691 48-bit color 400 ppi 19 Bible
Lewis E M 63:1-31 Lewis E M 63.10 reverse mcai630102 1300 1399 349 x 487 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:10 20 Lewis E M 63:01-31 reverse 63:10 cd 5248 0520 7691 48-bit color 400 ppi 20 Bible
Lewis E M 63:1-31 Lewis E M 63.11 front mcai630111 1300 1399 350 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:11 21 Lewis E M 63:01-31 front 63:11 cd 5248 0520 7692 48-bit color 400 ppi 21 Bible
Lewis E M 63:1-31 Lewis E M 63.11 reverse mcai630112 1300 1399 350 x 485 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:11 22 Lewis E M 63:01-31 reverse 63:11 cd 5248 0520 7692 48-bit color 400 ppi 22 Bible
Lewis E M 63:1-31 Lewis E M 63.12 front mcai630121 1300 1399 345 x 479 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:12 23 Lewis E M 63:01-31 front 63:12 cd 5248 0520 6039 48-bit color 400 ppi 23 Bible
Lewis E M 63:1-31 Lewis E M 63.12 reverse mcai630122 1300 1399 345 x 479 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:12 24 Lewis E M 63:01-31 reverse 63:12 cd 5248 0520 6039 48-bit color 400 ppi 24 Bible
Lewis E M 63:1-31 Lewis E M 63.13 front mcai630131 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:13 25 Lewis E M 63:01-31 front 63:13 cd 5248 0520 7694 48-bit color 400 ppi 25 Bible
Lewis E M 63:1-31 Lewis E M 63.13 reverse mcai630132 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:13 26 Lewis E M 63:01-31 reverse 63:13 cd 5248 0520 7694 48-bit color 400 ppi 26 Bible
Lewis E M 63:1-31 Lewis E M 63.14 front mcai630141 1300 1399 347 x 481 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:14 27 Lewis E M 63:01-31 front 63:14 cd 5248 0520 7695 48-bit color 400 ppi 27 Bible
Lewis E M 63:1-31 Lewis E M 63.14 reverse mcai630142 1300 1399 347 x 481 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:14 28 Lewis E M 63:01-31 reverse 63:14 cd 5248 0520 7695 48-bit color 400 ppi 28 Bible
Lewis E M 63:1-31 Lewis E M 63.15 front mcai630151 1300 1399 350 x 480 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:15 29 Lewis E M 63:01-31 front 63:15 cd 5248 0520 7697 48-bit color 400 ppi 29 Bible
Lewis E M 63:1-31 Lewis E M 63.15 reverse mcai630152 1300 1399 350 x 480 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:15 30 Lewis E M 63:01-31 reverse 63:15 cd 5248 0520 7697 48-bit color 400 ppi 30 Bible
Lewis E M 63:1-31 Lewis E M 63.16 front mcai630161 1300 1399 349 x 480 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:16 32 Lewis E M 63:01-31 front 63:16 cd 5248 0520 7698 48-bit color 400 ppi 32 Bible
Lewis E M 63:1-31 Lewis E M 63.16 reverse mcai630162 1300 1399 349 x 480 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:16 31 Lewis E M 63:01-31 reverse 63:16 cd 5248 0520 7698 48-bit color 400 ppi 31 Bible
Lewis E M 63:1-31 Lewis E M 63.17 front mcai630171 1300 1399 348 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:17 33 Lewis E M 63:01-31 front 63:17 cd 5248 0520 7699 48-bit color 400 ppi 33 Bible
Lewis E M 63:1-31 Lewis E M 63.17 reverse mcai630172 1300 1399 348 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:17 34 Lewis E M 63:01-31 reverse 63:17 cd 5248 0520 7699 48-bit color 400 ppi 34 Bible
Lewis E M 63:1-31 Lewis E M 63.18 front mcai630181 1300 1399 347 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:18 35 Lewis E M 63:01-31 front 63:18 cd 5248 0520 7701 48-bit color 400 ppi 35 Bible
Lewis E M 63:1-31 Lewis E M 63.18 reverse mcai630182 1300 1399 347 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:18 36 Lewis E M 63:01-31 reverse 63:18 cd 5248 0520 7701 48-bit color 400 ppi 36 Bible
Lewis E M 63:1-31 Lewis E M 63.19 front mcai630191 1300 1399 337 x 480 mm This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Malachi, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial O that begins the book, Malachi is depicted enthroned. Parchment Latin Germany Gothic bookhand front 63:19 37 Lewis E M 63:01-31 front 63:19 cd 5248 0520 7703 48-bit color 400 ppi 37 Bible
Lewis E M 63:1-31 Lewis E M 63.19 reverse mcai630192 1300 1399 337 x 480 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:19 38 Lewis E M 63:01-31 reverse 63:19 cd 5248 0520 7703 48-bit color 400 ppi 38 Bible
Lewis E M 63:1-31 Lewis E M 63.20 front mcai630201 1300 1399 350 x 478 mm This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins a letter from the ninth-century theologian Hrabanus Maurus to King Louis. Hrabanus Maurus wrote a number of Bible commentaries, including a commentary on Maccabees, the book that this epistle precedes. Parchment Latin Germany Gothic bookhand front 63:20 39 Lewis E M 63:01-31 front 63:20 cd 5248 0520 2550 48-bit color 400 ppi 39 Bible
Lewis E M 63:1-31 Lewis E M 63.20 reverse mcai630202 1300 1399 350 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:20 40 Lewis E M 63:01-31 reverse 63:20 cd 5248 0520 2550 48-bit color 400 ppi 40 Bible
Lewis E M 63:1-31 Lewis E M 63.21 front mcai630211 1300 1399 350 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:21 41 Lewis E M 63:01-31 front 63:21 cd 5248 0520 2541 48-bit color 400 ppi 41 Bible
Lewis E M 63:1-31 Lewis E M 63.21 reverse mcai630212 1300 1399 350 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:21 42 Lewis E M 63:01-31 reverse 63:21 cd 5248 0520 2541 48-bit color 400 ppi 42 Bible
Lewis E M 63:1-31 Lewis E M 63.22 front mcai630221 1300 1399 349 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:22 43 Lewis E M 63:01-31 front 63:22 cd 5248 0520 2552 48-bit color 400 ppi 43 Bible
Lewis E M 63:1-31 Lewis E M 63.22 reverse mcai630222 1300 1399 349 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:22 44 Lewis E M 63:01-31 reverse 63:22 cd 5248 0520 2552 48-bit color 400 ppi 44 Bible
Lewis E M 63:1-31 Lewis E M 63.23 front mcai630231 1300 1399 344 x 479 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:23 45 Lewis E M 63:01-31 front 63:23 cd 5248 0520 2543 48-bit color 400 ppi 45 Bible
Lewis E M 63:1-31 Lewis E M 63.23 reverse mcai630232 1300 1399 344 x 479 mm This image shows the reverse of a leaf with an historiated initial from a Bible. Parchment Latin Germany Gothic bookhand reverse 63:23 46 Lewis E M 63:01-31 reverse 63:23 cd 5248 0520 2543 48-bit color 400 ppi 46 Bible
Lewis E M 63:1-31 Lewis E M 63.24 front mcai630241 1300 1399 337 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:24 47 Lewis E M 63:01-31 front 63:24 cd 5248 0520 2554 48-bit color 400 ppi 47 Bible
Lewis E M 63:1-31 Lewis E M 63.24 reverse mcai630242 1300 1399 337 x 476 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:24 48 Lewis E M 63:01-31 reverse 63:24 cd 5248 0520 2554 48-bit color 400 ppi 48 Bible
Lewis E M 63:1-31 Lewis E M 63.25 front mcai630251 1300 1399 347 x 479 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:25 49 Lewis E M 63:01-31 front 63:25 cd 5248 0520 2497 48-bit color 400 ppi 49 Bible
Lewis E M 63:1-31 Lewis E M 63.25 reverse mcai630252 1300 1399 347 x 479 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:25 50 Lewis E M 63:01-31 reverse 63:25 cd 5248 0520 2497 48-bit color 400 ppi 50 Bible
Lewis E M 63:1-31 Lewis E M 63.26 front mcai630261 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:26 51 Lewis E M 63:01-31 front 63:26 cd 5248 0520 2487 48-bit color 400 ppi 51 Bible
Lewis E M 63:1-31 Lewis E M 63.26 reverse mcai630262 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:26 52 Lewis E M 63:01-31 reverse 63:26 cd 5248 0520 2487 48-bit color 400 ppi 52 Bible
Lewis E M 63:1-31 Lewis E M 63.27 front mcai630271 1300 1399 344 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:27 53 Lewis E M 63:01-31 front 63:27 cd 5248 0520 2547 48-bit color 400 ppi 53 Bible
Lewis E M 63:1-31 Lewis E M 63.27 reverse mcai630272 1300 1399 344 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:27 54 Lewis E M 63:01-31 reverse 63:27 cd 5248 0520 2547 48-bit color 400 ppi 54 Bible
Lewis E M 63:1-31 Lewis E M 63.28 front mcai630281 1300 1399 345 x 475 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:28 55 Lewis E M 63:01-31 front 63:28 cd 5248 0520 2557 48-bit color 400 ppi 55 Bible
Lewis E M 63:1-31 Lewis E M 63.28 reverse mcai630282 1300 1399 345 x 475 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:28 56 Lewis E M 63:01-31 reverse 63:28 cd 5248 0520 2557 48-bit color 400 ppi 56 Bible
Lewis E M 63:1-31 Lewis E M 63.29 front mcai630291 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:29 57 Lewis E M 63:01-31 front 63:29 cd 5248 0520 2549 48-bit color 400 ppi 57 Bible
Lewis E M 63:1-31 Lewis E M 63.29 reverse mcai630292 1300 1399 345 x 478 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:29 58 Lewis E M 63:01-31 reverse 63:29 cd 5248 0520 2549 48-bit color 400 ppi 58 Bible
Lewis E M 63:1-31 Lewis E M 63.30 front mcai630301 1300 1399 345 x 471 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:30 59 Lewis E M 63:01-31 front 63:30 cd 5248 0520 2559 48-bit color 400 ppi 59 Bible
Lewis E M 63:1-31 Lewis E M 63.30 reverse mcai630302 1300 1399 345 x 471 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:30 60 Lewis E M 63:01-31 reverse 63:30 cd 5248 0520 2559 48-bit color 400 ppi 60 Bible
Lewis E M 63:1-31 Lewis E M 63.31 front mcai630311 1300 1399 345 x 470 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand front 63:31 61 Lewis E M 63:01-31 front 63:31 cd 5248 0520 2488 48-bit color 400 ppi 61 Bible
Lewis E M 63:1-31 Lewis E M 63.31 reverse mcai630312 1300 1399 345 x 470 mm These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. Parchment Latin Germany Gothic bookhand reverse 63:31 62 Lewis E M 63:01-31 reverse 63:31 cd 5248 0520 2488 48-bit color 400 ppi 62 Bible
Lewis E M 64:1 Lewis E M 64.1 front mcai640011 Parchment Unknown 1 Lewis E M 64:01 cd 5248 0520 2561 Illuminated Music Leaf
Lewis E M 64:1 Lewis E M 64.1 reverse mcai640012 Parchment Unknown 2 Lewis E M 64:01 cd 5248 0520 2561 Illuminated Music Leaf
Lewis E M 64:2 Lewis E M 64.2 front mcai640021 1425 1450 355 x 520 mm Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. It can be dated to ca. 1435. Parchment Latin Regensburg, Germany Liturgical bookhand Master of the Morgan Biblia Pauperum Artist front 1 Lewis E M 64:02 front cd 5253 0521 6737 48-bit color 400 ppi 1 Gradual
Lewis E M 64:2 Lewis E M 64.2 reverse mcai640022 1425 1450 355 x 520 mm Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. It can be dated to ca. 1435. Parchment Latin Regensburg, Germany reverse 2 Lewis E M 64:02 reverse cd 5253 0521 6737 48-bit color 400 ppi 2 Gradual
Lewis E M 64:3 Lewis E M 64.3 front mcai640031 Parchment Unknown 1 Lewis E M 64:03 cd 5253 0521 6741 Music Leaf
Lewis E M 64:3 Lewis E M 64.3 reverse mcai640032 Parchment Unknown 2 Lewis E M 64:03 cd 5253 0521 6741 Illuminated Music Leaf
Lewis E M 64:4 Lewis E M 64.4 front mcai640041 Parchment Unknown 1 Lewis E M 64:04 cd 5253 0521 6738 Illuminated Music Leaf
Lewis E M 64:4 Lewis E M 64.4 reverse mcai640042 Parchment Unknown 2 Lewis E M 64:04 cd 5253 0521 6738 Illuminated Music Leaf
Lewis E M 64:5 Lewis E M 64.5 front mcai640051 Parchment Unknown 1 Lewis E M 64:05 cd 5253 0521 6743 Illuminated Music Leaf
Lewis E M 64:5 Lewis E M 64.5 reverse mcai640052 Parchment Unknown 2 Lewis E M 64:05 cd 5253 0521 6743 Illuminated Music Leaf
Lewis E M 64:6 Lewis E M 64.6 front mcai640061 Parchment Unknown 1 Lewis E M 64:06 cd 5253 0521 6740 Illuminated Music Leaf
Lewis E M 64:6 Lewis E M 64.6 reverse mcai640062 Parchment Unknown 2 Lewis E M 64:06 cd 5253 0521 6740 Illuminated Music Leaf
Lewis E M 64:7 Lewis E M 64.7 front mcai640071 Parchment Unknown 1 Lewis E M 64:07 cd 5253 0521 6742 Illuminated Music Leaf
Lewis E M 64:7 Lewis E M 64.7 reverse mcai640072 Parchment Unknown 2 Lewis E M 64:07 cd 5253 0521 6742 Illuminated Music Leaf
Lewis E M 64:8 Lewis E M 64.8 front mcai640081 Parchment Unknown 1 Lewis E M 64:08 cd 5253 0521 6747 Illuminated Manuscript Leaf
Lewis E M 64:8 Lewis E M 64.8 reverse mcai640082 Parchment Unknown 2 Lewis E M 64:08 cd 5253 0521 6747 Illuminated Manuscript Leaf
Lewis E M 64:9 Lewis E M 64.9 front mcai640091 Parchment Unknown 1 Lewis E M 64:09 cd 5253 0521 6744 Illuminated Music Leaf
Lewis E M 64:9 Lewis E M 64.9 reverse mcai640092 Parchment Unknown 2 Lewis E M 64:09 cd 5253 0521 6744 Illuminated Manuscript Leaf
Lewis E M 64:10 Lewis E M 64.10 front mcai640101 Parchment Unknown 1 Lewis E M 64:10 cd 5253 0521 6749 Illuminated Music Leaf
Lewis E M 64:10 Lewis E M 64.10 reverse mcai640102 Parchment Unknown 2 Lewis E M 64:10 cd 5253 0521 6749 Illuminated Music Leaf
Lewis E M 64:11 Lewis E M 64.11 front a mcai640111 Parchment Unknown 1 Lewis E M 64:11 cd 5248 0520 6883 Illuminated Music Leaf
Lewis E M 64:11 Lewis E M 64.11 reverse a mcai640112 Parchment Unknown 2 Lewis E M 64:11 cd 5248 0520 6883 Illuminated Music Leaf
Lewis E M 64:11 Lewis E M 64.11 front b mcai640113 Parchment Unknown 3 Lewis E M 64:11 cd 5248 0520 6884 Illuminated Music Leaf
Lewis E M 64:11 Lewis E M 64.11 reverse b mcai640114 Parchment Unknown 4 Lewis E M 64:11 cd 5248 0520 6884 Illuminated Music Leaf
Lewis E M 64:12 Lewis E M 64.12 front mcai640121 Parchment Unknown 1 Lewis E M 64:12 cd 5248 0520 6885 Illuminated Music Leaf
Lewis E M 64:12 Lewis E M 64.12 reverse mcai640122 Parchment Unknown 2 Lewis E M 64:12 cd 5248 0520 6885 Illuminated Manuscript Leaf
Lewis E M 64:13 Lewis E M 64.13 front mcai640131 1425 1450 355 x 520 mm Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. These leaves can be dated to ca. 1430. Parchment Latin Regensburg, Germany Liturgical bookhand front 1 Lewis E M 64:13 front cd 5248 0520 6886 48-bit color 400 ppi 1 Gradual
Lewis E M 64:13 Lewis E M 64.13 reverse mcai640132 1425 1450 355 x 520 mm Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. These leaves can be dated to ca. 1430. Parchment Latin Regensburg, Germany Liturgical bookhand Master of the Morgan Biblia Pauperum Artist reverse 2 Lewis E M 64:13 reverse cd 5248 0520 6886 48-bit color 400 ppi 2 Gradual
Lewis E M 64:14 Lewis E M 64.14 front a mcai640141 Parchment Unknown 1 Lewis E M 64:14 cd 5248 0520 6887 Illuminated Music Leaf
Lewis E M 64:14 Lewis E M 64.14 reverse a mcai640142 Parchment Unknown 2 Lewis E M 64:14 cd 5248 0520 6887 Illuminated Music Leaf
Lewis E M 64:14 Lewis E M 64.14 front b mcai640143 Parchment Unknown 3 Lewis E M 64:14 cd 5248 0520 6888 Illuminated Music Leaf
Lewis E M 64:14 Lewis E M 64.14 reverse b mcai640144 Parchment Unknown 4 Lewis E M 64:14 cd 5248 0520 6888 Illuminated Music Leaf
Lewis E M 64:15 Lewis E M 64.15 front mcai640151 Parchment Unknown 1 Lewis E M 64:15 cd 5248 0520 6889 Medieval Manuscript Fragment
Lewis E M 64:15 Lewis E M 64.15 reverse mcai640152 Parchment Unknown 2 Lewis E M 64:15 cd 5248 0520 6889 Medieval Manuscript Fragment, Verso
Lewis E M 64:16 Lewis E M 64.16 front mcai640161 Parchment Unknown 1 Lewis E M 64:16 cd 5248 0520 6890 Illuminated Music Leaf
Lewis E M 64:16 Lewis E M 64.16 reverse mcai640162 Parchment Unknown 2 Lewis E M 64:16 cd 5248 0520 6890 Illuminated Music Leaf
Lewis E M 64:17 Lewis E M 64.17 front mcai640171 Parchment Unknown 1 Lewis E M 64:17 cd 5248 0520 6891 Illuminated Music Leaf
Lewis E M 64:17 Lewis E M 64.17 reverse mcai640172 Parchment Unknown 2 Lewis E M 64:17 cd 5248 0520 6891 Illuminated Music Leaf
Lewis E M 64:18 Lewis E M 64.18 front mcai640181 Parchment Unknown 1 Lewis E M 64:18 cd 5248 0520 6892 Illuminated Music Leaf
Lewis E M 64:18 Lewis E M 64.18 reverse mcai640182 Parchment Unknown 2 Lewis E M 64:18 cd 5248 0520 6892 Illuminated Music Leaf
Lewis E M 64:19 Lewis E M 64.19 front a mcai640191 Parchment Unknown 1 Lewis E M 64:19 cd 5248 0520 3199 Illuminated Music Leaf
Lewis E M 64:19 Lewis E M 64.19 reverse a mcai640192 Parchment Unknown 2 Lewis E M 64:19 cd 5248 0520 3199 Illuminated Music Leaf
Lewis E M 64:19 Lewis E M 64.19 front b mcai640193 Parchment Unknown 3 Lewis E M 64:19 cd 5248 0520 3187 Illuminated Music Leaf
Lewis E M 64:19 Lewis E M 64.19 reverse b mcai640194 Parchment Unknown 4 Lewis E M 64:19 cd 5248 0520 3187 Illuminated Music Leaf
Lewis E M 64:20 Lewis E M 64.20 front a mcai640201 Parchment Unknown 1 Lewis E M 64:20 cd 5248 0520 3202 Music Fragment
Lewis E M 64:20 Lewis E M 64.20 reverse a mcai640202 Parchment Unknown 2 Lewis E M 64:20 cd 5248 0520 3202 Music Fragment
Lewis E M 64:20 Lewis E M 64.20 front b mcai640203 Parchment Unknown 3 Lewis E M 64:20 cd 5248 0520 3188 Musical Fragment
Lewis E M 64:20 Lewis E M 64.20 reverse b mcai640204 Parchment Unknown 4 Lewis E M 64:20 cd 5248 0520 3188 Music Fragrment
Lewis E M 64:21 Lewis E M 64.21 front a mcai640211 Parchment Unknown 1 Lewis E M 64:21 cd 5248 0520 3192 Decorated Initial Music Fragment
Lewis E M 64:21 Lewis E M 64.21 reverse a mcai640212 Parchment Unknown 2 Lewis E M 64:21 cd 5248 0520 3192 Music Fragment with Decorated Initial
Lewis E M 64:21 Lewis E M 64.21 front b mcai640213 Parchment Unknown 3 Lewis E M 64:21 cd 5248 0520 3190 Music Fragment with Decorated Initial
Lewis E M 64:21 Lewis E M 64.21 reverseb mcai640214 Parchment Unknown 4 Lewis E M 64:21 cd 5248 0520 3190 Music Fragment with Decorated Initial
Lewis E M 64:22 Lewis E M 64.22 front a mcai640221 Parchment Unknown 1 Lewis E M 64:22 cd 5248 0520 3194 Music Fragment with Decorated Initial
Lewis E M 64:22 Lewis E M 64.22 reverse a mcai640222 Parchment Unknown 2 Lewis E M 64:22 cd 5248 0520 3194 Music Fragment with Decorated Initial
Lewis E M 64:22 Lewis E M 64.22 front b mcai640223 Parchment Unknown 3 Lewis E M 64:22 cd 5248 0520 3206 Music Fragment with Decorated Initial
Lewis E M 64:22 Lewis E M 64.22 reverse b mcai640224 Parchment Unknown 4 Lewis E M 64:22 cd 5248 0520 3206 Music Fragment with Decorated Initial
Lewis E M 64:23 Lewis E M 64.23 front a mcai640231 Parchment Unknown 1 Lewis E M 64:23 cd 5248 0520 3196 Music Fragment with Decorated Initial
Lewis E M 64:23 Lewis E M 64.23 reverse a mcai640232 Parchment Unknown 2 Lewis E M 64:23 cd 5248 0520 3196 Music Fragment with Decorated Initial
Lewis E M 64:23 Lewis E M 64.23 front b mcai640233 Parchment Unknown 3 Lewis E M 64:23 cd 5248 0520 3209 Music Fragment with Decorated Initial
Lewis E M 64:23 Lewis E M 64.23 reverse b mcai640234 Parchment Unknown 4 Lewis E M 64:23 cd 5248 0520 3209 Music Fragment with Decorated Initial
Lewis E M 64:24 Lewis E M 64.24 front a mcai640241 Parchment Unknown 1 Lewis E M 64:24 cd 5248 0520 3198 Music Fragment with Decorated Initial
Lewis E M 64:24 Lewis E M 64.24 reverse a mcai640242 Parchment Unknown 2 Lewis E M 64:24 cd 5248 0520 3198 Music Fragment with Decorated Initial
Lewis E M 64:24 Lewis E M 64.24 front b mcai640243 Parchment Unknown 3 Lewis E M 64:24 cd 5248 0520 3211 Music Fragment with Decorated Initial
Lewis E M 64:24 Lewis E M 64.24 reverse b mcai640244 Parchment Unknown 4 Lewis E M 64:24 cd 5248 0520 3211 Music Fragment with Decorated Initial
Lewis E M 64:25 Lewis E M 64.25 front a mcai640251 Parchment Unknown 1 Lewis E M 64:25 cd 5248 0520 3214 Music Fragment with Decorated Initial
Lewis E M 64:25 Lewis E M 64.25 reverse a mcai640252 Parchment Unknown 2 Lewis E M 64:25 cd 5248 0520 3214 Music Fragment with Decorated Initial
Lewis E M 64:25 Lewis E M 64.25 front b mcai640253 Parchment Unknown 3 Lewis E M 64:25 cd 5248 0520 3200 Music Fragment with Decorated Initial
Lewis E M 64:25 Lewis E M 64.25 reverse b mcai640254 Parchment Unknown 4 Lewis E M 64:25 cd 5248 0520 3200 Music Fragment with Decorated Initial
Lewis E M 64:26 Lewis E M 64.26 front a mcai640261 Parchment Unknown 1 Lewis E M 64:26 cd 5248 0520 3216 Music Fragment with Decorated Initial
Lewis E M 64:26 Lewis E M 64.26 reverse a mcai640262 Parchment Unknown 2 Lewis E M 64:26 cd 5248 0520 3216 Music Fragment with Decorated Initial
Lewis E M 64:26 Lewis E M 64.26 front b mcai640263 Parchment Unknown 3 Lewis E M 64:26 cd 5248 0520 3205 Music Fragment with Decorated Initial
Lewis E M 64:26 Lewis E M 64.26 reverse b mcai640264 Parchment Unknown 4 Lewis E M 64:26 cd 5248 0520 3205 Music Fragment with Decorated Initial
Lewis E M 64:27 Lewis E M 64.27 front a mcai640271 Parchment Unknown 1 Lewis E M 64:27 cd 5248 0520 3218 Illuminated Music Leaf
Lewis E M 64:27 Lewis E M 64.27 reverse a mcai640272 Parchment Unknown 2 Lewis E M 64:27 cd 5248 0520 3218 Illuminated Music Leaf
Lewis E M 64:27 Lewis E M 64.27 front b mcai640273 Parchment Unknown 3 Lewis E M 64:27 cd 5248 0520 3208 Illuminated Music Leaf
Lewis E M 64:27 Lewis E M 64.27 reverse b mcai640274 Parchment Unknown 4 Lewis E M 64:27 cd 5248 0520 3208 Illuminated Music Leaf
Lewis E M 64:28 Lewis E M 64.28 front mcai640281 Parchment Unknown 1 Lewis E M 64:28 cd 5248 0520 3210 Illuminated Music Leaf
Lewis E M 64:28 Lewis E M 64.28 reverse mcai640282 Parchment Unknown 2 Lewis E M 64:28 cd 5248 0520 3210 Illuminated Music Leaf
Lewis E M 65:1-78 Lewis E M 65.1-78 mcai650011 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:1 1 Lewis E M 65:01-78 front 65:1 cd 5248 0520 3213 48-bit color 400 ppi 1 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.1 front mcai650011 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:1 1 Lewis E M 65:01-78 front 65:1 cd 6243 2112 6761 48-bit color 400 ppi 1 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.1-78 mcai650012 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:1 2 Lewis E M 65:01-78 reverse 65:1 cd 5248 0520 3213 48-bit color 400 ppi 2 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.1 reverse mcai650012 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:1 2 Lewis E M 65:01-78 reverse 65:1 cd 6243 2112 6761 48-bit color 400 ppi 2 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.2 front mcai650021 1425 1450 360 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:2 3 Lewis E M 65:01-78 front 65:2 cd 5248 0520 3212 48-bit color 400 ppi 3 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.2 reverse mcai650022 1425 1450 360 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:2 4 Lewis E M 65:01-78 reverse 65:2 cd 5248 0520 3212 48-bit color 400 ppi 4 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.3 front mcai650031 1425 1450 361 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:3 5 Lewis E M 65:01-78 front 65:3 cd 5248 0520 3215 48-bit color 400 ppi 5 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.3 reverse mcai650032 1425 1450 361 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:3 6 Lewis E M 65:01-78 reverse 65:3 cd 5248 0520 3215 48-bit color 400 ppi 6 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.4 front mcai650041 1425 1450 360 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:4 7 Lewis E M 65:01-78 front 65:4 cd 5248 0520 3225 48-bit color 400 ppi 7 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.4 reverse mcai650042 1425 1450 360 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:4 8 Lewis E M 65:01-78 reverse 65:4 cd 5248 0520 3225 48-bit color 400 ppi 8 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.5 front mcai650051 1425 1450 357 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:5 9 Lewis E M 65:01-78 front 65:5 cd 5248 0520 3229 48-bit color 400 ppi 9 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.5 reverse mcai650052 1425 1450 357 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:5 10 Lewis E M 65:01-78 reverse 65:5 cd 5248 0520 3229 48-bit color 400 ppi 10 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.6 front mcai650061 1425 1450 359 x 509 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:6 12 Lewis E M 65:01-78 reverse 65:6 cd 5248 0520 3217 48-bit color 400 ppi 12 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.6 reverse mcai650062 1425 1450 359 x 509 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:6 11 Lewis E M 65:01-78 front 65:6 cd 5248 0520 3217 48-bit color 400 ppi 11 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.7 front mcai650071 1425 1450 359 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:7 14 Lewis E M 65:01-78 reverse 65:7 cd 5248 0520 3231 48-bit color 400 ppi 14 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.7 reverse mcai650072 1425 1450 359 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:7 13 Lewis E M 65:01-78 front 65:7 cd 5248 0520 3231 48-bit color 400 ppi 13 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.8 front mcai650081 1425 1450 359 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:8 15 Lewis E M 65:01-78 front 65:8 cd 5248 0520 3219 48-bit color 400 ppi 15 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.8 reverse mcai650082 1425 1450 359 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:8 16 Lewis E M 65:01-78 reverse 65:8 cd 5248 0520 3219 48-bit color 400 ppi 16 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.9 front mcai650091 1425 1450 356 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:9 17 Lewis E M 65:01-78 front 65:9 cd 5248 0520 3223 48-bit color 400 ppi 17 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.9 reverse mcai650092 1425 1450 356 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:9 18 Lewis E M 65:01-78 reverse 65:9 cd 5248 0520 3223 48-bit color 400 ppi 18 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.10 front mcai650101 1425 1450 357 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:10 19 Lewis E M 65:01-78 front 65:10 cd 5248 0520 3221 48-bit color 400 ppi 19 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.10 reverse mcai650102 1425 1450 357 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:10 20 Lewis E M 65:01-78 reverse 65:10 cd 5248 0520 3221 48-bit color 400 ppi 20 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.11 front mcai650111 1425 1450 357 x 519 mm This initial begins the first response of the first nocturn of Matins for the first Sunday after Pentecost, "Preparate corde vestra domino et servite illi soli." (Prepare your hearts for the Lord and serve him only). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk. Parchment Latin Melk, Austria Gothic bookhand front 65:11 21 Lewis E M 65:01-78 front 65:11 cd 5248 0520 3224 48-bit color 400 ppi 21 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.11 reverse mcai650112 1425 1450 357 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:11 22 Lewis E M 65:01-78 reverse 65:11 cd 5248 0520 3224 48-bit color 400 ppi 22 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.12 front mcai650121 1425 1450 358 x 516 mm Initial P with St. John the Evangelist Parchment Latin Melk, Austria Gothic bookhand front 65:12 23 Lewis E M 65:01-78 front 65:12 cd 5248 0520 3566 48-bit color 400 ppi 23 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.12 reverse mcai650122 1425 1450 358 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:12 24 Lewis E M 65:01-78 reverse 65:12 cd 5248 0520 3566 48-bit color 400 ppi 24 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.13 front mcai650131 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:13 25 Lewis E M 65:01-78 front 65:13 cd 5248 0520 2553 48-bit color 400 ppi 25 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.13 reverse mcai650132 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:13 26 Lewis E M 65:01-78 reverse 65:13 cd 5248 0520 2553 48-bit color 400 ppi 26 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.14 front mcai650141 1425 1450 355 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:14 27 Lewis E M 65:01-78 front 65:14 cd 5248 0520 2491 48-bit color 400 ppi 27 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.14 reverse mcai650142 1425 1450 355 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:14 28 Lewis E M 65:01-78 reverse 65:14 cd 5248 0520 2491 48-bit color 400 ppi 28 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.15 front mcai650151 1425 1450 360 x 510 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:15 29 Lewis E M 65:01-78 front 65:15 cd 5248 0520 2555 48-bit color 400 ppi 29 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.15 reverse mcai650152 1425 1450 360 x 510 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:15 30 Lewis E M 65:01-78 reverse 65:15 cd 5248 0520 2555 48-bit color 400 ppi 30 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.16 front mcai650161 1425 1450 352 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:16 31 Lewis E M 65:01-78 front 65:16 cd 5248 0520 2489 48-bit color 400 ppi 31 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.16 reverse mcai650162 1425 1450 352 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:16 32 Lewis E M 65:01-78 reverse 65:16 cd 5248 0520 2489 48-bit color 400 ppi 32 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.17 front mcai650171 1425 1450 352 x 514 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:17 33 Lewis E M 65:01-78 front 65:17 cd 5248 0520 2556 48-bit color 400 ppi 33 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.17 reverse mcai650172 1425 1450 353 x 514 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:17 34 Lewis E M 65:01-78 reverse 65:17 cd 5248 0520 2556 48-bit color 400 ppi 34 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.18 front mcai650181 1425 1450 354 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:18 35 Lewis E M 65:01-78 front 65:18 cd 5248 0520 2492 48-bit color 400 ppi 35 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.18 reverse mcai650182 1425 1450 354 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:18 36 Lewis E M 65:01-78 reverse 65:18 cd 5248 0520 2492 48-bit color 400 ppi 36 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.19 front mcai650191 1425 1450 361 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:19 37 Lewis E M 65:01-78 front 65:19 cd 5253 0521 6892 48-bit color 400 ppi 37 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.19 reverse mcai650192 1425 1450 361 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:19 38 Lewis E M 65:01-78 reverse 65:19 cd 5253 0521 6892 48-bit color 400 ppi 38 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.20 front mcai650201 1425 1450 359 x 511 mm This initial begins the first antiphon at Lauds for the feast of the Birth John the Baptist (June 24), "Elyzabeth zachariae magnum virum genuit johannem baptistam precursorem domini." (Elizabeth [wife] of Zachary gave birth to John the Baptist, a great man and precursor of the Lord). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk. Parchment Latin Melk, Austria Gothic bookhand front 65:20 39 Lewis E M 65:01-78 front 65:20 cd 5253 0521 6895 48-bit color 400 ppi 39 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.20 reverse mcai650202 1425 1450 359 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:20 40 Lewis E M 65:01-78 reverse 65:20 cd 5253 0521 6895 48-bit color 400 ppi 40 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.21 front mcai650211 1425 1450 354 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:21 41 Lewis E M 65:01-78 front 65:21 cd 5253 0521 6894 48-bit color 400 ppi 41 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.21 reverse mcai650212 1425 1450 354 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:21 42 Lewis E M 65:01-78 reverse 65:21 cd 5253 0521 6894 48-bit color 400 ppi 42 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.22 front mcai650221 1425 1450 358 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:22 43 Lewis E M 65:01-78 front 65:22 cd 5253 0521 6897 48-bit color 400 ppi 43 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.22 reverse mcai650222 1425 1450 358 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:22 44 Lewis E M 65:01-78 reverse 65:22 cd 5253 0521 6897 48-bit color 400 ppi 44 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.23 front mcai650231 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:23 45 Lewis E M 65:01-78 front 65:23 cd 5253 0521 6896 48-bit color 400 ppi 45 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.23 reverse mcai650232 1425 1450 358 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:23 46 Lewis E M 65:01-78 reverse 65:23 cd 5253 0521 6896 48-bit color 400 ppi 46 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.24 front mcai650241 1425 1450 359 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:24 47 Lewis E M 65:01-78 front 65:24 cd 5253 0521 6899 48-bit color 400 ppi 47 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.24 reverse mcai650242 1425 1450 359 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:24 48 Lewis E M 65:01-78 reverse 65:24 cd 5253 0521 6899 48-bit color 400 ppi 48 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.25 front mcai650251 1425 1450 357 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:25 49 Lewis E M 65:01-78 front 65:25 cd 5253 0521 6898 48-bit color 400 ppi 49 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.25 reverse mcai650252 1425 1450 357 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:25 50 Lewis E M 65:01-78 reverse 65:25 cd 5253 0521 6898 48-bit color 400 ppi 50 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.26 front mcai650261 1425 1450 358 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:26 51 Lewis E M 65:01-78 front 65:26 cd 5253 0521 6901 48-bit color 400 ppi 51 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.26 reverse mcai650262 1425 1450 358 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:26 52 Lewis E M 65:01-78 reverse 65:26 cd 5253 0521 6901 48-bit color 400 ppi 52 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.27 front mcai650271 1425 1450 354 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:27 53 Lewis E M 65:01-78 front 65:27 cd 5253 0521 6900 48-bit color 400 ppi 53 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.27 reverse mcai650272 1425 1450 354 x 511 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:27 54 Lewis E M 65:01-78 reverse 65:27 cd 5253 0521 6900 48-bit color 400 ppi 54 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.28 front mcai650281 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:28 55 Lewis E M 65:01-78 front 65:28 cd 5253 0521 6903 48-bit color 400 ppi 55 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.28 reverse mcai650282 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:28 56 Lewis E M 65:01-78 reverse 65:28 cd 5253 0521 6903 48-bit color 400 ppi 56 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.29 front mcai650291 1425 1450 354 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:29 57 Lewis E M 65:01-78 front 65:29 cd 5253 0521 6902 48-bit color 400 ppi 57 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.29 reverse mcai650292 1425 1450 354 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:29 58 Lewis E M 65:01-78 reverse 65:29 cd 5253 0521 6902 48-bit color 400 ppi 58 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.30 front mcai650301 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:30 59 Lewis E M 65:01-78 front 65:30 cd 5253 0521 6905 48-bit color 400 ppi 59 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.30 reverse mcai650302 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:30 60 Lewis E M 65:01-78 reverse 65:30 cd 5253 0521 6905 48-bit color 400 ppi 60 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.31 front mcai650311 1425 1450 356 x 510 mm Initial L Parchment Latin Melk, Austria Gothic bookhand front 65:31 61 Lewis E M 65:01-78 front 65:31 cd 5253 0521 6904 48-bit color 400 ppi 61 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.31 reverse mcai650312 1425 1450 356 x 510 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:31 62 Lewis E M 65:01-78 reverse 65:31 cd 5253 0521 6904 48-bit color 400 ppi 62 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.32 front mcai650321 1425 1450 357 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:32 63 Lewis E M 65:01-78 front 65:32 cd 5253 0521 5320 48-bit color 400 ppi 63 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.32 reverse mcai650322 1425 1450 357 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:32 64 Lewis E M 65:01-78 reverse 65:32 cd 5253 0521 5320 48-bit color 400 ppi 64 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.33 front mcai650331 1425 1450 360 x 509 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:33 65 Lewis E M 65:01-78 front 65:33 cd 5253 0521 6909 48-bit color 400 ppi 65 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.33 reverse mcai650332 1425 1450 360 x 509 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:33 66 Lewis E M 65:01-78 reverse 65:33 cd 5253 0521 6909 48-bit color 400 ppi 66 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.34 front mcai650341 1425 1450 358 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:34 67 Lewis E M 65:01-78 front 65:34 cd 5253 0521 6911 48-bit color 400 ppi 67 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.34 reverse mcai650342 1425 1450 358 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:34 68 Lewis E M 65:01-78 reverse 65:34 cd 5253 0521 6911 48-bit color 400 ppi 68 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.35 front mcai650351 1425 1450 361 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:35 69 Lewis E M 65:01-78 front 65:35 cd 5253 0521 6908 48-bit color 400 ppi 69 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.35 reverse mcai650352 1425 1450 361 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:35 70 Lewis E M 65:01-78 reverse 65:35 cd 5253 0521 6908 48-bit color 400 ppi 70 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.36 front mcai650361 1425 1450 358 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:36 71 Lewis E M 65:01-78 front 65:36 cd 5253 0521 6912 48-bit color 400 ppi 71 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.36 reverse mcai650362 1425 1450 358 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:36 72 Lewis E M 65:01-78 reverse 65:36 cd 5253 0521 6912 48-bit color 400 ppi 72 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.37 front mcai650371 1425 1450 358 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:37 73 Lewis E M 65:01-78 front 65:37 cd 5253 0521 6910 48-bit color 400 ppi 73 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.37 reverse mcai650372 1425 1450 358 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:37 74 Lewis E M 65:01-78 reverse 65:37 cd 5253 0521 6910 48-bit color 400 ppi 74 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.38 front mcai650381 1425 1450 360 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:38 75 Lewis E M 65:01-78 front 65:38 cd 5253 0521 6924 48-bit color 400 ppi 75 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.38 reverse mcai650382 1425 1450 360 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:38 76 Lewis E M 65:01-78 reverse 65:38 cd 5253 0521 6924 48-bit color 400 ppi 76 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.39 front mcai650391 1425 1450 360 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:39 77 Lewis E M 65:01-78 front 65:39 cd 5253 0521 6991 48-bit color 400 ppi 77 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.39 reverse mcai650392 1425 1450 360 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:39 78 Lewis E M 65:01-78 reverse 65:39 cd 5253 0521 6991 48-bit color 400 ppi 78 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.40 front mcai650401 1425 1450 360 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:40 79 Lewis E M 65:01-78 front 65:40 cd 5253 0521 6994 48-bit color 400 ppi 79 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.40 reverse mcai650402 1425 1450 360 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:40 80 Lewis E M 65:01-78 reverse 65:40 cd 5253 0521 6994 48-bit color 400 ppi 80 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.41 front mcai650411 1425 1450 359 x 517 mm This initial begins the first antiphon of Lauds for the feast of St. John the Baptist (June 24), "Elisabeth Zacharie magnum virum genuit johannem baptistam precursorem domini" (Elizabeth [the wife] of Zachary, gave birth to a great man, John the Baptist, the precursor of Christ).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk. Parchment Latin Melk, Austria Gothic bookhand front 65:41 81 Lewis E M 65:01-78 front 65:41 cd 5253 0521 6993 48-bit color 400 ppi 81 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.41 reverse mcai650412 1425 1450 359 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:41 82 Lewis E M 65:01-78 reverse 65:41 cd 5253 0521 6993 48-bit color 400 ppi 82 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.42 front mcai650421 1425 1450 363 x 527 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:42 83 Lewis E M 65:01-78 front 65:42 cd 5253 0521 6996 48-bit color 400 ppi 83 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.42 reverse mcai650422 1425 1450 363 x 527 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:42 84 Lewis E M 65:01-78 reverse 65:42 cd 5253 0521 6996 48-bit color 400 ppi 84 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.43 front mcai650431 1425 1450 360 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:43 85 Lewis E M 65:01-78 front 65:43 cd 5253 0521 6995 48-bit color 400 ppi 85 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.43 reverse mcai650432 1425 1450 360 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:43 86 Lewis E M 65:01-78 reverse 65:43 cd 5253 0521 6995 48-bit color 400 ppi 86 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.44 front mcai650441 1425 1450 359 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:44 87 Lewis E M 65:01-78 front 65:44 cd 5253 0521 6931 48-bit color 400 ppi 87 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.44 reverse mcai650442 1425 1450 359 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:44 88 Lewis E M 65:01-78 reverse 65:44 cd 5253 0521 6931 48-bit color 400 ppi 88 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.45 front mcai650451 1425 1450 360 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:45 89 Lewis E M 65:01-78 front 65:45 cd 5248 0520 7086 48-bit color 400 ppi 89 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.45 reverse mcai650452 1425 1450 360 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:45 90 Lewis E M 65:01-78 reverse 65:45 cd 5248 0520 7086 48-bit color 400 ppi 90 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.46 front mcai650461 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:46 91 Lewis E M 65:01-78 front 65:46 cd 5248 0520 7087 48-bit color 400 ppi 91 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.46 reverse mcai650462 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:46 92 Lewis E M 65:01-78 reverse 65:46 cd 5248 0520 7087 48-bit color 400 ppi 92 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.47 front mcai650471 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:47 93 Lewis E M 65:01-78 front 65:47 cd 5248 0520 7088 48-bit color 400 ppi 93 Antiphonary
Lewis E M 65:47 Lewis E M 65.47 reverse mcai650472 Parchment Unknown 1 Lewis E M 65:47 cd 5248 0520 7088 Illuminated Music Leaf
Lewis E M 65:1-78 Lewis E M 65.48 front mcai650481 1425 1450 362 x 522 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:48 94 Lewis E M 65:01-78 front 65:48 cd 5248 0520 7089 48-bit color 400 ppi 95 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.48 reverse mcai650482 1425 1450 362 x 522 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:48 95 Lewis E M 65:01-78 reverse 65:48 cd 5248 0520 7089 48-bit color 400 ppi 96 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.49 front mcai650491 1425 1450 362 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:49 96 Lewis E M 65:01-78 front 65:49 cd 5248 0520 7090 48-bit color 400 ppi 97 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.49 reverse mcai650492 1425 1450 362 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:49 97 Lewis E M 65:01-78 reverse 65:49 cd 5248 0520 7090 48-bit color 400 ppi 98 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.50 front mcai650501 1425 1450 356 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:50 98 Lewis E M 65:01-78 front 65:50 cd 5248 0520 7091 48-bit color 400 ppi 99 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.50 reverse mcai650502 1425 1450 356 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:50 99 Lewis E M 65:01-78 reverse 65:50 cd 5248 0520 7091 48-bit color 400 ppi 100 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.51 front mcai650511 1425 1450 361 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:51 100 Lewis E M 65:01-78 front 65:51 cd 5248 0520 7092 48-bit color 400 ppi 101 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.51 reverse mcai650512 1425 1450 361 x 513 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:51 101 Lewis E M 65:01-78 reverse 65:51 cd 5248 0520 7092 48-bit color 400 ppi 102 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.52 front mcai650521 1425 1450 359 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:52 102 Lewis E M 65:01-78 front 65:52 cd 5248 0520 7093 48-bit color 400 ppi 103 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.52 reverse mcai650522 1425 1450 359 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:52 103 Lewis E M 65:01-78 reverse 65:52 cd 5248 0520 7093 48-bit color 400 ppi 104 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.53 front mcai650531 1425 1450 357 x 519 mm Initial S with St. Michael Parchment Latin Melk, Austria Gothic bookhand front 65:53 104 Lewis E M 65:01-78 front 65:53 cd 5248 0520 7094 48-bit color 400 ppi 105 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.53 reverse mcai650532 1425 1450 357 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:53 105 Lewis E M 65:01-78 reverse 65:53 cd 5248 0520 7094 48-bit color 400 ppi 106 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.54 front mcai650541 1425 1450 360 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:54 106 Lewis E M 65:01-78 front 65:54 cd 5248 0520 7095 48-bit color 400 ppi 107 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.54 reverse mcai650542 1425 1450 360 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:54 107 Lewis E M 65:01-78 reverse 65:54 cd 5248 0520 7095 48-bit color 400 ppi 108 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.55 front mcai650551 1425 1450 359 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:55 108 Lewis E M 65:01-78 front 65:55 cd 5248 0520 7096 48-bit color 400 ppi 109 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.55 reverse mcai650552 1425 1450 359 x 517 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:55 109 Lewis E M 65:01-78 reverse 65:55 cd 5248 0520 7096 48-bit color 400 ppi 110 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.56 front mcai650561 1425 1450 356 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:56 110 Lewis E M 65:01-78 front 65:56 cd 5248 0520 7097 48-bit color 400 ppi 111 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.56 reverse mcai650562 1425 1450 356 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:56 111 Lewis E M 65:01-78 reverse 65:56 cd 5248 0520 7097 48-bit color 400 ppi 112 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.57 front mcai650571 1425 1450 356 x 505 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:57 112 Lewis E M 65:01-78 front 65:57 cd 5248 0520 7098 48-bit color 400 ppi 113 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.57 reverse mcai650572 1425 1450 356 x 505 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:57 113 Lewis E M 65:01-78 reverse 65:57 cd 5248 0520 7098 48-bit color 400 ppi 114 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.58 front mcai650581 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:58 114 Lewis E M 65:01-78 front 65:58 cd 5248 0520 7099 48-bit color 400 ppi 115 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.58 reverse mcai650582 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:58 115 Lewis E M 65:01-78 reverse 65:58 cd 5248 0520 7099 48-bit color 400 ppi 116 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.59 front mcai650591 1425 1450 355 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:59 116 Lewis E M 65:01-78 front 65:59 cd 5248 0520 7100 48-bit color 400 ppi 117 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.59 reverse mcai650592 1425 1450 355 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:59 117 Lewis E M 65:01-78 reverse 65:59 cd 5248 0520 7100 48-bit color 400 ppi 118 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.60 front mcai650601 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:60 118 Lewis E M 65:01-78 front 65:60 cd 5248 0520 7101 48-bit color 400 ppi 119 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.60 reverse mcai650602 1425 1450 361 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:60 119 Lewis E M 65:01-78 reverse 65:60 cd 5248 0520 7101 48-bit color 400 ppi 120 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.61 front mcai650611 1425 1450 364 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:61 120 Lewis E M 65:01-78 front 65:61 cd 5248 0520 7102 48-bit color 400 ppi 121 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.61 reverse mcai650612 1425 1450 364 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:61 121 Lewis E M 65:01-78 reverse 65:61 cd 5248 0520 7102 48-bit color 400 ppi 122 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.62 front mcai650621 1425 1450 359 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:62 122 Lewis E M 65:01-78 front 65:62 cd 5248 0520 3564 48-bit color 400 ppi 123 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.62 reverse mcai650622 1425 1450 359 x 515 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:62 123 Lewis E M 65:01-78 reverse 65:62 cd 5248 0520 3564 48-bit color 400 ppi 124 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.63 front mcai650631 1425 1450 363 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:63 124 Lewis E M 65:01-78 front 65:63 cd 5248 0520 3568 48-bit color 400 ppi 125 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.63 reverse mcai650632 1425 1450 363 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:63 125 Lewis E M 65:01-78 reverse 65:63 cd 5248 0520 3568 48-bit color 400 ppi 126 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.64 front mcai650641 1425 1450 363 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:64 126 Lewis E M 65:01-78 front 65:64 cd 5248 0520 3574 48-bit color 400 ppi 127 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.64 reverse mcai650642 1425 1450 363 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:64 127 Lewis E M 65:01-78 reverse 65:64 cd 5248 0520 3574 48-bit color 400 ppi 128 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.65 front mcai650651 1425 1450 362 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:65 128 Lewis E M 65:01-78 front 65:65 cd 5248 0520 3570 48-bit color 400 ppi 129 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.65 reverse mcai650652 1425 1450 362 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:65 129 Lewis E M 65:01-78 reverse 65:65 cd 5248 0520 3570 48-bit color 400 ppi 130 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.66 front mcai650661 1425 1450 361 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:66 130 Lewis E M 65:01-78 front 65:66 cd 5248 0520 3578 48-bit color 400 ppi 131 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.66 reverse mcai650662 1425 1450 361 x 519 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:66 131 Lewis E M 65:01-78 reverse 65:66 cd 5248 0520 3578 48-bit color 400 ppi 132 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.67 front mcai650671 1425 1450 361 x 522 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:67 132 Lewis E M 65:01-78 front 65:67 cd 5248 0520 3573 48-bit color 400 ppi 133 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.67 reverse mcai650672 1425 1450 361 x 522 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:67 133 Lewis E M 65:01-78 reverse 65:67 cd 5248 0520 3573 48-bit color 400 ppi 134 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.68 front mcai650681 1425 1450 361 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:68 134 Lewis E M 65:01-78 front 65:68 cd 5248 0520 3580 48-bit color 400 ppi 135 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.68 reverse mcai650682 1425 1450 361 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:68 135 Lewis E M 65:01-78 reverse 65:68 cd 5248 0520 3580 48-bit color 400 ppi 136 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.69 front mcai650691 1425 1450 359 x 523 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:69 136 Lewis E M 65:01-78 front 65:69 cd 5248 0520 3576 48-bit color 400 ppi 137 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.69 reverse mcai650692 1425 1450 359 x 523 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:69 137 Lewis E M 65:01-78 reverse 65:69 cd 5248 0520 3576 48-bit color 400 ppi 138 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.70 front mcai650701 1425 1450 356 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:70 138 Lewis E M 65:01-78 front 65:70 cd 5248 0520 3582 48-bit color 400 ppi 139 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.70 reverse mcai650702 1425 1450 356 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:70 139 Lewis E M 65:01-78 reverse 65:70 cd 5248 0520 3582 48-bit color 400 ppi 140 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.71 front mcai650711 1425 1450 360 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:71 140 Lewis E M 65:01-78 front 65:71 cd 5248 0520 3585 48-bit color 400 ppi 141 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.71 reverse mcai650712 1425 1450 360 x 516 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:71 141 Lewis E M 65:01-78 reverse 65:71 cd 5248 0520 3585 48-bit color 400 ppi 142 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.72 front mcai650721 1425 1450 362 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:72 142 Lewis E M 65:01-78 front 65:72 cd 5248 0520 3577 48-bit color 400 ppi 143 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.72 reverse mcai650722 1425 1450 362 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:72 143 Lewis E M 65:01-78 reverse 65:72 cd 5248 0520 3577 48-bit color 400 ppi 144 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.73 front mcai650731 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:73 144 Lewis E M 65:01-78 front 65:73 cd 5248 0520 3581 48-bit color 400 ppi 145 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.73 reverse mcai650732 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:73 145 Lewis E M 65:01-78 reverse 65:73 cd 5248 0520 3581 48-bit color 400 ppi 146 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.74 front mcai650741 1425 1450 358 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:74 146 Lewis E M 65:01-78 front 65:74 cd 5248 0520 3579 48-bit color 400 ppi 147 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.74 reverse mcai650742 1425 1450 358 x 512 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:74 147 Lewis E M 65:01-78 reverse 65:74 cd 5248 0520 3579 48-bit color 400 ppi 148 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.75 front mcai650751 1425 1450 361 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:75 148 Lewis E M 65:01-78 front 65:75 cd 5248 0520 3584 48-bit color 400 ppi 149 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.75 reverse mcai650752 1425 1450 361 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:75 149 Lewis E M 65:01-78 reverse 65:75 cd 5248 0520 3584 48-bit color 400 ppi 150 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.76 front mcai650761 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:76 150 Lewis E M 65:01-78 front 65:76 cd 5248 0520 3590 48-bit color 400 ppi 151 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.76 reverse mcai650762 1425 1450 360 x 521 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:76 151 Lewis E M 65:01-78 reverse 65:76 cd 5248 0520 3590 48-bit color 400 ppi 152 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.77 front mcai650771 1425 1450 350 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:77 152 Lewis E M 65:01-78 front 65:77 cd 5248 0520 3583 48-bit color 400 ppi 153 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.77 reverse mcai650772 1425 1450 350 x 518 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:77 153 Lewis E M 65:01-78 reverse 65:77 cd 5248 0520 3583 48-bit color 400 ppi 154 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.78 front mcai650781 1425 1450 362 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand front 65:78 154 Lewis E M 65:01-78 front 65:78 cd 5248 0520 3594 48-bit color 400 ppi 155 Antiphonary
Lewis E M 65:1-78 Lewis E M 65.78 reverse mcai650782 1425 1450 362 x 520 mm These leaves can be dated to ca. 1430-1440. Parchment Latin Melk, Austria Gothic bookhand reverse 65:78 155 Lewis E M 65:01-78 reverse 65:78 cd 5248 0520 3594 48-bit color 400 ppi 156 Antiphonary
Lewis E M 66:1A-B Lewis E M 66.1A front mcai660013 1350 1399 285 x 421 mm This manuscript can be dated to ca. 1360-80. Parchment Latin England Gothic bookhand front 66:1A 1 Lewis E M 66:01A-B front 66:1A cd 5248 0520 3587 48-bit color 400 ppi 1 Missal, Sarum use
Lewis E M 66:1A-B Lewis E M 66.1A reverse mcai660014 1350 1399 285 x 421 mm This manuscript can be dated to ca. 1360-80. Parchment Latin England Gothic bookhand reverse 66:1A 2 Lewis E M 66:01A-B reverse 66:1A cd 5248 0520 3587 48-bit color 400 ppi 2 Missal, Sarum use
Lewis E M 66:1A-B Lewis E M 66.1A-B mcai660015 1350 1399 283 x 421 mm This manuscript can be dated to ca. 1360-80. Parchment Latin England Gothic bookhand front 66:1B 3 Lewis E M 66:01A-B front 66:1B cd 5248 0520 3587 48-bit color 400 ppi 3 Missal, Sarum use
Lewis E M 66:1A-B Lewis E M 66.1B front mcai660015 1350 1399 283 x 421 mm This manuscript can be dated to ca. 1360-80. Parchment Latin England Gothic bookhand front 66:1B 3 Lewis E M 66:01A-B front 66:1B cd 5248 0520 3587 48-bit color 400 ppi 3 Missal, Sarum use
Lewis E M 66:1A-B Lewis E M 66.1B reverse mcai660016 1350 1399 283 x 421 mm This manuscript can be dated to ca. 1360-80. Parchment Latin England Gothic bookhand reverse 66:1B 4 Lewis E M 66:01A-B reverse 66:1B cd 5248 0520 3589 48-bit color 400 ppi 4 Missal, Sarum use
Lewis E M 66:2-3H Lewis E M 66.2 front mcai660021 1300 1399 305 x 452 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial R on the page shown here begins Proverbs 15, "Responsio mollis frangit iram sermo durus suscitat furorum ..." (A mild answer breaketh wrath but a harsh word stirs up fury). Parchment Latin England Gothic bookhand front 66:2 1 Lewis E M 66:02-03H front 66:2 cd 5248 0520 3589 48-bit color 400 ppi 1 Bible
Lewis E M 66:2-3H Lewis E M 66.2 reverse mcai660022 1300 1399 305 x 452 mm This page shows the reverse of a leaf with a decorated initial from a Bible. Parchment Latin England Gothic bookhand reverse 66:2 2 Lewis E M 66:02-03H reverse 66:2 cd 5248 0520 3589 48-bit color 400 ppi 2 Bible
Lewis E M 66:2-3H Lewis E M 66.3 front mcai660031 1300 1399 310 x 450 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial I on the page shown here begins the Prologue to the Book of Jeremiah. Parchment Latin England Gothic bookhand front 66:3 23 Lewis E M 66:02-03H front 66:3 cd 5248 0520 3614 48-bit color 400 ppi 23 Bible
Lewis E M 66:2-3H Lewis E M 66.3 reverse mcai660032 1300 1399 310 x 450 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains the end of the Book of Isaias. Parchment Latin England Gothic bookhand reverse 66:3 24 Lewis E M 66:02-03H reverse 66:3 cd 5248 0520 3609 48-bit color 400 ppi 24 Bible
Lewis E M 66:4 Lewis E M 66.4 front mcai660041 1300 1325 351 x 495 mm This manuscript can be dated to ca. 1325. Parchment Latin Germany? Gothic bookhand front 1 Lewis E M 66:04 front cd 5248 0520 3619 48-bit color 400 ppi 1 Antiphonary
Lewis E M 66:4 Lewis E M 66.4 reverse mcai660042 1300 1325 351 x 495 mm This manuscript can be dated to ca. 1325. Parchment Latin Germany? Gothic bookhand reverse 2 Lewis E M 66:04 reverse cd 5248 0520 3619 48-bit color 400 ppi 2 Antiphonary
Lewis E M 66:5 Lewis E M 66.5 reverse mcai660051 1325 1350 272 x 384 mm This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true verso, continues the liturgy for Mass for Easter Sunday. Parchment Latin Germany? Gothic bookhand reverse 2 Lewis E M 66:05 reverse cd 5248 0520 3623 48-bit color 400 ppi 2 Missal
Lewis E M 66:5 Lewis E M 66.5 front mcai660052 1325 1350 272 x 384 mm This initial begins the Introit for Easter Sunday, "Resurrexi et adhuc tecum sum..." (I have risen and am still with you). Parchment Latin Germany? Gothic bookhand front 1 Lewis E M 66:05 front cd 5248 0520 3623 48-bit color 400 ppi 1 Missal
Lewis E M 66:6 Lewis E M 66.6 front mcai660061 Parchment Unknown 1 Lewis E M 66:06 cd 5248 0520 3623 Manuscript leaf with crest
Lewis E M 66:6 Lewis E M 66.6 reverse mcai660062 Parchment Unknown 2 Lewis E M 66:06 cd 5253 0521 6734 Manuscript leaf with crest verso
Lewis E M 66:7 Lewis E M 66.7 mcai660071 Parchment Unknown 1 Lewis E M 66:07 cd 5253 0521 6734 Illuminated Manuscript Leaf
Lewis E M 66:8 Lewis E M 66.8 front mcai660081 1300 1399 299 x 428 mm This leaf can be dated to ca. 1325. Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 66:08 front cd 5253 0521 6739 48-bit color 400 ppi 1 Antiphonary
Lewis E M 66:8 Lewis E M 66.8 reverse mcai660082 1300 1399 299 x 428 mm This leaf can be dated to ca. 1325. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 66:08 reverse cd 5253 0521 6739 48-bit color 400 ppi 2 Antiphonary
Lewis E M 66:9 Lewis E M 66.9 front mcai660091 1300 1325 260 x 374 mm This leaf can be dated to ca. 1325. Parchment Latin Flanders Gothic front 1 Lewis E M 66:09 front cd 5253 0521 6739 48-bit color 400 ppi 1 Gradual
Lewis E M 66:9 Lewis E M 66.9 reverse mcai660092 1300 1325 260 x 374 mm This leaf can be dated to ca. 1325. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 66:09 reverse cd 5253 0521 6736 48-bit color 400 ppi 2 Gradual
Lewis E M 66:10 Lewis E M 66.10 front mcai660101 1300 1350 329 x 435 mm This leaf from a bible commentary contains the end of the commentary on the book of Ruth and the beginning of that of the first Book of Kings. The commentary on Kings begins with Proverbs 8:16, "Per me reges regnant" (By me princes rule). Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 66:10 front cd 5253 0521 6736 48-bit color 400 ppi 1 Biblical commentary
Lewis E M 66:10 Lewis E M 66.10 reverse mcai660102 1300 1350 329 x 435 mm This image shows the reverse of a leaf with a decorated initial from a Bible commentary. The text, which continues from the front of the leaf, contains a commentary on the first Book of Kings. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 66:10 reverse cd 5253 0521 6736 48-bit color 400 ppi 2 Biblical commentary
Lewis E M 66:11 Lewis E M 66.11 front mcai660111 1440 1460 288 x 450 mm This initial likely begins a part of the liturgy for the feast of the Visitation of the Virgin Mary (July 2). The text from Luke 1:39-47, which relates the story of the Visitation of Mary, is the Gospel reading for the Mass of the same feast. When she was pregnant with the Christ Child, Mary traveled to Hebron to see her cousin Elizabeth, who was pregnant with John the Baptist. Upon their greeting, John leapt in Elizabeth's womb in recognition of the Christ Child's divinity. The earliest known instance of the celebration of this feast occurs in the Franciscan liturgy around 1237. Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 66:11 front cd 5248 0520 5346 48-bit color 400 ppi 1 Choir book
Lewis E M 66:11 Lewis E M 66.11 reverse mcai660112 1440 1460 288 x 450 mm This image shows the reverse of a leaf with an historiated initial from a choir book. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 66:11 reverse cd 5248 0520 5346 48-bit color 400 ppi 2 Choir book
Lewis E M 66:12 Lewis E M 66.12 mcai660121 1485 1499 351 x 497 mm This initial begins the Introit for Easter Sunday, "Resurrexi et adhuc tecum sum ..." (I have risen and am still with thee). The figures in the borders relate to the Resurrection. On the left, the Old Testament prophet Sophonias holds a scroll inscribed in part, "In die resurrectionis meae congregabo gentes ..." (On the day of my Resurrection I will assemble the Gentiles. The figures of Jonah and the Whale and Samson with the Gates of Gaza are typological references to the Resurrection, meaning they are scenes from the Old Testament that prefigure the Resurrection). Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 66:12 front cd 5248 0520 5332 48-bit color 400 ppi 1 Gradual
Lewis E M 66:12 Lewis E M 66.12 front mcai660121 1485 1499 351 x 497 mm This initial begins the Introit for Easter Sunday, "Resurrexi et adhuc tecum sum ..." (I have risen and am still with thee). The figures in the borders relate to the Resurrection. On the left, the Old Testament prophet Sophonias holds a scroll inscribed in part, "In die resurrectionis meae congregabo gentes ..." (On the day of my Resurrection I will assemble the Gentiles. The figures of Jonah and the Whale and Samson with the Gates of Gaza are typological references to the Resurrection, meaning they are scenes from the Old Testament that prefigure the Resurrection). Parchment Latin Flanders Gothic bookhand front 1 Lewis E M 66:12 front cd 5248 0520 5332 48-bit color 400 ppi 1 Gradual
Lewis E M 66:12 Lewis E M 66.12 reverse mcai660122 1485 1499 351 x 497 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for Easter Sunday, which begins on the front. Parchment Latin Flanders Gothic bookhand reverse 2 Lewis E M 66:12 reverse cd 5248 0520 5332 48-bit color 400 ppi 2 Gradual
Lewis E M 66:13-14 Lewis E M 66.13 front mcai660131 1490 1510 321 x 482 mm This leaf can be dated to ca. 1500. Parchment Latin Flanders Gothic bookhand Cornelia van Wulfschkerck Artist front 66:13 1 Lewis E M 66:13-14 front 66:13 cd 5248 0520 5335 48-bit color 400 ppi 1 Gradual
Lewis E M 66:13-14 Lewis E M 66.13 reverse mcai660132 1490 1510 321 x 482 mm This leaf can be dated to ca. 1500. Parchment Latin Flanders Gothic bookhand reverse 66:13 2 Lewis E M 66:13-14 reverse 66:13 cd 5248 0520 5335 48-bit color 400 ppi 2 Gradual
Lewis E M 66:13-14 Lewis E M 66.14 front mcai660141 1490 1510 321 x 478 mm This leaf can be dated to ca. 1500. Parchment Latin Flanders Gothic bookhand Cornelia van Wulfschkerck, assistant Artist front 66:14 3 Lewis E M 66:13-14 front 66:14 cd 5248 0520 5337 48-bit color 400 ppi 3 Gradual
Lewis E M 66:13-14 Lewis E M 66.14 reverse mcai660142 1490 1510 321 x 478 mm This leaf can be dated to ca. 1500. Parchment Latin Flanders Gothic bookhand reverse 66:14 4 Lewis E M 66:13-14 reverse 66:14 cd 5248 0520 5337 48-bit color 400 ppi 4 Gradual
Lewis E M 66:15-16 Lewis E M 66.15 front mcai660151 1500 1599 353 x 516 mm This initial begins the first response of the first nocturn of Matins for the feast of St. Eucharius, bishop of Trier (Dec. 8), "Gloriosi antistitis eucherii rex eterne Christi..." (Christ the eternal king of the glorious overseer Eucharius). St. Eucharius is the first bishop of Trier. According to his legend, he converted many to Christianity when he revived his dead companion Maternus by touching him with the pastoral staff given to him by St. Peter. St. Eucharius was believed to be one of the seventy-two disciples of Christ, but he in truth lived in the third century. The crests in the upper corners are similar to those of the city of Limbourg, where this manuscript may have been produced. Lewis E M 66:15-16 are from the same manuscript. Parchment Latin Limbourg?, Belgium Gothic bookhand front 66:15 1 Lewis E M 66:15-16 front 66:15 cd 5248 0520 5341 48-bit color 400 ppi 1 Antiphonary
Lewis E M 66:15-16 Lewis E M 66.15 reverse mcai660152 1500 1599 353 x 516 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory and antiphons for the feast of St. Eucharius, which continues on the front. Parchment Latin Limbourg?, Belgium Gothic bookhand reverse 66:15 2 Lewis E M 66:15-16 reverse 66:15 cd 5248 0520 5341 48-bit color 400 ppi 2 Antiphonary
Lewis E M 66:15-16 Lewis E M 66.16 front mcai660161 1500 1599 348 x 504 mm This initial begins the Magnificat antiphon for the feast of the Purification of the Virgin (Feb. 2), "Senex pueru[m] portabat ..." (An aged man carried a child). The unidentifed arms in the lower border are believed to be those of an aristocrat family of Limbourg. Parchment Latin Limbourg?, Belgium Gothic bookhand front 66:16 3 Lewis E M 66:15-16 front 66:16 cd 5248 0520 5339 48-bit color 400 ppi 3 Antiphonary
Lewis E M 66:15-16 Lewis E M 66.16 reverse mcai660162 1500 1599 348 x 504 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of the Purification of the Virgin, which begins on the front. Parchment Latin Limbourg?, Belgium Gothic bookhand reverse 66:16 4 Lewis E M 66:15-16 reverse 66:16 cd 5248 0520 5339 48-bit color 400 ppi 4 Antiphonary
Lewis E M 66:16a Lewis E M 66.16a front mcai660163 1200 1299 328 x 459 mm This image contains a version of a common diagram known as the Wheel of Sevens. It provides a devotional meditation structured around groups of devotional, theological, and moral concepts, including the seven Virtues, the seven Vices, the seven requests of the Lord's Prayer, the seven petitions of the Lord's Prayer, and the seven gifts of the Holy Spirit. The concentric bands of the five sevens align radially around the center of the circle, which is here the first words of the Lord's prayer, "Our father who art in heaven." The frame around the diagram places the entire scheme into the context of sacred time. The upper border begins with the Time of Deviation (Tempus deviationis) from Adam to Moses, the right border continues with the Time of the Calling Back (Tempus revocationis) from Moses to Christ, and so on around the frame to the Time of the Pilgrimage of the Church, and ultimately, to the end of Time, signified by the roundel inscribed "Christus iudicans" (Christ in Judgment) at the top of the left frame. Parchment Latin France Gothic bookhand front 1 Lewis E M 66:16a front cd 5248 0520 5343 48-bit color 400 ppi 1 Wheel of Sevens
Lewis E M 66:16a Lewis E M 66.16a reverse mcai660164 1200 1299 328 x 459 mm This image shows the reverse of a leaf that contains a diagram. The Latin text on this page has yet to be identified. Beneath the text, someone has drawn a sketch of the crucifixion. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 66:16a reverse cd 5248 0520 5343 48-bit color 400 ppi 2 Wheel of Sevens
Lewis E M 66:17 Lewis E M 66.17 front mcai660171 1300 1325 288 x 436 mm This leaf can be dated to ca. 1325. Parchment Latin France Gothic bookhand Gregory IX Author front 1 Lewis E M 66:17 front cd 5248 0520 5343 48-bit color 400 ppi 1 Decretals
Lewis E M 66:17 Lewis E M 66.17 reverse mcai660172 1300 1325 288 x 436 mm This leaf can be dated to ca. 1325. Parchment Latin France Gothic bookhand Gregory IX Author reverse 2 Lewis E M 66:17 reverse cd 5248 0520 5338 48-bit color 400 ppi 2 Decretals
Lewis E M 66:18 Lewis E M 66.18 front mcai660181 1300 1399 302 x 459 mm This cutting can be dated to ca. 1325. Parchment Latin Germany? Gothic bookhand front 1 Lewis E M 66:18 front cd 5248 0520 5338 48-bit color 400 ppi 1 Antiphonary
Lewis E M 66:18 Lewis E M 66.18 reverse mcai660182 1300 1399 302 x 459 mm This cutting can be dated to ca. 1325. Parchment Latin Germany? Gothic bookhand reverse 2 Lewis E M 66:18 reverse cd 5248 0520 5338 48-bit color 400 ppi 2 Antiphonary
Lewis E M 66:19 Lewis E M 66.19 front mcai660191 1300 1325 300 x 411 mm This cutting can be dated to ca. 1325. Parchment Latin France (northern) Gothic bookhand front 1 Lewis E M 66:19 front cd 5248 0520 5345 48-bit color 400 ppi 1 Gradual
Lewis E M 66:19 Lewis E M 66.19 reverse mcai660192 1300 1325 300 x 411 mm This cutting can be dated to ca. 1325. Parchment Latin France (northern) Gothic bookhand reverse 2 Lewis E M 66:19 reverse cd 5248 0520 5345 48-bit color 400 ppi 2 Gradual
Lewis E M 66:20 Lewis E M 66.20 front mcai660201 1500 1525 341 x 379 mm This cutting can be dated to ca. 1525. Parchment Latin France front 1 Lewis E M 66:20 front cd 5248 0520 5340 48-bit color 400 ppi 1 Gradual
Lewis E M 66:20 Lewis E M 66.20 reverse mcai660202 1500 1525 341 x 379 mm This cutting can be dated to ca. 1525. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 66:20 reverse cd 5248 0520 5340 48-bit color 400 ppi 2 Gradual
Lewis E M 66:21 Lewis E M 66.21 mcai660211 1490 1510 195 x 464 mm This cutting can be dated to ca. 1500. Parchment Latin France Gothic bookhand front 1 Lewis E M 66:21 front cd 5248 0520 5340 48-bit color 400 ppi 1 Choir book
Lewis E M 66:2-3H Lewis E M 66.2A front mcai66021a 1300 1399 310 x 446 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial M on the page shown here begins Proverbs 17:1, "Melior est buccella sicca cum gaudio ..." (Better is a dry morsel with joy). Parchment Latin England Gothic bookhand front 66:2A 3 Lewis E M 66:02-03H front 66:2A cd 5248 0520 3588 48-bit color 400 ppi 3 Bible
Lewis E M 66:2-3H Lewis E M 66.2B front mcai66021b 1300 1399 310 x 447 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial Q on the page shown here marks Canticles 5:17, "Quo abiit dilectus tuus o pulcherrima mulierum quo declinavit dilectus tuus et quae remus eum tecum ..." (Where is your beloved gone, O most beautiful of women? Where is your beloved turned aside, and we will seek him with you). Chapter 6 begins immediately after. Parchment Latin England Gothic bookhand front 66:2B 5 Lewis E M 66:02-03H front 66:2B cd 5248 0520 3588 48-bit color 400 ppi 5 Bible
Lewis E M 66:2-3H Lewis E M 66.2C front mcai66021c 1300 1399 308 x 447 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial O on the page shown here begins the Book of Wisdom 4, "O quam pulchra est casta generatione cum claritate inmortalis est enim memoria ..." (O how beautiful is chaste generation with glory, for the memory thereof is immortal). Parchment Latin England Gothic bookhand front 66:2C 7 Lewis E M 66:02-03H front 66:2C cd 5248 0520 3593 48-bit color 400 ppi 7 Bible
Lewis E M 66:2-3H Lewis E M 66.2D front mcai66021d 1300 1399 309 x 448 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial T on the page shown here begins the Book of Wisdom 5, "Tunc stanbunt iusti in magna constantia adversus eos qui se angustaverunt ..." (Then shall the just stand in great constancy against those who have afflicted them). Parchment Latin England Gothic bookhand front 66:2D 9 Lewis E M 66:02-03H front 66:2D cd 5248 0520 3591 48-bit color 400 ppi 9 Bible
Lewis E M 66:2-3H Lewis E M 66.2E front mcai66021e 1300 1399 311 x 452 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial S on the page shown here begins the Book of Wisdom 18, "Sanctis autem tuis maxim a erat lux et horum quidem vocem audiebant sed figuram non uidebant ..." (But your saints had a great light and indeed heard their voice, but did not see their shape). Parchment Latin England Gothic bookhand front 66:2E 11 Lewis E M 66:02-03H front 66:2E cd 5248 0520 3591 48-bit color 400 ppi 11 Bible
Lewis E M 66:2-3H Lewis E M 66.2F front mcai66021f 1300 1399 310 x 448 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial D on the page shown here begins Ecclesiasticus 17, "Deus creavit hominem de terra et secundum ymaginem suam fecit illum ..." (God created man from the earth and made him from his own image). Parchment Latin England Gothic bookhand front 66:2F 13 Lewis E M 66:02-03H front 66:2F cd 5248 0520 3598 48-bit color 400 ppi 13 Bible
Lewis E M 66:2-3H Lewis E M 66.2G front mcai66021g 1300 1399 309 x 446 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial F on the page shown here begins Ecclesiasticus 21, "Fili peccasti et non adicias iterum sed et de pristimus depre care ut tibi remittantur ..." (My son, have you sinned? Do so no more, but for your former sins, pray also that they may be forgiven you). Parchment Latin England Gothic bookhand front 66:2G 15 Lewis E M 66:02-03H front 66:2G cd 5248 0520 3606 48-bit color 400 ppi 15 Bible
Lewis E M 66:2-3H Lewis E M 66.2H front mcai66021h 1300 1399 308 x 448 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial N on the page shown here begins Ecclesiasticus 42, "Non duplices sermonem auditus de revelatione sermonis absconditi ..." (Repeat not the word which you have heard, and disclose not the thing which is secret). Parchment Latin England Gothic bookhand front 66:2H 17 Lewis E M 66:02-03H front 66:2H cd 5248 0520 3606 48-bit color 400 ppi 17 Bible
Lewis E M 66:2-3H Lewis E M 66.2I front mcai66021i 1300 1399 306 x 448 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial C on the page shown here begins Ecclesiasticus 51, "Confitebur tibi domine rex et collaudabo te deum salvatorem meum ..." (I will give glory to you, O Lord, O King, and I will praise you, O God my Savior). Parchment Latin England Gothic bookhand front 66:2i 19 Lewis E M 66:02-03H front 66:2i cd 5248 0520 3599 48-bit color 400 ppi 19 Bible
Lewis E M 66:2-3H Lewis E M 66.2J front mcai66021j 1300 1399 309 x 452 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial L on the page shown here begins Isaias 54, "Lauda sterilis quae non paris decanta laudem et hinni ..." (Give praise, you barren who bear not; sing forth praise and make a joyful noise). Parchment Latin England Gothic bookhand front 66:2J 21 Lewis E M 66:02-03H front 66:2J cd 5248 0520 3614 48-bit color 400 ppi 21 Bible
Lewis E M 66:22 Lewis E M 66.22 front mcai660221 1500 1599 460 x 684 mm This initial begins Psalm 129, "De profundis clamavi ad te domine, domine exaudi vocem meae" (Out of the depth I have cried to thee, O Lord. Lord, hear my voice). Parchment Latin France Gothic bookhand front 1 Lewis E M 66:22 front cd 5248 0520 5342 48-bit color 400 ppi 1 Psalter
Lewis E M 66:22 Lewis E M 66.22 reverse mcai660222 1500 1599 460 x 684 mm This image shows the reverse of a leaf with a decorated initial from a Psalter. This side of the leaf is the true verso and continues the text of Psalm 129, which begins on the front. Parchment Latin France Gothic bookhand reverse 2 Lewis E M 66:22 reverse cd 5248 0520 5347 48-bit color 400 ppi 2 Psalter
Lewis E M 66:2-3H Lewis E M 66.2A reverse mcai66022a 1300 1399 310 x 446 mm This page shows the reverse of a leaf with a decorated initial from a Bible. Parchment Latin England Gothic bookhand reverse 66:2A 4 Lewis E M 66:02-03H reverse 66:2A cd 5248 0520 3588 48-bit color 400 ppi 4 Bible
Lewis E M 66:2-3H Lewis E M 66.2B reverse mcai66022b 1300 1399 310 x 447 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of Canticles 5. Parchment Latin England Gothic bookhand reverse 66:2B 6 Lewis E M 66:02-03H reverse 66:2B cd 5248 0520 3593 48-bit color 400 ppi 6 Bible
Lewis E M 66:2-3H Lewis E M 66.2C reverse mcai66022c 1300 1399 308 x 447 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 5. Parchment Latin England Gothic bookhand reverse 66:2C 8 Lewis E M 66:02-03H reverse 66:2C cd 5248 0520 3593 48-bit color 400 ppi 8 Bible
Lewis E M 66:2-3H Lewis E M 66.2D reverse mcai66022d 1300 1399 309 x 448 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 4. Parchment Latin England Gothic bookhand reverse 66:2D 10 Lewis E M 66:02-03H reverse 66:2D cd 5248 0520 3591 48-bit color 400 ppi 10 Bible
Lewis E M 66:2-3H Lewis E M 66.2E reverse mcai66022e 1300 1399 311 x 452 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 17. Parchment Latin England Gothic bookhand reverse 66:2E 12 Lewis E M 66:02-03H reverse 66:2E cd 5248 0520 3598 48-bit color 400 ppi 12 Bible
Lewis E M 66:2-3H Lewis E M 66.2F reverse mcai66022f 1300 1399 310 x 448 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Ecclesiasticus 16. Parchment Latin England Gothic bookhand reverse 66:2F 14 Lewis E M 66:02-03H reverse 66:2F cd 5248 0520 3598 48-bit color 400 ppi 14 Bible
Lewis E M 66:2-3H Lewis E M 66.2G reverse mcai66022g 1300 1399 309 x 446 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Ecclesiasticus 20. Parchment Latin England Gothic bookhand reverse 66:2G 16 Lewis E M 66:02-03H reverse 66:2G cd 5248 0520 3606 48-bit color 400 ppi 16 Bible
Lewis E M 66:2-3H Lewis E M 66.2H reverse mcai66022h 1300 1399 308 x 448 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Ecclesiasticus 42. Parchment Latin England Gothic bookhand reverse 66:2H 18 Lewis E M 66:02-03H reverse 66:2H cd 5248 0520 3599 48-bit color 400 ppi 18 Bible
Lewis E M 66:2-3H Lewis E M 66.2I reverse mcai66022i 1300 1399 306 x 448 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Ecclesiasticus 51. Parchment Latin England Gothic bookhand reverse 66:2i 20 Lewis E M 66:02-03H reverse 66:2i cd 5248 0520 3599 48-bit color 400 ppi 20 Bible
Lewis E M 66:2-3H Lewis E M 66.2J reverse mcai66022j 1300 1399 309 x 452 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Isaias 53. Parchment Latin England Gothic bookhand reverse 66:2J 22 Lewis E M 66:02-03H reverse 66:2J cd 5248 0520 3614 48-bit color 400 ppi 22 Bible
Lewis E M 66:23 Lewis E M 66.23 front mcai660231 1500 1599 466 x 632 mm This initial begins Psalm 3, "Domine quid multiplicati sunt qui tribulant me multi insurgunt adversum me" (Why, O Lord, are they multiplied who afflict me? Many are they who rise up against me). Parchment Latin France Gothic bookhand front 1 Lewis E M 66:23 front cd 5248 0520 5344 48-bit color 400 ppi 1 Psalter
Lewis E M 66:23 Lewis E M 66.23 reverse mcai660232 1500 1599 466 x 632 mm This initial begins Psalm 4, "Cum invocarem exaudivit me Deus iustitiae meae" (When I called upon him, the God of my justice heard me). Parchment Latin France Gothic bookhand reverse 2 Lewis E M 66:23 reverse cd 5248 0521 5283 48-bit color 400 ppi 2 Psalter
Lewis E M 66:24-25 Lewis E M 66.24 front mcai660241 1500 1599 320 x 459 mm Initial B with the Trinity Parchment Latin France or Flanders Gothic bookhand 66:24 front 1 Lewis E M 66:24-25 66:24 front cd 5248 0521 5286 48-bit color 400 ppi 1 Choir book
Lewis E M 66:24-25 Lewis E M 66.24 reverse mcai660242 1500 1599 320 x 459 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Pentecost Sunday. Parchment Latin France or Flanders Gothic bookhand 66:24 reverse 2 Lewis E M 66:24-25 66:24 reverse cd 5248 0521 5286 48-bit color 400 ppi 2 Choir book
Lewis E M 66:24-25 Lewis E M 66.25 front mcai660251 1500 1599 346 x 484 mm This initial begins the Magnificat antiphon of first Vespers for the feast of St. Anne (July 26), "Inclita stirps Iesse virgam produxit ..." (The glorious root of Jesse brought forth a delightful stem). Parchment Latin France or Flanders Gothic bookhand 66:25 front 3 Lewis E M 66:24-25 66:25 front cd 5248 0521 5232 48-bit color 400 ppi 3 Choir book
Lewis E M 66:24-25 Lewis E M 66.25 reverse mcai660252 1500 1599 346 x 484 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains part of the liturgy for the feast of St. James the Apostle (July 25). Parchment Latin France or Flanders Gothic bookhand 66:25 reverse 4 Lewis E M 66:24-25 66:25 reverse cd 5248 0521 5232 48-bit color 400 ppi 4 Choir book
Lewis E M 66:26 Lewis E M 66.26 front mcai660261 Parchment Unknown 1 Lewis E M 66:26 cd 5248 0521 5231 Illuminated Manuscript Leaf
Lewis E M 66:26 Lewis E M 66.26 reverse mcai660262 Parchment Unknown 2 Lewis E M 66:26 cd 5248 0521 5231 Fragment
Lewis E M 66:2-3H Lewis E M 66.3A front mcai66031a 1300 1399 308 x 453 mm Initial V with the martyrdom of Jeremiah Parchment Latin England Gothic bookhand front 66:3A 25 Lewis E M 66:02-03H front 66:3A cd 5248 0520 3609 48-bit color 400 ppi 25 Bible
Lewis E M 66:2-3H Lewis E M 66.3B front mcai66031b 1300 1399 307 x 447 mm Initial P Parchment Latin England Gothic bookhand front 66:3B 27 Lewis E M 66:02-03H front 66:3B cd 5248 0520 3616 48-bit color 400 ppi 27 Bible
Lewis E M 66:2-3H Lewis E M 66.3C front mcai66031c 1300 1399 309 x 445 mm Initial V Parchment Latin England Gothic bookhand front 66:3C 29 Lewis E M 66:02-03H front 66:3C cd 5248 0520 3616 48-bit color 400 ppi 29 Bible
Lewis E M 66:2-3H Lewis E M 66.3D front mcai66031d 1300 1399 312 x 447 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial I on the page shown here begins Jeremiah 26, "In princpio regum ioachim filii josie regis iuda factum est verbum istud a domino dicens ..." (In the beginning of the reign of Joachim son of Josiah king of Judah came this word from the Lord, saying ..."). Parchment Latin England Gothic bookhand front 66:3D 31 Lewis E M 66:02-03H front 66:3D cd 5248 0520 3611 48-bit color 400 ppi 31 Bible
Lewis E M 66:2-3H Lewis E M 66.3E front mcai66031e 1300 1399 310 x 450 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial E on the page shown here marks Jeremiah 38:28, "Et factum est ut caperetur" (And it came to pass that [Jerusalem] was taken). Parchment Latin England Gothic bookhand front 66:3E 33 Lewis E M 66:02-03H front 66:3E cd 5248 0520 3615 48-bit color 400 ppi 33 Bible
Lewis E M 66:2-3H Lewis E M 66.3F front mcai66031f 1300 1399 311 x 449 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial A on the page shown here begins Jeremiah 49, "Ad filios ammon haec dicet dominus" (Against the children of Ammon, so says the Lord). Parchment Latin England Gothic bookhand front 66:3F 35 Lewis E M 66:02-03H front 66:3F cd 5248 0520 3615 48-bit color 400 ppi 35 Bible
Lewis E M 66:2-3H Lewis E M 66.3G front mcai66031g 1300 1399 311 x 451 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial B on the page shown here begins Daniel 5, "Balthasar rex fecit grande convivium optimatibus suis mille ..." (Balthazar the king made a great feast for a thousand of his nobles). Text continues on the reverse (true verso). Parchment Latin England Gothic bookhand front 66:3G 37 Lewis E M 66:02-03H front 66:3G cd 5248 0520 3613 48-bit color 400 ppi 37 Bible
Lewis E M 66:2-3H Lewis E M 66.3H front mcai66031h 1300 1399 310 x 450 mm This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial H on the page shown here begins Amos 2, "Haec dicit deus super tribus iudea et super quatuor sceleribus non convertam eum ..." (Thus saith the Lord: For three crimes of Moab, and for four I will not convert him). Parchment Latin England Gothic bookhand front 66:3H 39 Lewis E M 66:02-03H front 66:3H cd 5248 0520 3626 48-bit color 400 ppi 39 Bible
Lewis E M 66:2-3H Lewis E M 66.3A reverse mcai66032a 1300 1399 308 x 453 mm This page shows the reverse of a leaf with an historiated initial from a Bible. This side of the leaf is the true verso and continues the text of Jeremiah 1. Parchment Latin England Gothic bookhand reverse 66:3A 26 Lewis E M 66:02-03H reverse 66:3A cd 5248 0520 3609 48-bit color 400 ppi 26 Bible
Lewis E M 66:2-3H Lewis E M 66.3B reverse mcai66032b 1300 1399 307 x 447 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Jeremiah 17. Parchment Latin England Gothic bookhand reverse 66:3B 28 Lewis E M 66:02-03H reverse 66:3B cd 5248 0520 3616 48-bit color 400 ppi 28 Bible
Lewis E M 66:2-3H Lewis E M 66.3C reverse mcai66032c 1300 1399 309 x 445 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 17. Parchment Latin England Gothic bookhand reverse 66:3C 30 Lewis E M 66:02-03H reverse 66:3C cd 5248 0520 3611 48-bit color 400 ppi 30 Bible
Lewis E M 66:2-3H Lewis E M 66.3D reverse mcai66032d 1300 1399 312 x 447 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 25. Parchment Latin England Gothic bookhand reverse 66:3D 32 Lewis E M 66:02-03H reverse 66:3D cd 5248 0520 3611 48-bit color 400 ppi 32 Bible
Lewis E M 66:32 Lewis E M 66.32 mcai66032da Parchment Unknown 1 Lewis E M 66:32 Bible
Lewis E M 66:2-3H Lewis E M 66.3E reverse mcai66032e 1300 1399 310 x 450 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 38. Parchment Latin England Gothic bookhand reverse 66:3E 34 Lewis E M 66:02-03H reverse 66:3E cd 5248 0520 3615 48-bit color 400 ppi 34 Bible
Lewis E M 66:2-3H Lewis E M 66.3F reverse mcai66032f 1300 1399 311 x 449 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 49. Parchment Latin England Gothic bookhand reverse 66:3F 36 Lewis E M 66:02-03H reverse 66:3F cd 5248 0520 3613 48-bit color 400 ppi 36 Bible
Lewis E M 66:2-3H Lewis E M 66.3G reverse mcai66032g 1300 1399 311 x 451 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Daniel 5. Parchment Latin England Gothic bookhand reverse 66:3G 38 Lewis E M 66:02-03H reverse 66:3G cd 5248 0520 3613 48-bit color 400 ppi 38 Bible
Lewis E M 66:2-3H Lewis E M 66.3H reverse mcai66032h 1300 1399 310 x 450 mm This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Amos 1. Parchment Latin England Gothic bookhand reverse 66:3H 40 Lewis E M 66:02-03H reverse 66:3H cd 5248 0520 3626 48-bit color 400 ppi 40 Bible
Lewis E M 67:1 Lewis E M 67.1 front mcai670011 1300 1399 507 x 344 mm Parchment Germany front 1 Lewis E M 67:01 front cd 5248 0521 5246 24-bit color 400 ppi 1 Initial
Lewis E M 67:1 Lewis E M 67.1 reverse mcai670012 1300 1399 507 x 344 mm Parchment Germany reverse 2 Lewis E M 67:01 reverse cd 5248 0521 5246 24-bit color 400 ppi 2 Initial
Lewis E M 67:2 Lewis E M 67.2 front mcai670021 1300 1399 509 x 355 mm Parchment Germany front 1 Lewis E M 67:02 front cd 5248 0521 5251 24-bit color 400 ppi 1 Initial
Lewis E M 67:2 Lewis E M 67.2 reverse mcai670022 1300 1399 509 x 355 mm Parchment Germany reverse 2 Lewis E M 67:02 reverse cd 5248 0521 5251 24-bit color 400 ppi 2 initial
Lewis E M 67:3 Lewis E M 67.3 front mcai670031 1400 1499 Parchment Germany front 1 Lewis E M 67:03 front cd 5248 0521 5248 24-bit color 400 ppi 1 Initial
Lewis E M 67:3 Lewis E M 67.3 reverse mcai670032 1400 1499 520 x 378 mm Parchment Germany reverse 2 Lewis E M 67:03 reverse cd 5248 0521 5248 24-bit color 400 ppi 2 Initial
Lewis E M 67:4 Lewis E M 67.4 front mcai670041 Parchment Unknown 1 Lewis E M 67:04 cd 5248 0521 5253 Illuminated Music Leaf
Lewis E M 67:4 Lewis E M 67.4 reverse mcai670042 Parchment Unknown 2 Lewis E M 67:04 cd 5248 0521 5255 Illuminated Music Leaf
Lewis E M 67:5 Lewis E M 67.5 front mcai670051 Parchment Unknown 1 Lewis E M 67:05 cd 5248 0521 5252 Illuminated Music Leaf
Lewis E M 67:5 Lewis E M 67.5 reverse mcai670052 Parchment Unknown 2 Lewis E M 67:05 cd 5248 0521 5252 Illuminated Music Leaf
Lewis E M 67:6 Lewis E M 67.6 front mcai670061 Parchment Unknown 1 Lewis E M 67:06 cd 5248 0521 4944 Illuminated Music Leaf
Lewis E M 67:6 Lewis E M 67.6 reverse mcai670062 Parchment Unknown 2 Lewis E M 67:06 cd 5248 0521 4944 Illuminated Music Leaf
Lewis E M 67:7 Lewis E M 67.7 front mcai670071 1475 1499 Initial R with the Resurrection Parchment Latin Unknown Gothic bookhand 1 Lewis E M 67:07 cd 5248 0521 5258 Illuminated Manuscript Leaf
Lewis E M 67:7 Lewis E M 67.7 reverse mcai670072 Parchment Unknown 2 Lewis E M 67:07 cd 5248 0521 5258 Illuminated Music Leaf
Lewis E M 67:8 Lewis E M 67.8 front mcai670081 Parchment Unknown 1 Lewis E M 67:08 cd 5248 0521 5256 Illuminated Music Leaf
Lewis E M 67:8 Lewis E M 67.8 reverse mcai670082 Parchment Unknown 2 Lewis E M 67:08 cd 5248 0521 5256 Illuminated Music Leaf
Lewis E M 67:9 Lewis E M 67.9 front mcai670091 Parchment Unknown 1 Lewis E M 67:09 cd 5248 0521 5260 Illuminated Music Leaf
Lewis E M 67:9 Lewis E M 67.9 reverse mcai670092 Parchment Unknown 2 Lewis E M 67:09 cd 5248 0521 5260 Illuminated Music Leaf
Lewis E M 67:10 Lewis E M 67.10 front mcai670101 Parchment Unknown 1 Lewis E M 67:10 cd 5248 0521 4943 Illuminated Music Leaf
Lewis E M 67:10 Lewis E M 67.10 reverse mcai670102 Parchment Unknown 2 Lewis E M 67:10 cd 5248 0521 4943 Illuminated Music Leaf
Lewis E M 67:11 Lewis E M 67.11 front mcai670111 Parchment Unknown front 1 Lewis E M 67:11 front cd 5248 0521 5262 Illuminated Music Leaf
Lewis E M 67:11 Lewis E M 67.11 reverse mcai670112 Parchment Unknown 2 Lewis E M 67:11 cd 5248 0521 5259 Illuminated Music Leaf
Lewis E M 67:12 Lewis E M 67.12 front mcai670121 Parchment Unknown 1 Lewis E M 67:12 cd 5248 0521 5264 Illuminated Music Leaf
Lewis E M 67:12 Lewis E M 67.12 reverse mcai670122 Parchment Unknown 2 Lewis E M 67:12 cd 5248 0521 5261 Illuminated Music Leaf
Lewis E M 67:13-16 Lewis E M 67.13 front mcai670131 1500 1525 326 x 443 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand Johannes van Deventer Artist 67:13 front 1 Lewis E M 67:13-16 67:13 front cd 5248 0521 5266 48-bit color 400 ppi 1 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.13 reverse mcai670132 1500 1525 326 x 443 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand 67:13 reverse 2 Lewis E M 67:13-16 67:13 reverse cd 5248 0521 5266 48-bit color 400 ppi 2 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.14 front mcai670141 1500 1525 297 x 442 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand Johannes van Deventer Artist 67:14 front 3 Lewis E M 67:13-16 67:14 front cd 5248 0521 5263 48-bit color 400 ppi 3 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.14 reverse mcai670142 1500 1525 297 x 442 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand 67:14 reverse 4 Lewis E M 67:13-16 67:14 reverse cd 5248 0521 5263 48-bit color 400 ppi 4 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.15 front mcai670151 1500 1525 330 x 466 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand Johannes van Deventer Artist 67:15 front 5 Lewis E M 67:13-16 67:15 front cd 5248 0521 5268 48-bit color 400 ppi 5 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.15 reverse mcai670152 1500 1525 330 x 466 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand 67:15 reverse 6 Lewis E M 67:13-16 67:15 reverse cd 5248 0521 5268 48-bit color 400 ppi 6 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.16 front mcai670161 1500 1525 312 x 465 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand Johannes van Deventer Artist 67:16 front 7 Lewis E M 67:13-16 67:16 front cd 6243 2112 2261 48-bit color 400 ppi 7 Antiphonary
Lewis E M 67:13-16 Lewis E M 67.16 reverse mcai670162 1500 1525 312 x 465 mm These cuttings can be dated to ca. 1510-1520. Parchment Latin Cuijk?, Netherlands Gothic bookhand 67:16 reverse 8 Lewis E M 67:13-16 67:16 reverse cd 6243 2112 2261 48-bit color 400 ppi 8 Antiphonary
Lewis E M 67:17 Lewis E M 67.17 front a mcai670171 Parchment Unknown 1 Lewis E M 67:17 cd 6243 2112 2261 Illuminated Manuscript Leaf
Lewis E M 67:17 Lewis E M 67.17 reverse a mcai670173 Parchment Unknown 2 Lewis E M 67:17 cd 6243 2112 2262 Illuminated Music Leaf
Lewis E M 67:17 Lewis E M 67.17 front b mcai670174 Parchment Unknown 3 Lewis E M 67:17 cd 6243 2112 2262 Illuminated Leaf
Lewis E M 67:18 Lewis E M 67.18 front mcai670181 Parchment Unknown 1 Lewis E M 67:18 cd 6243 2112 2264 Illuminated Fragment
Lewis E M 67:18 Lewis E M 67.18 reverse mcai670182 Parchment Unknown 2 Lewis E M 67:18 cd 6243 2112 2264 Illuminated Fragment-Verso
Lewis E M 67:19 Lewis E M 67.19 front mcai670191 Parchment Unknown 1 Lewis E M 67:19 cd 5248 0521 5265 Illuminated Music Leaf
Lewis E M 67:19 Lewis E M 67.19 reverse mcai670192 Parchment Unknown 2 Lewis E M 67:19 cd 5248 0521 5265 Illuminated Music Leaf
Lewis E M 67:20 Lewis E M 67.20 front mcai670201 Parchment Unknown 1 Lewis E M 67:20 cd 5248 0521 5270 Illuminated Music Leaf
Lewis E M 67:20 Lewis E M 67.20 reverse mcai670202 Parchment Unknown 2 Lewis E M 67:20 cd 5248 0521 5270 Illuminated Music Leaf
Lewis E M 67:21 Lewis E M 67.21 front mcai670211 Parchment Unknown 1 Lewis E M 67:21 cd 5248 0521 5267 Illuminated Music Leaf
Lewis E M 67:21 Lewis E M 67.21 reverse mcai670212 Parchment Unknown 2 Lewis E M 67:21 cd 5248 0521 5267 Illuminated Music Leaf
Lewis E M 67:22 Lewis E M 67.22 front mcai670221 Parchment Unknown 1 Lewis E M 67:22 cd 5248 0521 5272 Illuminated Music Leaf
Lewis E M 67:22 Lewis E M 67.22 reverse mcai670222 Parchment Unknown 2 Lewis E M 67:22 cd 5248 0521 5272 Illuminated Music Leaf
Lewis E M 67:23 Lewis E M 67.23 front mcai670231 Parchment Unknown 1 Lewis E M 67:23 cd 5248 0521 5269 Illuminated Music Leaf
Lewis E M 67:23 Lewis E M 67.23 reverse mcai670232 Parchment Unknown 2 Lewis E M 67:23 cd 5248 0521 5269 Illuminated Music Leaf
Lewis E M 67:24 Lewis E M 67.24 front mcai670241 Parchment Unknown 1 Lewis E M 67:24 cd 5248 0521 5271 Illuminated Music Leaf
Lewis E M 67:24 Lewis E M 67.24 reverse mcai670242 Parchment Unknown 2 Lewis E M 67:24 cd 5248 0521 5271 Illuminated Music Leaf
Lewis E M 67:25 Lewis E M 67.25 front mcai670251 Parchment Unknown 1 Lewis E M 67:25 cd 5248 0521 5276 Illuminated Music Leaf
Lewis E M 67:25 Lewis E M 67.25 reverse mcai670252 Parchment Unknown 2 Lewis E M 67:25 cd 5248 0521 5276 Illuminated Music Leaf
Lewis E M 67:26 Lewis E M 67.26 front mcai670261 Parchment Unknown 1 Lewis E M 67:26 cd 5248 0521 5273 Illuminated Music Leaf
Lewis E M 67:26 Lewis E M 67.26 reverse mcai670262 Parchment Unknown 2 Lewis E M 67:26 cd 5248 0521 5273 Illuminated Music Leaf
Lewis E M 67:27 Lewis E M 67.27 front mcai670271 Parchment Unknown 1 Lewis E M 67:27 cd 5248 0521 5278 Illuminated Music Leaf
Lewis E M 67:27 Lewis E M 67.27 reverse mcai670272 Parchment Unknown 2 Lewis E M 67:27 cd 5248 0521 5278 Illuminated Music Leaf
Lewis E M 68:1 Lewis E M 68.1 front mcai680011 1285 1299 333 x 510 mm This initial begins the first response for the first nocturn of Matins for the Dedication of a Church, "In dedicatione templi decantabat populus laudem ..." (At the dedication of the church, the people sang songs of praise). The figure in the initial, a cleric, is performing the ritual of sprinkling the new church with holy water, also known as the Lustration or Washing of the Church. Parchment Latin Venice?, Italy Rotunda front 1 Lewis E M 68:01 front cd 5248 0521 5280 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:1 Lewis E M 68.1 reverse mcai680012 1285 1299 333 x 510 mm This image shows the reverse of a page with an historiated initial from an antiphonary. Parchment Latin Venice?, Italy Rotunda reverse 2 Lewis E M 68:01 reverse cd 5248 0521 5280 48-bit color 400 ppi 2 Antiphonary
Lewis E M 68:2 Lewis E M 68.2 front mcai680021 1300 1350 292 x 469 mm This initial begins the first response of the first nocturn of Matins for the feast of St. Lucy (Dec. 13), "Lucia virgo quid a me petis quod ipsa poteris prestare continuo matri tue ..." (O virgin Lucy, why do you ask of me what you yourself can procure for your mother?). According to the legend of St. Lucy, these are the words that St. Agatha said to her when she was praying for the saint's aid in healing her mother Eutychia, who had suffered four years with a "bloody flux." Parchment Latin Bologna, Italy Rotunda front 1 Lewis E M 68:02 front cd 5248 0521 5277 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:2 Lewis E M 68.2 reverse mcai680022 1300 1350 292 x 469 mm This image shows the reverse of a cutting with an historiated initial. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 68:02 reverse cd 5248 0521 5277 48-bit color 400 ppi 2 Antiphonary
Lewis E M 68:3-6 Lewis E M 68.3 front mcai680031 1290 1310 332 x 473 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda front 68:3 1 Lewis E M 68:03-06 front 68:3 cd 5248 0521 5279 48-bit color 400 ppi 1 Gradual
Lewis E M 68:3-6 Lewis E M 68.3 reverse mcai680032 1290 1310 332 x 473 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda reverse 68:3 2 Lewis E M 68:03-06 reverse 68:3 cd 5248 0521 5279 48-bit color 400 ppi 2 Gradual
Lewis E M 68:3-6 Lewis E M 68.4 front mcai680041 1290 1310 365 x 513 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda front 68:4 3 Lewis E M 68:03-06 front 68:4 cd 5248 0521 5284 48-bit color 400 ppi 3 Gradual
Lewis E M 68:3-6 Lewis E M 68.4 reverse mcai680042 1290 1310 365 x 513 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda reverse 68:4 4 Lewis E M 68:03-06 reverse 68:4 cd 5248 0521 5284 48-bit color 400 ppi 4 Gradual
Lewis E M 68:3-6 Lewis E M 68.5 front mcai680051 1290 1310 356 x 509 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda front 68:5 5 Lewis E M 68:03-06 front 68:5 cd 5248 0521 5281 48-bit color 400 ppi 5 Gradual
Lewis E M 68:3-6 Lewis E M 68.5 reverse mcai680052 1290 1310 356 x 509 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda reverse 68:5 6 Lewis E M 68:03-06 reverse 68:5 cd 5248 0521 5281 48-bit color 400 ppi 6 Gradual
Lewis E M 68:3-6 Lewis E M 68.6 front mcai680061 1290 1310 361 x 511 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda front 68:6 7 Lewis E M 68:03-06 front 68:6 cd 5253 0521 7984 48-bit color 400 ppi 7 Gradual
Lewis E M 68:3-6 Lewis E M 68.6 reverse mcai680062 1290 1310 361 x 511 mm This cuttings can be dated to ca. 1300. Parchment Latin Florence, Italy Rotunda reverse 68:6 8 Lewis E M 68:03-06 reverse 68:6 cd 5253 0521 7984 48-bit color 400 ppi 8 Gradual
Lewis E M 68:7-9 Lewis E M 68.7 mcai680073 1314 1300 1315 394 x 576 mm This initial begins the first response for the first nocturn of Matins for the feast of the Annunciation (March 25), "Missus est Gabriel Angelus ad Mariam Virginem ..." (The Angel Gabriel was sent to the Virgin Mary). This initial, and those on its sister leaves (Lewis E M 68:7b and 9), is by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338. This leaf can be dated more precisely to 1314 based on an inscription on Lewis E M 68:7b, in which the scribe Bonfantino of Bologna signed and dated his work. Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna | Neri da Rimini Artist | Scribe 68:7a [front] 1 Lewis E M 68:07-09 68:7a [front] cd 5253 0522 0187 48-bit color 400 ppi 1 Choir books
Lewis E M 68:7-9 Lewis E M 68.7 mcai680074 1314 1300 1315 394 x 576 mm This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true recto, contains the antiphon preceding the response for the first nocturn of Matins for the feast of the Annunciation (March 25). Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna Scribe 68:7b [reverse] 2 Lewis E M 68:07-09 68:7b [reverse] cd 5248 0520 3004 48-bit color 400 ppi 2 Choir books
Lewis E M 68:7-9 Lewis E M 68.7 mcai680075 1314 1300 1315 388 x 571 mm This leaf contains the beginning of the Magnificat antiphon of First Vespers for the first Sunday in Lent, "Tunc invocabis et Dominus exaudiet ..." (Then you shall call, and the Lord shall hear). In the lower margin, the scribe Bonfantino of Bologna has signed and dated his work with the inscription "m.ccc.xiiij. frater bonfantinus antiquior de bononia hunc librum fecit" (In 1314 Brother Bonfantino the Elder of Bologna made this book). Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna Scribe 68:7c [front] 3 Lewis E M 68:07-09 68:7c [front] cd 5248 0521 2416 48-bit color 400 ppi 3 Choir books
Lewis E M 68:7-9 Lewis E M 68.7 mcai680076 1314 1300 1315 388 x 571 mm This image shows the reverse of a leaf an historiated initial taken from an antiphonary. This side of the leaf, the true verso, continues the Magnificat antiphon of First Vespers for the first Sunday in Lent begun on the front. Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna Scribe 68:7d [reverse] 4 Lewis E M 68:07-09 68:7d [reverse] cd 5248 0521 2418 48-bit color 400 ppi 4 Choir books
Lewis E M 68:7-9 Lewis E M 68.7 mcai680077 1314 Parchment Latin Unknown Rotunda front 68:7c 9 Lewis E M 68:07-09 front 68:7c 48-bit color 400 ppi 3 Decorated initials
Lewis E M 68:7-9 Lewis E M 68.8 front mcai680081 1314 1300 1315 391 x 582 mm Inscription on lower margin of E M 68:7b reads "m.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit." Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna | Neri da Rimini Artist | Scribe front 68:8 5 Lewis E M 68:07-09 front 68:8 cd 5248 0521 2421 48-bit color 400 ppi 5 Choir books
Lewis E M 68:7-9 Lewis E M 68.8 reverse mcai680082 1314 1300 1315 391 x 582 mm Inscription on lower margin of E M 68:7b reads "m.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit." Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna Scribe reverse 68:8 6 Lewis E M 68:07-09 reverse 68:8 cd 5248 0521 2420 48-bit color 400 ppi 6 Choir books
Lewis E M 68:7-9 Lewis E M 68.9 front mcai680091 1314 1300 1315 391 x 582 mm Inscription on lower margin of E M 68:7b reads "m.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit." Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna | Neri da Rimini Artist | Scribe front 68:9 7 Lewis E M 68:07-09 front 68:9 cd 5248 0521 2423 48-bit color 400 ppi 7 Choir books
Lewis E M 68:7-9 Lewis E M 68.9 reverse mcai680092 1314 1300 1315 391 x 582 mm Inscription on lower margin of E M 68:7b reads "m.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit." Parchment Latin Bologna, Italy Rotunda Bonfantino di Bologna Scribe reverse 68:9 8 Lewis E M 68:07-09 reverse 68:9 cd 5248 0521 2316 48-bit color 400 ppi 8 Choir books
Lewis E M 68:10-11 Lewis E M 68.10 front mcai680101 1400 1499 276 x 416 mm This initial begins the Magnificat antiphon at first Vespers for the Common of One Confessor, "Confessor domini [Nomine] astantem plebem corrobora sancta intercession ..." (Confessor of God, [name], strengthen the bystanding crowd with holy intercession ..." An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna. Parchment Latin Bologna, Italy Rotunda Niccolò di Giacomo da Bologna, follower of Artist front 68:10 1 Lewis E M 68:10-11 front 68:10 cd 5248 0521 2423 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:10-11 Lewis E M 68.10 reverse mcai680102 1400 1499 276 x 416 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 68:10 2 Lewis E M 68:10-11 reverse 68:10 cd 5248 0521 2316 48-bit color 400 ppi 2 Antiphonary
Lewis E M 68:10-11 Lewis E M 68.11 front mcai680111 1400 1499 255 x 530 mm This initial begins the Magnificat antiphon at first Vespers for the Common of Several Martyrs, "Gaudent in celis anime sanctorum ..." (The souls of the saints rejoice in heaven). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna. Parchment Latin Bologna, Italy Rotunda Niccolò di Giacomo da Bologna, follower of Artist front 68:11 3 Lewis E M 68:10-11 front 68:11 cd 5248 0521 2425 48-bit color 400 ppi 3 Antiphonary
Lewis E M 68:10-11 Lewis E M 68.11 reverse mcai680112 1400 1499 255 x 530 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Bologna, Italy Rotunda reverse 68:11 4 Lewis E M 68:10-11 reverse 68:11 cd 5248 0521 2424 48-bit color 400 ppi 4 Antiphonary
Lewis E M 68:12 Lewis E M 68.12 front mcai680121 1425 1450 380 x 525 mm This cutting can be dated to before 1445. Parchment Latin Venice, Italy Rotunda Christoforo Cortese, attributed to Artist front 1 Lewis E M 68:12 front cd 5248 0521 2427 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:12 Lewis E M 68.12 reverse mcai680122 1425 1450 380 x 525 mm This cutting can be dated to before 1445. Parchment Latin Venice, Italy Rotunda reverse 2 Lewis E M 68:12 reverse cd 5248 0521 2427 48-bit color 400 ppi 2 Antiphonary
Lewis E M 68:13 Lewis E M 68.13 front mcai680131 1440 1460 404 x 582 mm Instructions to the artist/rubricatorappear in the left margin. Parchment Latin Bologna, Italy Rotunda front 1 Lewis E M 68:13 front cd 5248 0521 2425 48-bit color 400 ppi 1 Gradual
Lewis E M 68:13 Lewis E M 68.13 reverse mcai680132 1440 1460 404 x 582 mm Instructions to the artist/rubricatorappear in the left margin. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 68:13 reverse cd 5248 0521 2424 48-bit color 400 ppi 2 Gradual
Lewis E M 68:14 Lewis E M 68.14 mcai680141 1440 1460 410 x 584 mm This initial begins the first response of the first nocturn of Matins for the Office of the Dead, "Credo quod redemptor meus vivit ..." (I believe that my redeemer liveth). As a series of prayers recited to help speed the soul to heaven, the Office of the Dead was usually illustrated with scenes from contemporary medieval funerary practices. In this initial, the priest sprinkles holy water on the corpse as two mourners kneel beside the bed. Parchment Latin Italy (northeastern) Rotunda front 1 Lewis E M 68:14 front cd 5248 0521 2426 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:14 Lewis E M 68.14 front mcai680141 1440 1460 410 x 584 mm This initial begins the first response of the first nocturn of Matins for the Office of the Dead, "Credo quod redemptor meus vivit ..." (I believe that my redeemer liveth). As a series of prayers recited to help speed the soul to heaven, the Office of the Dead was usually illustrated with scenes from contemporary medieval funerary practices. In this initial, the priest sprinkles holy water on the corpse as two mourners kneel beside the bed. Parchment Latin Italy (northeastern) Rotunda front 1 Lewis E M 68:14 front cd 5248 0521 2426 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:14 Lewis E M 68.14 reverse mcai680142 1440 1460 410 x 584 mm This side of the leaf, the true recto, contains the last antiphon, before the first response, of the first nocturn of Matins for the Office of the Dead. Parchment Latin Italy (northeastern) Rotunda reverse 2 Lewis E M 68:14 reverse cd 5248 0521 2429 48-bit color 400 ppi 2 Antiphonary
Lewis E M 68:15 Lewis E M 68.15 front mcai680151 Parchment Unknown 1 Lewis E M 68:15 cd 5248 0521 2426 Illuminated Manuscript Leaf
Lewis E M 68:15 Lewis E M 68.15 reverse mcai680152 Parchment Unknown 2 Lewis E M 68:15 cd 5248 0521 2429 Illuminated Music Leaf
Lewis E M 68:16 Lewis E M 68.16 front mcai680161 Parchment Unknown 1 Lewis E M 68:16 cd 5248 0521 2428 Illuminated Music Leaf
Lewis E M 68:16 Lewis E M 68.16 reverse mcai680162 Parchment Unknown 2 Lewis E M 68:16 cd 5248 0521 2431 Illuminated Music Leaf
Lewis E M 68:17-18 Lewis E M 68.17 front mcai680171 1440 1460 369 x 541 mm This initial begins the Introit for the feast of St. Stephen (Dec. 26), "Et enim sederunt principes et adversaum me loquebantur ..." (Closeted together, princes have plotted against me). A later scribe crossed out the first two words, "et enim," because they were dropped from the Introit at a later point in the history of the liturgy. Parchment Latin Venice, Italy Rotunda front 68:17 1 Lewis E M 68:17-18 front 68:17 cd 5248 0521 2430 48-bit color 400 ppi 1 Gradual
Lewis E M 68:17-18 Lewis E M 68.17 reverse mcai680172 1440 1460 369 x 541 mm This side of the leaf, the true recto, contains the offertory for the Third Christmas Mass, "Tui sunt celi et tua est terra ..." (Thine are the heaven, and thine is the earth). Parchment Latin Venice, Italy Rotunda reverse 68:17 2 Lewis E M 68:17-18 reverse 68:17 cd 5248 0521 2430 48-bit color 400 ppi 2 Gradual
Lewis E M 68:17-18 Lewis E M 68.18 front mcai680181 1440 1460 365 x 543 mm This initial begins the Introit for Ash Wednesday, "Misereris omnium domine ..." (There is nothing, Lord, but claims thy pity). Parchment Latin Venice, Italy Rotunda front 68:18 3 Lewis E M 68:17-18 front 68:18 cd 5248 0521 2433 48-bit color 400 ppi 3 Gradual
Lewis E M 68:17-18 Lewis E M 68.18 reverse mcai680182 1440 1460 365 x 543 mm This side of the leaf, the true recto, contains the conclusion of the ceremony for the blessing of the ashes, with the responsory versicle, "Adiuva nos deus salutaris noster ..." (O God, our savior, help us). Parchment Latin Venice, Italy Rotunda reverse 68:18 4 Lewis E M 68:17-18 reverse 68:18 cd 5248 0521 2433 48-bit color 400 ppi 4 Gradual
Lewis E M 68:19 Lewis E M 68.19 front mcai680191 Parchment Unknown 1 Lewis E M 68:19 cd 5248 0521 2428 Illuminated Manuscript Leaf
Lewis E M 68:19 Lewis E M 68.19 reverse mcai680192 Parchment Unknown 2 Lewis E M 68:19 cd 5248 0521 2431 Illuminated Manuscript Leaf, Verso
Lewis E M 68:20 Lewis E M 68.20 front mcai680201 Parchment Unknown 1 Lewis E M 68:20 cd 6243 2112 2267 Illuminated Fragment
Lewis E M 68:20 Lewis E M 68.20 reverse mcai680202 Parchment Unknown 2 Lewis E M 68:20 cd 6243 2112 2268 Illuminated Fragment
Lewis E M 68:21 Lewis E M 68.21 front mcai680211 1150 1199 369 x 508 mm This initial begins Jerome's preface to the Pentateuch, "Desederii mei desideratas accepi epistolas ...." The Pentateuch is the first five books of the Hebrew Bible, or the Old Testament in the Christian faith: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Jerome, who lived from ca. 347 to 420, translated the Hebrew and Greek books of the Bible into Latin in a translation known as the Vulgate. He also wrote prefaces for the different books of the Bible which were copied with the books of Bible throughout the Middle Ages. Parchment Latin Italy (central) Transitional script (praegothica) front 1 Lewis E M 68:21 front cd 6243 2112 2269 48-bit color 400 ppi 1 Bible
Lewis E M 68:21 Lewis E M 68.21 reverse mcai680212 1150 1199 369 x 508 mm This image shows the reverse of a leaf that continues the text of Jerome's preface to the Pentateuch, which begins on the front or true recto. Parchment Latin Italy (central) Transitional script (praegothica) reverse 2 Lewis E M 68:21 reverse cd 6243 2112 2269 48-bit color 400 ppi 2 Bible
Lewis E M 68:22 Lewis E M 68.22 front mcai680221 1400 1499 403 x 594 mm This initial begins the invitatory of Matins for the Common of Several Martyrs, "Venite adoremus regem regum ..." (Come, let us adore the king of kings). Parchment Latin Verona?, Italy Rotunda front 1 Lewis E M 68:22 front cd 6243 2112 2267 48-bit color 400 ppi 1 Antiphonary
Lewis E M 68:22 Lewis E M 68.22 reverse mcai680222 1400 1499 403 x 594 mm This side of the leaf, the true verso, contains the antiphon "Secus decursus aquarum plantavit vineam" (Near running water he planted the vineyard), which follows the invitatory for the Common of Several Martyrs. Parchment Latin Verona?, Italy Rotunda reverse 2 Lewis E M 68:22 reverse cd 6243 2112 2268 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:1 Lewis E M 69.1 front mcai690011 1300 1315 333 x 474 mm This initial begins the Introit for the feast of Epiphany (Jan. 6), "Ecce aduenit dominator dominus ..." (Behold the Lord the Ruler is come). It was illuminated by a follower of Duccio di Buoninsegena (ca. 1255 -1319). Duccio, as he is commonly known, is considered to be the founder of Renaissance painting in Siena. Parchment Latin Siena, Italy Rotunda Duccio di Buoninsegna, follower of Artist front 1 Lewis E M 69:01 front cd 5247 0511 2336 48-bit color 400 ppi 1 Gradual
Lewis E M 69:1 Lewis E M 69.1 reverse mcai690012 1300 1315 333 x 474 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the versicle of the gradual for the feast of the Circumcision. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 69:01 reverse cd 5247 0511 2336 48-bit color 400 ppi 2 Gradual
Lewis E M 69:2-5 Lewis E M 69.2 front mcai690021 1250 1299 338 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda front 69:2 1 Lewis E M 69:02-05 front 69:2 cd 5247 0511 2337 48-bit color 400 ppi 1 Gradual
Lewis E M 69:2-5 Lewis E M 69.2 reverse mcai690022 1250 1299 338 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda reverse 69:2 2 Lewis E M 69:02-05 reverse 69:2 cd 5247 0511 2337 48-bit color 400 ppi 2 Gradual
Lewis E M 69:2-5 Lewis E M 69.3 front mcai690031 1250 1299 337 x 475 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda front 69:3 3 Lewis E M 69:02-05 front 69:3 cd 5247 0511 2342 48-bit color 400 ppi 3 Gradual
Lewis E M 69:2-5 Lewis E M 69.3 reverse mcai690032 1250 1299 337 x 475 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda reverse 69:3 4 Lewis E M 69:02-05 reverse 69:3 cd 5247 0511 2342 48-bit color 400 ppi 4 Gradual
Lewis E M 69:2-5 Lewis E M 69.4 front mcai690041 1250 1299 339 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda front 69:4 5 Lewis E M 69:02-05 front 69:4 cd 5247 0511 2339 48-bit color 400 ppi 5 Gradual
Lewis E M 69:2-5 Lewis E M 69.4 reverse mcai690042 1250 1299 339 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda reverse 69:4 6 Lewis E M 69:02-05 reverse 69:4 cd 5247 0511 2339 48-bit color 400 ppi 6 Gradual
Lewis E M 69:2-5 Lewis E M 69.5 front mcai690051 1250 1299 338 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda front 69:5 7 Lewis E M 69:02-05 front 69:5 cd 5247 0511 2340 48-bit color 400 ppi 7 Gradual
Lewis E M 69:2-5 Lewis E M 69.5 reverse mcai690052 1250 1299 338 x 480 mm These cuttings can be dated to ca. 1270-80. Parchment Latin Tuscany, Italy Rotunda reverse 69:5 8 Lewis E M 69:02-05 reverse 69:5 cd 5247 0511 2340 48-bit color 400 ppi 8 Gradual
Lewis E M 69:6-8 Lewis E M 69.6 front mcai690061 1275 1299 308 x 439 mm This initial marks the beginning of the Introit for the feast of the Nativity of the Virgin Mary (Sept. 8), "Salve sancta parens enixa puerpera regem ..." (Hail, Holy Mother, in thy womb there lay a King). A mistake was made at some point in the design of the manuscript because the illuminated initial is inexplicably different from the first letter of the Introit. It was illuminated by the First Master of the Choir books of the Cathedral of Siena, an anonymous artist active in Siena in the last quarter of the thirteenth century. Lewis E M 69:6-8 are from the same manuscript. Lewis E M 69:8 was, however, illuminated by another artist. Parchment Latin Siena, Italy Rotunda First Master of the Choir books of the Cathedral of Siena Artist front 69:6 1 Lewis E M 69:06-08 front 69:6 cd 5247 0511 2341 48-bit color 400 ppi 1 Gradual
Lewis E M 69:6-8 Lewis E M 69.6 reverse mcai690062 1275 1299 308 x 439 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for a feast preceding the feast of the Nativity of the Virgin. Parchment Latin Siena, Italy Rotunda reverse 69:6 2 Lewis E M 69:06-08 reverse 69:6 cd 5247 0511 2341 48-bit color 400 ppi 2 Gradual
Lewis E M 69:6-8 Lewis E M 69.7 front mcai690071 1275 1299 311 x 441 mm This initial marks the beginning the Introit for the feast of the Epiphany, "Ecce aduenit dominator dominus ..." (Behold the Lord the Ruler is come). A mistake was made at some point in the design of the manuscript because the illuminated initial is inexplicably different from the first letter of the Introit. It was illuminated by the First Master of the Choir books of the Cathedral of Siena, an anonymous artist active in Siena in the last quarter of the thirteenth century. Lewis E M 69:6-8 are from the same manuscript. Lewis E M 69:8 was, however, illuminated by another artist. Parchment Latin Siena, Italy Rotunda First Master of the Choir books of the Cathedral of Siena Artist front 69:7 3 Lewis E M 69:06-08 front 69:7 cd 5247 0511 2341 48-bit color 400 ppi 3 Gradual
Lewis E M 69:6-8 Lewis E M 69.7 reverse mcai690072 1275 1299 311 x 441 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of the Epiphany, which begins on the front. Parchment Latin Siena, Italy Rotunda reverse 69:7 4 Lewis E M 69:06-08 reverse 69:7 cd 5247 0511 2346 48-bit color 400 ppi 4 Gradual
Lewis E M 69:6-8 Lewis E M 69.8 opening mcai690080 1275 1299 618 x 441 mm This image shows an opening of a bifolium with an historiated initial from a gradual. Parchment Latin Siena, Italy Rotunda opening 69:8 6 Lewis E M 69:06-08 opening 69:8 cd 5247 0511 2343 48-bit color 400 ppi 6 Gradual
Lewis E M 69:6-8 Lewis E M 69.8 recto mcai690081 1275 1299 309 x 441 mm This initial begins the Introit for the Common of Apostles, "Michi autem nimis honorati sunt amici tui deus ..." (Great reverence have I for thy friends, O God). Lewis E M 69:6-8 are from the same manuscript, although E M 69:6-7 were illuminated by another artist. Parchment Latin Siena, Italy Rotunda recto 69:8 5 Lewis E M 69:06-08 recto 69:8 cd 5247 0511 2346 48-bit color 400 ppi 5 Gradual
Lewis E M 69:6-8 Lewis E M 69.8 verso mcai690082 1275 1299 309 x 441 mm This image shows the original recto of a leaf of a bifolium from a gradual. It contains part of the Gradual of a votive Mass for the Virgin Mary. Parchment Latin Siena, Italy Rotunda verso 69:8 7 Lewis E M 69:06-08 verso 69:8 cd 5247 0511 2346 48-bit color 400 ppi 7 Gradual
Lewis E M 69:9 Lewis E M 69.9 front mcai690091 1340 1360 361 x 484 mm This cutting can be dated to before 1363. Parchment Latin Siena, Italy Rotunda Niccolò di Ser Sozzo Artist front 1 Lewis E M 69:09 front cd 5247 0511 2343 48-bit color 400 ppi 1 Gradual
Lewis E M 69:9 Lewis E M 69.9 reverse mcai690092 1340 1360 361 x 484 mm This cutting can be dated to before 1363. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 69:09 reverse cd 5247 0511 2344 48-bit color 400 ppi 2 Gradual
Lewis E M 69:10 Lewis E M 69.10 front mcai690101 1300 1315 394 x 580 mm This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), "Diem festum sacratissime virginis celebremus ..." (Let us celebrate the feast of a most saintly virgin). Parchment Latin Siena, Italy Rotunda front 1 Lewis E M 69:10 front cd 5247 0511 2344 48-bit color 400 ppi 1 Antiphonary
Lewis E M 69:10 Lewis E M 69.10 reverse mcai690102 1300 1315 394 x 580 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the preceding antiphons. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 69:10 reverse cd 5247 0511 2350 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:11 Lewis E M 69.11 front mcai690111 1285 1299 375 x 513 mm This initial begins the response of the first nocturn of Matins for the fourth Sunday after Easter, "Si oblatus fuero tui ..." (If I ever forget you). Parchment Latin Siena, Italy Rotunda front 1 Lewis E M 69:11 front cd 5247 0511 2350 48-bit color 400 ppi 1 Antiphonary
Lewis E M 69:11 Lewis E M 69.11 reverse mcai690112 1285 1299 375 x 513 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the fourth Sunday after Easter, which begins on the front. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 69:11 reverse cd 5247 0511 2347 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:12-13 Lewis E M 69.12, fol. 1r mcai690121 1325 1350 393 x 557 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda Lippo di Vanni Artist folio 1 recto 69:12 1 Lewis E M 69:12-13 folio 1 recto 69:12 cd 5247 0511 2347 48-bit color 400 ppi 1 Gradual
Lewis E M 69:12-13 Lewis E M 69.12, fol. 2v mcai690122 1325 1350 393 x 557 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda folio 2 verso 69:12 4 Lewis E M 69:12-13 folio 2 verso 69:12 cd 5247 0511 2525 48-bit color 400 ppi 4 Gradual
Lewis E M 69:12-13 Lewis E M 69.12, fol. 1v mcai690123 1325 1350 786 x 557 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda folio 1 verso 69:12 2 Lewis E M 69:12-13 folio 1 verso 69:12 cd 5247 0511 2525 48-bit color 400 ppi 2 Gradual
Lewis E M 69:12-13 Lewis E M 69.12, fol. 2r mcai690124 1325 1350 786 x 557 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda folio 2 recto 69:12 3 Lewis E M 69:12-13 folio 2 recto 69:12 cd 5248 0520 2560 48-bit color 400 ppi 3 Gradual
Lewis E M 69:12-13 Lewis E M 69.13 front mcai690131 1325 1350 376 x 472 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda Lippo di Vanni Artist front 69:13 5 Lewis E M 69:12-13 front 69:13 cd 5248 0520 2560 48-bit color 400 ppi 5 Gradual
Lewis E M 69:12-13 Lewis E M 69.13 reverse mcai690132 1325 1350 376 x 472 mm These cuttings can be dated to ca. 1345. Parchment Latin Siena, Italy Rotunda verso 69:13 6 Lewis E M 69:12-13 verso 69:13 cd 5248 0520 2567 48-bit color 400 ppi 6 Gradual
Lewis E M 69:14 Lewis E M 69.14 front mcai690141 1385 1399 363 x 537 mm This initial begins the first response of the first nocturn of Matins for the feast of St. John the Baptist (June 24), "Fuit homo missus a deo cui nomen erat Iohannes ..." (There was a man, sent by God, whose name was John). A piece of the initial containing an image of the Lamb of God, which is an attribute of the saint, has been cut out. Parchment Latin Italy (central) Rotunda front 1 Lewis E M 69:14 front cd 5248 0520 2567 48-bit color 400 ppi 1 Antiphonary
Lewis E M 69:14 Lewis E M 69.14 reverse mcai690142 1385 1399 363 x 537 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the feast of St. John the Baptist, which begins on the front. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 69:14 reverse cd 5248 0520 7103 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.15 front mcai690151 1285 1299 370 x 541 mm This initial begins the first response of the first nocturn of Matins for the first Sunday in September, "Si bona suscepimus de manu domini ..." (We accept good things from God). The Introit is taken from Job 2:6, when Job is visited by his wife and friends during his torment on the dung heap. The Book of Job is read throughout the first week of September. Parchment Latin Tuscany?, Italy Rotunda front 69:15 1 Lewis E M 69:15-17 front 69:15 cd 5248 0520 7103 48-bit color 400 ppi 1 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.15 reverse mcai690152 1285 1299 370 x 541 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the first Sunday in September, which begins on the front. Parchment Latin Tuscany?, Italy Rotunda reverse 69:15 2 Lewis E M 69:15-17 reverse 69:15 cd 5248 0520 7104 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.16 front mcai690161 1285 1299 373 x 543 mm This initial begins the first response of the first nocturn of Matins for the fourth Sunday in September, "Adonay domine deus magne et mirabilis ..." (O Adonai, Lord, great and wonderful God). The Book of Judith is read throughout the fourth week of September. Parchment Latin Tuscany?, Italy Rotunda front 69:16 3 Lewis E M 69:15-17 front 69:16 cd 5248 0520 7104 48-bit color 400 ppi 3 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.16 reverse mcai690162 1285 1299 373 x 543 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the fourth Sunday in September, which begins on the front. Parchment Latin Tuscany?, Italy Rotunda reverse 69:16 4 Lewis E M 69:15-17 reverse 69:16 cd 5248 0520 7105 48-bit color 400 ppi 4 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.17 front mcai690171 1285 1299 370 x 540 mm This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin Mary, "Hodie nata est beata virgo Maria ..." (Today is born the Virgin Mary). Parchment Latin Tuscany?, Italy Rotunda front 69:17 5 Lewis E M 69:15-17 front 69:17 cd 5248 0520 7105 48-bit color 400 ppi 5 Antiphonary
Lewis E M 69:15-17 Lewis E M 69.17 reverse mcai690172 1285 1299 370 x 540 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin, which begins on the front. Parchment Latin Tuscany?, Italy Rotunda reverse 69:17 6 Lewis E M 69:15-17 reverse 69:17 cd 5248 0520 7106 48-bit color 400 ppi 6 Antiphonary
Lewis E M 69:18 Lewis E M 69.18 front mcai690181 1475 1499 370 x 525 mm This cutting can be dated to before 1496. Parchment Latin Siena, Italy Rotunda Bernardino di Michele Cignoni Artist front 1 Lewis E M 69:18 front cd 5248 0520 7106 48-bit color 400 ppi 1 Gradual
Lewis E M 69:18 Lewis E M 69.18 reverse mcai690182 1475 1499 370 x 525 mm This cutting can be dated to before 1496. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 69:18 reverse cd 5248 0520 6055 48-bit color 400 ppi 2 Gradual
Lewis E M 69:19-20 Lewis E M 69.19 front mcai690191 1500 1515 389 x 547 mm These cuttings can be dated to ca. 1500-1511. Parchment Latin Padua, Italy Rotunda Antonio Maria da Villafora Artist front 69:19 1 Lewis E M 69:19-20 front 69:19 cd 5248 0520 6055 48-bit color 400 ppi 1 Antiphonary
Lewis E M 69:19-20 Lewis E M 69.19 reverse mcai690192 1500 1515 389 x 547 mm These cuttings can be dated to ca. 1500-1511. Parchment Latin Padua, Italy Rotunda reverse 69:19 2 Lewis E M 69:19-20 reverse 69:19 cd 5248 0520 7108 48-bit color 400 ppi 2 Antiphonary
Lewis E M 69:19-20 Lewis E M 69.20 front mcai690201 1500 1515 392 x 549 mm These cuttings can be dated to ca. 1500-1511. Parchment Latin Padua, Italy Rotunda Antonio Maria da Villafora Artist front 69:20 3 Lewis E M 69:19-20 front 69:20 cd 5248 0520 7108 48-bit color 400 ppi 3 Antiphonary
Lewis E M 69:19-20 Lewis E M 69.20 reverse mcai690202 1500 1515 392 x 549 mm These cuttings can be dated to ca. 1500-1511. Parchment Latin Padua, Italy Rotunda reverse 69:20 4 Lewis E M 69:19-20 reverse 69:20 cd 5248 0520 7109 48-bit color 400 ppi 4 Antiphonary
Lewis E M 69:21 Lewis E M 69.21 front mcai690211 1500 1599 204 x 292 mm Leaf from a Dogale Parchment Venice, Italy front 1 Lewis E M 69:21 front cd 5248 0520 7109 48-bit color 600 ppi 1 Dogale
Lewis E M 69:21 Lewis E M 69.21 reverse mcai690212 1500 1599 204 x 292 mm This image shows the reverse of a leaf with a miniature from a dogale. Parchment Venice, Italy reverse 2 Lewis E M 69:21 reverse cd 5248 0520 7110 48-bit color 600 ppi 2 Dogale
Lewis E M 69:22 Lewis E M 69.22 front mcai690221 1584 1575 1599 144 x 219 mm Leaf from a Dogale issued by Doge Nicolò da Ponte (1578-1585) to Francesco Cignona as governor of the island of Arbe (now Rab, Croatia) Parchment Italian Venice, Italy Display script front 1 Lewis E M 69:22 front cd 5248 0520 7110 48-bit color 600 ppi 1 Dogale
Lewis E M 69:22 Lewis E M 69.22 reverse mcai690222 1584 1575 1599 144 x 219 mm This image shows the reverse of a leaf from a dogale. The text marks the beginning of the dogale and confers upon Francesco Cignona, an Italian nobleman, the governance of the Adriatic island of Arbe (now Rab, Croatia). Parchment Italian Venice, Italy Cursive reverse 2 Lewis E M 69:22 reverse cd 5248 0520 7110 48-bit color 600 ppi 2 Dogale
Lewis E M 70:1 Lewis E M 70.1 front mcai700011 1450 1499 235 x 371 mm Initial C (or T?) with a Benedictine monk Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 70:01 front cd 5248 0520 7111 48-bit color 600 ppi 1 Gradual
Lewis E M 70:1 Lewis E M 70.1 reverse mcai700012 1450 1499 235 x 371 mm This image shows the reverse of a palimpsested leaf with an historiated initial from a gradual. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 70:01 reverse cd 5248 0520 7112 48-bit color 600 ppi 2 Gradual
Lewis E M 70:2 Lewis E M 70.2 front mcai700021 1450 1499 372 x 445 mm This leaf can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 70:02 front cd 5248 0520 7111 48-bit color 400 ppi 1 Antiphonary
Lewis E M 70:2 Lewis E M 70.2 reverse mcai700022 1450 1499 372 x 445 mm This leaf can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 70:02 reverse cd 5248 0520 7112 48-bit color 400 ppi 2 Antiphonary
Lewis E M 70:3 Lewis E M 70.3 front mcai700031 1450 1499 385 x 536 mm This leaf can be dated to ca. 1453 - 1482. Parchment Latin Ferrara, Italy Rotunda Franco dei Russi Artist front 1 Lewis E M 70:03 front cd 5248 0520 7113 48-bit color 400 ppi 1 Choir psalter
Lewis E M 70:3 Lewis E M 70.3 reverse mcai700032 1450 1499 385 x 536 mm This leaf can be dated to ca. 1453 - 1482. Parchment Latin Ferrara, Italy Rotunda reverse 2 Lewis E M 70:03 reverse cd 5248 0520 7113 48-bit color 400 ppi 2 Choir psalter
Lewis E M 70:4 Lewis E M 70.4 front mcai700041 1450 1475 398 x 517 mm This leaf can be dated to ca. 1470. Parchment Latin Ferrara, Italy Rotunda front 1 Lewis E M 70:04 front cd 5248 0520 7114 48-bit color 400 ppi 1 Antiphonary
Lewis E M 70:4 Lewis E M 70.4 reverse mcai700042 Parchment Unknown 2 Lewis E M 70:04 cd 5248 0520 7114 Illuminated Music Leaf
Lewis E M 70:5-8 Lewis E M 70.5 front mcai700051 1450 1499 390 x 555 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda Benedetto Bordone, workshop of Artist front 70:5 1 Lewis E M 70:05-08 front 70:5 cd 5248 0520 7115 48-bit color 400 ppi 1 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.5 reverse mcai700052 1450 1499 390 x 555 mm This image shows the reverse of a leaf with an historiated initial from a hymnal. This side of the leaf, the true verso, contains hymns sung during Matins and Lauds during Advent. Parchment Latin Ferrara, Italy Rotunda reverse 70:5 2 Lewis E M 70:05-08 reverse 70:5 cd 5248 0520 7115 48-bit color 400 ppi 2 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.6 front mcai700061 1450 1499 387 x 561 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda Benedetto Bordone, workshop of Artist front 70:6 3 Lewis E M 70:05-08 front 70:6 cd 5248 0520 7116 48-bit color 400 ppi 3 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.6 reverse mcai700062 1450 1499 387 x 561 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda reverse 70:6 4 Lewis E M 70:05-08 reverse 70:6 cd 5248 0520 7116 48-bit color 400 ppi 4 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.7 front mcai700071 1450 1499 387 x 557 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda Benedetto Bordone, workshop of Artist front 70:7 5 Lewis E M 70:05-08 front 70:7 cd 5248 0520 7117 48-bit color 400 ppi 5 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.7 reverse mcai700072 1450 1499 387 x 557 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda reverse 70:7 6 Lewis E M 70:05-08 reverse 70:7 cd 5248 0520 7117 48-bit color 400 ppi 6 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.8 front mcai700081 1450 1499 387 x 549 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda Benedetto Bordone, workshop of Artist front 70:8 7 Lewis E M 70:05-08 front 70:8 cd 5248 0520 7118 48-bit color 400 ppi 7 Choir psalter and Hymnal
Lewis E M 70:5-8 Lewis E M 70.8 reverse mcai700082 1450 1499 387 x 549 mm These cuttings can be dated to ca. 1470-1480. Parchment Latin Ferrara, Italy Rotunda reverse 70:8 8 Lewis E M 70:05-08 reverse 70:8 cd 5248 0520 7118 48-bit color 400 ppi 8 Choir psalter and Hymnal
Lewis E M 70:9-11 Lewis E M 70.9, fol. 2r mcai700091 1400 1499 377 x 550 mm This image shows the recto of the second leaf of a bifolium with an historiated initial. It contains the beginning of the second response of the first nocturn of Matins for the feast of the Nativity (Christmas Day), which begins on fol. 1v. Parchment Latin Ferrara?, Italy Rotunda folio 2 recto 70:9 3 Lewis E M 70:09-11 folio 2 recto 70:9 cd 5248 0521 5234 48-bit color 400 ppi 3 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.9, fol. 1r mcai700092 1400 1499 377 x 550 mm Initial H with the Adoration of the Christ-Child Parchment Latin Ferrara?, Italy Rotunda folio 1 recto 70:9 1 Lewis E M 70:09-11 folio 1 recto 70:9 cd 5248 0521 5234 48-bit color 400 ppi 1 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.9, fol. 2v mcai700093 1400 1499 377 x 550 mm This image shows the verso of the second leaf of a bifolium with an historiated initial. It continues the second response of the first nocturn of Matins for the feast of the Nativity (Christmas Day), which begins on fol. 1v. Parchment Latin Ferrara?, Italy Rotunda folio 2 verso 70:9 4 Lewis E M 70:09-11 folio 2 verso 70:9 cd 5248 0521 5233 48-bit color 400 ppi 4 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.9, fol. 1v mcai700094 1400 1499 377 x 550 mm This image shows the verso of the first leaf of a bifolium with an historiated initial. Parchment Latin Ferrara?, Italy Rotunda folio 1 verso 70:9 2 Lewis E M 70:09-11 folio 1 verso 70:9 cd 5248 0521 5233 48-bit color 400 ppi 2 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.10 front mcai700101 1400 1499 389 x 551 mm Initial F with St. Francis Parchment Latin Ferrara?, Italy Rotunda front 70:10 5 Lewis E M 70:09-11 front 70:10 cd 5248 0521 5236 48-bit color 400 ppi 5 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.10 reverse mcai700102 1400 1499 389 x 551 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains an antiphon in praise of St. Michael the Archangel. Parchment Latin Ferrara?, Italy Rotunda reverse 70:10 6 Lewis E M 70:09-11 reverse 70:10 cd 5248 0521 5236 48-bit color 400 ppi 6 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.11 front mcai700111 1400 1499 383 x 557 mm Initial F with St. Francis of Assisi Parchment Latin Ferrara?, Italy Rotunda front 70:11 7 Lewis E M 70:09-11 front 70:11 cd 5248 0521 5238 48-bit color 400 ppi 7 Antiphonary
Lewis E M 70:9-11 Lewis E M 70.11 reverse mcai700112 1400 1499 383 x 557 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Francis. Parchment Latin Ferrara?, Italy Rotunda reverse 70:11 8 Lewis E M 70:09-11 reverse 70:11 cd 5248 0521 5238 48-bit color 400 ppi 8 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.12 front mcai700121 1485 1499 396 x 564 mm Initial N with the Harrowing of Hell Parchment Latin Lombardy, Italy Rotunda front 70:12 1 Lewis E M 70:12-16 front 70:12 cd 5248 0521 5237 48-bit color 400 ppi 1 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.12 reverse mcai700122 1485 1499 396 x 564 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the liturgy for the Easter Vigil, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 70:12 2 Lewis E M 70:12-16 reverse 70:12 cd 5248 0521 5240 48-bit color 400 ppi 2 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.13 front mcai700131 1485 1499 399 x 577 mm Initial I with the First Day of Creation Parchment Latin Lombardy, Italy Rotunda front 70:13 3 Lewis E M 70:12-16 front 70:13 cd 5248 0521 5239 48-bit color 400 ppi 3 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.13 reverse mcai700132 1485 1499 399 x 577 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Septuagesima Sunday, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 70:13 4 Lewis E M 70:12-16 reverse 70:13 cd 5248 0521 5242 48-bit color 400 ppi 4 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.14 front mcai700141 1485 1499 400 x 579 mm Initial I with God commanding Moses to go to Egypt Parchment Latin Lombardy, Italy Rotunda front 70:14 5 Lewis E M 70:12-16 front 70:14 cd 5248 0521 5241 48-bit color 400 ppi 5 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.14 reverse mcai700142 1485 1499 400 x 579 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the Forth Sunday in Lent. Parchment Latin Lombardy, Italy Rotunda reverse 70:14 6 Lewis E M 70:12-16 reverse 70:14 cd 5248 0521 5245 48-bit color 400 ppi 6 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.15 front mcai700151 1485 1499 401 x 575 mm Initial M with Christ and two soldiers Parchment Latin Lombardy, Italy Rotunda front 70:15 7 Lewis E M 70:12-16 front 70:15 cd 5248 0521 5243 48-bit color 400 ppi 7 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.15 reverse mcai700152 1485 1499 401 x 575 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons and canticles preceding the second nocturn of Matins for Passion Sunday, the fifth Sunday in Lent. Parchment Latin Lombardy, Italy Rotunda reverse 70:15 8 Lewis E M 70:12-16 reverse 70:15 cd 5248 0521 5247 48-bit color 400 ppi 8 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.16 front mcai700161 1485 1499 401 x 578 mm Initial I with Christ's entry into Jerusalem Parchment Latin Lombardy, Italy Rotunda front 70:16 9 Lewis E M 70:12-16 front 70:16 cd 5248 0521 5244 48-bit color 400 ppi 9 Antiphonary
Lewis E M 70:12-16 Lewis E M 70.16 reverse mcai700162 1485 1499 401 x 578 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy of Matins for Palm Sunday, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 70:16 10 Lewis E M 70:12-16 reverse 70:16 cd 5248 0521 5249 48-bit color 400 ppi 10 Antiphonary
Lewis E M 71:1A-C Lewis E M 71.1A mcai710013 1400 1499 122 x 135 mm This cutting can be dated to ca. 1480-1490. Parchment Latin Cremona, Italy Baldasare Coldiradi Artist front 71:1A 1 Lewis E M 71:01A-C front 71:1A cd 6243 2112 2270 48-bit color 600 ppi 1 Antiphonary
Lewis E M 71:1A-C Lewis E M 71.1B front mcai710015 1400 1499 123 x 113 mm This cutting can be dated to ca. 1480-1490. Parchment Latin Cremona, Italy Baldasare Coldiradi Artist front 71:1B 2 Lewis E M 71:01A-C front 71:1B cd 6243 2112 2270 48-bit color 600 ppi 2 Antiphonary
Lewis E M 71:1A-C Lewis E M 71.1B reverse mcai710016 1400 1499 123 x 113 mm This cutting can be dated to ca. 1480-1490. Parchment Latin Cremona, Italy Rotunda reverse 71:1B 3 Lewis E M 71:01A-C reverse 71:1B cd 6243 2112 2270 48-bit color 600 ppi 3 Antiphonary
Lewis E M 71:1A-C Lewis E M 71.1C front mcai710017 1400 1499 94 x 81 mm This cutting can be dated to ca. 1480-1490. Parchment Latin Cremona, Italy Baldasare Coldiradi Artist front 71:1C 4 Lewis E M 71:01A-C front 71:1C cd 6243 2112 2270 48-bit color 600 ppi 4 Antiphonary
Lewis E M 71:1A-C Lewis E M 71.1C reverse mcai710018 1400 1499 94 x 81 mm This cutting can be dated to ca. 1480-1490. Parchment Latin Cremona, Italy Rotunda reverse 71:1C 5 Lewis E M 71:01A-C reverse 71:1C cd 6243 2112 2270 48-bit color 600 ppi 5 Antiphonary
Lewis E M 71:2 Lewis E M 71.2 front mcai710021 1485 1499 338 x 506 mm Initial E with David and the Just exalting God Parchment Latin Italy (northern) Rotunda front 1 Lewis E M 71:02 front cd 6243 2112 2271 48-bit color 400 ppi 1 Choir psalter
Lewis E M 71:2 Lewis E M 71.2 reverse mcai710022 1485 1499 338 x 506 mm This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true verso, continues Psalm 38, which begins on the front. Parchment Latin Italy (northern) Rotunda reverse 2 Lewis E M 71:02 reverse cd 6243 2112 2271 48-bit color 400 ppi 2 Choir psalter
Lewis E M 71:3 Lewis E M 71.3 front mcai710031 1450 1499 407 x 591 mm Initial M with St. Dominic Parchment Latin Lombardy, Italy Rotunda front 1 Lewis E M 71:03 front cd 5248 0521 2315 48-bit color 400 ppi 1 Antiphonary
Lewis E M 71:3 Lewis E M 71.3 reverse mcai710032 1450 1499 407 x 591 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Dominic, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 71:03 reverse cd 5248 0521 2435 48-bit color 400 ppi 2 Antiphonary
Lewis E M 71:4 Lewis E M 71.4 front mcai710041 1440 1460 375 x 540 mm Initial R with the Resurrection Parchment Latin Lombardy, Italy Rotunda Master of the Franciscan Breviary Artist front 1 Lewis E M 71:04 front cd 5248 0521 2434 48-bit color 400 ppi 1 Gradual
Lewis E M 71:4 Lewis E M 71.4 reverse mcai710042 1440 1460 375 x 540 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the rubric for the Mass for Easter Sunday, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 2 Lewis E M 71:04 reverse cd 5248 0521 2434 48-bit color 400 ppi 2 Gradual
Lewis E M 71:5 Lewis E M 71.5 front mcai710051 1400 1499 376 x 542 mm Initial S with David in Penance Parchment Latin Italy Rotunda Master of the Franciscan Breviary, workshop of Artist front 1 Lewis E M 71:05 front cd 5248 0521 2437 48-bit color 400 ppi 1 Choir psalter
Lewis E M 71:5 Lewis E M 71.5 reverse mcai710052 1400 1499 376 x 542 mm This image shows the reverse of a leaf with an historiated initial. Parchment Latin Italy Rotunda reverse 2 Lewis E M 71:05 reverse cd 5248 0521 2437 48-bit color 400 ppi 2 Choir psalter
Lewis E M 71:6-7 Lewis E M 71.6 front mcai710061 1400 1499 367 x 521 mm These leaves can be dated to ca. 1444-1477. Parchment Latin Italy Rotunda Bonifacio Bembo Artist front 71:6 1 Lewis E M 71:06-07 front 71:6 cd 5248 0521 2436 48-bit color 400 ppi 1 Choir psalter
Lewis E M 71:6-7 Lewis E M 71.6 reverse mcai710062 1400 1499 367 x 521 mm These leaves can be dated to ca. 1444-1477. Parchment Latin Italy Rotunda reverse 71:6 2 Lewis E M 71:06-07 reverse 71:6 cd 5248 0521 2436 48-bit color 400 ppi 2 Choir psalter
Lewis E M 71:6-7 Lewis E M 71.7 front mcai710071 1400 1499 368 x 515 mm This initial egins Psalm 38, "Dixi custodias uias meas ut non delinquam in lingua mea..." (I will watch my ways so as not to sin with my tongue), which was read at Matins on Tuesdays. David, who was believed in the Middle Ages to have composed the psalms, points to his mouth, acting out the first words of the psalm. This initial has been attributed to Bonifacio Bembo, an illuminator active in Cremona and Milan from 1447 and 1477. Parchment Latin Italy Rotunda Bonifacio Bembo Artist front 71:7 3 Lewis E M 71:06-07 front 71:7 cd 5248 0521 2438 48-bit color 400 ppi 3 Choir psalter
Lewis E M 71:6-7 Lewis E M 71.7 reverse mcai710072 1400 1499 368 x 515 mm These leaves can be dated to ca. 1444-1477. Parchment Latin Italy Rotunda reverse 71:7 4 Lewis E M 71:06-07 reverse 71:7 cd 5248 0521 2438 48-bit color 400 ppi 4 Choir psalter
Lewis E M 71:8-9 Lewis E M 71.8 front mcai710081 1400 1415 372 x 537 mm Initial P with the Nativity Parchment Latin Italy (northern) Rotunda front 71:8 1 Lewis E M 71:08-09 front 71:8 cd 5248 0521 2314 48-bit color 400 ppi 1 Gradual
Lewis E M 71:8-9 Lewis E M 71.8 reverse mcai710082 1400 1415 372 x 537 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Third Mass of Christmas Day, which begins on the front. Parchment Latin Italy (northern) Rotunda reverse 71:8 2 Lewis E M 71:08-09 reverse 71:8 cd 5248 0521 2314 48-bit color 400 ppi 2 Gradual
Lewis E M 71:8-9 Lewis E M 71.9 front mcai710091 1400 1415 375 x 541 mm Initial E with the Adoration of the Magi Parchment Latin Italy (northern) Rotunda front 71:9 3 Lewis E M 71:08-09 front 71:9 cd 5248 0521 2440 48-bit color 400 ppi 3 Gradual
Lewis E M 71:8-9 Lewis E M 71.9 reverse mcai710092 1400 1415 375 x 541 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the feast of the Epiphany, which begins on the front. Parchment Latin Italy (northern) Rotunda reverse 71:9 4 Lewis E M 71:08-09 reverse 71:9 cd 5248 0521 2440 48-bit color 400 ppi 4 Gradual
Lewis E M 71:10-13 Lewis E M 71.10 front mcai710101 1400 1450 395 x 580 mm Initial R with the Resurrection Parchment Latin Lombardy, Italy Rotunda front 71:10 1 Lewis E M 71:10-13 front 71:10 cd 5248 0521 2439 48-bit color 400 ppi 1 Gradual
Lewis E M 71:10-13 Lewis E M 71.10 reverse mcai710102 1400 1450 395 x 580 mm reverse: This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for Easter Sunday, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 71:10 2 Lewis E M 71:10-13 reverse 71:10 cd 5248 0521 2442 48-bit color 400 ppi 2 Gradual
Lewis E M 71:10-13 Lewis E M 71.11 front mcai710111 1400 1450 392 x 577 mm Initial E with the Annunciation Parchment Latin Lombardy, Italy Rotunda front 71:11 3 Lewis E M 71:10-13 front 71:11 cd 5248 0521 2444 48-bit color 400 ppi 3 Gradual
Lewis E M 71:10-13 Lewis E M 71.11 reverse mcai710112 1400 1450 392 x 577 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the feast of St. John the Evangelist (Dec. 27). Parchment Latin Lombardy, Italy Rotunda reverse 71:11 4 Lewis E M 71:10-13 reverse 71:11 cd 5248 0521 2449 48-bit color 400 ppi 4 Gradual
Lewis E M 71:10-13 Lewis E M 71.12 front mcai710121 1400 1450 395 x 577 mm Initial D Parchment Latin Lombardy, Italy Rotunda front 71:12 5 Lewis E M 71:10-13 front 71:12 cd 5248 0521 2452 48-bit color 400 ppi 5 Gradual
Lewis E M 71:10-13 Lewis E M 71.12 reverse mcai710122 1400 1450 395 x 577 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Second Sunday after Epiphany, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 71:12 6 Lewis E M 71:10-13 reverse 71:12 cd 5248 0521 2451 48-bit color 400 ppi 6 Gradual
Lewis E M 71:10-13 Lewis E M 71.13 front mcai710131 1400 1450 399 x 578 mm Initial E Parchment Latin Lombardy, Italy Rotunda front 71:13 7 Lewis E M 71:10-13 front 71:13 cd 5248 0521 2454 48-bit color 400 ppi 7 Gradual
Lewis E M 71:10-13 Lewis E M 71.13 reverse mcai710132 1400 1450 399 x 578 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Quinquagesima Sunday, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 71:13 8 Lewis E M 71:10-13 reverse 71:13 cd 5248 0521 2453 48-bit color 400 ppi 8 Gradual
Lewis E M 71:14-15 Lewis E M 71.14 front mcai710141 1490 1510 381 x 540 mm Initial P with the Adoration of the Christ Child with the Shepherds Parchment Latin Lombardy, Italy Rotunda front 71:14 1 Lewis E M 71:14-15 front 71:14 cd 5248 0521 2456 48-bit color 400 ppi 1 Gradual
Lewis E M 71:14-15 Lewis E M 71.14 reverse mcai710142 1490 1510 381 x 540 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Second Mass of Christmas Day. Parchment Latin Lombardy, Italy Rotunda reverse 71:14 2 Lewis E M 71:14-15 reverse 71:14 cd 5248 0521 2456 48-bit color 400 ppi 2 Gradual
Lewis E M 71:14-15 Lewis E M 71.15 front mcai710151 1490 1510 377 x 540 mm Initial E with the Adoration of the Magi Parchment Latin Lombardy, Italy Rotunda front 71:15 3 Lewis E M 71:14-15 front 71:15 cd 5248 0521 2312 48-bit color 400 ppi 3 Gradual
Lewis E M 71:14-15 Lewis E M 71.15 reverse mcai710152 1490 1510 377 x 540 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the feast of the Epiphany, which begins on the front. Parchment Latin Lombardy, Italy Rotunda reverse 71:15 4 Lewis E M 71:14-15 reverse 71:15 cd 5248 0521 2312 48-bit color 400 ppi 4 Gradual
Lewis E M 72:1 Lewis E M 72.1 front mcai720011 1450 1499 276 x 255 mm Initial A with the Annunciation Parchment Latin Florence, Italy front 1 Lewis E M 72:01 front cd 6243 2112 2272 48-bit color 600 ppi 1 Antiphonary
Lewis E M 72:1 Lewis E M 72.1 reverse mcai720012 1450 1499 276 x 255 mm This image shows the reverse of a cutting with an historiated initial from an antiphonary. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 72:01 reverse cd 6243 2112 2272 48-bit color 600 ppi 2 Antiphonary
Lewis E M 72:2 Lewis E M 72.2 front mcai720021 1400 1450 366 x 528 mm Initial S with St. Stephen Protomartyr Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 72:02 front cd 6243 2112 2273 48-bit color 400 ppi 1 Antiphonary
Lewis E M 72:2 Lewis E M 72.2 reverse mcai720022 1400 1450 366 x 528 mm This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true verso, continues the opening chants for the feast of St. Stephen. Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 72:02 reverse cd 6243 2112 2273 48-bit color 400 ppi 2 Antiphonary
Lewis E M 72:3 Lewis E M 72.3 front mcai720031 1400 1415 423 x 593 mm Initial S with the Presentation in the Temple Parchment Latin Venice?, Italy Rotunda front 1 Lewis E M 72:03 front cd 5248 0521 2457 48-bit color 400 ppi 1 Gradual
Lewis E M 72:3 Lewis E M 72.3 reverse mcai720032 1400 1415 423 x 593 mm This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true recto, contains Psalm 43:2, "Deus auribus nostris audiuimus patres nostri adnuntiaverunt nobis," followed by a versicle from the preceding liturgy. Parchment Latin Venice?, Italy Rotunda reverse 2 Lewis E M 72:03 reverse cd 5248 0521 2311 48-bit color 400 ppi 2 Gradual
Lewis E M 72:4-10 Lewis E M 72.4 front mcai720041 1485 1499 388 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:4 1 Lewis E M 72:04-10 front 72:4 cd 5248 0521 2459 48-bit color 400 ppi 1 Gradual
Lewis E M 72:4-10 Lewis E M 72.4 reverse mcai720042 1485 1499 388 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:4 2 Lewis E M 72:04-10 reverse 72:4 cd 5248 0521 2459 48-bit color 400 ppi 2 Gradual
Lewis E M 72:4-10 Lewis E M 72.5 front mcai720051 1485 1499 389 x 548 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:5 3 Lewis E M 72:04-10 front 72:5 cd 5248 0521 2458 48-bit color 400 ppi 3 Gradual
Lewis E M 72:4-10 Lewis E M 72.5 reverse mcai720052 1485 1499 389 x 548 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:5 4 Lewis E M 72:04-10 reverse 72:5 cd 5248 0521 2458 48-bit color 400 ppi 4 Gradual
Lewis E M 72:4-10 Lewis E M 72.6 front mcai720061 1485 1499 393 x 561 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:6 5 Lewis E M 72:04-10 front 72:6 cd 5248 0521 2461 48-bit color 400 ppi 5 Gradual
Lewis E M 72:4-10 Lewis E M 72.6 reverse mcai720062 1485 1499 393 x 561 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:6 6 Lewis E M 72:04-10 reverse 72:6 cd 5248 0521 2461 48-bit color 400 ppi 6 Gradual
Lewis E M 72:4-10 Lewis E M 72.7 front mcai720071 1485 1499 394 x 560 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:7 7 Lewis E M 72:04-10 front 72:7 cd 5248 0521 2460 48-bit color 400 ppi 7 Gradual
Lewis E M 72:4-10 Lewis E M 72.7 reverse mcai720072 1485 1499 394 x 560 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:7 8 Lewis E M 72:04-10 reverse 72:7 cd 5248 0521 2460 48-bit color 400 ppi 8 Gradual
Lewis E M 72:4-10 Lewis E M 72.8 front mcai720081 1485 1499 394 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:8 9 Lewis E M 72:04-10 front 72:8 cd 5248 0521 2463 48-bit color 400 ppi 9 Gradual
Lewis E M 72:4-10 Lewis E M 72.8 revere mcai720082 1485 1499 394 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:8 10 Lewis E M 72:04-10 reverse 72:8 cd 5248 0521 2463 48-bit color 400 ppi 10 Gradual
Lewis E M 72:4-10 Lewis E M 72.9 front mcai720091 1485 1499 393 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:9 11 Lewis E M 72:04-10 front 72:9 cd 5248 0521 2462 48-bit color 400 ppi 11 Gradual
Lewis E M 72:4-10 Lewis E M 72.9 reverse mcai720092 1485 1499 393 x 559 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:9 12 Lewis E M 72:04-10 reverse 72:9 cd 5248 0521 2462 48-bit color 400 ppi 12 Gradual
Lewis E M 72:4-10 Lewis E M 72.10 front mcai720101 1485 1499 393 x 558 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda Tomasino da Vimercate Artist front 72:10 13 Lewis E M 72:04-10 front 72:10 cd 5248 0521 2465 48-bit color 400 ppi 13 Gradual
Lewis E M 72:4-10 Lewis E M 72.10 reverse mcai720102 1485 1499 392 x 558 mm These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. Parchment Latin Milan, Italy Rotunda reverse 72:10 14 Lewis E M 72:04-10 reverse 72:10 cd 5248 0521 2465 48-bit color 400 ppi 14 Gradual
Lewis E M 72:11A Lewis E M 72.11A front mcai720113 1500 1515 154 x 161 mm Lewis E M 72:11b contains the initials ?B.F.," inscribed on the book held by Isaiah. Parchment Latin Milan, Italy 11a front 1 Lewis E M 72:11A 11a front cd 6243 2112 2274 48-bit color 600 ppi 1 Gradual
Lewis E M 72:11A Lewis E M 72.11A reverse mcai720114 1500 1515 154 x 161 mm Lewis E M 72:11b contains the initials ?B.F.," inscribed on the book held by Isaiah. Parchment Latin Milan, Italy Rotunda 11a reverse 2 Lewis E M 72:11A 11a reverse cd 6243 2112 2274 48-bit color 600 ppi 2 Gradual
Lewis E M 72:11B Lewis E M 72.11B front mcai720115 1500 1515 185 x 166 mm This initial begins the Introit for the second Mass at Christmas, "Lux fulgebit hodie ?" (The light shone today). The cutting and its sister cutting Lewis E M 72:11a are known to have come from the choir books of the Olivetan monastery of Santi Angelo e Nicolò in Villanova Sillaro near Lodi. These two cuttings and one other in the Free Library's collections (Lewis E M 28:19) were illuminated by the so-called Master B. F., after the initials inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. Parchment Latin Milan, Italy Master B.F. (Francesco Binasco) Artist 11b front 1 Lewis E M 72:11B 11b front cd 6243 2112 2275 48-bit color 600 ppi 3 Gradual
Lewis E M 72:11B Lewis E M 72.11B reverse mcai720116 1500 1515 185 x 166 mm Lewis E M 72:11b contains the initials ?B.F.," inscribed on the book held by Isaiah. Parchment Latin Milan, Italy Rotunda 11b reverse 2 Lewis E M 72:11B 11b reverse cd 6243 2112 2276 48-bit color 600 ppi 4 Gradual
Lewis E M 72:12 Lewis E M 72.12 front mcai720121 1300 1350 400 x 571 mm Ego sum panis, translated as &ldquo;I am bread,&rdquo; is exceptional in its use for communion: the vast majority of liturgical manuscripts from the Middle Ages use the alternative wording of &ldquo;Cibavit eos ex adipe frumenti, alleluia,&rdquo; (Full ears of wheat are the nourishment he gives them).&nbsp; Parchment Latin Perugia?, Italy Rotunda front 1 Lewis E M 72:12 front cd 6243 2112 2275 48-bit color 400 ppi 1 Gradual
Lewis E M 72:12 Lewis E M 72.12 reverse mcai720122 1300 1350 400 x 571 mm Initial shows significant repainting. Parchment Latin Perugia?, Italy Rotunda reverse 2 Lewis E M 72:12 reverse cd 6243 2112 2276 48-bit color 400 ppi 2 Gradual
Lewis E M 72:13-14 Lewis E M 72.13 front mcai720131 1300 1350 380 x 571 mm This cutting can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda front 72:13 1 Lewis E M 72:13-14 front 72:13 cd 5248 0521 2464 48-bit color 400 ppi 1 Antiphonary
Lewis E M 72:13-14 Lewis E M 72.13 reverse mcai720132 1300 1350 380 x 571 mm This cutting can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda reverse 72:13 2 Lewis E M 72:13-14 reverse 72:13 cd 5248 0521 2464 48-bit color 400 ppi 2 Antiphonary
Lewis E M 72:13-14 Lewis E M 72.14 front mcai720141 1300 1350 379 x 567 mm This cutting can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda front 72:14 3 Lewis E M 72:13-14 front 72:14 cd 5253 0521 7980 48-bit color 400 ppi 3 Antiphonary
Lewis E M 72:13-14 Lewis E M 72.14 reverse mcai720142 1300 1350 379 x 567 mm This cutting can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda reverse 72:14 4 Lewis E M 72:13-14 reverse 72:14 cd 5253 0521 7980 48-bit color 400 ppi 4 Antiphonary
Lewis E M 72:15-16 Lewis E M 72.15 front mcai720151 1300 1350 388 x 500 mm These cuttings can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda front 72:15 1 Lewis E M 72:15-16 front 72:15 cd 5253 0521 7985 48-bit color 400 ppi 1 Gradual
Lewis E M 72:15-16 Lewis E M 72.15 reverse mcai720152 1300 1350 388 x 500 mm These cuttings can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda reverse 72:15 2 Lewis E M 72:15-16 reverse 72:15 cd 5253 0521 7985 48-bit color 400 ppi 2 Gradual
Lewis E M 72:15-16 Lewis E M 72.16 front mcai720161 1300 1350 374 x 520 mm These cuttings can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda front 72:16 3 Lewis E M 72:15-16 front 72:16 cd 5253 0521 7987 48-bit color 400 ppi 3 Gradual
Lewis E M 72:15-16 Lewis E M 72.16 reverse mcai720162 1300 1350 374 x 520 mm These cuttings can be dated to ca. 1325. Parchment Latin Perugia?, Italy Rotunda reverse 72:16 4 Lewis E M 72:15-16 reverse 72:16 cd 5253 0521 7987 48-bit color 400 ppi 4 Gradual
Lewis E M 72:17-21 Lewis E M 72.17 front mcai720171 1450 1499 345 x 494 mm Initial A with Moses speaking to the Israelites Parchment Latin Perugia, Italy Rotunda front 72:17 1 Lewis E M 72:17-21 front 72:17 cd 6243 2112 2379 48-bit color 400 ppi 1 Antiphonary
Lewis E M 72:17 Lewis E M 72.17 reverse mcai720172 Parchment Unknown 1 Lewis E M 72:17 cd 6243 2112 2379 Illuminated Music Leaf
Lewis E M 72:17-21 Lewis E M 72.18 front mcai720181 1450 1499 355 x 500 mm Initial S with Sts. Peter and Paul Parchment Latin Perugia, Italy Rotunda front 72:18 2 Lewis E M 72:17-21 front 72:18 cd 6243 2112 2378 48-bit color 400 ppi 3 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.18 reverse mcai720182 1450 1499 355 x 500 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of Sts. Peter and Paul. Parchment Latin Perugia, Italy Rotunda reverse 72:18 3 Lewis E M 72:17-21 reverse 72:18 cd 6243 2112 2378 48-bit color 400 ppi 4 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.19 front mcai720191 1450 1499 360 x 500 mm Initial L with Moses speaking to God Parchment Latin Perugia, Italy Rotunda front 72:19 4 Lewis E M 72:17-21 front 72:19 cd 6243 2112 2357 48-bit color 400 ppi 5 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.19 reverse mcai720192 1450 1499 360 x 500 mm This image shows the reverse of a leaf of a bifolium from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Lauds for the fourth Sunday in Lent. Parchment Latin Perugia, Italy Rotunda reverse 72:19 5 Lewis E M 72:17-21 reverse 72:19 cd 6243 2112 2357 48-bit color 400 ppi 6 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.19 mcai720193 1450 1499 360 x 500 mm This image shows the reverse of the first leaf of a bifolium with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Matins for the fourth Sunday in Lent. Parchment Latin Perugia, Italy Rotunda left 72:19 7 Lewis E M 72:17-21 left 72:19 cd 6243 2112 2356 48-bit color 400 ppi 8 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.19 mcai720194 1450 1499 360 x 500 mm This image shows the recto of an opening of a bifolium. It contains the last verses of the first antiphon and the Benedictus antiphon of Lauds for the fourth Sunday in Lent. A break between the text of the verso and the recto of the opening and a catchword on the reverse indicates that the bifolium originally comprised the first and last leaves of the gathering. Parchment Latin Perugia, Italy Rotunda right 72:19 6 Lewis E M 72:17-21 right 72:19 cd 6243 2112 2356 48-bit color 400 ppi 7 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.20 front mcai720201 1450 1499 357 x 499 mm Initial H with the Nativity of the Virgin Parchment Latin Perugia, Italy Rotunda front 72:20 8 Lewis E M 72:17-21 front 72:20 cd 6243 2112 2377 48-bit color 400 ppi 9 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.20 reverse mcai720202 1450 1499 357 x 499 mm This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of Nativity of the Virgin. Parchment Latin Perugia, Italy Rotunda reverse 72:20 9 Lewis E M 72:17-21 reverse 72:20 cd 6243 2112 2377 48-bit color 400 ppi 10 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.21 front mcai720211 1450 1499 356 x 500 mm Initial I with Job on the dungheap visited by his wife Parchment Latin Perugia, Italy Rotunda front 72:21 10 Lewis E M 72:17-21 front 72:21 cd 6243 2112 2340 48-bit color 400 ppi 11 Antiphonary
Lewis E M 72:17-21 Lewis E M 72.21 reverse mcai720212 1450 1499 356 x 500 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the magnificat antiphon for the first Sunday in September. Parchment Latin Perugia, Italy Rotunda reverse 72:21 11 Lewis E M 72:17-21 reverse 72:21 cd 6243 2112 2340 48-bit color 400 ppi 12 Antiphonary
Lewis E M 72:22 Lewis E M 72.22 front mcai720221 1400 1499 395 x 555 mm Initial A Parchment Latin Perugia, Italy Rotunda front 1 Lewis E M 72:22 front cd 6243 2112 2342 48-bit color 400 ppi 1 Antiphonary
Lewis E M 72:22 Lewis E M 72.22 reverse mcai720222 1400 1499 395 x 555 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon for Lauds of Monday after Pentecost, "Si quis diligit me sermonem meum servabit ..." (If anyone love me, he will keep my word) Parchment Latin Perugia, Italy Rotunda reverse 2 Lewis E M 72:22 reverse cd 6243 2112 2342 48-bit color 400 ppi 2 Antiphonary
Lewis E M 72:23-24 Lewis E M 72.23 front mcai720231 1400 1499 332 x 486 mm Initial A Parchment Latin Perugia, Italy Rotunda front 72:23 1 Lewis E M 72:23-24 front 72:23 cd 6243 2112 2343 48-bit color 400 ppi 1 Hymnal
Lewis E M 72:23-24 Lewis E M 72.23 reverse mcai720232 1400 1499 332 x 486 mm This image shows the reverse of a leaf with a decorated initial from a hymnal. This side of the leaf, the true recto, contains the hymn "Plasmator hominis," (Heavenly Creator of mankind; beginning imperfectly), which was sung on Friday Vespers. Parchment Latin Perugia, Italy Rotunda reverse 72:23 2 Lewis E M 72:23-24 reverse 72:23 cd 6243 2112 2343 48-bit color 400 ppi 2 Hymnal
Lewis E M 72:23-24 Lewis E M 72.24 front mcai720241 1400 1499 336 x 484 mm Initial U Parchment Latin Perugia, Italy Rotunda front 72:24 3 Lewis E M 72:23-24 front 72:24 cd 6243 2112 2344 48-bit color 400 ppi 3 Hymnal
Lewis E M 72:23-24 Lewis E M 72.24 reverse mcai720242 1400 1499 336 x 484 mm This image shows the reverse of a leaf with a decorated initial from a hymnal. This side of the leaf, the true recto, contains the hymn, "Tibi Christui splendor patris ..." (To you, O Christ, the Father's splendor; beginning imperfectly) sung at vespers for the feast of St. Michael (Sept. 29). Parchment Latin Perugia, Italy Rotunda reverse 72:24 4 Lewis E M 72:23-24 reverse 72:24 cd 6243 2112 2344 48-bit color 400 ppi 4 Hymnal
Lewis E M 73:1-4 Lewis E M 73.1 front mcai730011 1440 1460 359 x 502 mm Initial D with Christ with calling Sts. Peter and Andrew Parchment Latin Perugia, Italy Rotunda front 73:1 1 Lewis E M 73:01-04 front 73:1 cd 6243 2112 2345 48-bit color 400 ppi 1 Gradual
Lewis E M 73:1-4 Lewis E M 73.1 reverse mcai730012 1440 1460 359 x 502 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Vigil of the feast of St. Andrew that begins on the front. Parchment Latin Perugia, Italy Rotunda reverse 73:1 2 Lewis E M 73:01-04 reverse 73:1 cd 6243 2112 2345 48-bit color 400 ppi 2 Gradual
Lewis E M 73:1-4 Lewis E M 73.2 front mcai730021 1440 1460 358 x 497 mm Initial R with the Annunciation Parchment Latin Perugia, Italy Rotunda front 73:2 3 Lewis E M 73:01-04 front 73:2 cd 6243 2112 2346 48-bit color 400 ppi 3 Gradual
Lewis E M 73:1-4 Lewis E M 73.2 reverse mcai730022 1440 1460 358 x 497 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains a tract from an unidentified sanctorale feast. Parchment Latin Perugia, Italy Rotunda reverse 73:2 4 Lewis E M 73:01-04 reverse 73:2 cd 6243 2112 2346 48-bit color 400 ppi 4 Gradual
Lewis E M 73:1-4 Lewis E M 73.3 front mcai730031 1440 1460 362 x 498 mm Initial M with Two Apostles Parchment Latin Perugia, Italy Rotunda front 73:3 5 Lewis E M 73:01-04 front 73:3 cd 6243 2112 2347 48-bit color 400 ppi 5 Gradual
Lewis E M 73:1-4 Lewis E M 73.3 reverse mcai730032 1440 1460 362 x 498 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Common of Apostles that begins on the front. Parchment Latin Perugia, Italy Rotunda reverse 73:3 6 Lewis E M 73:01-04 reverse 73:3 cd 6243 2112 2347 48-bit color 400 ppi 6 Gradual
Lewis E M 73:1-4 Lewis E M 73.4 front mcai730041 1440 1460 359 x 499 mm Initial I with a Martyr saint Parchment Latin Perugia, Italy Rotunda front 73:4 7 Lewis E M 73:01-04 front 73:4 cd 6243 2112 2348 48-bit color 400 ppi 7 Gradual
Lewis E M 73:1-4 Lewis E M 73.4 reverse mcai730042 1440 1460 359 x 499 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Common of One Martyr that begins on the front. Parchment Latin Perugia, Italy Rotunda reverse 73:4 8 Lewis E M 73:01-04 reverse 73:4 cd 6243 2112 2348 48-bit color 400 ppi 8 Gradual
Lewis E M 73:5 Lewis E M 73.5 front mcai730051 1500 1550 395 x 555 mm This cutting can be dated to ca. 1513-1523. Parchment Latin Perugia or Rome, Italy Rotunda Pietro Vannuci, called Perugino, with assistance Artist front 1 Lewis E M 73:05 front cd 6243 2112 2349 48-bit color 400 ppi 1 Gradual
Lewis E M 73:5 Lewis E M 73.5 reverse mcai730052 1500 1550 395 x 555 mm This cutting can be dated to ca. 1513-1523. Parchment Latin Perugia or Rome, Italy Rotunda reverse 2 Lewis E M 73:05 reverse cd 6243 2112 2349 48-bit color 400 ppi 2 Gradual
Lewis E M 73:6 Lewis E M 73.6 front mcai730061 1300 1315 381 x 542 mm This cutting can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda Neri da Rimini Artist front 1 Lewis E M 73:06 front cd 6243 2112 2350 48-bit color 400 ppi 1 Antiphonary
Lewis E M 73:6 Lewis E M 73.6 reverse mcai730062 1300 1315 381 x 542 mm This cutting can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 73:06 reverse cd 6243 2112 2350 48-bit color 400 ppi 2 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.7 front mcai730071 1300 1399 383 x 541 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda Neri da Rimini Artist front 73:7 1 Lewis E M 73:07-09 front 73:7 cd 6243 2112 2351 48-bit color 400 ppi 1 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.7 reverse mcai730072 1300 1399 383 x 541 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda reverse 73:7 2 Lewis E M 73:07-09 reverse 73:7 cd 6243 2112 2351 48-bit color 400 ppi 2 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.8 front mcai730081 1300 1399 392 x 550 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda Neri da Rimini Artist front 73:8 3 Lewis E M 73:07-09 front 73:8 cd 6243 2112 2352 48-bit color 400 ppi 3 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.8 reverse mcai730082 1300 1399 392 x 550 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda reverse 73:8 4 Lewis E M 73:07-09 reverse 73:8 cd 6243 2112 2352 48-bit color 400 ppi 4 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.9 front mcai730091 1300 1399 391 x 551 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda Neri da Rimini Artist front 73:9 5 Lewis E M 73:07-09 front 73:9 cd 6243 2112 2353 48-bit color 400 ppi 5 Antiphonary
Lewis E M 73:7-9 Lewis E M 73.9 reverse mcai730092 1300 1399 391 x 551 mm These cuttings can be dated to ca. 1300-1313. Parchment Latin Bologna, Italy Rotunda reverse 73:9 6 Lewis E M 73:07-09 reverse 73:9 cd 6243 2112 2353 48-bit color 400 ppi 6 Antiphonary
Lewis E M 73:10-13 Lewis E M 73.10 front mcai730101 1285 1299 387 x 569 mm Initial B with the Three youths in the fiery furnace Parchment Latin Rome, Italy Rotunda front 73:10 1 Lewis E M 73:10-13 front 73:10 cd 6243 2112 2354 48-bit color 400 ppi 1 Gradual
Lewis E M 73:10-13 Lewis E M 73.10 reverse mcai730102 1285 1299 387 x 569 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the hymn sung during Mass on the fourth Sunday in Advent, which begins on the front. Parchment Latin Rome, Italy Rotunda reverse 73:10 2 Lewis E M 73:10-13 reverse 73:10 cd 6243 2112 2354 48-bit color 400 ppi 2 Gradual
Lewis E M 73:10-13 Lewis E M 73.11 front mcai730111 1285 1299 368 x 562 mm Initial A with David praying to God Parchment Latin Rome, Italy Rotunda front 73:11 3 Lewis E M 73:10-13 front 73:11 cd 6243 2112 2355 48-bit color 400 ppi 3 Gradual
Lewis E M 73:10-13 Lewis E M 73.11 reverse mcai730112 1285 1299 368 x 562 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for Thursday of Holy Week. Parchment Latin Rome, Italy Rotunda reverse 73:11 4 Lewis E M 73:10-13 reverse 73:11 cd 6243 2112 2355 48-bit color 400 ppi 4 Gradual
Lewis E M 73:10-13 Lewis E M 73.12 front mcai730121 1285 1299 370 x 575 mm Initial R with King David in prayer below Christ Parchment Latin Rome, Italy Rotunda front 73:12 5 Lewis E M 73:10-13 front 73:12 cd 6243 2112 2259 48-bit color 400 ppi 5 Gradual
Lewis E M 73:10-13 Lewis E M 73.12 reverse mcai730122 1285 1299 370 x 575 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the versicle for the Tract for the second Sunday in Lent. Parchment Latin Rome, Italy Rotunda reverse 73:12 6 Lewis E M 73:10-13 reverse 73:12 cd 6243 2112 2259 48-bit color 400 ppi 6 Gradual
Lewis E M 73:10-13 Lewis E M 73.13 front mcai730131 1285 1299 368 x 561 mm Initial E with King David in Prayer Parchment Latin Rome, Italy Rotunda front 73:13 7 Lewis E M 73:10-13 front 73:13 cd 6243 2112 2260 48-bit color 400 ppi 7 Gradual
Lewis E M 73:10-13 Lewis E M 73.13 reverse mcai730132 1285 1299 368 x 561 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for the third Thursday in Lent. Parchment Latin Rome, Italy Rotunda reverse 73:13 8 Lewis E M 73:10-13 reverse 73:13 cd 6243 2112 2260 48-bit color 400 ppi 8 Gradual
Lewis E M 73:14 Lewis E M 73.14 front mcai730141 1285 1299 378 x 576 mm Initial S with St. Vincent of Saragossa Parchment Latin Rome, Italy Rotunda front 1 Lewis E M 73:14 front cd 6243 2112 2277 48-bit color 400 ppi 1 Antiphonary
Lewis E M 73:14 Lewis E M 73.14 reverse mcai730142 1285 1299 378 x 576 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Vincent of Rome, which begins on the front. Parchment Latin Rome, Italy Rotunda reverse 2 Lewis E M 73:14 reverse cd 6243 2112 2277 48-bit color 400 ppi 2 Antiphonary
Lewis E M 73:15-20 Lewis E M 73.15 front mcai730151 1285 1299 388 x 567 mm Initial O with King David in prayer Parchment Latin Rome, Italy Rotunda front 73:15 1 Lewis E M 73:15-20 front 73:15 cd 6243 2112 2278 48-bit color 400 ppi 1 Gradual
Lewis E M 73:15-20 Lewis E M 73.15 reverse mcai730152 1285 1299 388 x 567 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the third Sunday in Lent, which begins on the front. Parchment Latin Rome, Italy Rotunda reverse 73:15 2 Lewis E M 73:15-20 reverse 73:15 cd 6243 2112 2278 48-bit color 400 ppi 2 Gradual
Lewis E M 73:15-20 Lewis E M 73.16 front mcai730161 1285 1299 377 x 576 mm Initial E with King David below Christ Parchment Latin Rome, Italy Rotunda front 73:16 3 Lewis E M 73:15-20 front 73:16 cd 6243 2112 2280 48-bit color 400 ppi 3 Gradual
Lewis E M 73:15-20 Lewis E M 73.16 reverse mcai730162 1285 1299 377 x 576 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourth Wednesday in Lent. Parchment Latin Rome, Italy Rotunda reverse 73:16 4 Lewis E M 73:15-20 reverse 73:16 cd 6243 2112 2280 48-bit color 400 ppi 4 Gradual
Lewis E M 73:15-20 Lewis E M 73.17 front mcai730171 1285 1299 388 x 572 mm Initial F with King David in the temple praying to Christ Parchment Latin Rome, Italy Rotunda front 73:17 5 Lewis E M 73:15-20 front 73:17 cd 6243 2112 2281 48-bit color 400 ppi 5 Gradual
Lewis E M 73:15-20 Lewis E M 73.17 reverse mcai730172 1285 1299 388 x 572 mm This is the reverse of a leaf with an historiated initial from a gradual. Parchment Latin Rome, Italy Rotunda reverse 73:17 6 Lewis E M 73:15-20 reverse 73:17 cd 6243 2112 2281 48-bit color 400 ppi 6 Gradual
Lewis E M 73:15-20 Lewis E M 73.18 front mcai730181 1285 1299 383 x 577 mm This initial begins the Introit for the fourth Saturday in Lent, "Sitientes venite ad aquas dicit dominus ..." (All you that thirst, come to the waters, says the Lord). The iconography of the scene within the initial derives from the first words of the Introit, which are taken from Isaiah 55:1. Christ beckons a group of Dominicans and two laymen towards the waters of a spring, which symbolizes Christ's promise of salvation. The appearance of the Dominican friars suggests that this choir book was intended for use in a Dominican convent. The two laymen may represent patrons responsible for giving the manuscript to the convent. Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set. Parchment Latin Rome, Italy Rotunda front 73:18 7 Lewis E M 73:15-20 front 73:18 cd 6243 2112 2282 48-bit color 400 ppi 7 Gradual
Lewis E M 73:15-20 Lewis E M 73.18 reverse mcai730182 1285 1299 383 x 577 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourth Saturday in Lent, which begins on the front. Parchment Latin Rome, Italy Rotunda reverse 73:18 8 Lewis E M 73:15-20 reverse 73:18 cd 6243 2112 2282 48-bit color 400 ppi 8 Gradual
Lewis E M 73:15-20 Lewis E M 73.19 front mcai730191 1285 1299 375 x 579 mm Initial L with King David Parchment Latin Rome, Italy Rotunda front 73:19 9 Lewis E M 73:15-20 front 73:19 cd 6243 2112 2285 48-bit color 400 ppi 9 Gradual
Lewis E M 73:15-20 Lewis E M 73.19 reverse mcai730192 1285 1299 375 x 579 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the preceding mass for Tuesday of Passion Week. Parchment Latin Rome, Italy Rotunda reverse 73:19 10 Lewis E M 73:15-20 reverse 73:19 cd 6243 2112 2285 48-bit color 400 ppi 10 Gradual
Lewis E M 73:15-20 Lewis E M 73.20 front mcai730201 1285 1299 385 x 567 mm Initial I with Christ adored by a king and two Dominican friars and a king Parchment Latin Rome, Italy Rotunda front 73:20 11 Lewis E M 73:15-20 front 73:20 cd 6243 2112 2286 48-bit color 400 ppi 11 Gradual
Lewis E M 73:15-20 Lewis E M 73.20 reverse mcai730202 1285 1299 385 x 567 mm This is the reverse of a leaf with an historiated initial from a gradual. Parchment Latin Rome, Italy Rotunda reverse 73:20 12 Lewis E M 73:15-20 reverse 73:20 cd 6243 2112 2286 48-bit color 400 ppi 12 Gradual
Lewis E M 74:1 Lewis E M 74.1 front mcai740011 1340 1360 414 x 585 mm Instructions to the illustrator regarding the rubrication and the layout of the staves have been erased in the right recto margin but are still partially visible. Parchment Latin Siena, Italy Rotunda Master of the Gradual del Carmine, workshop of Artist front 1 Lewis E M 74:01 front cd 6243 2112 2288 48-bit color 400 ppi 1 Gradual
Lewis E M 74:1 Lewis E M 74.1 reverse mcai740012 1340 1360 414 x 584 mm Instructions to the illustrator regarding the rubrication and the layout of the staves have been erased in the right recto margin but are still partially visible. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 74:01 reverse cd 6243 2112 2289 48-bit color 400 ppi 2 Gradual
Lewis E M 74:2-3 Lewis E M 74.2 front mcai740021 1325 1350 400 x 566 mm Initial D with David kneeling before Christ Parchment Latin Tuscany, Italy Rotunda Master of San Giovanni Fuorcivitas Artist front 74:2 1 Lewis E M 74:02-03 front 74:2 cd 6243 2112 2290 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:2-3 Lewis E M 74.2 reverse mcai740022 1325 1350 400 x 566 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the first Sunday after Epiphany Parchment Latin Tuscany, Italy Rotunda reverse 74:2 2 Lewis E M 74:02-03 reverse 74:2 cd 6243 2112 2292 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:2-3 Lewis E M 74.3 front mcai740031 1325 1350 405 x 564 mm Initial L with Christ appearing to Abraham Parchment Latin Tuscany, Italy Rotunda Master of San Giovanni Fuorcivitas Artist front 74:3 3 Lewis E M 74:02-03 front 74:3 cd 6243 2112 2293 48-bit color 400 ppi 3 Antiphonary
Lewis E M 74:2-3 Lewis E M 74.3 reverse mcai740032 1325 1350 405 x 564 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Quinquagesima Sunday. Parchment Latin Tuscany, Italy Rotunda reverse 74:3 4 Lewis E M 74:02-03 reverse 74:3 cd 6243 2112 2294 48-bit color 400 ppi 4 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.4 front mcai740041 1250 1299 383 x 541 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda front 74:4 1 Lewis E M 74:04-07 front 74:4 cd 6243 2112 2293 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.4 reverse mcai740042 1250 1299 383 x 541 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda reverse 74:4 2 Lewis E M 74:04-07 reverse 74:4 cd 6243 2112 2294 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.5 front mcai740051 1250 1299 385 x 550 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda front 74:5 3 Lewis E M 74:04-07 front 74:5 cd 6243 2112 2290 48-bit color 400 ppi 3 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.5 reverse mcai740052 1250 1299 385 x 550 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda reverse 74:5 4 Lewis E M 74:04-07 reverse 74:5 cd 6243 2112 2292 48-bit color 400 ppi 4 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.6 front mcai740061 1250 1299 385 x 552 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda front 74:6 5 Lewis E M 74:04-07 front 74:6 cd 6243 2112 2297 48-bit color 400 ppi 5 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.6 reverse mcai740062 1250 1299 385 x 552 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda reverse 74:6 6 Lewis E M 74:04-07 reverse 74:6 cd 6243 2112 2297 48-bit color 400 ppi 6 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.7 front mcai740071 1250 1299 382 x 550 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda front 74:7 7 Lewis E M 74:04-07 front 74:7 cd 6243 2112 2298 48-bit color 400 ppi 7 Antiphonary
Lewis E M 74:4-7 Lewis E M 74.7 reverse mcai740072 1250 1299 382 x 550 mm These leaves can be dated to ca. 1270-80. Parchment Latin Tuscany, Florence?, Italy Rotunda reverse 74:7 8 Lewis E M 74:04-07 reverse 74:7 cd 6243 2112 2298 48-bit color 400 ppi 8 Antiphonary
Lewis E M 74:7A Lewis E M 74.7A front mcai740073 1290 1310 362 x 511 mm This leaf can be dated to ca. 1300. Parchment Latin Tuscany, Florence?, Italy Rotunda front 1 Lewis E M 74:07A front cd 6243 2112 6760 48-bit color 400 ppi 1 Gradual
Lewis E M 74:7A Lewis E M 74.7A reverse mcai740074 1290 1310 363 x 511 mm This leaf can be dated to ca. 1300. Parchment Latin Tuscany, Florence?, Italy Rotunda reverse 2 Lewis E M 74:07A reverse cd 6243 2112 6752 48-bit color 400 ppi 2 Gradual
Lewis E M 74:8 Lewis E M 74.8 front mcai740081 1485 1499 392 x 578 mm This initial begins the Introit for Ember Friday of Advent, "Prope es tu domine et omnes vie tue ueritas ..." (Thou, Lord, art close at hand). Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 74:08 front cd 6243 2112 6760 48-bit color 400 ppi 1 Gradual
Lewis E M 74:8 Lewis E M 74.8 reverse mcai740082 1485 1499 392 x 578 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains end of the Secret and the Communion for Ember Wednesday of Advent. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 74:08 reverse cd 6243 2112 6752 48-bit color 400 ppi 2 Gradual
Lewis E M 74:9 Lewis E M 74.9 front mcai740091 1440 1460 287 x 400 mm Initial S with David in the waters Parchment Latin Italy (central) Rotunda front 1 Lewis E M 74:09 front cd 6243 2112 6731 48-bit color 400 ppi 1 Choir psalter
Lewis E M 74:9 Lewis E M 74.9 reverse mcai740092 1440 1460 287 x 400 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues Psalm 68, which begins on the front. Parchment Latin Italy (central) Rotunda reverse 2 Lewis E M 74:09 reverse cd 6243 2112 6732 48-bit color 400 ppi 2 Choir psalter
Lewis E M 74:10 Lewis E M 74.10 front mcai740101 1450 1475 394 x 555 mm This leaf can be dated to ca. 1460. Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 74:10 front cd 6243 2112 6734 48-bit color 400 ppi 1 Gradual
Lewis E M 74:10 Lewis E M 74.10 reverse mcai740102 1450 1475 394 x 555 mm This leaf can be dated to ca. 1460. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 74:10 reverse cd 6243 2112 6734 48-bit color 400 ppi 2 Gradual
Lewis E M 74:11 Lewis E M 74.11 front mcai740111 1440 1460 414 x 616 mm This initial begins the Introit for the first Tuesday in Lent, "Dominus refugium factus es nobis ..." (Lord thou hast been our refuge). Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 74:11 front cd 6243 2112 6731 48-bit color 400 ppi 1 Gradual
Lewis E M 74:11 Lewis E M 74.11 reverse mcai740112 1440 1460 414 x 616 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the first Monday in Lent. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 74:11 reverse cd 6243 2112 6732 48-bit color 400 ppi 2 Gradual
Lewis E M 74:12-13 Lewis E M 74.12 front mcai740121 1400 1425 377 x 538 mm This initial begins the first antiphon for first Vespers for the Vigil of St. Francis of Assisi (Oct. 4), &quot;Franciscus uir catholicus ...&quot; (Francis, a catholic man). The style of illumination in this initial suggests that it was painted by a follower of Attavante degli Attavanti (b. 1452-1520/25). Attavante was one of Florence's most sought after and influential illuminators of the late fifteenth and early sixteenth centuries. Among his many patrons, were Federigo da Montefeltro, the Duke of Urbino (1477-8), and Matthias Corvinus, King of Hungary (1458-1490). Parchment Latin Florence, Italy Rotunda Attavante degli Attavanti, circle of Artist front 74:12 1 Lewis E M 74:12-13 front 74:12 cd 6243 2112 6735 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:12-13 Lewis E M 74.12 reverse mcai740122 1400 1425 377 x 538 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains a chant that has yet to be identified. Parchment Latin Florence, Italy Rotunda reverse 74:12 2 Lewis E M 74:12-13 reverse 74:12 cd 6243 2112 6735 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:12-13 Lewis E M 74.13 front mcai740131 1400 1425 375 x 539 mm Initial T with St. Peter the Apostle Parchment Latin Florence, Italy Rotunda Attavante degli Attavanti, circle of Artist front 74:13 3 Lewis E M 74:12-13 front 74:13 cd 6243 2112 6736 48-bit color 400 ppi 3 Antiphonary
Lewis E M 74:12-13 Lewis E M 74.13 reverse mcai740132 1400 1425 375 x 539 mm This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains an antiphon for Matins of the feast of St. Clement, "Dedisti Domine habitaculum martyri Clementi in mari ..." (You have given a dwelling to your martyr Clement in the sea, O Lord). Parchment Latin Florence, Italy Rotunda reverse 74:13 4 Lewis E M 74:12-13 reverse 74:13 cd 6243 2112 6736 48-bit color 400 ppi 4 Antiphonary
Lewis E M 74:14 Lewis E M 74.14 front mcai740141 1400 1499 335 x 468 mm This initial begins the first response of the first nocturn of Matins for Easter Sunday, "Angelus domini descendit de celo ..." (An Angel of the Lord came down from heaven). The decoration on this leaf was left unfinished with the underdrawing of the initial and border lacking the paint and gold leaf. Yet, its incomplete state allows us to see the steps of illumination midway through the process. After a leaf was ruled to determine the number of lines of text and decoration, the scribe wrote in the text leaving the areas of decoration blank. The leaf was then handed over to an illuminator who would draw in the outlines of the decoration with a stylus or a lead stick, similar to a pencil. The gold leaf would have been added next before the initial was painted in with various colors. For an unknown reason, our illuminator abandoned his work after completing the underdrawing. Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 74:14 front cd 6243 2112 6737 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:14 Lewis E M 74.14 reverse mcai740142 1400 1499 335 x 468 mm This image shows the reverse of a leaf with an unfinished historiated initial from an antiphonary. Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 74:14 reverse cd 6243 2112 6738 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:15 Lewis E M 74.15 front mcai740151 1440 1460 388 x 575 mm Initial D with Christ calling Sts. Peter and Andrew Parchment Latin Florence, Italy Rotunda Bartolomeo d'Antonio Varnucci, attributed to Artist front 1 Lewis E M 74:15 front cd 6243 2112 6739 48-bit color 400 ppi 1 Gradual
Lewis E M 74:15 Lewis E M 74.15 reverse mcai740152 1440 1460 388 x 575 mm This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of Sts. Peter and Andrew, which begins on the front. Parchment Latin Florence, Italy Rotunda reverse 2 Lewis E M 74:15 reverse cd 6243 2112 6739 48-bit color 400 ppi 2 Gradual
Lewis E M 74:16 Lewis E M 74.16 front mcai740161 1490 1510 431 x 589 mm Initial C with the Resurrection Parchment Latin Florence, Italy Rotunda front 1 Lewis E M 74:16 front cd 6243 2112 6737 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:16 Lewis E M 74.16 reverse mcai740162 1490 1510 431 x 589 mm This image shows the reverse of leaf with an historiated initial from an antiphonary. Parchment Latin Florence, Italy reverse 2 Lewis E M 74:16 reverse cd 6243 2112 6738 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:17 Lewis E M 74.17 mcai740171 1440 1460 295 x 440 mm Initial P with Dominican monks receiving the Rule of St. Augustine of Hippo Parchment Latin Siena, Italy Rotunda Pietro di Giovanni d'Ambrogio, follower of Artist front 1 Lewis E M 74:17 front cd 6243 2112 6740 48-bit color 400 ppi 1 Undetermined
Lewis E M 74:18 Lewis E M 74.18 front mcai740181 1440 1460 363 x 354 mm This cutting can be dated to ca. 1470. Parchment Latin Siena, Italy Rotunda Pellegrino di Mariano Rossini, attributed to Artist front 1 Lewis E M 74:18 front cd 6243 2112 6741 48-bit color 400 ppi 1 Antiphonary
Lewis E M 74:18 Lewis E M 74.18 reverse mcai740182 1440 1460 363 x 354 mm This cutting can be dated to ca. 1470. Parchment Latin Siena, Italy Rotunda reverse 2 Lewis E M 74:18 reverse cd 6243 2112 6741 48-bit color 400 ppi 2 Antiphonary
Lewis E M 74:19 Lewis E M 74.19 front mcai740191 Parchment Unknown 1 Lewis E M 74:19 cd 6243 2112 6740 Illuminated Fragment
Lewis E M 74:19 Lewis E M 74.19 reverse mcai740192 Parchment Unknown 2 Lewis E M 74:19 cd 6243 2112 6740 Illuminated Music Leaf
Lewis E M 75:1 Lewis E M 75.1 front mcai750011 1500 1599 410 x 600 mm Parchment Latin Poland Rotunda front 1 Lewis E M 75:01 front cd 6243 2112 6742 Leaf from an antiphonary with the Gloria Patri
Lewis E M 75:1 Lewis E M 75.1 reverse mcai750012 410 x 600 mm Parchment Unknown reverse 2 Lewis E M 75:01 reverse cd 6243 2112 6743 Leaf from an antiphonary with the Gloria Patri
Lewis E M 75:2 Lewis E M 75.2 front mcai750021 1400 1499 410 x 555 mm Historiated initial B depicting David as musician, beginning Psalm I, Beatus vir. In the top border appears the Christ Logos. In the bottom border St. Augustine is depicted. Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 75:02 front cd 6243 2112 6744 Leaf from an antiphonary with historiated initial B depicting David as musician
Lewis E M 75:2 Lewis E M 75.2 reverse mcai750022 1400 1499 410 x 555 mm Parchment Florence?, Italy reverse 2 Lewis E M 75:02 reverse cd 6243 2112 6744 Leaf from an antiphonary with historiated initial B depicting David as musician
Lewis E M 75:3 Lewis E M 75.3 front mcai750031 1400 1499 395 x 560 mm Historiated initial D: &quot;Dominus illuminatio mea, et salus mea, quem timebo?&quot; (Psalm 27: 1-3, &quot;The Lord is my light and my Salvation: whom shall I fear?&quot;) John the Evangelist is depicted in the right border. Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 75:03 front cd 6243 2112 6745 Antiphonal leaf with historiated initial leaf D depicting Christ healing the blind
Lewis E M 75:3 Lewis E M 75.3 reverse mcai750032 395 x 560 mm Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 75:03 reverse cd 6243 2112 6745 Antiphonal leaf with historiated initial leaf D depicting Christ healing the blind
Lewis E M 75:4 Lewis E M 75.4 front mcai750041 1400 1499 400 x 555 mm Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 75:04 front cd 6243 2112 6746 Antiphonary leaf with historiated D depicting St. John the Baptist
Lewis E M 75:4 Lewis E M 75.4 reverse mcai750042 1400 1499 400 x 555 mm Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 75:04 reverse cd 6243 2112 6747 Antiphonary leaf with historiated D depicting St. John the Baptist
Lewis E M 75:5 Lewis E M 75.5 front mcai750051 1400 1499 390 x 555 mm &nbsp;Psalm 81, with Moses in the border. Parchment Latin Florence?, Italy Rotunda front 1 Lewis E M 75:05 front cd 6243 2112 6746 Leaf from an antiphonary with historiated initial E depicting John the Evangelist
Lewis E M 75:5 Lewis E M 75.5 reverse mcai750052 390 x 555 mm Parchment Latin Florence?, Italy Rotunda reverse 2 Lewis E M 75:05 reverse cd 6243 2112 6747 Leaf from an antiphonary with historiated initial E depicting John the Evangelist
Lewis E M 75:6 Lewis E M 75.6 front mcai750061 1786/07/01 1786 435 x 610 mm Parchment Latin Seville, Spain Roman front 1 Lewis E M 75:06 front cd 6243 2112 6762 Vow of stability taken by Maria Paula on entering the Cistercian convent of Santa Maria
Lewis E M 75:6 Lewis E M 75.6 reverse mcai750062 1786/07/01 1786 435 x 600 mm Parchment Unknown reverse 2 Lewis E M 75:06 reverse cd 6243 2112 6762 Vow of stability taken by Maria Paula on entering the Cistercian convent of Santa Maria
Lewis E M 75:7 Lewis E M 75.7 mcai750071 1750 1799 450 x 625 mm Parchment Latin Seville, Spain Roman front 1 Lewis E M 75:07 front cd 6243 2112 6763 View of stability taken by Ana Maria de Rul y Romero on entering the Cistercian convent of Santa Maria
Lewis E M 75:8 Lewis E M 75.8 mcai750081 1833 435 x 650 mm Parchment Seville, Spain Roman front 1 Lewis E M 75:08 front cd 6243 2112 6763 Vow of stability taken by Gertrudis Maria on entering the Cistercian convent of Santa Maria
Lewis E M 75:9 Lewis E M 75.9 front mcai750091 Parchment Unknown 1 Lewis E M 75:09 cd 6243 2112 6751 Illuminated Fragment
Lewis E M 75:9 Lewis E M 75.9 reverse mcai750092 Parchment Unknown 2 Lewis E M 75:09 cd 6243 2112 6751 Text Fragment
Lewis E M 75:10 Lewis E M 75.10 front mcai750101 Parchment Unknown 1 Lewis E M 75:10 cd 6243 2112 6750 Illuminated Fragment
Lewis E M 75:10 Lewis E M 75.10 reverse mcai750102 Parchment Unknown 2 Lewis E M 75:10 cd 6243 2112 6750 Illuminated Fragment, Verso
Lewis E M 75:11 Lewis E M 75.11 front mcai750111 &nbsp;Voelkle, William, assisted by Roger S. Wieck. The Spanish Forger. New York: The Pierpont Morgan Library, 1978, p. 55. Parchment Unknown Spanish Forger Artist 1 Lewis E M 75:11 cd 6243 2112 6748 Triumphal Entry of a Princely Couple
Lewis E M 75:11 Lewis E M 75.11 reverse mcai750112 Parchment Unknown 2 Lewis E M 75:11 cd 6243 2112 6748 Triumphal Entry of a Princely Couple, verso
Lewis E M 75:12 Lewis E M 75.12 front mcai750121 1890 1920 Parchment Spain? Spanish Forger Artist 1 Lewis E M 75:12 cd 6243 2112 6676 Adoration of the Magi
Lewis E M 75:12 Lewis E M 75.12 reverse mcai750122 Parchment Unknown 2 Lewis E M 75:12 cd 6243 2112 6677 Illuminated Music Leaf
Lewis E M 75:13 Lewis E M 75.13 front mcai750131 Parchment Unknown Spanish Forger Artist 1 Lewis E M 75:13 cd 6243 2112 6678 Siege of a castle
Lewis E M 75:13 Lewis E M 75.13 reverse mcai750132 Parchment Unknown 2 Lewis E M 75:13 cd 6243 2112 6678 Siege of a castle, verso
Lewis E M 75:14 Lewis E M 75.14 front mcai750141 Parchment Unknown 1 Lewis E M 75:14 cd 6243 2112 6680 Illuminated Music Leaf
Lewis E M 75:14 Lewis E M 75.14 reverse mcai750142 Parchment Unknown 2 Lewis E M 75:14 cd 6243 2112 6680 Illuminated Music Leaf
Lewis E M 75:15 Lewis E M 75.15 front mcai750151 1400 1499 Parchment Latin Spain Rotunda front 1 Lewis E M 75:15 front cd 6243 2112 6681 Leaf with a decorated initial S beginning the gradual for a requiem mass
Lewis E M 75:15 Lewis E M 75.15 reverse mcai750152 1400 1499 Parchment Latin Spain Rotunda reverse 2 Lewis E M 75:15 reverse cd 6243 2112 6681 Leaf with a decorated initial S beginning the gradual for a requiem mass
Lewis E M 75:16 Lewis E M 75.16 front mcai750161 Parchment Unknown 1 Lewis E M 75:16 cd 6243 2112 6683 Illuminated Music Leaf
Lewis E M 75:16 Lewis E M 75.16 reverse mcai750162 Parchment Unknown 2 Lewis E M 75:16 cd 6243 2112 6683 Illuminated Music Leaf
Lewis E M 75:17 Lewis E M 75.17 front mcai750171 Parchment Unknown 1 Lewis E M 75:17 cd 6243 2112 6676 Illuminated Music Leaf
Lewis E M 75:17 Lewis E M 75.17 reverse mcai750172 Parchment Unknown 2 Lewis E M 75:17 cd 6243 2112 6677 Illuminated Music Leaf
Lewis E M 76:1-2 Lewis E M 76.1 front mcai760011 1290 1310 296 x 583 mm This cutting can be dated to ca. 1300. Parchment Latin Italy Rotunda front 76:1 1 Lewis E M 76:01-02 front 76:1 cd 6243 2112 6694 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:1-2 Lewis E M 76.1 reverse mcai760012 1290 1310 396 x 583 mm This cutting can be dated to ca. 1300. Parchment Latin Italy Rotunda reverse 76:1 2 Lewis E M 76:01-02 reverse 76:1 cd 6243 2112 6695 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:1-2 Lewis E M 76.2 front mcai760021 1290 1310 397 x 581 mm This cutting can be dated to ca. 1300. Parchment Latin Italy Rotunda front 76:2 3 Lewis E M 76:01-02 front 76:2 cd 6243 2112 6696 48-bit color 400 ppi 3 Antiphonary
Lewis E M 76:1-2 Lewis E M 76.2 reverse mcai760022 1290 1310 397 x 581 mm This cutting can be dated to ca. 1300. Parchment Latin Italy Rotunda reverse 76:2 4 Lewis E M 76:01-02 reverse 76:2 cd 6243 2112 6697 48-bit color 400 ppi 4 Antiphonary
Lewis E M 76:3-4 Lewis E M 76.3 front mcai760031 1300 1350 320 x 482 mm Initial L Parchment Latin Italy (northern) Rotunda front 76:3 1 Lewis E M 76:03-04 front 76:3 cd 6243 2112 6694 48-bit color 400 ppi 1 Gradual
Lewis E M 76:3-4 Lewis E M 76.3 reverse mcai760032 1300 1350 320 x 482 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Tract from a mass celebrating an unidentified confessor bishop. Parchment Latin Italy (northern) Rotunda reverse 76:3 2 Lewis E M 76:03-04 reverse 76:3 cd 6243 2112 6695 48-bit color 400 ppi 2 Gradual
Lewis E M 76:3-4 Lewis E M 76.4 front mcai760041 1300 1350 333 x 478 mm Initial U Parchment Latin Italy (northern) Rotunda front 76:4 3 Lewis E M 76:03-04 front 76:4 cd 6243 2112 6696 48-bit color 400 ppi 3 Gradual
Lewis E M 76:3-4 Lewis E M 76.4 reverse mcai760042 1300 1350 333 x 478 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues an Introit for the Common of several Virgins, which begins on the reverse. Parchment Latin Italy (northern) Rotunda reverse 76:4 4 Lewis E M 76:03-04 reverse 76:4 cd 6243 2112 6697 48-bit color 400 ppi 4 Gradual
Lewis E M 76:5 Lewis E M 76.5 front mcai760051 1385 1399 318 x 473 mm Initial P Parchment Latin Bologna, Italy Rotunda front 1 Lewis E M 76:05 front cd 6243 2112 6698 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:5 Lewis E M 76.5 reverse mcai760052 1385 1399 318 x 473 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the second nocturn of Matins for the second Sunday after Pentecost, which begins on the reverse. Parchment Latin Bologna, Italy Rotunda reverse 2 Lewis E M 76:05 reverse cd 6243 2112 6698 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:6 Lewis E M 76.6 front mcai760061 1300 1350 380 x 548 mm Initial P Parchment Latin Italy Rotunda front 1 Lewis E M 76:06 front cd 6243 2112 6699 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:6 Lewis E M 76.6 reverse mcai760062 1300 1350 380 x 548 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Third Sunday of September, which begins on the reverse. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:06 reverse cd 6243 2112 6699 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.7 front mcai760071 1300 1350 371 x 520 mm Initial D Parchment Latin Italy Rotunda front 76:7 1 Lewis E M 76:07-12 front 76:7 cd 6243 2112 6700 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.7 reverse mcai760072 1300 1350 371 x 520 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Friday within the Octave of Pentecost. Parchment Latin Italy Rotunda reverse 76:7 2 Lewis E M 76:07-12 reverse 76:7 cd 6243 2112 6700 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.8 front mcai760081 1300 1350 375 x 521 mm Initial E Parchment Latin Italy Rotunda front 76:8 3 Lewis E M 76:07-12 front 76:8 cd 6243 2112 6701 48-bit color 400 ppi 3 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.8 reverse mcai760082 1300 1350 375 x 521 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for Easter Thursday. Parchment Latin Italy Rotunda reverse 76:8 4 Lewis E M 76:07-12 reverse 76:8 cd 6243 2112 6701 48-bit color 400 ppi 4 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.9 front mcai760091 1300 1350 370 x 535 mm Initial E Parchment Latin Italy Rotunda front 76:9 5 Lewis E M 76:07-12 front 76:9 cd 6243 2112 6702 48-bit color 400 ppi 5 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.9 reverse mcai760092 1300 1350 370 x 535 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Gradual and Offertory for the Third Tuesday in Lent. Parchment Latin Italy Rotunda reverse 76:9 6 Lewis E M 76:07-12 reverse 76:9 cd 6243 2112 6702 48-bit color 400 ppi 6 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.10 front mcai760101 1300 1350 375 x 515 mm Initial Q Parchment Latin Italy Rotunda front 76:10 7 Lewis E M 76:07-12 front 76:10 cd 6243 2112 6703 48-bit color 400 ppi 7 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.10 reverse mcai760102 1300 1350 375 x 515 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the Sunday within the octave of Easter. Parchment Latin Italy Rotunda reverse 76:10 8 Lewis E M 76:07-12 reverse 76:10 cd 6243 2112 6703 48-bit color 400 ppi 8 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.11 front mcai760111 1300 1350 363 x 515 mm This initial begins an Introit for the Common of Martyrs, "Salus autem iustorum a domino ...." Lewis E M 76:7-12 are from the same manuscript. Parchment Latin Italy Rotunda front 76:11 9 Lewis E M 76:07-12 front 76:11 cd 6243 2112 6704 48-bit color 400 ppi 9 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.11 reverse mcai760112 1300 1350 363 x 515 mm Initial C Parchment Latin Italy Rotunda reverse 76:11 10 Lewis E M 76:07-12 reverse 76:11 cd 6243 2112 6704 48-bit color 400 ppi 10 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.12 front mcai760121 1300 1350 362 x 509 mm Initial S Parchment Latin Italy Rotunda front 76:12 11 Lewis E M 76:07-12 front 76:12 cd 6243 2112 6705 48-bit color 400 ppi 11 Antiphonary
Lewis E M 76:7-12 Lewis E M 76.12 reverse mcai760122 1300 1350 362 x 509 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, continues the Introit for the first Monday in Lent, which begins on the front, and includes the following Psalm and Gradual. Parchment Latin Italy Rotunda reverse 76:12 12 Lewis E M 76:07-12 reverse 76:12 cd 6243 2112 6705 48-bit color 400 ppi 12 Antiphonary
Lewis E M 76:13 Lewis E M 76.13 front mcai760131 1300 1350 410 x 580 mm Initial R Parchment Latin Italy Rotunda front 1 Lewis E M 76:13 front cd 6243 2112 6706 48-bit color 400 ppi 1 Gradual
Lewis E M 76:13 Lewis E M 76.13 reverse mcai760132 1300 1350 410 x 580 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the thirteenth Sunday after Pentecost. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:13 reverse cd 6243 2112 6707 48-bit color 400 ppi 2 Gradual
Lewis E M 76:14 Lewis E M 76.14 front mcai760141 1300 1350 375 x 537 mm Initial R Parchment Latin Italy Rotunda front 1 Lewis E M 76:14 front cd 6243 2112 6706 48-bit color 400 ppi 1 Gradual
Lewis E M 76:14 Lewis E M 76.14 reverse mcai760142 1300 1350 375 x 537 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the first Tuesday in Lent. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:14 reverse cd 6243 2112 6707 48-bit color 400 ppi 2 Gradual
Lewis E M 76:15 Lewis E M 76.15 front mcai760151 1300 1350 364 x 537 mm Initial I Parchment Latin Italy Rotunda front 1 Lewis E M 76:15 front cd 6243 2112 6260 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:15 Lewis E M 76.15 reverse mcai760152 1300 1350 364 x 537 mm This image shows the reverse of a leaf with a decorated initial from an Antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon for the feasts of St. John the Apostle and St. Paul (June 26). Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:15 reverse cd 6243 2112 6260 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:16 Lewis E M 76.16 front mcai760161 1300 1350 363 x 511 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 76:16 front cd 6243 2112 6261 48-bit color 400 ppi 1 Gradual
Lewis E M 76:16 Lewis E M 76.16 reverse mcai760162 1300 1350 363 x 511 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues for the Common of Several Martyrs for use between Easter and Pentecost, which begins on the front. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:16 reverse cd 6243 2112 6261 48-bit color 400 ppi 2 Gradual
Lewis E M 76:17 Lewis E M 76.17 front mcai760171 1300 1350 361 x 525 mm Initial I Parchment Latin Italy Rotunda front 1 Lewis E M 76:17 front cd 6243 2112 6262 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:17 Lewis E M 76.17 reverse mcai760172 1300 1350 361 x 525 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphon preceding the first response of the first nocturn of Matins for the Thursday in Holy Week, which begins on the front. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:17 reverse cd 6243 2112 6262 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:18 Lewis E M 76.18 front mcai760181 1300 1399 338 x 480 mm Leaf from a gradual Parchment Latin Italy Rotunda front 1 Lewis E M 76:18 front cd 6243 2112 6263 48-bit color 400 ppi 1 Gradual
Lewis E M 76:18 Lewis E M 76.18 reverse mcai760182 1300 1399 338 x 480 mm This image shows the reverse of a leaf from a gradual. This side of the leaf, the true recto, contains the versicle after the Lesson and the Communion for Ember Friday within the octave of Pentecost. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:18 reverse cd 6243 2112 6263 48-bit color 400 ppi 2 Gradual
Lewis E M 76:19-21 Lewis E M 76.19 front mcai760191 1400 1499 375 x 547 mm Initial L Parchment Latin Italy Rotunda front 76:19 1 Lewis E M 76:19-21 front 76:19 cd 6243 2112 6264 48-bit color 400 ppi 1 Gradual
Lewis E M 76:19-21 Lewis E M 76.19 reverse mcai760192 1400 1499 375 x 547 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for Wednesday during Passion Week, which begins on the front. Parchment Latin Italy Rotunda reverse 76:19 2 Lewis E M 76:19-21 reverse 76:19 cd 6243 2112 6264 48-bit color 400 ppi 2 Gradual
Lewis E M 76:19-21 Lewis E M 76.20 front mcai760201 1400 1499 374 x 545 mm Initial A Parchment Latin Italy Rotunda front 76:20 3 Lewis E M 76:19-21 front 76:20 cd 6243 2112 6267 48-bit color 400 ppi 3 Gradual
Lewis E M 76:19-21 Lewis E M 76.20 reverse mcai760202 1400 1499 374 x 545 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Gradual for the first Thursday in Lent. Parchment Latin Italy Rotunda reverse 76:20 4 Lewis E M 76:19-21 reverse 76:20 cd 6243 2112 6267 48-bit color 400 ppi 4 Gradual
Lewis E M 76:19-21 Lewis E M 76.21 front mcai760211 1400 1499 375 x 546 mm Initial I Parchment Latin Italy Rotunda front 76:21 5 Lewis E M 76:19-21 front 76:21 cd 6243 2112 6268 48-bit color 400 ppi 5 Gradual
Lewis E M 76:19-21 Lewis E M 76.21 reverse mcai760212 1400 1499 375 x 546 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Palm Sunday. Parchment Latin Italy Rotunda reverse 76:21 6 Lewis E M 76:19-21 reverse 76:21 cd 6243 2112 6268 48-bit color 400 ppi 6 Gradual
Lewis E M 76:22 Lewis E M 76.22 front mcai760221 1400 1499 427 x 598 mm Initial E Parchment Latin Italy Rotunda front 1 Lewis E M 76:22 front cd 6243 2112 6269 48-bit color 400 ppi 1 Gradual
Lewis E M 76:22 Lewis E M 76.22 reverse mcai760222 1400 1499 427 x 598 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for Quinquagesima Sunday, which begins on the front. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:22 reverse cd 6243 2112 6270 48-bit color 400 ppi 2 Gradual
Lewis E M 76:23 Lewis E M 76.23 front mcai760231 1400 1499 372 x 525 mm Initial B Parchment Latin Italy Rotunda front 1 Lewis E M 76:23 front cd 6243 2112 6271 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:23 Lewis E M 76.23 reverse mcai760232 1400 1499 372 x 525 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the last antiphon preceding the first response of the first nocturn of Matins for Trinity Sunday, which begins on the front. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:23 reverse cd 6243 2112 6271 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:24 Lewis E M 76.24 front mcai760241 1500 1599 382 x 525 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 76:24 front cd 6243 2112 6273 48-bit color 400 ppi 1 Gradual
Lewis E M 76:24 Lewis E M 76.24 reverse mcai760242 1500 1599 382 x 525 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Saturday before Pentecost. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:24 reverse cd 6243 2112 6273 48-bit color 400 ppi 2 Gradual
Lewis E M 76:25 Lewis E M 76.25 front mcai760251 1400 1499 368 x 404 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 76:25 front cd 6243 2112 6269 48-bit color 400 ppi 1 Gradual
Lewis E M 76:25 Lewis E M 76.25 reverse mcai760252 1400 1499 368 x 404 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Votive Mass for the Holy Trinity. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:25 reverse cd 6243 2112 6270 48-bit color 400 ppi 2 Gradual
Lewis E M 76:26 Lewis E M 76.26 front mcai760261 1400 1499 359 x 501 mm Initial I Parchment Latin Italy Rotunda front 1 Lewis E M 76:26 front cd 6243 2112 6274 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:26 Lewis E M 76.26 reverse mcai760262 1400 1499 359 x 501 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:26 reverse cd 6243 2112 6274 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:27 Lewis E M 76.27 front mcai760271 1400 1499 380 x 534 mm Initial T Parchment Latin Italy Rotunda front 1 Lewis E M 76:27 front cd 6243 2112 6276 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:27 Lewis E M 76.27 reverse mcai760272 1400 1499 380 x 534 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory of Matins for the second Sunday in Lent. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:27 reverse cd 6243 2112 6276 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:28-29 Lewis E M 76.28, fol. 1r mcai760281 1400 1499 382 x 530 mm Initial M Parchment Latin Italy Rotunda folio 1 recto 76:28 1 Lewis E M 76:28-29 folio 1 recto 76:28 cd 6243 2112 6277 48-bit color 400 ppi 1 Gradual
Lewis E M 76:28-29 Lewis E M 76.28, fol. 2v mcai760282 1400 1499 382 x 530 mm Initial D Parchment Latin Italy Rotunda folio 2 verso 76:28 4 Lewis E M 76:28-29 folio 2 verso 76:28 cd 6243 2112 6277 48-bit color 400 ppi 4 Gradual
Lewis E M 76:28-29 Lewis E M 76.28, fol. 1v mcai760283 1400 1499 382 x 530 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the sixteenth Sunday after Pentecost, which begins on the reverse. Parchment Latin Italy Rotunda folio 1 verso 76:28 2 Lewis E M 76:28-29 folio 1 verso 76:28 cd 6243 2112 6278 48-bit color 400 ppi 2 Gradual
Lewis E M 76:28-29 Lewis E M 76.28, fol. 2r mcai760284 1400 1499 382 x 530 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the abbreviated Introit and Gradual for the tenth Sunday after Pentecost. Parchment Latin Italy Rotunda folio 2 recto 76:28 3 Lewis E M 76:28-29 folio 2 recto 76:28 cd 6243 2112 6278 48-bit color 400 ppi 3 Gradual
Lewis E M 76:28-29 Lewis E M 76.29, fol. 1r mcai760291 1400 1499 381 x 530 mm Initial P Parchment Latin Italy Rotunda folio 1 recto 76:29 5 Lewis E M 76:28-29 folio 1 recto 76:29 cd 6243 2112 6279 48-bit color 400 ppi 5 Gradual
Lewis E M 76:28-29 Lewis E M 76.29, fol. 2v mcai760292 1400 1499 381 x 530 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, contains the Gradual for the twelfth Sunday after Pentecost. Parchment Latin Italy Rotunda folio 2 verso 76:29 8 Lewis E M 76:28-29 folio 2 verso 76:29 cd 6243 2112 6279 48-bit color 400 ppi 8 Gradual
Lewis E M 76:28-29 Lewis E M 76.29, fol 1v mcai760293 1400 1499 381 x 530 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourteenth Sunday after Pentecost, which begins on the front. Parchment Latin Italy Rotunda folio 1 verso 76:29 6 Lewis E M 76:28-29 folio 1 verso 76:29 cd 6243 2112 6280 48-bit color 400 ppi 6 Gradual
Lewis E M 76:28-29 Lewis E M 76.29, fol. 2r mcai760294 1400 1499 381 x 530 mm This image shows the front of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the eleventh Sunday after Pentecost and the Introit for the twelfth Sunday. Lewis E M 76:28-29 are two bifolia taken from the same manuscript. Parchment Latin Italy Rotunda folio 2 recto 76:29 7 Lewis E M 76:28-29 folio 2 recto 76:29 cd 6243 2112 6280 48-bit color 400 ppi 7 Gradual
Lewis E M 76:29A Lewis E M 76.29A mcai760295 1450 1475 300 x 380 mm Sano di Pietro (1405-1481), the illuminator of this inhabited border, was one of the most prolific artists working in Siena during the fifteenth century. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cutting belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. Parchment Latin Siena, Italy Sano di Pietro Artist front 1 Lewis E M 76:29A front cd 6243 2112 6282 48-bit color 400 ppi 1 Choir book
Lewis E M 76:30-35 Lewis E M 76.30 front mcai760301 1400 1499 377 x 524 mm Initial U Parchment Latin Italy Rotunda front 76:30 1 Lewis E M 76:30-35 front 76:30 cd 6243 2112 6764 48-bit color 400 ppi 1 Gradual
Lewis E M 76:30-35 Lewis E M 76.30 reverse mcai760302 1400 1499 377 x 524 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues an Introit for the Common of Several Virgins used from Christmas through the Purification of the Virgin, which begins on the front. Parchment Latin Italy Rotunda reverse 76:30 2 Lewis E M 76:30-35 reverse 76:30 cd 6243 2112 6764 48-bit color 400 ppi 2 Gradual
Lewis E M 76:30-35 Lewis E M 76.31 front mcai760311 1400 1499 379 x 526 mm Initial U Parchment Latin Italy Rotunda front 76:31 3 Lewis E M 76:30-35 front 76:31 cd 6243 2112 6765 48-bit color 400 ppi 3 Gradual
Lewis E M 76:30-35 Lewis E M 76.31 reverse mcai760312 1400 1499 379 x 526 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains part of the Alleluia sequence for Pentecost Sunday. Parchment Latin Italy Rotunda reverse 76:31 4 Lewis E M 76:30-35 reverse 76:31 cd 6243 2112 6765 48-bit color 400 ppi 4 Gradual
Lewis E M 76:30-35 Lewis E M 76.32 front mcai760321 1400 1499 377 x 526 mm Initial M Parchment Latin Italy Rotunda front 76:32 5 Lewis E M 76:30-35 front 76:32 cd 6243 2112 6766 48-bit color 400 ppi 5 Gradual
Lewis E M 76:30-35 Lewis E M 76.32 reverse mcai760322 1400 1499 377 x 526 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the votive Mass for the remission of sins. Parchment Latin Italy Rotunda reverse 76:32 6 Lewis E M 76:30-35 reverse 76:32 cd 6243 2112 6766 48-bit color 400 ppi 6 Gradual
Lewis E M 76:30-35 Lewis E M 76.33 front mcai760331 1400 1499 380 x 525 mm Initial M Parchment Latin Italy Rotunda front 76:33 7 Lewis E M 76:30-35 front 76:33 cd 6243 2112 6767 48-bit color 400 ppi 7 Gradual
Lewis E M 76:30-35 Lewis E M 76.33 reverse mcai760332 1400 1499 380 x 525 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, continues the Introit begun on Lewis E M 76:32 for the votive Mass for the remission of sins. Parchment Latin Italy Rotunda reverse 76:33 8 Lewis E M 76:30-35 reverse 76:33 cd 6243 2112 6767 48-bit color 400 ppi 8 Gradual
Lewis E M 76:30-35 Lewis E M 76.34 front mcai760341 1400 1499 377 x 527 mm Initial P Parchment Latin Italy Rotunda front 76:34 9 Lewis E M 76:30-35 front 76:34 cd 6243 2112 6768 48-bit color 400 ppi 9 Gradual
Lewis E M 76:30-35 Lewis E M 76.34 reverse mcai760342 1400 1499 377 x 527 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the conclusion of the Sequence for Pentecost Sunday, "Veni, sancte spiritus." Parchment Latin Italy Rotunda reverse 76:34 10 Lewis E M 76:30-35 reverse 76:34 cd 6243 2112 6768 48-bit color 400 ppi 10 Gradual
Lewis E M 76:30-35 Lewis E M 76.35 front mcai760351 1400 1499 379 x 525 mm These initials on this side of the leaf, the true recto, mark verses in the Gloria in the Ordinary of the Mass. Lewis E M 76:30-35 are from the same manuscript. Parchment Latin Italy Rotunda front 76:35 11 Lewis E M 76:30-35 front 76:35 cd 6243 2112 6770 48-bit color 400 ppi 11 Gradual
Lewis E M 76:30-35 Lewis E M 76.35 reverse mcai760352 1400 1499 379 x 525 mm These initials on this side of the leaf, the true verso, mark verses in the Gloria in the Ordinary of the Mass. Lewis E M 76:30-35 are from the same manuscript. Parchment Latin Italy Rotunda reverse 76:35 12 Lewis E M 76:30-35 reverse 76:35 cd 6243 2112 6770 48-bit color 400 ppi 12 Gradual
Lewis E M 76:36 Lewis E M 76.36 front mcai760361 1400 1499 376 x 531 mm Initial D Parchment Latin Italy Rotunda front 1 Lewis E M 76:36 front cd 6243 2112 6771 48-bit color 400 ppi 1 Psalter
Lewis E M 76:36 Lewis E M 76.36 reverse mcai760362 1400 1499 376 x 531 mm Initial D Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:36 reverse cd 6243 2112 6771 48-bit color 400 ppi 2 Psalter
Lewis E M 76:37-38 Lewis E M 76.37 front mcai760371 1400 1499 408 x 570 mm Initial U Parchment Latin Italy Rotunda front 76:37 1 Lewis E M 76:37-38 front 76:37 cd 6243 2112 6772 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:37-38 Lewis E M 76.37 reverse mcai760372 1400 1499 408 x 570 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the response commonly used as the first response of the first nocturn of Matins for the Assumption of the Virgin, which begins on the front. Parchment Latin Italy Rotunda reverse 76:37 2 Lewis E M 76:37-38 reverse 76:37 cd 6243 2112 6772 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:37-38 Lewis E M 76.38 front mcai760381 1400 1499 412 x 574 mm Initial E Parchment Latin Italy Rotunda front 76:38 3 Lewis E M 76:37-38 front 76:38 cd 6243 2112 6774 48-bit color 400 ppi 3 Antiphonary
Lewis E M 76:37-38 Lewis E M 76.38 reverse mcai760382 1400 1499 412 x 574 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the Common of the Apostles, which begins on the front. Parchment Latin Italy Rotunda reverse 76:38 4 Lewis E M 76:37-38 reverse 76:38 cd 6243 2112 6774 48-bit color 400 ppi 4 Antiphonary
Lewis E M 76:39-40 Lewis E M 76.39 front mcai760391 1500 1599 440 x 633 mm Initial I Parchment Latin Italy Rotunda front 76:39 1 Lewis E M 76:39-40 front 76:39 cd 6243 2112 6775 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:39-40 Lewis E M 76.39 reverse mcai760392 1500 1599 440 x 633 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of St. Anthony of Padua, which begins on the front. Parchment Latin Italy Rotunda reverse 76:39 2 Lewis E M 76:39-40 reverse 76:39 cd 6243 2112 6778 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:39-40 Lewis E M 76.40 front mcai760401 1500 1599 455 x 641 mm Initial S Parchment Latin Italy Rotunda front 76:40 3 Lewis E M 76:39-40 front 76:40 cd 6243 2112 6777 48-bit color 400 ppi 3 Antiphonary
Lewis E M 76:39-40 Lewis E M 76.40 reverse mcai760402 1500 1599 455 x 641 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the end of an Introit for a Confessor bishop. Parchment Latin Italy Rotunda reverse 76:40 4 Lewis E M 76:39-40 reverse 76:40 cd 6243 2112 6780 48-bit color 400 ppi 4 Antiphonary
Lewis E M 76:41 Lewis E M 76.41 front mcai760411 1400 1499 405 x 580 mm Initial S Parchment Latin Italy Rotunda front 1 Lewis E M 76:41 front cd 6243 2112 6779 48-bit color 400 ppi 1 Missal
Lewis E M 76:41 Lewis E M 76.41 reverse mcai760412 1400 1499 405 x 580 mm This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the antiphon "Exsurge Domine adiuva nos ..." for the Blessing of the Candles. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:41 reverse cd 6243 2112 6779 48-bit color 400 ppi 2 Missal
Lewis E M 76:42-44 Lewis E M 76.42, fol. 2v mcai760421 1400 1499 400 x 557 mm Initial P Parchment Latin Italy Rotunda folio 2 verso 76:42 4 Lewis E M 76:42-44 folio 2 verso 76:42 cd 6243 2112 6783 48-bit color 400 ppi 4 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.42, fol. 1r mcai760422 1400 1499 400 x 557 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVr (or 95r), contains the end of the Benedictus antiphon and the beginning of the Magnificat antiphon for Ember Friday of Pentecost Week. Parchment Latin Italy Rotunda folio 1 recto 76:42 1 Lewis E M 76:42-44 folio 1 recto 76:42 cd 6243 2112 6783 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.42, fol. 2r mcai760423 1400 1499 400 x 557 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVIr (or 99r), continues the Bendictus antiphon for Ember Saturday of Pentecost week, and begins the liturgy for the first Sunday after Pentecost. Parchment Latin Italy Rotunda folio 2 recto 76:42 3 Lewis E M 76:42-44 folio 2 recto 76:42 cd 6243 2112 6782 48-bit color 400 ppi 3 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.42, fol. 1v mcai760424 1400 1499 400 x 557 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVv (or 95v), continues the Magnificat antiphon for Ember Friday of Pentecost Week, followed by the Bendictus antiphon for Ember Saturday of Pentecost week. Parchment Latin Italy Rotunda folio 1 verso 76:42 2 Lewis E M 76:42-44 folio 1 verso 76:42 cd 6243 2112 6782 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.43, fol. 1r mcai760431 1400 1499 396 x 555 mm Initial D Parchment Latin Italy Rotunda folio 1 recto 76:43 5 Lewis E M 76:42-44 folio 1 recto 76:43 cd 6243 2112 6785 48-bit color 400 ppi 5 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.43, fol. 2v mcai760432 1400 1499 396 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous. The foliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXVIIIv (38v). It continues an unidentified response from the liturgy for the second week after Octave of Easter. Parchment Latin Italy Rotunda folio 2 verso 76:43 8 Lewis E M 76:42-44 folio 2 verso 76:43 cd 6243 2112 6785 48-bit color 400 ppi 8 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.43, fol. 2r mcai760433 1400 1499 396 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous, and thefoliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium was either the outermost bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXVIIIr (38r). It contains the beginning of an unidentifed response from the liturgy for the second week after Octave of Easter. Parchment Latin Italy Rotunda folio 2 recto 76:43 7 Lewis E M 76:42-44 folio 2 recto 76:43 cd 6243 2112 6788 48-bit color 400 ppi 7 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.43, fol. 1v mcai760434 1400 1499 396 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium was either the outermost bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXIIIv (33v). It continues the first response and the beginning of the second response of the first nocturn of Matins for the second Sunday after Easter. Parchment Latin Italy Rotunda folio 1 verso 76:43 6 Lewis E M 76:42-44 folio 1 verso 76:43 cd 6243 2112 6788 48-bit color 400 ppi 6 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.44, fol. 2v mcai760441 1400 1499 397 x 555 mm Initial P Parchment Latin Italy Rotunda folio 2 verso 76:44 12 Lewis E M 76:42-44 folio 2 verso 76:44 cd 6243 2112 6787 48-bit color 400 ppi 12 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.44, fol 1r mcai760442 1400 1499 397 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:44 are not continuous, and the on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LIr (51r). The leaf contains a response sometimes used for the third Sunday after Easter. Parchment Latin Italy Rotunda folio 1 recto 76:44 9 Lewis E M 76:42-44 folio 1 recto 76:44 cd 6243 2112 6787 48-bit color 400 ppi 9 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.44, fol. 2r mcai760443 1400 1499 397 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:44 are not continuous, and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LXr (60r). It contains antiphons preceding the first response of the first nocturn of Matins for Ascension Thursday. Parchment Latin Italy Rotunda folio 2 recto 76:44 11 Lewis E M 76:42-44 folio 2 recto 76:44 cd 6243 2112 6786 48-bit color 400 ppi 11 Antiphonary
Lewis E M 76:42-44 Lewis E M 76.44, fol. 1v mcai760444 1400 1499 397 x 555 mm Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous, and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LIv (51v). This leaf contains a response probably for the third Sunday after Easter. Parchment Latin Italy Rotunda folio 1 verso 76:44 10 Lewis E M 76:42-44 folio 1 verso 76:44 cd 6243 2112 6786 48-bit color 400 ppi 10 Antiphonary
Lewis E M 76:45 Lewis E M 76.45 front mcai760451 1400 1499 450 x 622 mm Initial I Parchment Latin Italy Rotunda front 1 Lewis E M 76:45 front cd 6243 2112 6218 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:45 Lewis E M 76.45 reverse mcai760452 1400 1499 450 x 622 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the antiphons for the Vigil of the feast of St. John the Baptist. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:45 reverse cd 6243 2112 6218 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:46 Lewis E M 76.46 front mcai760461 1500 1599 388 x 550 mm Initial F Parchment Latin Italy Rotunda front 1 Lewis E M 76:46 front cd 6243 2112 4216 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:46 Lewis E M 76.46 reverse mcai760462 1500 1599 388 x 550 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, contains an antiphon that, according to a rubric on the front, appears to be for the first Sunday after Octave of Pentecost, "Rogo te pater ut mittas Lazarus in domum patris mei ..." (I beg you, father, to send Lazarus to my father's house). Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:46 reverse cd 6243 2112 4216 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:47 Lewis E M 76.47 front mcai760471 1400 1499 382 x 534 mm Initial L Parchment Latin Italy Rotunda front 1 Lewis E M 76:47 front cd 6243 2112 6215 48-bit color 400 ppi 1 Antiphonary
Lewis E M 76:47 Lewis E M 76.47 reverse mcai760472 1400 1499 382 x 534 mm This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory and antiphon preceding the first response of the first nocturn of Matins for the fourth Sunday in Lent, which begins on the reverse. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:47 reverse cd 6243 2112 6215 48-bit color 400 ppi 2 Antiphonary
Lewis E M 76:48 Lewis E M 76.48 front mcai760481 1400 1499 384 x 568 mm Initial B Parchment Latin Italy Rotunda front 1 Lewis E M 76:48 front cd 6243 2112 6214 48-bit color 400 ppi 1 Choir psalter
Lewis E M 76:48 Lewis E M 76.48 reverse mcai760482 1400 1499 384 x 568 mm This image shows the reverse of a leaf with a decorated initial from a ferial psalter. This side of the leaf, the true verso, continues from the front Psalm 143, which was read at Vespers on Saturdays in the Divine Office. Parchment Latin Italy Rotunda reverse 2 Lewis E M 76:48 reverse cd 6243 2112 6214 48-bit color 400 ppi 2 Choir psalter
Lewis E M 76:49-54 Lewis E M 76.49 mcai760491 1500 1550 430 x 335 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:49 1 Lewis E M 76:49-54 front 76:49 cd 6243 2112 6213 48-bit color 400 ppi 1 Choir book
Lewis E M 76:49-54 Lewis E M 76.50 mcai760501 1500 1550 430 x 335 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:50 2 Lewis E M 76:49-54 front 76:50 cd 6243 2112 6213 48-bit color 400 ppi 2 Choir book
Lewis E M 76:49-54 Lewis E M 76.51 mcai760511 1500 1550 355 x 430 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:51 3 Lewis E M 76:49-54 front 76:51 cd 6243 2112 6773 48-bit color 400 ppi 3 Choir book
Lewis E M 76:49-54 Lewis E M 76.52 mcai760521 1500 1550 355 x 430 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:52 4 Lewis E M 76:49-54 front 76:52 cd 6243 2112 6773 48-bit color 400 ppi 4 Choir book
Lewis E M 76:49-54 Lewis E M 76.53 mcai760531 1500 1550 355 x 430 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:53 5 Lewis E M 76:49-54 front 76:53 cd 6243 2112 6212 48-bit color 400 ppi 5 Choir book
Lewis E M 76:49-54 Lewis E M 76.54 mcai760541 1500 1550 355 x 430 mm This cuttings can be dated to ca. 1525. Parchment Latin Italy Master B.F. (Francesco Binasco) Artist front 76:54 6 Lewis E M 76:49-54 front 76:54 cd 6243 2112 6212 48-bit color 400 ppi 6 Choir book
Lewis E M 76:55 Lewis E M 76.55 front mcai760551 Parchment Unknown 1 Lewis E M 76:55 cd 6243 2112 6211 Illuminated Fragment
Lewis E M 76:55 Lewis E M 76.55 reverse mcai760552 Parchment Unknown 2 Lewis E M 76:55 cd 6243 2112 6211 Illuminated Fragment, Verso
Lewis E M 76:56 Lewis E M 76.56 front mcai760561 Parchment Unknown 1 Lewis E M 76:56 cd 6243 2112 6211 Illuminated Music Leaf
Lewis E M 76:56 Lewis E M 76.56 reverse mcai760562 Parchment Unknown 2 Lewis E M 76:56 cd 6243 2112 6209 Illuminated Music Leaf
Lewis E M 76:57 Lewis E M 76.57 mcai760571 Parchment Unknown 1 Lewis E M 76:57 cd 6243 2112 6209 Illuminated Medieval Manuscript Fragment
Lewis E M 77:1 Lewis E M 77.1 mcai770011 Parchment Unknown 1 Lewis E M 77:01 cd 6243 2112 6685 Illuminated Medieval Manuscript Fragment
Lewis E M 77:2 Lewis E M 77.2 mcai770021 Parchment Unknown 1 Lewis E M 77:02 cd 6243 2112 6685 Illuminated Manuscript Leaf
Lewis E M 77:3 Lewis E M 77.3 mcai770031 Parchment Unknown 1 Lewis E M 77:03 cd 6243 2112 6685 Illuminated Manuscript Leaf
Lewis E M 77:4 Lewis E M 77.4 mcai770041 Parchment Unknown 1 Lewis E M 77:04 cd 6243 2112 6685 Illuminated Manuscript Leaf
Lewis E M 77:5 Lewis E M 77.5 mcai770051 Parchment Unknown 1 Lewis E M 77:05 cd 6243 2112 6685 Illuminated Manuscript Leaf
Lewis E M 77:6 Lewis E M 77.6 mcai770061 Parchment Unknown 1 Lewis E M 77:06 cd 6243 2112 6685 Illuminated Fragment
Lewis E M 77:7 Lewis E M 77.7 mcai770071 Parchment Unknown 1 Lewis E M 77:07 cd 6243 2112 6685 Illuminated Fragment
Lewis E M 77:8 Lewis E M 77.8 mcai770081 Parchment Unknown 1 Lewis E M 77:08 cd 6243 2112 6685 Illuminated Fragment
Lewis E M 77:9 Lewis E M 77.9 mcai770091 Parchment Unknown 1 Lewis E M 77:09 cd 6243 2112 6685 Illuminated Manuscript Leaf
Lewis E M 77:10 Lewis E M 77.10 mcai770101 Parchment Unknown 1 Lewis E M 77:10 cd 6243 2112 6686 Illuminated Fragment
Lewis E M 77:11 Lewis E M 77.11 mcai770111 Parchment Unknown 1 Lewis E M 77:11 cd 6243 2112 6686 Illuminated Music Leaf
Lewis E M 77:12 Lewis E M 77.12 mcai770121 Parchment Unknown 1 Lewis E M 77:12 cd 6243 2112 6686 Illuminated Fragment
Lewis E M 77:13 Lewis E M 77.13 front a mcai770133 Parchment Unknown 1 Lewis E M 77:13 cd 6243 2112 6686 Illuminated Music Leaf
Lewis E M 77:13 Lewis E M 77.13 reverse a mcai770135 Parchment Unknown 2 Lewis E M 77:13 cd 6243 2112 6686 Illuminated Fragment
Lewis E M 77:13 Lewis E M 77.13 front b mcai770137 Parchment Unknown 3 Lewis E M 77:13 cd 6243 2112 6686 Illuminated Fragment
Lewis E M 77:14 Lewis E M 77.14 front mcai770143 Parchment Unknown 1 Lewis E M 77:14 cd 6243 2112 6687 Illuminated Fragment
Lewis E M 77:14 Lewis E M 77.14 reverse mcai770145 Parchment Unknown 2 Lewis E M 77:14 cd 6243 2112 6687 Illuminated Fragment
Lewis E M 77:15 Lewis E M 77.15 mcai770151 Parchment Unknown 1 Lewis E M 77:15 cd 6243 2112 6687 Illuminated Music Leaf
Lewis E M 77:16 Lewis E M 77.16 mcai770161 Parchment Unknown 1 Lewis E M 77:16 cd 6243 2112 6687 Illuminated Fragment
Lewis E M 77:17 Lewis E M 77.17 mcai770171 Parchment Unknown 1 Lewis E M 77:17 cd 6243 2112 6687 Illuminated Music Leaf
Lewis E M 77:18 Lewis E M 77.18 front mcai770183 Parchment Unknown 1 Lewis E M 77:18 cd 6243 2112 6688 Illuminated Music Leaf
Lewis E M 77:18 Lewis E M 77.18 reverse mcai770185 Parchment Unknown 2 Lewis E M 77:18 cd 6243 2112 6688 Illuminated Music Leaf
Lewis E M 77:19 Lewis E M 77.19 mcai770191 Parchment Unknown 1 Lewis E M 77:19 cd 6243 2112 6688 Illuminated Music Leaf
Lewis E M 77:20 Lewis E M 77.20 mcai770201 Parchment Unknown 1 Lewis E M 77:20 cd 6243 2112 6689 Illuminated Music Leaf
Lewis E M 77:21 Lewis E M 77.21 mcai770211 Parchment Unknown 1 Lewis E M 77:21 cd 6243 2112 6689 Illuminated Music Leaf
Lewis E M 77:22 Lewis E M 77.22 mcai770221 Parchment Unknown 1 Lewis E M 77:22 cd 6243 2112 6690 Illuminated Fragment
Lewis E M 77:23 Lewis E M 77.23 mcai770231 Parchment Unknown 1 Lewis E M 77:23 cd 6243 2112 6690 Illuminated Music Leaf
Lewis E M 77:24 Lewis E M 77.24 mcai770241 Parchment Unknown 1 Lewis E M 77:24 cd 6243 2112 6690 Illuminated Music Leaf
Lewis E M 77:25 Lewis E M 77.25 mcai770251 Parchment Unknown 1 Lewis E M 77:25 cd 6243 2112 6692 Illuminated Music Leaf
Lewis E M 77:26 Lewis E M 77.26 mcai770261 Parchment Unknown 1 Lewis E M 77:26 cd 6243 2112 6692 Illuminated Music Leaf
Lewis E M 77:27 Lewis E M 77.27 mcai770271 Parchment Unknown 1 Lewis E M 77:27 cd 6243 2112 6207 Illuminated Music Leaf
Lewis E M 77:27 Lewis E M 77.27 mcai770271 Parchment Unknown 1 Lewis E M 77:27 cd 6243 2112 6692 Illuminated Music Leaf
Lewis E M 77:28 Lewis E M 77.28 mcai770281 Parchment Unknown 1 Lewis E M 77:28 cd 6243 2112 6207 Illuminated Music Leaf
Lewis E M 77:28 Lewis E M 77.28 mcai770281 Parchment Unknown 1 Lewis E M 77:28 cd 6243 2112 6692 Illuminated Music Leaf
Lewis E M 77:29 Lewis E M 77.29 mcai770291 Parchment Unknown 1 Lewis E M 77:29 cd 6243 2112 6207 Illuminated Music Leaf
Lewis E M 77:29 Lewis E M 77.29 mcai770291 Parchment Unknown 1 Lewis E M 77:29 cd 6243 2112 6693 Illuminated Music Leaf
Lewis E M 77:30 Lewis E M 77.30 front mcai770301 Parchment Unknown 1 Lewis E M 77:30 cd 6243 2112 6207 Illuminated Music Leaf
Lewis E M 77:30 Lewis E M 77.30 reverse mcai770301 Parchment Unknown 1 Lewis E M 77:30 cd 6243 2112 6693 Illuminated Music Leaf
Lewis Add 1 Lewis Add 1 recto mcaia00101 Gift of Randy Rosensteel Parchment Unknown recto 1 Lewis Add 1 recto Music Manuscript
Lewis Add 1 Lewis Add 1 verso mcaia00102 Gift of Randy Rosensteel Parchment Unknown verso 2 Lewis Add 1 verso Music Manuscript
Lewis Add 2 Lewis Add 2 recto mcaia00201 Gift of Randy Rosensteel Parchment Unknown recto 1 Lewis Add 2 recto Music Manuscript
Lewis Add 2 Lewis Add 2 verso mcaia00202 Gift of Randy Rosensteel Parchment Unknown verso 2 Lewis Add 2 verso Music Manuscript
Lewis Add 3 Lewis Add 3 recto mcaia00301 Gift of Randy Rosensteel Parchment Unknown recto 1 Lewis Add 3 recto Music Manuscript
Lewis Add 3 Lewis Add 3 verso mcaia00302 Gift of Randy Rosensteel Parchment Unknown verso 2 Lewis Add 3 verso Music Manuscript
Lewis Add 4 Lewis Add 4 recto mcaia00401 ca. 1475 Miniature of the Crucifixion This miniature is from the Canon, and depicts the Crucifixion with&nbsp;the Virgin Mary and Saint John flanking Christ on the Cross. The pigment in the lower third of the miniature has been almost entirely lost, revealing the underdrawing with a detail of a skull and bones. Parchment Verona?, Italy recto 1 Lewis Add 4 recto Missal
Lewis T1 Lewis T1 front mcat010011 Parchment Unknown front 1 Lewis T001 front MSS 0001 Genesis 1:20 - 5:4
Lewis T1 Lewis T1 reverse mcat010012 Parchment Unknown reverse 2 Lewis T001 reverse MSS 0001 Genesis 1:20 - 5:4
Lewis T2 Lewis T2 front mcat010021 Parchment Unknown front 1 Lewis T002 front MSS 0001 Glossary of Biblical Names, Ez - Fi
Lewis T2 Lewis T2 reverse mcat010022 Parchment Unknown reverse 2 Lewis T002 reverse MSS 0001 Glossary of Biblical Names, Ez - Fi
Lewis T3 Lewis T3 front mcat010031 Parchment Unknown front 1 Lewis T003 front MSS 0001 Genesis 9:27 - 15:4
Lewis T3 Lewis T3 reverse mcat010032 Parchment Unknown reverse 2 Lewis T003 reverse MSS 0001 Genesis 9:27 - 15:4
Lewis T4 Lewis T4 front mcat010041 Parchment Unknown front 1 Lewis T004 front MSS 0001 Numbers 33:13-35, with marginal commentary
Lewis T4 Lewis T4 reverse mcat010042 Parchment Unknown reverse 2 Lewis T004 reverse MSS 0001 Numbers 33:13-35, with marginal commentary
Lewis T5 Lewis T5 front a mcat010051 Parchment Unknown front 1 Lewis T005 front MSS 0001 Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5 Lewis T5 reverse a mcat010052 Parchment Unknown reverse 2 Lewis T005 reverse MSS 0001 Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5 Lewis T5 front b mcat010053 Parchment Unknown front 3 Lewis T005 front MSS 0001 Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5 Lewis T5 reverse b mcat010054 Parchment Unknown reverse 4 Lewis T005 reverse MSS 0001 Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T6 Lewis T6 front mcat010061 Parchment Unknown front 1 Lewis T006 front MSS 0001 Psalms 10:7 - 12:6, with contemporary and later interlinear and marginal glosses
Lewis T6 Lewis T6 reverse mcat010062 Parchment Unknown reverse 2 Lewis T006 reverse MSS 0001 Psalms 10:7 - 12:6, with contemporary and later interlinear and marginal glosses
Lewis T7 Lewis T7 front a mcat010071 Parchment Unknown front 1 Lewis T007 front MSS 0001 Psalms 27:7 - 31:9
Lewis T7 Lewis T7 reverse a mcat010072 Parchment Unknown reverse 2 Lewis T007 reverse MSS 0001 Psalms 27:7 - 31:9
Lewis T7 Lewis T7 front b mcat010073 Parchment Unknown front 3 Lewis T007 front MSS 0001 Psalms 27:7 - 31:9
Lewis T7 Lewis T7 reverse b mcat010074 Parchment Unknown reverse 4 Lewis T007 reverse MSS 0001 Psalms 27:7 - 31:9
Lewis T8 Lewis T8 front mcat010081 Parchment Unknown front 1 Lewis T008 front MSS 0001 Psalms 31:10 - 33:14
Lewis T8 Lewis T8 reverse mcat010082 Parchment Unknown reverse 2 Lewis T008 reverse MSS 0001 Psalms 31:10 - 33:14
Lewis T9 Lewis T9 front a mcat010091 Parchment Unknown front 1 Lewis T009 front MSS 0001 Psalms
Lewis T9 Lewis T9 reverse a mcat010092 Parchment Unknown reverse 2 Lewis T009 reverse MSS 0001 Psalms
Lewis T9 Lewis T9 front b mcat010093 Parchment Unknown front 3 Lewis T009 front MSS 0001 Psalms
Lewis T9 Lewis T9 reverse b mcat010094 Parchment Unknown reverse 4 Lewis T009 reverse MSS 0001 Psalms
Lewis T9 Lewis T9 front c mcat010095 Parchment Unknown front 5 Lewis T009 front MSS 0001 Psalms
Lewis T9 Lewis T9 reverse c mcat010096 Parchment Unknown reverse 6 Lewis T009 reverse MSS 0001 Psalms
Lewis T10 Lewis T10 front mcat010101 Parchment Unknown front 1 Lewis T010 front MSS 0001 Psalm 73:2-23
Lewis T10 Lewis T10 reverse mcat010102 Parchment Unknown reverse 2 Lewis T010 reverse MSS 0001 Psalm 73:2-23
Lewis T11 Lewis T11 front mcat010111 Parchment Unknown front 1 Lewis T011 front MSS 0001 Psalms 76:9 - 77:1
Lewis T11 Lewis T11 reverse mcat010112 Parchment Unknown reverse 2 Lewis T011 reverse MSS 0001 Psalms 76:9 - 77:1
Lewis T12 Lewis T12 front mcat010121 Parchment Unknown front 1 Lewis T012 front MSS 0001 Psalm 117:16-28
Lewis T12 Lewis T12 reverse mcat010122 Parchment Unknown reverse 2 Lewis T012 reverse MSS 0001 Psalm 117:16-28
Lewis T13 Lewis T13 front mcat010131 Parchment Unknown front 1 Lewis T013 front MSS 0001 Psalms 90:7 - 91:3
Lewis T13 Lewis T13 reverse mcat010132 Parchment Unknown reverse 2 Lewis T013 reverse MSS 0001 Psalms 90:7 - 91:3
Lewis T14 Lewis T14 front mcat010141 Parchment Unknown front 1 Lewis T014 front MSS 0001 Psalms 102:14 - 103:4
Lewis T14 Lewis T14 reverse mcat010142 Parchment Unknown reverse 2 Lewis T014 reverse MSS 0001 Psalms 102:14 - 103:4
Lewis T15 Lewis T15 front mcat010151 Parchment Unknown front 1 Lewis T015 front MSS 0002 Psalms 103:33 - 104:15
Lewis T15 Lewis T15 reverse mcat010152 Parchment Unknown reverse 2 Lewis T015 reverse MSS 0002 Psalms 103:33 - 104:15
Lewis T16 Lewis T16 front mcat010161 Parchment Unknown front 1 Lewis T016 front MSS 0002 Psalms 118:5 - 130:3
Lewis T16 Lewis T16 reverse mcat010162 Parchment Unknown reverse 2 Lewis T016 reverse MSS 0002 Psalms 118:5 - 130:3
Lewis T17 Lewis T17 front mcat010171 Parchment Unknown front 1 Lewis T017 front MSS 0002 Psalm 143:9 - end, with canticles
Lewis T17 Lewis T17 reverse mcat010172 Parchment Unknown reverse 2 Lewis T017 reverse MSS 0002 Psalm 143:9 - end, with canticles
Lewis T18 Lewis T18 front mcat010181 Parchment Unknown front 1 Lewis T018 front MSS 0002 Proverbs 13:21 - 14:18, with marginal and interlinear commentary
Lewis T18 Lewis T18 reverse mcat010182 Parchment Unknown reverse 2 Lewis T018 reverse MSS 0002 Proverbs 13:21 - 14:18, with marginal and interlinear commentary
Lewis T19 Lewis T19 front mcat010191 Parchment Unknown front 1 Lewis T019 front MSS 0002 Isaiah 29:14 - 30.5
Lewis T19 Lewis T19 reverse mcat010192 Parchment Unknown reverse 2 Lewis T019 reverse MSS 0002 Isaiah 29:14 - 30.5
Lewis T20 Lewis T20 front mcat010201 Parchment Unknown front 1 Lewis T020 front MSS 0002 Daniel 13:1-29, with part of Jerome's rubric and marginal and interlinear commentaries
Lewis T20 Lewis T20 reverse mcat010202 Parchment Unknown reverse 2 Lewis T020 reverse MSS 0002 Daniel 13:1-29, with part of Jerome's rubric and marginal and interlinear commentaries
Lewis T21 Lewis T21 front mcat010211 Parchment Unknown front 1 Lewis T021 front MSS 0002 Zechariah 11:16 - 12:4
Lewis T21 Lewis T21 reverse mcat010212 Parchment Unknown reverse 2 Lewis T021 reverse MSS 0002 Zechariah 11:16 - 12:4
Lewis T22 Lewis T22 front mcat010221 Parchment Unknown front 1 Lewis T022 front MSS 0002 Matthew Prologue, Chapters 1:1 - 3:15
Lewis T22 Lewis T22 reverse mcat010222 Parchment Unknown reverse 2 Lewis T022 reverse MSS 0002 Matthew Prologue, Chapters 1:1 - 3:15
Lewis T23 Lewis T23 front mcat010231 Parchment Unknown front 1 Lewis T023 front MSS 0002 Matthew 15; John 4
Lewis T23 Lewis T23 reverse mcat010232 Parchment Unknown reverse 2 Lewis T023 reverse MSS 0002 Matthew 15; John 4
Lewis T24 Lewis T24 front mcat010241 Parchment Unknown front 1 Lewis T024 front MSS 0002 Mark 14:43 - 15:8
Lewis T24 Lewis T24 reverse mcat010242 Parchment Unknown reverse 2 Lewis T024 reverse MSS 0002 Mark 14:43 - 15:8
Lewis T25 Lewis T25 front mcat010251 Parchment Unknown front 1 Lewis T025 front MSS 0002 Luke 22:34 - 23:2
Lewis T25 Lewis T25 reverse mcat010252 Parchment Unknown reverse 2 Lewis T025 reverse MSS 0002 Luke 22:34 - 23:2
Lewis T26 Lewis T26 front mcat010261 Parchment Unknown front 1 Lewis T026 front MSS 0002 Mark 14:25-66
Lewis T26 Lewis T26 reverse mcat010262 Parchment Unknown reverse 2 Lewis T026 reverse MSS 0002 Mark 14:25-66
Lewis T27 Lewis T27 front a mcat010271 Parchment Unknown front 1 Lewis T027 front MSS 0002 Luke 17:10-24
Lewis T27 Lewis T27 reverse a mcat010272 Parchment Unknown reverse 2 Lewis T027 reverse MSS 0002 Luke 17:10-24
Lewis T27 Lewis T27 front b mcat010273 Parchment Unknown front 3 Lewis T027 front MSS 0002 Luke 17:10-24
Lewis T27 Lewis T27 reverse b mcat010274 Parchment Unknown reverse 4 Lewis T027 reverse MSS 0003 Luke 17:10-24
Lewis T28 Lewis T28 front mcat010281 Parchment Unknown front 1 Lewis T028 front MSS 0003 John 18:15 - 19:11
Lewis T28 Lewis T28 reverse mcat010282 Parchment Unknown reverse 2 Lewis T028 reverse MSS 0003 John 18:15 - 19:11
Lewis T29 Lewis T29 front mcat010291 Parchment Unknown front 1 Lewis T029 front MSS 0003 Revelation 1:20 - 2:17
Lewis T29 Lewis T29 reverse mcat010292 Parchment Unknown reverse 2 Lewis T029 reverse MSS 0003 Revelation 1:20 - 2:17
Lewis T30 Lewis T30 front mcat010301 Parchment Unknown front 1 Lewis T030 front MSS 0003 Natural Philosophy
Lewis T30 Lewis T30 reverse mcat010302 Parchment Unknown reverse 2 Lewis T030 reverse MSS 0003 Natural Philosophy
Lewis T31 Lewis T31 front mcat010311 Parchment Unknown front 1 Lewis T031 front MSS 0003 Gregory the Great, Commentary on Job
Lewis T31 Lewis T31 reverse mcat010312 Parchment Unknown reverse 2 Lewis T031 reverse MSS 0003 Gregory the Great, Commentary on Job
Lewis T32 Lewis T32 front mcat010321 Parchment Unknown front 1 Lewis T032 front MSS 0003 Origen, Homilies on the Book of Jesus Nave (Joshua)
Lewis T32 Lewis T32 reverse mcat010322 Parchment Unknown reverse 2 Lewis T032 reverse MSS 0003 Origen, Homilies on the Book of Jesus Nave (Joshua)
Lewis T33 Lewis T33 front a mcat020331 Parchment Unknown front 1 Lewis T033 front MSS 0003 Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33 Lewis T33 reverse a mcat020332 Parchment Unknown reverse 2 Lewis T033 reverse MSS 0003 Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33 Lewis T33 front b mcat020333 Parchment Unknown front 3 Lewis T033 front MSS 0003 Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33 Lewis T33 reverse b mcat020334 Parchment Unknown reverse 4 Lewis T033 reverse MSS 0003 Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T34 Lewis T34 front a mcat020341 Parchment Unknown front 1 Lewis T034 front MSS 0003 Commentary, Daniel 2:12-31, sections 8-11
Lewis T34 Lewis T34 reverse a mcat020342 Parchment Unknown reverse 2 Lewis T034 reverse MSS 0003 Commentary, Daniel 2:12-31, sections 8-11
Lewis T34 Lewis T34 front b mcat020343 Parchment Unknown front 3 Lewis T034 front MSS 0003 Commentary, Daniel 2:12-31, sections 8-11
Lewis T34 Lewis T34 reverse b mcat020344 Parchment Unknown reverse 4 Lewis T034 reverse MSS 0003 Commentary, Daniel 2:12-31, sections 8-11
Lewis T35 Lewis T35 front mcat020351 Parchment Unknown front 1 Lewis T035 front MSS 0003 Commentary or Homilies, John 21
Lewis T35 Lewis T35 reverse mcat020352 Parchment Unknown reverse 2 Lewis T035 reverse MSS 0003 Commentary or Homilies, John 21
Lewis T36 Lewis T36 front mcat020361 Parchment Unknown front 1 Lewis T036 front MSS 0003 Commentary on the Lord's Prayer
Lewis T36 Lewis T36 reverse mcat020362 Parchment Unknown reverse 2 Lewis T036 reverse MSS 0003 Commentary on the Lord's Prayer
Lewis T37 Lewis T37 front mcat020371 Parchment Unknown front 1 Lewis T037 front MSS 0003 Commentary, Matthew 8:1-4
Lewis T37 Lewis T37 reverse mcat020372 Parchment Unknown reverse 2 Lewis T037 reverse MSS 0003 Commentary, Matthew 8:1-4
Lewis T38 Lewis T38 front mcat020381 Parchment Unknown front 1 Lewis T038 front MSS 0003 Commentary, Luke()
Lewis T38 Lewis T38 reverse mcat020382 Parchment Unknown reverse 2 Lewis T038 reverse MSS 0003 Commentary, Luke()
Lewis T39 Lewis T39, fol. 1r mcat020391 Parchment Unknown f. 1r 1 Lewis T039 f. 1r MSS 0003 Antiphonary() for Christmas
Lewis T39 Lewis T39, fol. 1v mcat020392 Parchment Unknown f. 1v 2 Lewis T039 f. 1v MSS 0003 Antiphonary() for Christmas
Lewis T39 Lewis T39, fol. 2r mcat020393 Parchment Unknown f. 2r 3 Lewis T039 f. 2r MSS 0004 Antiphonary() for Christmas
Lewis T39 Lewis T39, fol. 2v mcat020394 Parchment Unknown f. 2v 4 Lewis T039 f. 2v MSS 0004 Antiphonary() for Christmas
Lewis T40 Lewis T40 front a mcat020401 Parchment Unknown front 1 Lewis T040 front MSS 0004 Antiphonary - Pentecost, three days following
Lewis T40 Lewis T40 reverse a mcat020402 Parchment Unknown reverse 2 Lewis T040 reverse MSS 0004 Antiphonary - Pentecost, three days following
Lewis T40 Lewis T40 front b mcat020403 Parchment Unknown front 3 Lewis T040 front MSS 0004 Antiphonary - Pentecost, three days following
Lewis T40 Lewis T40 reverse b mcat020404 Parchment Unknown reverse 4 Lewis T040 reverse MSS 0004 Antiphonary - Pentecost, three days following
Lewis T42 Lewis T42 front a mcat020421 Parchment Unknown front 1 Lewis T042 front MSS 0004 Antiphonary
Lewis T42 Lewis T42 reverse a mcat020422 Parchment Unknown reverse 2 Lewis T042 reverse MSS 0004 Antiphonary
Lewis T42 Lewis T42 front b mcat020423 Parchment Unknown front 3 Lewis T042 front MSS 0004 Antiphonary
Lewis T42 Lewis T42 reverse b mcat020424 Parchment Unknown reverse 4 Lewis T042 reverse MSS 0004 Antiphonary
Lewis T43 Lewis T43 front mcat020431 Parchment Unknown front 1 Lewis T043 front MSS 0004 Antiphonary
Lewis T43 Lewis T43 reverse mcat020432 Parchment Unknown reverse 2 Lewis T043 reverse MSS 0004 Antiphonary
Lewis T44 Lewis T44 front mcat020441 Parchment Unknown front 1 Lewis T044 front MSS 0004 Antiphonary, Feast of Saint Bartholomew
Lewis T44 Lewis T44 reverse mcat020442 Parchment Unknown reverse 2 Lewis T044 reverse MSS 0004 Antiphonary, Feast of Saint Bartholomew
Lewis T45 Lewis T45 front mcat020451 Parchment Unknown front 1 Lewis T045 front MSS 0004 Antiphonary
Lewis T45 Lewis T45 reverse mcat020452 Parchment Unknown reverse 2 Lewis T045 reverse MSS 0004 Antiphonary
Lewis T46 Lewis T46 front mcat020461 Parchment Unknown front 1 Lewis T046 front MSS 0004 Antiphonary for the feast of a virgin
Lewis T46 Lewis T46 reverse mcat020462 Parchment Unknown reverse 2 Lewis T046 reverse MSS 0004 Antiphonary for the feast of a virgin
Lewis T47 Lewis T47 front a mcat020471 Parchment Unknown front 1 Lewis T047 front MSS 0004 Breviary
Lewis T47 Lewis T47 reverse a mcat020472 Parchment Unknown reverse 2 Lewis T047 reverse MSS 0004 Breviary
Lewis T47 Lewis T47 front b mcat020473 Parchment Unknown front 3 Lewis T047 front MSS 0004 Breviary
Lewis T47 Lewis T47 reverse b mcat020474 Parchment Unknown reverse 4 Lewis T047 reverse MSS 0004 Breviary
Lewis T48 Lewis T48 front a mcat020481 Parchment Unknown front 1 Lewis T048 front MSS 0004 Breviary, 1st-2nd Sunday of Advent
Lewis T48 Lewis T48 reverse a mcat020482 Box 2 Parchment Unknown reverse 2 Lewis T048 reverse MSS 0004 Breviary, 1st-2nd Sunday of Advent
Lewis T48 Lewis T48, fol. 2r mcat020483 Parchment Unknown f. 2r 3 Lewis T048 f. 2r MSS 0004 Breviary, 1st-2nd Sunday of Advent
Lewis T48 Lewis T48, fol. 2v mcat020484 Parchment Unknown f. 2v 4 Lewis T048 f. 2v MSS 0004 Breviary, 1st-2nd Sunday of Advent
Lewis T49 Lewis T49 front a mcat020491 Unscannable Parchment Unknown front 1 Lewis T049 front Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 reverse a mcat020492 Parchment Unknown reverse 2 Lewis T049 reverse Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 front b mcat020493 Parchment Unknown front 3 Lewis T049 front Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 reverse b mcat020494 Parchment Unknown reverse 4 Lewis T049 reverse Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 front c mcat020495 Parchment Unknown front 5 Lewis T049 front Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 reverse c mcat020496 Parchment Unknown reverse 6 Lewis T049 reverse Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 front d mcat020497 Parchment Unknown front 7 Lewis T049 front Breviary, 2nd-4th Sunday after Pentecost
Lewis T49 Lewis T49 reverse d mcat020498 Parchment Unknown reverse 8 Lewis T049 reverse Breviary, 2nd-4th Sunday after Pentecost
Lewis T50 Lewis T50 front mcat020501 Parchment Unknown front 1 Lewis T050 front MSS 0004 Canon Law
Lewis T50 Lewis T50 reverse mcat020502 Parchment Unknown reverse 2 Lewis T050 reverse MSS 0005 Canon Law
Lewis T51 Lewis T51 front mcat020511 Parchment Unknown front 1 Lewis T051 front MSS 0005 Breviary
Lewis T51 Lewis T51 reverse mcat020512 Parchment Unknown reverse 2 Lewis T051 reverse MSS 0005 Breviary
Lewis T52 Lewis T52 front a mcat020521 Parchment Unknown front 1 Lewis T052 front MSS 0005 Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52 Lewis T52 reverse a mcat020522 Parchment Unknown reverse 2 Lewis T052 reverse MSS 0005 Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52 Lewis T52 front b mcat020523 Parchment Unknown front 3 Lewis T052 front MSS 0005 Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52 Lewis T52 reverse b mcat020524 Parchment Unknown reverse 4 Lewis T052 reverse MSS 0005 Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T53 Lewis T53 front mcat020531 Parchment Unknown front 1 Lewis T053 front MSS 0005 Breviary, after the 1st Sunday in Lent and Ember Saturday, with neumes
Lewis T53 Lewis T53 reverse mcat020532 Parchment Unknown reverse 2 Lewis T053 reverse MSS 0005 Breviary, after the 1st Sunday in Lent and Ember Saturday, with neumes
Lewis T54 Lewis T54 front mcat020541 Parchment Unknown front 1 Lewis T054 front MSS 0005 Breviary, 17th Sunday after Pentecost and the following four days
Lewis T54 Lewis T54 reverse mcat020542 Parchment Unknown reverse 2 Lewis T054 reverse MSS 0005 Breviary, 17th Sunday after Pentecost and the following four days
Lewis T55 Lewis T55 front mcat020551 Parchment Unknown front 1 Lewis T055 front MSS 0005 Breviary, 3rd Sunday of November and 20th day after Pentecost
Lewis T55 Lewis T55 reverse mcat020552 Parchment Unknown reverse 2 Lewis T055 reverse MSS 0005 Breviary, 3rd Sunday of November and 20th day after Pentecost
Lewis T56 Lewis T56 front mcat020561 Parchment Unknown front 1 Lewis T056 front MSS 0005 Breviary, Visitation, July 2nd
Lewis T56 Lewis T56 reverse mcat020562 Parchment Unknown reverse 2 Lewis T056 reverse MSS 0005 Breviary, Visitation, July 2nd
Lewis T57 Lewis T57 front mcat020571 Parchment Unknown front 1 Lewis T057 front MSS 0005 Breviary, Aug. 6-7
Lewis T57 Lewis T57 reverse mcat020572 Parchment Unknown reverse 2 Lewis T057 reverse MSS 0005 Breviary, Aug. 6-7
Lewis T58 Lewis T58 front mcat020581 Parchment Unknown front 1 Lewis T058 front MSS 0005 Breviary, Feast of Saint Lawrence, Aug. 10
Lewis T58 Lewis T58 reverse mcat020582 Parchment Unknown reverse 2 Lewis T058 reverse MSS 0005 Breviary, Feast of Saint Lawrence, Aug. 10
Lewis T59 Lewis T59 front mcat020591 Parchment Unknown front 1 Lewis T059 front MSS 0005 Breviary, Susanna, Aug. 11
Lewis T59 Lewis T59 reverse mcat020592 Parchment Unknown reverse 2 Lewis T059 reverse MSS 0005 Breviary, Susanna, Aug. 11
Lewis T60 Lewis T60 front mcat020601 Parchment Unknown front 1 Lewis T060 front MSS 0005 Breviary (non-Roman), Saints Firminus, Cyprian and Justina, Cosmas and Damian, Sept. 26-27
Lewis T60 Lewis T60 reverse mcat020602 Parchment Unknown reverse 2 Lewis T060 reverse MSS 0005 Breviary (non-Roman), Saints Firminus, Cyprian and Justina, Cosmas and Damian, Sept. 26-27
Lewis T61 Lewis T61 front mcat020611 Parchment Unknown front 1 Lewis T061 front MSS 0005 Breviary, Saint Michael the Archangel, Sept. 29
Lewis T61 Lewis T61 reverse mcat020612 Parchment Unknown reverse 2 Lewis T061 reverse MSS 0005 Breviary, Saint Michael the Archangel, Sept. 29
Lewis T62 Lewis T62 front mcat030621 Parchment Unknown front 1 Lewis T062 front MSS 0005 Breviary, with neumes
Lewis T62 Lewis T62 reverse mcat030622 Parchment Unknown reverse 2 Lewis T062 reverse MSS 0005 Breviary, with neumes
Lewis T63 Lewis T63 front mcat030631 Parchment Unknown front 1 Lewis T063 front MSS 0005 Breviary, with neumes
Lewis T63 Lewis T63 reverse mcat030632 Parchment Unknown reverse 2 Lewis T063 reverse MSS 0006 Breviary, with neumes
Lewis T64 Lewis T64 front mcat030641 Parchment Unknown front 1 Lewis T064 front MSS 0006 Breviary
Lewis T64 Lewis T64 reverse mcat030642 Parchment Unknown reverse 2 Lewis T064 reverse MSS 0006 Breviary
Lewis T65 Lewis T65 front a mcat030651 Parchment Unknown front 1 Lewis T065 front MSS 0006 Breviary
Lewis T65 Lewis T65 reverse a mcat030652 Parchment Unknown reverse 2 Lewis T065 reverse MSS 0006 Breviary
Lewis T65 Lewis T65 front b mcat030653 Parchment Unknown front 3 Lewis T065 front MSS 0006 Breviary
Lewis T65 Lewis T65 reverse b mcat030654 Parchment Unknown reverse 4 Lewis T065 reverse MSS 0006 Breviary
Lewis T66 Lewis T66 front c mcat030661 Parchment Unknown front 1 Lewis T066 front MSS 0006 Breviary
Lewis T66 Lewis T66 reverse c mcat030662 Binding Parchment Unknown reverse 2 Lewis T066 reverse MSS 0006 Breviary
Lewis T67 Lewis T67 front a mcat030671 Parchment Unknown front 1 Lewis T067 front MSS 0006 Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67 Lewis T67 reverse a mcat030672 Parchment Unknown reverse 2 Lewis T067 reverse MSS 0006 Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67 Lewis T67 front b mcat030673 Parchment Unknown front 3 Lewis T067 front MSS 0006 Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67 Lewis T67 reverse b mcat030674 Parchment Unknown reverse 4 Lewis T067 reverse MSS 0006 Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T68 Lewis T68 front mcat030681 Parchment Unknown front 1 Lewis T068 front MSS 0006 Gradual, 4th Sunday of Lent, the day following
Lewis T68 Lewis T68 reverse mcat030682 Parchment Unknown reverse 2 Lewis T068 reverse MSS 0006 Gradual, 4th Sunday of Lent, the day following
Lewis T69 Lewis T69 front mcat030691 Parchment Unknown front 1 Lewis T069 front MSS 0006 Prayers in honor of virgins
Lewis T69 Lewis T69 reverse mcat030692 Parchment Unknown reverse 2 Lewis T069 reverse Prayers in honor of virgins
Lewis T70 Lewis T70 front mcat030701 Parchment Unknown front 1 Lewis T070 front MSS 0006 Gradual or Missal
Lewis T70 Lewis T70 reverse mcat030702 Parchment Unknown reverse 2 Lewis T070 reverse MSS 0006 Gradual or Missal
Lewis T71 Lewis T71 front a mcat030711 Parchment Unknown front 1 Lewis T071 front MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 reverse a mcat030712 Parchment Unknown reverse 2 Lewis T071 reverse MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 front b mcat030713 Parchment Unknown front 3 Lewis T071 front MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 reverse b mcat030714 Parchment Unknown reverse 4 Lewis T071 reverse MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 front c mcat030715 Parchment Unknown front 5 Lewis T071 front MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 reverse c mcat030716 Parchment Unknown reverse 6 Lewis T071 reverse MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 front d mcat030717 Parchment Unknown front 7 Lewis T071 front MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T71 Lewis T71 reverse d mcat030718 Parchment Unknown reverse 8 Lewis T071 reverse MSS 0006 Gradual, Holy Saturday until Rogation Days
Lewis T72 Lewis T72 front mcat030721 Parchment Unknown front 1 Lewis T072 front MSS 0006 Gradual, May 1-3
Lewis T72 Lewis T72 reverse mcat030722 Parchment Unknown reverse 2 Lewis T072 reverse MSS 0006 Gradual, May 1-3
Lewis T72 Lewis T72 front mcat030723 Parchment Unknown front 3 Lewis T072 front MSS 0006 Gradual, May 1-3
Lewis T72 Lewis T72 reverse mcat030724 Parchment Unknown reverse 4 Lewis T072 reverse MSS 0006 Gradual, May 1-3
Lewis T73 Lewis T73 front mcat030731 Parchment Unknown front 1 Lewis T073 front MSS 0006 Lectionary, Feasts of Saint John the Evangelist and Holy Innocents
Lewis T73 Lewis T73 reverse mcat030732 Parchment Unknown reverse 2 Lewis T073 reverse MSS 0007 Lectionary, Feasts of Saint John the Evangelist and Holy Innocents
Lewis T74 Lewis T74 front mcat030741 Parchment Unknown front 1 Lewis T074 front MSS 0007 Missal, Gospels and Epistles for Circumcision and Epiphany
Lewis T74 Lewis T74 reverse mcat030742 Parchment Unknown reverse 2 Lewis T074 reverse MSS 0007 Missal, Gospels and Epistles for Circumcision and Epiphany
Lewis T75 Lewis T75 front mcat030751 Parchment Unknown front 1 Lewis T075 front MSS 0007 Lectionary, for 4-6 Feriae after Pentecost
Lewis T75 Lewis T75 reverse mcat030752 Parchment Unknown reverse 2 Lewis T075 reverse MSS 0007 Lectionary, for 4-6 Feriae after Pentecost
Lewis T76 Lewis T76 front mcat030761 Parchment Unknown front 1 Lewis T076 front MSS 0007 Lectionary: Epistles and Gospels, Annunciation, Visitation
Lewis T76 Lewis T76 reverse mcat030762 Parchment Unknown reverse 2 Lewis T076 reverse MSS 0007 Lectionary: Epistles and Gospels, Annunciation, Visitation
Lewis T77 Lewis T77 front mcat030771 Parchment Unknown front 1 Lewis T077 front MSS 0007 Lectionary, Sermons on the Assumption of the Blessed Virgin Mary
Lewis T77 Lewis T77 reverse mcat030772 Parchment Unknown reverse 2 Lewis T077 reverse MSS 0007 Lectionary, Sermons on the Assumption of the Blessed Virgin Mary
Lewis T78a Lewis T78a front mcat030781 Parchment Unknown front 1 Lewis T078a front MSS 0007 Lectionary, Homily on Matthew 2:19
Lewis T78a Lewis T78a reverse mcat030782 Parchment Unknown reverse 2 Lewis T078a reverse MSS 0007 Lectionary, Homily on Matthew 2:19
Lewis T78b Lewis T78b front mcat030783 Parchment Unknown front 1 Lewis T078b front MSS 0007 Lectionary, Homily on Matthew 2:19
Lewis T78b Lewis T78b reverse mcat030784 Parchment Unknown reverse 2 Lewis T078b reverse MSS 0007 Lectionary, Homily on Matthew 2:19
Lewis T79 Lewis T79 front mcat030791 Parchment Unknown front 1 Lewis T079 front MSS 0007 Lectionary, texts from Habakkuk and Zephaniah
Lewis T79 Lewis T79 reverse mcat030792 Parchment Unknown reverse 2 Lewis T079 reverse MSS 0007 Lectionary, texts from Habakkuk and Zephaniah
Lewis T80 Lewis T80 front mcat030801 Parchment Unknown front 1 Lewis T080 front MSS 0007 Evangelistary Fragment
Lewis T80 Lewis T80 reverse mcat030802 Parchment Unknown reverse 2 Lewis T080 reverse MSS 0007 Evangelistary Fragment
Lewis T81 Lewis T81 front a mcat030811 Parchment Unknown front 1 Lewis T081 front MSS 0007 Document
Lewis T81 Lewis T81 reverse a mcat030812 Parchment Unknown reverse 2 Lewis T081 reverse MSS 0007 Document
Lewis T81 Lewis T81, fol. 2r mcat030813 Parchment Unknown f. 2r 3 Lewis T081 f. 2r MSS 0007 Document
Lewis T81 Lewis T81, fol. 2v mcat030814 Parchment Unknown f. 2v 4 Lewis T081 f. 2v MSS 0007 Document
Lewis T82 Lewis T82 front mcat030821 Parchment Unknown front 1 Lewis T082 front Missal (Canon)
Lewis T82 Lewis T82 reverse mcat030822 Parchment Unknown reverse 2 Lewis T082 reverse Missal (Canon)
Lewis T83 Lewis T83 front mcat030831 Parchment Unknown front 1 Lewis T083 front MSS 0007 Missal (Pater noster), with neumes
Lewis T83 Lewis T83 reverse mcat030832 Parchment Unknown reverse 2 Lewis T083 reverse MSS 0007 Missal (Pater noster), with neumes
Lewis T84 Lewis T84 front a mcat030841 Parchment Unknown front 1 Lewis T084 front MSS 0007 Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84 Lewis T84 reverse a mcat030842 Parchment Unknown reverse 2 Lewis T084 reverse MSS 0007 Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84 Lewis T84 front b mcat030843 Parchment Unknown front 3 Lewis T084 front MSS 0008 Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84 Lewis T84 reverse b mcat030844 Parchment Unknown reverse 4 Lewis T084 reverse MSS 0008 Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T86 Lewis T86 front mcat030861 Parchment Unknown front 1 Lewis T086 front MSS 0008 Missal: Ember Saturday, Second Sunday in Lent
Lewis T86 Lewis T86 reverse mcat030862 Parchment Unknown reverse 2 Lewis T086 reverse MSS 0008 Missal: Ember Saturday, Second Sunday in Lent
Lewis T87 Lewis T87 front mcat030871 Parchment Unknown front 1 Lewis T087 front MSS 0008 Missal: Ember Saturday, with neumes
Lewis T87 Lewis T87 reverse mcat030872 Parchment Unknown reverse 2 Lewis T087 reverse MSS 0008 Missal: Ember Saturday, with neumes
Lewis T88 Lewis T88 front mcat030881 Parchment Unknown front 1 Lewis T088 front MSS 0008 Missal: Second and Third Feriae after the Second Sunday in Lent, with neumes
Lewis T88 Lewis T88 reverse mcat030882 Parchment Unknown reverse 2 Lewis T088 reverse MSS 0008 Missal: Second and Third Feriae after the Second Sunday in Lent, with neumes
Lewis T89 Lewis T89 front a mcat030891 Parchment Unknown front 1 Lewis T089 front MSS 0008 Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89 Lewis T89 reverse a mcat030892 Parchment Unknown reverse 2 Lewis T089 reverse MSS 0008 Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89 Lewis T89 front b mcat030893 Parchment Unknown front 3 Lewis T089 front MSS 0008 Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89 Lewis T89 reverse b mcat030894 Parchment Unknown reverse 4 Lewis T089 reverse MSS 0008 Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T90 Lewis T90 front mcat030901 Parchment Unknown front 1 Lewis T090 front MSS 0008 Missal: Saturday of Passion Week and Palm Sunday
Lewis T90 Lewis T90 reverse mcat030902 Parchment Unknown reverse 2 Lewis T090 reverse MSS 0008 Missal: Saturday of Passion Week and Palm Sunday
Lewis T91 Lewis T91 front mcat030911 Parchment Unknown front 1 Lewis T091 front MSS 0008 Missal: Holy Thursday, Good Friday
Lewis T91 Lewis T91 reverse mcat030912 Parchment Unknown reverse 2 Lewis T091 reverse MSS 0008 Missal: Holy Thursday, Good Friday
Lewis T92 Lewis T92 front mcat040921 Parchment Unknown front 1 Lewis T092 front MSS 0008 Missal: Good Friday, with neumes
Lewis T92 Lewis T92 reverse mcat040922 Parchment Unknown reverse 2 Lewis T092 reverse MSS 0008 Missal: Good Friday, with neumes
Lewis T93 Lewis T93 front mcat040931 Parchment Unknown front 1 Lewis T093 front MSS 0008 Missal: Holy Saturday, with neumes
Lewis T93 Lewis T93 reverse mcat040932 Parchment Unknown reverse 2 Lewis T093 reverse MSS 0008 Missal: Holy Saturday, with neumes
Lewis T94 Lewis T94 front mcat040941 Parchment Unknown front 1 Lewis T094 front MSS 0008 Missal: December 27-28, with neumes
Lewis T94 Lewis T94 reverse mcat040942 Parchment Unknown reverse 2 Lewis T094 reverse MSS 0008 Missal: December 27-28, with neumes
Lewis T95 Lewis T95 front a mcat040951 Parchment Unknown front 1 Lewis T095 front MSS 0008 Missal: January 18, St. Peter's Chair at Rome
Lewis T95 Lewis T95 reverse a mcat040952 Parchment Unknown reverse 2 Lewis T095 reverse MSS 0008 Missal: January 18, St. Peter's Chair at Rome
Lewis T96 Lewis T96 front b mcat040961 Parchment Unknown front 1 Lewis T096 front Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96 Lewis T96 reverse b mcat040962 Parchment Unknown reverse 2 Lewis T096 reverse Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96 Lewis T96 front c mcat040963 Parchment Unknown front 3 Lewis T096 front Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96 Lewis T96 reverse c mcat040964 Parchment Unknown reverse 4 Lewis T096 reverse Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T97 Lewis T97 front mcat040971 Parchment Unknown front 1 Lewis T097 front MSS 0009 Missal: Feast of Corpus Christi
Lewis T97 Lewis T97 reverse mcat040972 Parchment Unknown reverse 2 Lewis T097 reverse MSS 0009 Missal: Feast of Corpus Christi
Lewis T98 Lewis T98 front mcat040981 Parchment Unknown front 1 Lewis T098 front MSS 0009 Missal with neumes
Lewis T98 Lewis T98 reverse mcat040982 Parchment Unknown reverse 2 Lewis T098 reverse MSS 0009 Missal with neumes
Lewis T99 Lewis T99 front mcat040991 Parchment Unknown front 1 Lewis T099 front MSS 0009 Missal: December 7, Vigil of the Immaculate Conception
Lewis T99 Lewis T99 reverse mcat040992 Parchment Unknown reverse 2 Lewis T099 reverse MSS 0009 Missal: December 7, Vigil of the Immaculate Conception
Lewis T100 Lewis T100 front mcat041001 Parchment Unknown front 1 Lewis T100 front MSS 0009 Scholastic Treatise on Baptism
Lewis T100 Lewis T100 reverse mcat041002 Parchment Unknown reverse 2 Lewis T100 reverse MSS 0009 Scholastic Treatise on Baptism
Lewis T101 Lewis T101 front mcat041011 Parchment Unknown front 1 Lewis T101 front MSS 0009 Missal: July 22-30
Lewis T101 Lewis T101 reverse mcat041012 Parchment Unknown reverse 2 Lewis T101 reverse MSS 0009 Missal: July 22-30
Lewis T102 Lewis T102 front mcat041021 Parchment Unknown front 1 Lewis T102 front MSS 0009 Missal: Sanctoral Cycle, July 30-August 14
Lewis T102 Lewis T102 reverse mcat041022 Parchment Unknown reverse 2 Lewis T102 reverse MSS 0009 Missal: Sanctoral Cycle, July 30-August 14
Lewis T103 Lewis T103 front mcat041031 Parchment Unknown front 1 Lewis T103 front MSS 0009 Missal: September 8-16
Lewis T103 Lewis T103 reverse mcat041032 Parchment Unknown reverse 2 Lewis T103 reverse MSS 0009 Missal: September 8-16
Lewis T104 Lewis T104 front mcat041041 Parchment Unknown front 1 Lewis T104 front MSS 0009 Missal
Lewis T104 Lewis T104 reverse mcat041042 Parchment Unknown reverse 2 Lewis T104 reverse MSS 0009 Missal
Lewis T105a Lewis T105a front a mcat041051 Parchment Unknown front 1 Lewis T105a front MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a Lewis T105a reverse a mcat041052 Parchment Unknown reverse 2 Lewis T105a reverse MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a Lewis T105a front b mcat041053 Parchment Unknown front 3 Lewis T105a front MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a Lewis T105a reverse b mcat041054 Parchment Unknown reverse 4 Lewis T105a reverse MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105b Lewis T105b front mcat041055 Parchment Unknown front 1 Lewis T105b front MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105b Lewis T105b reverse mcat041056 Parchment Unknown reverse 2 Lewis T105b reverse MSS 0009 Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T106 Lewis T106 front mcat041061 Parchment Unknown front 1 Lewis T106 front MSS 0009 Missal: Prayers for Votive Masses
Lewis T106 Lewis T106 reverse mcat041062 Parchment Unknown reverse 2 Lewis T106 reverse MSS 0009 Missal: Prayers for Votive Masses
Lewis T107 Lewis T107 front mcat041071 Parchment Unknown front 1 Lewis T107 front MSS 0009 Missal: Epistle from Jeremiah, Gospel from Luke 8:22-26
Lewis T107 Lewis T107 reverse mcat041072 Parchment Unknown reverse 2 Lewis T107 reverse MSS 0009 Missal: Epistle from Jeremiah, Gospel from Luke 8:22-26
Lewis T108 Lewis T108 front mcat041081 Parchment Unknown front 1 Lewis T108 front MSS 0010 Missal: Votive Masses for the Pope, King, Peace, an Abbot
Lewis T108 Lewis T108 reverse mcat041082 Parchment Unknown reverse 2 Lewis T108 reverse MSS 0010 Missal: Votive Masses for the Pope, King, Peace, an Abbot
Lewis T109 Lewis T109 front mcat041091 Parchment Unknown front 1 Lewis T109 front MSS 0010 Mass Rubrics in Verse
Lewis T109 Lewis T109 reverse mcat041092 Parchment Unknown reverse 2 Lewis T109 reverse MSS 0010 Mass Rubrics in Verse
Lewis T110 Lewis T110 front mcat041101 Parchment Unknown front 1 Lewis T110 front MSS 0010 Mass Rubrics in Verse
Lewis T110 Lewis T110 reverse mcat041102 Parchment Unknown reverse 2 Lewis T110 reverse MSS 0010 Mass Rubrics in Verse
Lewis T111 Lewis T111 front mcat041111 800 AD 999 Inc. (fol. 1 recto): ad superni plenitudine &quot; (fol. 1. verso): implorans ut quod Parchment Unknown Caroline Minuscule front 1 Lewis T111 front MSS 0010 Sacramentary
Lewis T111 Lewis T111 reverse mcat041112 Parchment Unknown reverse 2 Lewis T111 reverse MSS 0010 Sacramentary
Lewis T112 Lewis T112 front mcat041121 Parchment Unknown front 1 Lewis T112 front MSS 0010 Hymnary: Ave maris stella, gaude viscerbus mater, et al.
Lewis T112 Lewis T112 reverse mcat041122 Parchment Unknown reverse 2 Lewis T112 reverse MSS 0010 Hymnary: Ave maris stella, gaude viscerbus mater, et al.
Lewis T113 Lewis T113 front a mcat041131 Parchment Unknown front 1 Lewis T113 front MSS 0010 Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113 Lewis T113 reverse a mcat041132 Parchment Unknown reverse 2 Lewis T113 reverse MSS 0010 Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113 Lewis T113 front b mcat041133 Parchment Unknown front 3 Lewis T113 front MSS 0010 Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113 Lewis T113 reverse b mcat041134 Parchment Unknown reverse 4 Lewis T113 reverse MSS 0010 Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T114 Lewis T114 front a mcat041141 Parchment Unknown front 1 Lewis T114 front MSS 0010 Calendar, July-October
Lewis T114 Lewis T114 reverse a mcat041142 Parchment Unknown reverse 2 Lewis T114 reverse MSS 0010 Calendar, July-October
Lewis T114 Lewis T114 front b mcat041143 Parchment Unknown front 3 Lewis T114 front MSS 0010 Calendar, July-October
Lewis T114 Lewis T114 reverse b mcat041144 Parchment Unknown reverse 4 Lewis T114 reverse MSS 0010 Calendar, July-October
Lewis T115 Lewis T115 front mcat041151 Parchment Unknown front 1 Lewis T115 front MSS 0010 Index of Biblical Readings for the Principal Feasts
Lewis T115 Lewis T115 reverse mcat041152 Parchment Unknown reverse 2 Lewis T115 reverse MSS 0010 Index of Biblical Readings for the Principal Feasts
Lewis T116 Lewis T116 front a mcat041161 Parchment Unknown front 1 Lewis T116 front MSS 0010 Book of Hours: Penitential Psalms 31, 50
Lewis T116 Lewis T116 reverse a mcat041162 Parchment Unknown reverse 2 Lewis T116 reverse MSS 0010 Book of Hours: Penitential Psalms 31, 50
Lewis T116 Lewis T116 front b mcat041163 Parchment Unknown front 3 Lewis T116 front MSS 0010 Book of Hours: Penitential Psalms 31, 50
Lewis T116 Lewis T116 reverse b mcat041164 Parchment Unknown reverse 4 Lewis T116 reverse MSS 0010 Book of Hours: Penitential Psalms 31, 50
Lewis T117 Lewis T117 front a mcat041171 Parchment Unknown front 1 Lewis T117 front MSS 0010 Book of Hours
Lewis T117 Lewis T117 reverse a mcat041172 Parchment Unknown reverse 2 Lewis T117 reverse MSS 0010 Book of Hours
Lewis T117 Lewis T117 front b mcat041173 Parchment Unknown front 3 Lewis T117 front MSS 0010 Book of Hours
Lewis T117 Lewis T117 reverse b mcat041174 Parchment Unknown reverse 4 Lewis T117 reverse MSS 0010 Book of Hours
Lewis T118 Lewis T118 front mcat041181 Parchment Unknown front 1 Lewis T118 front MSS 0010 Book of Hours
Lewis T118 Lewis T118 reverse mcat041182 Parchment Unknown reverse 2 Lewis T118 reverse MSS 0010 Book of Hours
Lewis T119 Lewis T119 front mcat041191 Parchment Unknown front 1 Lewis T119 front MSS 0010 Book of Hours
Lewis T119 Lewis T119 reverse mcat041192 Parchment Unknown reverse 2 Lewis T119 reverse MSS 0010 Book of Hours
Lewis T120 Lewis T120 front mcat041201 Parchment Unknown front 1 Lewis T120 front MSS 0010 Book of Hours
Lewis T120 Lewis T120 reverse mcat041202 Parchment Unknown reverse 2 Lewis T120 reverse MSS 0010 Book of Hours
Lewis T121 Lewis T121 front mcat051211 800 AD 899 Inc recto: et contritis corde...consuleus. Expl. verso:...et aruspicibus uana falsitatis deleramenta De Ricci 358 Other leaves of this ms. are scattered in several different libraries. Cf. E. A. Lowe in Levre Kraus catal. 88, also #3, cat. 95 &quot;Gwen me by Mr. R. Contan Mar. 1855&quot; Acquired by J. F. Lewis in 1914 See also Kraus Catalogue 88, Early Medieaeval and Renaissance Mss., p. 11 for desc. and photos of leaves from same ms. and his Catalogue 95, Item 3 (1962), pp. 12-15 for same leaves. See Letter of Francis Wormald, 4 Sept. 1957. capp. XLIII-XLIV R. Ehwald, Aldhelmi Opera =Monumenta Germaniae Historica, Auctores Antiquissimi, XV]. pp. 296, line 9-297, line 9. Parchment Latin England Anglo-Saxon script Aldhelm (c. 639-709) Author front 1 Lewis T121 front De Virginitate (prose version)
Lewis T121 Lewis T121 reverse mcat051212 Parchment Unknown reverse 2 Lewis T121 reverse De Virginitate (prose version)
Lewis T126 Lewis T126 front a mcat051261 Parchment Unknown front 1 Lewis T126 front MSS 0010 Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126 Lewis T126 reverse a mcat051262 Parchment Unknown reverse 2 Lewis T126 reverse MSS 0010 Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126 Lewis T126 front b mcat051263 Parchment Unknown front 3 Lewis T126 front MSS 0010 Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126 Lewis T126 reverse b mcat051264 Parchment Unknown reverse 4 Lewis T126 reverse MSS 0010 Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T127 Lewis T127 front mcat051271 Parchment Unknown front 1 Lewis T127 front MSS 0010 Liber V of a Treatise on the Decalogue
Lewis T127 Lewis T127 reverse mcat051272 Parchment Unknown reverse 2 Lewis T127 reverse MSS 0011 Liber V of a Treatise on the Decalogue
Lewis T128 Lewis T128 front a mcat051281 Parchment Unknown front 1 Lewis T128 front MSS 0011 Scholastic Theological Treatise on Creation and Grace
Lewis T128 Lewis T128 reverse a mcat051282 Parchment Unknown reverse 2 Lewis T128 reverse MSS 0011 Scholastic Theological Treatise on Creation and Grace
Lewis T128 Lewis T128 front b mcat051283 Parchment Unknown front 3 Lewis T128 front MSS 0011 Scholastic Theological Treatise on Creation and Grace
Lewis T128 Lewis T128 reverse b mcat051284 Parchment Unknown reverse 4 Lewis T128 reverse MSS 0011 Scholastic Theological Treatise on Creation and Grace
Lewis T129 Lewis T129 front a mcat051291 Parchment Unknown front 1 Lewis T129 front MSS 0011 Glossary of Words Applied to the Virgin Mary
Lewis T129 Lewis T129 reverse a mcat051292 Parchment Unknown reverse 2 Lewis T129 reverse MSS 0011 Glossary of Words Applied to the Virgin Mary
Lewis T129 Lewis T129 front b mcat051293 Parchment Unknown front 3 Lewis T129 front MSS 0011 Glossary of Words Applied to the Virgin Mary
Lewis T129 Lewis T129 reverse b mcat051294 Parchment Unknown reverse 4 Lewis T129 reverse MSS 0011 Glossary of Words Applied to the Virgin Mary
Lewis T130 Lewis T130 front a mcat051301 Parchment Unknown front 1 Lewis T130 front MSS 0011 Scholastic Theological Treatise
Lewis T130 Lewis T130 reverse a mcat051302 Parchment Unknown reverse 2 Lewis T130 reverse MSS 0011 Scholastic Theological Treatise
Lewis T130 Lewis T130 front b mcat051303 Parchment Unknown front 3 Lewis T130 front MSS 0011 Scholastic Theological Treatise
Lewis T130 Lewis T130 reverse b mcat051304 Parchment Unknown reverse 4 Lewis T130 reverse MSS 0011 Scholastic Theological Treatise
Lewis T131 Lewis T131 front a mcat051311 Parchment Unknown front 1 Lewis T131 front MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 reverse a mcat051312 Parchment Unknown reverse 2 Lewis T131 reverse MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 front b mcat051313 Parchment Unknown front 3 Lewis T131 front MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 reverse b mcat051314 Parchment Unknown reverse 4 Lewis T131 reverse MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 front c mcat051315 Parchment Unknown front 5 Lewis T131 front MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 reverse c mcat051316 Parchment Unknown reverse 6 Lewis T131 reverse MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 front d mcat051317 Parchment Unknown front 7 Lewis T131 front MSS 0011 Theological Treatise on Love as a Virtue
Lewis T131 Lewis T131 reverse d mcat051318 Parchment Unknown reverse 8 Lewis T131 reverse MSS 0011 Theological Treatise on Love as a Virtue
Lewis T132 Lewis T132 front a mcat051321 Parchment Unknown front 1 Lewis T132 front MSS 0011 Theological Treatise
Lewis T132 Lewis T132 reverse a mcat051322 Parchment Unknown reverse 2 Lewis T132 reverse MSS 0011 Theological Treatise
Lewis T132 Lewis T132 front b mcat051323 Parchment Unknown front 3 Lewis T132 front MSS 0011 Theological Treatise
Lewis T132 Lewis T132 reverse b mcat051324 Parchment Unknown reverse 4 Lewis T132 reverse MSS 0011 Theological Treatise
Lewis T132 Lewis T132 front c mcat051325 Parchment Unknown front 5 Lewis T132 front Theological Treatise
Lewis T132 Lewis T132 reverse c mcat051326 Cannot scan. Pages stuck together.&nbsp; Parchment Unknown reverse 6 Lewis T132 reverse Theological Treatise
Lewis T132 Lewis T132 front d mcat051327 Cannot Scan. Pages stuck together.&nbsp; Parchment Unknown front 7 Lewis T132 front Theological Treatise
Lewis T132 Lewis T132 reverse d mcat051328 Parchment Unknown reverse 8 Lewis T132 reverse Theological Treatise
Lewis T133 Lewis T133 front mcat051331 Parchment Unknown front 1 Lewis T133 front MSS 0011 Grammatical Text with Commentary
Lewis T133 Lewis T133 reverse mcat051332 Parchment Unknown reverse 2 Lewis T133 reverse MSS 0011 Grammatical Text with Commentary
Lewis T134 Lewis T134 front mcat051341 Parchment Unknown front 1 Lewis T134 front MSS 0011 Treatise on Poverty
Lewis T134 Lewis T134 reverse mcat051342 Parchment Unknown reverse 2 Lewis T134 reverse MSS 0011 Treatise on Poverty
Lewis T135 Lewis T135 front a mcat051351 Parchment Unknown front 1 Lewis T135 front MSS 0011 Philosophical and Theological Notes
Lewis T135 Lewis T135 reverse a mcat051352 Parchment Unknown reverse 2 Lewis T135 reverse MSS 0011 Philosophical and Theological Notes
Lewis T135 Lewis T135 front b mcat051353 Parchment Unknown front 3 Lewis T135 front MSS 0011 Philosophical and Theological Notes
Lewis T135 Lewis T135 reverse b mcat051354 Parchment Unknown reverse 4 Lewis T135 reverse MSS 0011 Philosophical and Theological Notes
Lewis T136 Lewis T136 front a mcat051361 Parchment Unknown front 1 Lewis T136 front MSS 0011 Grammatical Logical Treatise
Lewis T136 Lewis T136 reverse a mcat051362 Parchment Unknown reverse 2 Lewis T136 reverse MSS 0011 Grammatical Logical Treatise
Lewis T136 Lewis T136 front b mcat051363 Parchment Unknown front 3 Lewis T136 front MSS 0011 Grammatical Logical Treatise
Lewis T136 Lewis T136 reverse b mcat051364 Parchment Unknown reverse 4 Lewis T136 reverse MSS 0011 Grammatical Logical Treatise
Lewis T137 Lewis T137 front mcat051371 Parchment Unknown front 1 Lewis T137 front MSS 0011 Theological Notes
Lewis T137 Lewis T137 reverse mcat051372 Parchment Unknown reverse 2 Lewis T137 reverse MSS 0011 Theological Notes
Lewis T138 Lewis T138 front a mcat051381 Parchment Unknown front 1 Lewis T138 front MSS 0011 Theological fragment
Lewis T138 Lewis T138 reverse a mcat051382 Parchment Unknown reverse 2 Lewis T138 reverse MSS 0011 Theological fragment
Lewis T138 Lewis T138 front b mcat051383 Parchment Unknown front 3 Lewis T138 front MSS 0011 Theological fragment
Lewis T138 Lewis T138 reverse b mcat051384 Parchment Unknown reverse 4 Lewis T138 reverse MSS 0011 Theological fragment
Lewis T139 Lewis T139 front a mcat051391 Parchment Unknown front 1 Lewis T139 front MSS 0011 Theological Tract
Lewis T139 Lewis T139 reverse a mcat051392 Parchment Unknown reverse 2 Lewis T139 reverse MSS 0012 Theological Tract
Lewis T139 Lewis T139 front b mcat051393 Parchment Unknown front 3 Lewis T139 front MSS 0012 Theological Tract
Lewis T139 Lewis T139 reverse b mcat051394 Parchment Unknown reverse 4 Lewis T139 reverse MSS 0012 Theological Tract
Lewis T140 Lewis T140 front mcat051401 Parchment Unknown front 1 Lewis T140 front MSS 0012 Theological Treatise on Virtues
Lewis T140 Lewis T140 reverse mcat051402 Parchment Unknown reverse 2 Lewis T140 reverse MSS 0012 Theological Treatise on Virtues
Lewis T141 Lewis T141 front mcat051411 Parchment Unknown front 1 Lewis T141 front MSS 0012 Sermons
Lewis T141 Lewis T141 reverse mcat051412 Parchment Unknown reverse 2 Lewis T141 reverse MSS 0012 Sermons
Lewis T142 Lewis T142 front mcat051421 Parchment Unknown front 1 Lewis T142 front MSS 0012 Sermon at the Dedication of a Church
Lewis T142 Lewis T142 reverse mcat051422 Parchment Unknown reverse 2 Lewis T142 reverse MSS 0012 Sermon at the Dedication of a Church
Lewis T143 Lewis T143 front mcat051431 Parchment Unknown front 1 Lewis T143 front MSS 0012 Sermon
Lewis T143 Lewis T143 reverse mcat051432 Parchment Unknown reverse 2 Lewis T143 reverse MSS 0012 Sermon
Lewis T144 Lewis T144 front mcat051441 Parchment Unknown front 1 Lewis T144 front MSS 0012 Passion of Saint Catherine of Alexandria
Lewis T144 Lewis T144 reverse mcat051442 Parchment Unknown reverse 2 Lewis T144 reverse MSS 0012 Passion of Saint Catherine of Alexandria
Lewis T145 Lewis T145 front mcat051451 Parchment Unknown front 1 Lewis T145 front MSS 0012 De Sancto Iacobo Minore, Chapter 2
Lewis T145 Lewis T145 reverse mcat051452 Parchment Unknown reverse 2 Lewis T145 reverse MSS 0012 De Sancto Iacobo Minore, Chapter 2
Lewis T146 Lewis T146 front mcat051461 Parchment Unknown front 1 Lewis T146 front MSS 0012 Vitae Sanctorum: Saints Remigius and Dionysius (Remy and Denis)
Lewis T146 Lewis T146 reverse mcat051462 Parchment Unknown reverse 2 Lewis T146 reverse MSS 0012 Vitae Sanctorum: Saints Remigius and Dionysius (Remy and Denis)
Lewis T147 Lewis T147 front mcat051471 Parchment Unknown front 1 Lewis T147 front MSS 0012 Vita Sancti Silvestri Papae
Lewis T147 Lewis T147 reverse mcat051472 Parchment Unknown reverse 2 Lewis T147 reverse MSS 0012 Vita Sancti Silvestri Papae
Lewis T148 Lewis T148 front mcat051481 Parchment Unknown front 1 Lewis T148 front MSS 0012 Decretales Gregorii IX
Lewis T148 Lewis T148 reverse mcat051482 Parchment Unknown reverse 2 Lewis T148 reverse MSS 0012 Decretales Gregorii IX
Lewis T148 Lewis T148, fol. 2r mcat051483 Parchment Unknown 2r 3 Lewis T148 2r MSS 0012 Decretales Gregorii IX
Lewis T148 Lewis T148, fol. 2v mcat051484 Parchment Unknown 2v 4 Lewis T148 2v MSS 0012 Decretales Gregorii IX
Lewis T149 Lewis T149 front mcat051491 Parchment Unknown front 1 Lewis T149 front MSS 0012 Canon Law: Treatise on Matrimony
Lewis T149 Lewis T149 reverse mcat051492 Parchment Unknown reverse 2 Lewis T149 reverse MSS 0012 Canon Law: Treatise on Matrimony
Lewis T150 Lewis T150 front mcat051501 Parchment Unknown front 1 Lewis T150 front MSS 0012 Canon Law: Excerpts from the Decretals
Lewis T150 Lewis T150 reverse mcat051502 Parchment Unknown reverse 2 Lewis T150 reverse MSS 0013 Canon Law: Excerpts from the Decretals
Lewis T122 Lewis T122 front mcat051521 ca. 1100 1200 Neil Ker says not English Parchment England Early Gothic front 1 Lewis T122 front MSS 0013 Gregory the Great, Liber Regulae Pastoralis
Lewis T122 Lewis T122 reverse mcat051522 Parchment Unknown Early Gothic reverse 2 Lewis T122 reverse MSS 0013 Gregory the Great, Liber Regulae Pastoralis
Lewis T123 Lewis T123, fol.1r mcat051531 ca. 1300 1400 Parchment France or Lowlands Gothic f. 1r 1 Lewis T123 f. 1r MSS 0013 Prosper of Aquitaine
Lewis T123 Lewis T123, fol. 1v mcat051532 ca. 1300 1400 Parchment France or Lowlands Gothic f. 1v 2 Lewis T123 f. 1v MSS 0013 Prosper of Aquitaine
Lewis T123 Lewis T123, fol. 2r mcat051533 Parchment Unknown f. 2r 3 Lewis T123 f. 2r MSS 0013 Prosper of Aquitaine
Lewis T123 Lewis T123, fol. 2v mcat051534 Parchment Unknown f. 2v 4 Lewis T123 f. 2v MSS 0013 Prosper of Aquitaine
Lewis T124 Lewis T124 front mcat051541 ca. 1100 1200 Probably not English, Neil Ker 9/March/1971 Parchment Unknown Early Gothic front 1 Lewis T124 front MSS 0013 Theological Treatise
Lewis T124 Lewis T124 reverse mcat051542 ca. 1100 1200 Parchment England? reverse 2 Lewis T124 reverse MSS 0013 Theological Treatise
Lewis T125 Lewis T125 front mcat051551 ca. 1100 1200 Parchment England Early Gothic front 1 Lewis T125 front MSS 0013 Theological Treatise on the State of Man Before Sin
Lewis T125 Lewis T125 reverse mcat051552 ca. 1100 1200 Parchment Unknown Early Gothic reverse 2 Lewis T125 reverse MSS 0013 Theological Treatise on the State of Man Before Sin
Lewis T151 Lewis T151 front mcat061511 Parchment Unknown front 3 Lewis T151 front MSS 0013 Commentary on Canon Law: Chapter V (De Libellis Famosis)
Lewis T151 Lewis T151 reverse mcat061512 Parchment Unknown reverse 4 Lewis T151 reverse MSS 0013 Commentary on Canon Law: Chapter V (De Libellis Famosis)
Lewis T152 Lewis T152 front a mcat061521 Parchment Unknown front 3 Lewis T152 front MSS 0013 Commentary on Canon Law (dealing with the Mendicants)
Lewis T152 Lewis T152 reverse a mcat061522 Parchment Unknown reverse 4 Lewis T152 reverse MSS 0013 Commentary on Canon Law (dealing with the Mendicants)
Lewis T152 Lewis T152, fol. 2r mcat061523 Parchment Unknown f. 2r 5 Lewis T152 f. 2r MSS 0013 Commentary on Canon Law (dealing with the Mendicants)
Lewis T152 Lewis T152, fol 2v mcat061524 Parchment Unknown f. 2v 6 Lewis T152 f. 2v MSS 0013 Commentary on Canon Law (dealing with the Mendicants)
Lewis T153 Lewis T153 front mcat061531 Parchment Unknown front 5 Lewis T153 front Canon Law Treatise
Lewis T153 Lewis T153 reverse mcat061532 Parchment Unknown reverse 6 Lewis T153 reverse MSS 0013 Canon Law Treatise
Lewis T154 Lewis T154 front mcat061541 Parchment Unknown front 3 Lewis T154 front MSS 0013 Treatise on Logic
Lewis T154 Lewis T154 reverse mcat061542 Parchment Unknown reverse 4 Lewis T154 reverse MSS 0013 Treatise on Logic
Lewis T155 Lewis T155 front a mcat061551 Parchment Unknown front 3 Lewis T155 front MSS 0013 Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T155 Lewis T155 reverse a mcat061552 Parchment Unknown reverse 4 Lewis T155 reverse MSS 0014 Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T155 Lewis T155 front b mcat061553 Parchment Unknown front 5 Lewis T155 front MSS 0014 Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T156 Lewis T156 front mcat061561 Parchment Unknown front 1 Lewis T156 front MSS 0014 School Text with Marginal Commentary
Lewis T156 Lewis T156 reverse mcat061562 Parchment Unknown reverse 2 Lewis T156 reverse MSS 0014 School Text with Marginal Commentary
Lewis T157 Lewis T157 front mcat061571 Parchment Unknown front 1 Lewis T157 front MSS 0014 Canon Law Commentary
Lewis T157 Lewis T157 reverse mcat061572 Parchment Unknown reverse 2 Lewis T157 reverse MSS 0014 Canon Law Commentary
Lewis T158 Lewis T158 front a mcat061581 Parchment Unknown front 1 Lewis T158 front MSS 0014 Canon Law: De Religiosis
Lewis T158 Lewis T158 reverse a mcat061582 Parchment Unknown reverse 2 Lewis T158 reverse MSS 0014 Canon Law: De Religiosis
Lewis T158 Lewis T158, fol. 2r mcat061583 Parchment Unknown f. 2r 3 Lewis T158 f. 2r MSS 0014 Canon Law: De Religiosis
Lewis T158 Lewis T158, fol. 2v mcat061584 Parchment Unknown f. 2v 4 Lewis T158 f. 2v MSS 0014 Canon Law: De Religiosis
Lewis T159 Lewis T159 front mcat061591 Parchment Unknown front 1 Lewis T159 front MSS 0014 Canon Law Commentary, Chapters 7-8 (examination of candidates for ordination)
Lewis T159 Lewis T159 reverse mcat061592 Parchment Unknown reverse 2 Lewis T159 reverse MSS 0014 Canon Law Commentary, Chapters 7-8 (examination of candidates for ordination)
Lewis T160 Lewis T160 front mcat061601 Parchment Unknown front 1 Lewis T160 front MSS 0014 Civil Law: Justinian, Digests, Liber XXVII
Lewis T160 Lewis T160 reverse mcat061602 Parchment Unknown reverse 2 Lewis T160 reverse MSS 0014 Civil Law: Justinian, Digests, Liber XXVII
Lewis T161 Lewis T161 front mcat061611 800 AD 899 De Ricci 202 According to Bischoff, 9th c, 1st half. Inc. recto: de his qui in pecudes uel in masculos aut olim polluti sunt Expl. verso: qui divinationes expetunt...causa sub regula quinquennii ia Parchment Italy? front 1 Lewis T161 front MSS 0014 Leges Langobardorum
Lewis T161 Lewis T161 reverse mcat061612 Parchment Unknown reverse 2 Lewis T161 reverse MSS 0014 Leges Langobardorum
Lewis T162 Lewis T162 front mcat061621 Parchment Unknown front 1 Lewis T162 front MSS 0014 Lex Salica, Chapters XLVII-XLIX
Lewis T162 Lewis T162 reverse mcat061622 Parchment Unknown reverse 2 Lewis T162 reverse MSS 0014 Lex Salica, Chapters XLVII-XLIX
Lewis T163 Lewis T163 front mcat061631 Parchment Unknown front 1 Lewis T163 front MSS 0014 Legal Text
Lewis T163 Lewis T163 reverse mcat061632 Parchment Unknown reverse 2 Lewis T163 reverse MSS 0014 Legal Text
Lewis T164 Lewis T164 front mcat061641 Parchment Unknown front 1 Lewis T164 front MSS 0014 Fragment attached to a paper fly-leaf: Medical text
Lewis T164 Lewis T164 reverse mcat061642 Parchment Unknown reverse 2 Lewis T164 reverse MSS 0014 Fragment attached to a paper fly-leaf: Medical text
Lewis T165 Lewis T165 front mcat061651 Parchment Unknown front 1 Lewis T165 front MSS 0014 Fragment in French, from a binding
Lewis T165 Lewis T165 reverse mcat061652 Parchment Unknown reverse 2 Lewis T165 reverse MSS 0014 Fragment in French, from a binding
Lewis T166 Lewis T166 front mcat061661 Parchment Unknown front 1 Lewis T166 front MSS 0014 Legal fragment with marginal commentary
Lewis T166 Lewis T166 reverse mcat061662 Parchment Unknown reverse 2 Lewis T166 reverse MSS 0014 Legal fragment with marginal commentary
Lewis T167 Lewis T167 front mcat061671 Parchment Unknown front 1 Lewis T167 front MSS 0014 Book mark
Lewis T167 Lewis T167 reverse mcat061672 Parchment Unknown reverse 2 Lewis T167 reverse MSS 0014 Book mark
Lewis T168 Lewis T168 front mcat061681 Parchment Unknown front 1 Lewis T168 front MSS 0014 Philosophical Text: Aristotle's Physics, or On Generation and Corruption
Lewis T168 Lewis T168 reverse mcat061682 Parchment Unknown reverse 2 Lewis T168 reverse MSS 0014 Philosophical Text: Aristotle's Physics, or On Generation and Corruption
Lewis T169 Lewis T169 front mcat061691 Parchment Unknown front 1 Lewis T169 front MSS 0014 Legal Treatise
Lewis T169 Lewis T169 reverse mcat061692 Parchment Unknown reverse 2 Lewis T169 reverse MSS 0014 Legal Treatise
Lewis T170 Lewis T170 front mcat061701 Parchment Unknown front 1 Lewis T170 front MSS 0014 Legal Commentary (on procurators)
Lewis T170 Lewis T170 reverse mcat061702 Parchment Unknown reverse 2 Lewis T170 reverse MSS 0014 Legal Commentary (on procurators)
Lewis T171 Lewis T171 front a mcat061711 Parchment Unknown front 1 Lewis T171 front MSS 0014 Commentary on Civil Law
Lewis T171 Lewis T171 front b mcat061711 Parchment Unknown front 3 Lewis T171 front MSS 0014 Commentary on Civil Law
Lewis T171 Lewis T171 reverse a mcat061712 Parchment Unknown reverse 2 Lewis T171 reverse MSS 0014 Commentary on Civil Law
Lewis T172 Lewis T172 front a mcat061721 Parchment Unknown front 1 Lewis T172 front MSS 0014 Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172 Lewis T172 reverse a mcat061722 Parchment Unknown reverse 2 Lewis T172 reverse MSS 0015 Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172 Lewis T172 front b mcat061723 Parchment Unknown front 3 Lewis T172 front MSS 0015 Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172 Lewis T172 reverse b mcat061724 Parchment Unknown reverse 4 Lewis T172 reverse MSS 0015 Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T173 Lewis T173 front mcat061731 Parchment Unknown front 1 Lewis T173 front MSS 0015 Communal Constitution
Lewis T173 Lewis T173 reverse mcat061732 Parchment Unknown reverse 2 Lewis T173 reverse MSS 0015 Communal Constitution
Lewis T174 Lewis T174 front mcat061741 Parchment Unknown front 1 Lewis T174 front MSS 0015 Medical Treatise
Lewis T174 Lewis T174 reverse mcat061742 Parchment Unknown reverse 2 Lewis T174 reverse MSS 0015 Medical Treatise
Lewis T175 Lewis T175 front mcat061751 Parchment Unknown front 1 Lewis T175 front MSS 0015 Logic
Lewis T175 Lewis T175 reverse mcat061752 Parchment Unknown reverse 2 Lewis T175 reverse MSS 0015 Logic
Lewis T176 Lewis T176 front mcat061761 Parchment Unknown front 1 Lewis T176 front MSS 0015 Scholastic Treatise on Logic
Lewis T176 Lewis T176 reverse mcat061762 Parchment Unknown reverse 2 Lewis T176 reverse MSS 0015 Scholastic Treatise on Logic
Lewis T177 Lewis T177 front mcat061771 Parchment Unknown front 1 Lewis T177 front MSS 0015 Scholastic Philosophical Treatise
Lewis T177 Lewis T177 reverse mcat061772 Part of the binding materials used for this book was a page from Orlando Lasso's&nbsp;Cantiones aliquot quinque vocum (printed by Adam Berg in Munich in 1569). A fragment can be seen in this image.&nbsp;A comparison with a facsimile in Peter Bergqusit's edition of the Berg print (in: Recent Researches in the Music of the Renaissance, 112&nbsp; Madison: AR Editions, 1998], plate 3, following p. xxxii) strengthens the argument for this book as the source for this isolated page, as does the fact that the work appears as no. 14 in Bergquist's edition of the Berg print--i.e., it's the same number that appears on this page. Many thanks to Lawrence F. Bernstein, Professor Emeritus of Music at the University of Pennsylvania for finding all this information within fifteen minutes of an image being sent to him.&nbsp; Parchment Unknown reverse 2 Lewis T177 reverse MSS 0015 Scholastic Philosophical Treatise
Lewis T178 Lewis T178 front mcat061781 Parchment Unknown front 1 Lewis T178 front MSS 0015 Treatise on Ethics
Lewis T178 Lewis T178 reverse mcat061782 Parchment Unknown reverse 2 Lewis T178 reverse MSS 0015 Treatise on Ethics
Lewis T179 Lewis T179 front a mcat061791 Parchment Unknown front 1 Lewis T179 front MSS 0015 Tractatus "De Causis"
Lewis T179 Lewis T179 reverse a mcat061792 Parchment Unknown reverse 2 Lewis T179 reverse MSS 0015 Tractatus "De Causis"
Lewis T179 Lewis T179 front b mcat061793 Parchment Unknown front 3 Lewis T179 front MSS 0015 Tractatus "De Causis"
Lewis T179 Lewis T179 reverse b mcat061794 Parchment Unknown reverse 4 Lewis T179 reverse MSS 0015 Tractatus "De Causis"
Lewis T180 Lewis T180 front mcat061801 Parchment Unknown front 1 Lewis T180 front MSS 0015 Scholastic Philsophical Treatise on the Senses
Lewis T180 Lewis T180 reverse mcat061802 Parchment Unknown reverse 2 Lewis T180 reverse MSS 0015 Scholastic Philsophical Treatise on the Senses
Lewis T181 Lewis T181 front mcat061811 Parchment Unknown Macrobius, Ambrosius Aurelius Theodosius Author front 1 Lewis T181 front MSS 0015 Macrobius, Saturnalia, Liber II.7-III.5-6
Lewis T181 Lewis T181 reverse mcat061812 Parchment Unknown Macrobius, Ambrosius Aurelius Theodosius Author reverse 2 Lewis T181 reverse MSS 0015 Macrobius, Saturnalia, Liber II.7-III.5-6
Lewis T182 Lewis T182 front mcat061821 Parchment Unknown Ovid, 43 B.C.-17 or 18 A.D. Author front 1 Lewis T182 front MSS 0015 Ovid, Tristia, Liber I, Elegiae I,II
Lewis T182 Lewis T182 reverse mcat061822 Parchment Unknown Ovid, 43 B.C.-17 or 18 A.D. Author reverse 2 Lewis T182 reverse MSS 0015 Ovid, Tristia, Liber I, Elegiae I,II
Lewis T183 Lewis T183 front mcat061831 Parchment Unknown Ovid, 43 B.C.-17 or 18 A.D. Author front 1 Lewis T183 front MSS 0015 Ovid, Tristia, Liber I, Elegiae IX,X
Lewis T183 Lewis T183 reverse mcat061832 Parchment Unknown Ovid, 43 B.C.-17 or 18 A.D. Author reverse 2 Lewis T183 reverse MSS 0015 Ovid, Tristia, Liber I, Elegiae IX,X
Lewis T184 Lewis T184 front mcat071841 Parchment Unknown Virgil Author front 1 Lewis T184 front MSS 0016 Leaf from the Aeneid
Lewis T184 Lewis T184 reverse mcat071842 Parchment Unknown Virgil Author reverse 2 Lewis T184 reverse MSS 0016 Leaf from the Aeneid
Lewis T185 Lewis T185 front mcat071851 Parchment Unknown Virgil Author front 1 Lewis T185 front MSS 0016 Leaf from the Aeneid
Lewis T185 Lewis T185 reverse mcat071852 Parchment Unknown Virgil Author reverse 2 Lewis T185 reverse MSS 0016 Leaf from the Aeneid
Lewis T186 Lewis T186 front mcat071861 Parchment Unknown Virgil Author front 1 Lewis T186 front MSS 0016 Leaf from the Aeneid
Lewis T186 Lewis T186 reverse mcat071862 Parchment Unknown Virgil Author reverse 2 Lewis T186 reverse MSS 0016 Leaf from the Aeneid
Lewis T187 Lewis T187 front mcat071871 Parchment Unknown Bernard De Cluny Author front 1 Lewis T187 front MSS 0016 Leaf from De Contemptu Mundi
Lewis T187 Lewis T187 reverse mcat071872 Parchment Unknown Bernard De Cluny Author reverse 2 Lewis T187 reverse MSS 0016 Leaf from De Contemptu Mundi
Lewis T188 Lewis T188 front mcat071881 Parchment Unknown Petrarch, 1304-1374 Author front 1 Lewis T188 front MSS 0016 Leaf from De Remediis Utriusque Fortunae
Lewis T188 Lewis T188 reverse mcat071882 Parchment Unknown Petrarch, 1304-1374 Author reverse 2 Lewis T188 reverse MSS 0016 Leaf from De Remediis Utriusque Fortunae
Lewis T189 Lewis T189 front mcat071891 Parchment Unknown Petrarch, 1304-1374 Author front 1 Lewis T189 front MSS 0016 Leaf from De Remediis Utriusque Fortunae
Lewis T189 Lewis T189 reverse mcat071892 Parchment Unknown Petrarch, 1304-1374 Author reverse 2 Lewis T189 reverse MSS 0016 Leaf from De Remediis Utriusque Fortunae
Lewis T190 Lewis T190 front mcat071901 Parchment Unknown front 1 Lewis T190 front MSS 0016 Verse from Exodus 25
Lewis T190 Lewis T190 reverse mcat071902 Parchment Unknown reverse 2 Lewis T190 reverse MSS 0016 Verse from Exodus 25
Lewis T191 Lewis T191, fol. 1r mcat071911 Parchment Unknown f. 1r 1 Lewis T191 f. 1r MSS 0016 Commentary, literary or historical
Lewis T191 Lewis T191, fol. 1v mcat071912 Parchment Unknown f. 1v 2 Lewis T191 f. 1v MSS 0016 Commentary, literary or historical
Lewis T191 Lewis T191, fol. 2r mcat071913 Parchment Unknown f. 2r 3 Lewis T191 f. 2r MSS 0016 Commentary, literary or historical
Lewis T191 Lewis T191, fol. 2v mcat071914 Parchment Unknown f. 2v 4 Lewis T191 f. 2v MSS 0016 Commentary, literary or historical
Lewis T192 Lewis T192 front mcat071921 Parchment Unknown front 1 Lewis T192 front MSS 0016 Didactic Verse
Lewis T192 Lewis T192 reverse mcat071922 Parchment Unknown reverse 2 Lewis T192 reverse MSS 0016 Didactic Verse
Lewis T193 Lewis T193, fol. 1r mcat07193a Parchment Unknown f. 1r 1 Lewis T193 f. 1r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 1v mcat07193b Parchment Unknown f. 1v 2 Lewis T193 f. 1v MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 2r mcat07193c Parchment Unknown f. 2r 3 Lewis T193 f. 2r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 2v mcat07193d Parchment Unknown f. 2v 4 Lewis T193 f. 2v MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 3r mcat07193e Parchment Unknown f. 3r 5 Lewis T193 f. 3r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 3v mcat07193f Parchment Unknown f. 3v 6 Lewis T193 f. 3v MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 4r mcat07193g Parchment Unknown f. 4r 7 Lewis T193 f. 4r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 4v mcat07193h Parchment Unknown f. 4v 8 Lewis T193 f. 4v MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 5r mcat07193i Parchment Unknown f. 5r 9 Lewis T193 f. 5r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 5v mcat07193j Parchment Unknown f. 5v 10 Lewis T193 f. 5v MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 6r mcat07193k Parchment Unknown f. 6r 11 Lewis T193 f. 6r MSS 0016 Didactic verse
Lewis T193 Lewis T193, fol. 6v mcat07193l Parchment Unknown f. 6v 12 Lewis T193 f. 6v MSS 0017 Didactic verse
Lewis T194 Lewis T194, fol. 1r mcat07194a Parchment Unknown f. 1r 1 Lewis T194 f. 1r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 1v mcat07194b Parchment Unknown f. 1v 2 Lewis T194 f. 1v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 2r mcat07194c Parchment Unknown f. 2r 3 Lewis T194 f. 2r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 2v mcat07194d Parchment Unknown f. 2v 4 Lewis T194 f. 2v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 3r mcat07194e Parchment Unknown f. 3r 5 Lewis T194 f. 3r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 3v mcat07194f Parchment Unknown f. 3v 6 Lewis T194 f. 3v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 4r mcat07194g Parchment Unknown f. 4r 7 Lewis T194 f. 4r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 4v mcat07194h Parchment Unknown f. 4v 8 Lewis T194 f. 4v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 5r mcat07194i Parchment Unknown f. 5r 9 Lewis T194 f. 5r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 5v mcat07194j Parchment Unknown f. 5v 10 Lewis T194 f. 5v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 6r mcat07194k Parchment Unknown f. 6r 11 Lewis T194 f. 6r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 6v mcat07194l Parchment Unknown f. 6v 12 Lewis T194 f. 6v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 7r mcat07194m Parchment Unknown f. 7r 13 Lewis T194 f. 7r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 7v mcat07194n Parchment Unknown f. 7v 14 Lewis T194 f. 7v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 8r mcat07194o Parchment Unknown f. 8r 15 Lewis T194 f. 8r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 8v mcat07194p Parchment Unknown f. 8v 16 Lewis T194 f. 8v MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 9r mcat07194q Parchment Unknown f. 9r 17 Lewis T194 f. 9r MSS 0017 Religious verse
Lewis T194 Lewis T194, fol. 9v mcat07194r Parchment Unknown f. 9v 18 Lewis T194 f. 9v MSS 0017 Religious verse
Lewis T195 Lewis T195 mcat071951 800 AD 999 De Ricci no. 201 Bought from L. Rosenthal, catal. 120 (1910, no. 172. Inc. recto:...filiorum eius quos expolian tes eorum capitatoruncaverun-] Expl. verso: ad locum quendam nomine matheu(m) pers...abner. Et eum sol occumberet caverunt ascendens Pecular in being written in two columns on recto and one on verso. Parchment Latin France Caroline Minuscule Titus Flavius Josephus (37-c.100) Author front 1 Lewis T195 front MSS 0017 Antiquitates Judaicae
Lewis T195 Lewis T195 reverse mcat071952 Parchment Unknown Josephus, Flavius Author reverse 2 Lewis T195 reverse MSS 0017 Leaf from Antiquitates Judaicae
Lewis T196 Lewis T196 front mcat071961 Parchment Unknown Simeon, of Durham, d. ca. 1130 Author front 1 Lewis T196 front MSS 0017 Leaf from Historia Regum Anglorum
Lewis T196 Lewis T196 reverse mcat071962 Parchment Unknown Simeon, of Durham, d. ca. 1130 Author reverse 2 Lewis T196 reverse MSS 0017 Leaf from Historia Regum Anglorum
Lewis T197 Lewis T197 front mcat071971 Parchment Unknown front 1 Lewis T197 front MSS 0017 Leaf from Computus
Lewis T197 Lewis T197 reverse mcat071972 Parchment Unknown reverse 2 Lewis T197 reverse MSS 0017 Leaf from Computus
Lewis T198 Lewis T198 front mcat071981 Parchment Unknown front 1 Lewis T198 front MSS 0017 Leaf from Computus
Lewis T198 Lewis T198 reverse mcat071982 Parchment Unknown reverse 2 Lewis T198 reverse MSS 0017 Leaf from Computus
Lewis T199 Lewis T199 front a mcat071991 Parchment Unknown front 1 Lewis T199 front MSS 0017 Leaf from Doctrinale
Lewis T199 Lewis T199 reverse a mcat071992 Parchment Unknown reverse 2 Lewis T199 reverse MSS 0018 Leaf from Doctrinale
Lewis T199 Lewis T199, fol. 2r mcat071993 Parchment Unknown f. 2r 3 Lewis T199 f. 2r MSS 0018 Leaf from Doctrinale
Lewis T199 Lewis T199, fol. 2v mcat071994 Parchment Unknown f. 2v 4 Lewis T199 f. 2v MSS 0018 Leaf from Doctrinale
Lewis T200 Lewis T200 front a mcat072001 Parchment Unknown front 1 Lewis T200 front MSS 0018 Leaf from a Priscian Grammar
Lewis T200 Lewis T200 reverse a mcat072002 Parchment Unknown reverse 2 Lewis T200 reverse MSS 0018 Leaf from a Priscian Grammar
Lewis T200 Lewis T200 front b mcat072003 Parchment Unknown front 3 Lewis T200 front MSS 0018 Leaf from a Priscian Grammar
Lewis T200 Lewis T200 reverse b mcat072004 Parchment Unknown reverse 4 Lewis T200 reverse MSS 0018 Leaf from a Priscian Grammar
Lewis T201 Lewis T201, fol. 1r mcat072011 Parchment Unknown f. 1r 1 Lewis T201 f. 1r MSS 0018 Grammatical Treatise
Lewis T201 Lewis T201, fol. 1v mcat072012 Parchment Unknown f. 1v 2 Lewis T201 f. 1v MSS 0018 Grammatical Treatise
Lewis T201 Lewis T201, fol. 2r mcat072013 Parchment Unknown f. 2r 3 Lewis T201 f. 2r MSS 0018 Grammatical Treatise
Lewis T201 Lewis T201, fol. 2v mcat072014 Parchment Unknown f. 2v 4 Lewis T201 f. 2v MSS 0018 Grammatical Treatise
Lewis T202 Lewis T202, fol. 1r mcat072021 Parchment Unknown f. 1r 1 Lewis T202 f. 1r MSS 0018 Grammatical Treatise
Lewis T202 Lewis T202, fol. 1v mcat072022 Parchment Unknown f. 1v 2 Lewis T202 f. 1v MSS 0018 Grammatical Treatise
Lewis T202 Lewis T202, fol. 2r mcat072023 Parchment Unknown f. 2r 3 Lewis T202 f. 2r MSS 0018 Grammatical Treatise
Lewis T202 Lewis T202, fol. 2v mcat072024 Parchment Unknown f. 2v 4 Lewis T202 f. 2v MSS 0018 Grammatical Treatise
Lewis T203 Lewis T203 front mcat072031 Parchment Unknown front 1 Lewis T203 front MSS 0018 Leaf from a treatise on words, with some etymologies, in verse
Lewis T203 Lewis T203 reverse mcat072032 Parchment Unknown reverse 2 Lewis T203 reverse MSS 0018 Treatise on words, with some etymologies, in verse
Lewis T204 Lewis T204 front mcat072041 ca. 1300 1400 Possibly DeRicci 350, identified as written in west Germany Parchment Latin Unknown Gothic Balbi, Giovanni, -1298 Author front 1 Lewis T204 front MSS 0018 Leaf from Catholicon
Lewis T204 Lewis T204 reverse mcat072042 Parchment Latin Unknown reverse 2 Lewis T204 reverse Leaf from Catholicon
Lewis T205 Lewis T205 front mcat072051 ca. 1200 1300 166 x 127 mm Possibly DeRicci 213 Parchment Unknown Gothic Front 1 Lewis T205 Front MSS 0018 Leaf from a glossarium (Li-ma)
Lewis T205 Lewis T205 reverse mcat072052 ca. 1200 1300 166 x 127 mm Possibly DeRicci 213 Parchment Unknown Gothic reverse 2 Lewis T205 reverse MSS 0018 Leaf from a glossarium (Li-ma)
Lewis T206 Lewis T206 mcat072061 ca. 1400 1500 152 x 210 mm Leaf advertising the range of&nbsp;hands available from the scribe Parchment Germany Gothic front 1 Lewis T206 front MSS 0018 Leaf from a scribe's advertising specimen
Lewis T207 Lewis T207 mcat072071 ca. 1100 1300 222 x 288 mm 21 lines of text Parchment Latin England Charter Hand front 1 Lewis T207 front MSS 0018 Charter
Lewis T208 Lewis T208 mcat072081 ca. 1100 1300 680 x 189 mm Charter concerns a quitclaim deed Parchment Latin England Gothic front 1 Lewis T208 front MSS 0018 Charter
Lewis T209 Lewis T209 mcat072091 ca. 1200 1300 109 x 166 mm Charter concerns a property grant Parchment Latin England Gothic front 1 Lewis T209 front MSS 0018 Charter
Lewis T210 Lewis T210 mcat072101 ca. 1200 Parchment England front 1 Lewis T210 front MSS 0018 Deed
Lewis T211 Lewis T211 front mcat072111 1339 Parchment England front 1 Lewis T211 front MSS 0018 Deed
Lewis T211 Lewis T211 reverse mcat072112 1339 Parchment England reverse 2 Lewis T211 reverse MSS 0018 Deed
Lewis T212 Lewis T212 mcat072121 ca. 1200 1300 Parchment Unknown front 1 Lewis T212 front MSS 0018 Deed
Lewis T213 Lewis T213 mcat072131 ca. 1300 1400 Parchment Unknown front 1 Lewis T213 front MSS 0018 Deed
Lewis T214 Lewis T214 mcat072141 ca. 1200 1300 Parchment England front 1 Lewis T214 front MSS 0018 Charter
Lewis T215 Lewis T215 mcat072151 ca. 1200 1300 Parchment England front 1 Lewis T215 front MSS 0018 Charter
Lewis T216 Lewis T216 mcat072161 ca. 1200 1300 Parchment England front 1 Lewis T216 front MSS 0018 Charter
Lewis T217 Lewis T217 mcat072171 Parchment Unknown front 1 Lewis T217 front MSS 0018 Charter
Lewis T218 Lewis T218 mcat072181 ca. 1200 1300 Parchment England front 1 Lewis T218 front MSS 0018 Charter
Lewis T219 Lewis T219 front mcat082191 ca. 1200 1400 Parchment England front 1 Lewis T219 front MSS 0018 Charter
Lewis T219 Lewis T219 reverse mcat082192 ca. 1200 1399 Parchment England reverse 2 Lewis T219 reverse MSS 0018 Charter
Lewis T220 Lewis T220 front mcat082201 1335 Parchment England front 1 Lewis T220 front MSS 0018 Charter
Lewis T220 Lewis T220 reverse mcat082202 1335 Parchment England reverse 2 Lewis T220 reverse MSS 0019 Charter
Lewis T221 Lewis T221 front mcat082211 ca. 1300 1400 Parchment England front 1 Lewis T221 front MSS 0019 Charter
Lewis T221 Lewis T221 reverse mcat082212 ca. 1300 1400 Parchment England reverse 2 Lewis T221 reverse MSS 0019 Charter
Lewis T222 Lewis T222 front mcat082221 1340 Parchment England front 1 Lewis T222 front MSS 0019 Deed
Lewis T222 Lewis T222 reverse mcat082222 1340 Parchment England reverse 2 Lewis T222 reverse MSS 0019 Deed
Lewis T223 Lewis T223 front mcat082231 1297 Parchment England front 1 Lewis T223 front MSS 0019 Charter
Lewis T223 Lewis T223 reverse mcat082232 1297 Parchment England reverse 2 Lewis T223 reverse MSS 0019 Charter
Lewis T224 Lewis T224 front mcat082241 1376 &nbsp;Indentured agreement between prior Galfridus and convent of Poughley on one side and John Atte Hyde on the other. &nbsp;De Ricci 229 Parchment Latin Berkshire, England Charter Hand front 1 Lewis T224 front MSS 0019 Charter, Poughley Priory
Lewis T224 Lewis T224 reverse mcat082242 1376 Parchment England reverse 2 Lewis T224 reverse MSS 0019 Charter, Poughley Priory
Lewis T225 Lewis T225 front mcat082251 March 25, 1376 1376 &nbsp;Indentured inventory of the property of Poughley priory. De Ricci 229. Parchment Berkshire, England front 1 Lewis T225 front MSS 0019 Charter, Poughley Priory
Lewis T225 Lewis T225 reverse mcat082252 Parchment England reverse 2 Lewis T225 reverse MSS 0019 Charter, Poughley Priory
Lewis T226 Lewis T226 front mcat082261 1378 Parchment England front 1 Lewis T226 front MSS 0019 Charter
Lewis T226 Lewis T226 reverse mcat082262 1378 Parchment England reverse 2 Lewis T226 reverse MSS 0019 Charter
Lewis T227 Lewis T227 front mcat082271 1382 Parchment England front 1 Lewis T227 front MSS 0019 Charter
Lewis T227 Lewis T227 reverse mcat082272 1200 1382 Parchment England reverse 2 Lewis T227 reverse MSS 0019 Charter
Lewis T228 Lewis T228 front mcat082281 ca. 1200 1299 Parchment Unknown front 1 Lewis T228 front MSS 0019 Charter
Lewis T228 Lewis T228 reverse mcat082282 ca. 1200 1299 Parchment England reverse 2 Lewis T228 reverse MSS 0019 Charter
Lewis T229 Lewis T229 front mcat082291 1397 Parchment England front 1 Lewis T229 front MSS 0019 Charter
Lewis T229 Lewis T229 reverse mcat082292 1397 Parchment England reverse 2 Lewis T229 reverse MSS 0019 Charter
Lewis T230 Lewis T230 front mcat082301 Parchment Somerset, England Court hand front 1 Lewis T230 front MSS 0019 Charter
Lewis T230 Lewis T230 reverse mcat082302 Parchment England reverse 2 Lewis T230 reverse MSS 0019 Charter
Lewis T231 Lewis T231 mcat082311 ca. 1300 1400 Parchment Unknown front 1 Lewis T231 front MSS 0019 Charter
Lewis T232 Lewis T232 front mcat082321 ca. 1300 1400 Parchment England front 1 Lewis T232 front MSS 0019 Charter
Lewis T232 Lewis T232 reverse mcat082322 ca. 1300 1400 Parchment England reverse 2 Lewis T232 reverse MSS 0019 Charter
Lewis T233 Lewis T233 front mcat082331 ca. 1300 1400 Parchment England front 1 Lewis T233 front MSS 0019 Charter
Lewis T233 Lewis T233 reverse mcat082332 ca. 1300 1400 Parchment England reverse 2 Lewis T233 reverse MSS 0019 Charter
Lewis T234 Lewis T234 mcat082341 1339 Parchment England front 1 Lewis T234 front MSS 0019 Charter
Lewis T235 Lewis T235 mcat082351 1431 Parchment England front 1 Lewis T235 front MSS 0019 Deed
Lewis T236 Lewis T236 front mcat082361 ca. 1480 1481 Parchment England front 1 Lewis T236 front MSS 0019 Charter
Lewis T236 Lewis T236 reverse mcat082362 ca. 1480 1481 Parchment England reverse 2 Lewis T236 reverse MSS 0019 Charter
Lewis T237 Lewis T237 front mcat082371 ca. 1400 1500 Parchment England front 1 Lewis T237 front MSS 0019 Charter
Lewis T237 Lewis T237 reverse mcat082372 ca. 1400 1500 Parchment England reverse 2 Lewis T237 reverse MSS 0019 Charter
Lewis T238 Lewis T238 front mcat082381 1357 Parchment England front 1 Lewis T238 front MSS 0019 Charter
Lewis T238 Lewis T238 reverse mcat082382 1357 Parchment England reverse 2 Lewis T238 reverse MSS 0019 Charter
Lewis T240 Lewis T240 mcat082401 ca. 1599 Parchment England front 1 Lewis T240 front MSS 0019 Recognizance
Lewis T241 Lewis T241 front a mcat082411 1614 Parchment England front 1 Lewis T241 front MSS 0019 Recognizance
Lewis T241 Lewis T241 reverse a mcat082412 1614 Parchment England reverse 2 Lewis T241 reverse MSS 0019 Recognizance
Lewis T241 Lewis T241 front b mcat082413 1614 Parchment England front 3 Lewis T241 front MSS 0019 Recognizance
Lewis T242 Lewis T242 front mcat082421 10/8/1600 1600 208 x 126 mm Memorandum quod die Octavio anno Regni d(omi)nen(ost)re Elizabeth dei gra(tia) Anglie...Quadragessimo secundo. Stephane Bengemine of Letrorne in the country of Kent, tanner, William Vincle of the same place, butler and John Lonis of the same place, tanner, appeared before Edward Filmer, justice and put up money as a band, which will be forfeited if Stephan does not keep the peace, according the condition in English on the reverse side. Parchment Kent, England front 1 Lewis T242 front MSS 0019 Recognizance
Lewis T242 Lewis T242 reverse mcat082422 10/8/1600 Parchment Kent, England reverse 2 Lewis T242 reverse MSS 0019 Recognizance
Lewis T243 Lewis T243 front mcat082431 4/6/1610 201 x 112 mm Memorand(um) quod sexton die Aprilis Anno d(omi)ni n(ost)ri Jacobi Regis Regni sui Angliae etc. Octavo. Christopher Wallett of Orpington in Kent ] and George. I...appearedbefore Justice Timothy Lowe and pledged surety for Grace Scott, with the condition to be met. Parchment Kent, England front 1 Lewis T243 front MSS 0019 Recognizance
Lewis T243 Lewis T243 reverse mcat082432 4/6/1610 1610 Parchment Kent, England reverse 2 Lewis T243 reverse MSS 0019 Recognizance
Lewis T244 Lewis T244 mcat082441 12/7/1600 200 x 84 mm Kent. M emoran]d um] q uo]d septimo die decembres anno regni...Elisabeth...Anglie...R(egi]ne XLiii... Marcus Waters of Wrotham, Kent, a taylor, pledge 20 lbs. and Richard Hunter of Ightham, Kent, a taylor, and Thomas Burton of Wrotham, a chandler, pledged 10 lbs each before justice of the Peace George Byng to guarantee that Waters will appear before the next general session of the justices of Maidstone and in the meantime will keep the peace especially with Reginald Underdowne of Ightham taylor. Signed by Geo. Byng Dated Dec 7, 160o Parchment Latin Kent, England front 1 Lewis T244 front MSS 0019 Recognizance
Lewis T245 Lewis T245 front mcat082451 March 19, 1594 248 x 91 mm Kant...M(emoran)d(u)m quod deci(m)o nouo die m(at)tii a(nn)o regne...Elizabethe...Ang(lie)...Reine...XXXV1 William Best of Willmington, Kent, Husbandman, Henry Browne, Nicholas Browne Browne, Abraham Whithead, and John Haselwood, of the sameplace, also husbandman, recognized a debt to the crown of 10 lbs each before justice of the Peace Justinian Champeneis, if Best shall not appear before the next general session of the justices at Maidstone and in the meantime be of good behavior this condition appended in English] Parchment Kent, England front 1 Lewis T245 front MSS 0019 Recognizance
Lewis T245 Lewis T245 reverse mcat082452 3/19/1594 Parchment Unknown reverse 2 Lewis T245 reverse MSS 0019 Recognizance
Lewis T246 Lewis T246 front mcat082461 April 12, 1601 1601 160 x 127 mm Kant. Memorand um] quod duodecimo die Aprillis A recognizance in which Thomas Coveney of East Sutton in Kent, yeoman, and Francis La...of the same place, yeoman, appeared before Justice of the Peace Edward Fillmer and pledge money as surety that Coveney would fulfill the conditions of keeping the peace. Written in English on the verso]. Parchment Kent, England front 1 Lewis T246 front MSS 0019 Recognizance
Lewis T246 Lewis T246 reverse mcat082462 160 x 127 mm Parchment Unknown reverse 2 Lewis T246 reverse MSS 0019 Recognizance
Lewis T247 Lewis T247 mcat082471 June 24, 1605 1605 199 x 101 mm Parchment Kent, England front 1 Lewis T247 front MSS 0020 Recognizance
Lewis T248 Lewis T248 mcat082481 5/10/1604 1604 177 x 95 mm Kant. SS. Jur. p9ro) d(omi) no rege? p(re)sent(e)? q(uo)d Thomas Grene...de Westwell Complaint of John banke]of Ashford, Kent that Thomas Greene of Westwell and Thomas Greene of Lenham stole a horse worth 8 lbs. Parchment Kent, England front 1 Lewis T248 front MSS 0020 Complaint
Lewis T249 Lewis T249 front mcat082491 11/16/1609 Kant...M9emoran)d(um) q(uo) decimo septo die Novembris an(n)o regni...Jacobi...Anglie...reg(is)septimo et Scotie XLiii William Pearles of Hever, Kent, s savoyer, and William Douglas of Hever, husbandman,and Abraham Clover of Hever,Warriner, appeared before Justices of the Peace Ralph BoswyLe and Thomas Potter and to the condition in English on the back, that Pearles andwill appear at the next general session of the king's justices at Maidstone, Kent and will behave in the meantime. Parchment Kent, England front 1 Lewis T249 front MSS 0020 Recognizance
Lewis T249 Lewis T249 reverse mcat082492 230 x 80 mm Parchment Kent, England reverse 2 Lewis T249 reverse MSS 0020 Recognizance
Lewis T250 Lewis T250 front mcat082501 Parchment England front 1 Lewis T250 front MSS 0020 Recognizance
Lewis T250 Lewis T250 reverse mcat082502 Parchment England reverse 2 Lewis T250 reverse MSS 0020 Recognizance
Lewis T251 Lewis T251 mcat082511 Parchment England front 1 Lewis T251 front MSS 0020 Recognizance
Lewis T252 Lewis T252 front mcat082521 September 11, 1604 1604 Parchment Kent, England front 1 Lewis T252 front MSS 0020 Recognizance
Lewis T252 Lewis T252 reverse mcat082522 1604 Parchment England reverse 2 Lewis T252 reverse MSS 0020 Recognizance
Lewis T253 Lewis T253 front mcat082531 Parchment England front 1 Lewis T253 front MSS 0020 Recognizance
Lewis T253 Lewis T253 reverse mcat082532 Parchment England reverse 2 Lewis T253 reverse MSS 0020 Recognizance
Lewis T254 Lewis T254 front mcat082541 Parchment England front 1 Lewis T254 front MSS 0020 Recognizance
Lewis T254 Lewis T254 reverse mcat082542 Parchment England reverse 2 Lewis T254 reverse MSS 0020 Recognizance
Lewis T255 Lewis T255 mcat082551 Parchment England front 1 Lewis T255 front MSS 0020 Recognizance
Lewis T256 Lewis T256 mcat082561 Parchment England front 1 Lewis T256 front MSS 0020 Recognizance
Lewis T257 Lewis T257 front mcat082571 1604 257 x 115 mm Kant...memorand(um) q(uo)d undecimo die Februarrii an(n)o regni...Jacobi Anglie...Regio...Secundo et Scotie tricesimo septimo... Thomas Norris of Yecvell, a yeoman, appeared before justice of the Peace Edward Boys and promised to pay LB5 to the King and LBS 10 to Henry Stokes, of Yecvell, yeoman, if, according to the condition attached below in English he did not peronsally appear before the next general quarter session of the King's justices of the peace at Canterbury and did not keep the peace, especially with John Hodgeskin. Parchment Kent, England front 1 Lewis T257 front MSS 0020 Recognizance
Lewis T257 Lewis T257 reverse mcat082572 1604 Kant...memorand(um) q(uo)d undecimo die Februarrii an(n)o regni...Jacobi Anglie...Regio...Secundo et Scotie tricesimo septimo... Thomas Norris of Yecvell, a yeoman, appeared before justice of the Peace Edward Boys and promised to pay LB5 to the King and LBS 10 to Henry Stokes, of Yecvell, yeoman, if, according to the condition attached below in English he did not peronsally appear before the next general quarter session of the King's justices of the peace at Canterbury and did not keep the peace, especially with John Hodgeskin. Parchment Kent, England reverse 2 Lewis T257 reverse MSS 0020 Recognizance
Lewis T258 Lewis T258 mcat082581 Parchment England front 1 Lewis T258 front MSS 0020 Recognizance
Lewis T259 Lewis T259 front mcat082591 Parchment England front 1 Lewis T259 front MSS 0020 Recognizance
Lewis T259 Lewis T259 reverse mcat082592 Parchment England reverse 2 Lewis T259 reverse MSS 0020 Recognizance
Lewis T260 Lewis T260 front mcat082601 Parchment England front 1 Lewis T260 front MSS 0020 Recognizance
Lewis T260 Lewis T260 reverse mcat082602 Parchment England reverse 2 Lewis T260 reverse MSS 0020 Recognizance
Lewis T261 Lewis T261 front mcat082611 Parchment England front 1 Lewis T261 front MSS 0020 Recognizance
Lewis T261 Lewis T261 reverse mcat082612 Parchment England reverse 2 Lewis T261 reverse MSS 0020 Recognizance
Lewis T262 Lewis T262 front mcat082621 Parchment England front 1 Lewis T262 front MSS 0020 Condition of Obligation
Lewis T262 Lewis T262 reverse mcat082622 Parchment England reverse 2 Lewis T262 reverse MSS 0020 Condition of Obligation
Lewis T263 Lewis T263 front mcat082631 Parchment England front 1 Lewis T263 front MSS 0020 Recognizance
Lewis T263 Lewis T263 reverse mcat082632 Parchment England reverse 2 Lewis T263 reverse MSS 0020 Recognizance
Lewis T264 Lewis T264 mcat082641 Parchment England front 1 Lewis T264 front MSS 0020 Recognizance
Lewis T265 Lewis T265 mcat082651 April 10, 1610 1610 Parchment Kent, England front 1 Lewis T265 front MSS 0020 Memorandum
Lewis T266 Lewis T266 mcat082661 June 5, 1605 1605 Parchment Latin Kent, England front 1 Lewis T266 front MSS 0020 Recognizance
Lewis T267 Lewis T267 mcat082671 Parchment England front 1 Lewis T267 front MSS 0020 Recognizance
Lewis T268 Lewis T268 front mcat082681 Parchment England front 1 Lewis T268 front MSS 0020 Recognizance
Lewis T268 Lewis T268 reverse mcat082682 Parchment England reverse 2 Lewis T268 reverse MSS 0020 Recognizance
Lewis T269 Lewis T269 front mcat082691 Parchment England front 1 Lewis T269 front MSS 0021 Power of Attorney
Lewis T269 Lewis T269 reverse mcat082692 Parchment England reverse 2 Lewis T269 reverse MSS 0021 Power of Attorney
Lewis T270 Lewis T270 front mcat082701 Parchment England front 1 Lewis T270 front MSS 0021 Probate of a Will
Lewis T270 Lewis T270 reverse mcat082702 Parchment England reverse 2 Lewis T270 reverse MSS 0021 Probate of a Will
Lewis T271 Lewis T271 front mcat082711 Parchment England front 1 Lewis T271 front MSS 0021 Note of Obligation and Condition
Lewis T271 Lewis T271 reverse mcat082712 Parchment England reverse 2 Lewis T271 reverse MSS 0021 Note of Obligation and Condition
Lewis T272 Lewis T272 front mcat082721 Parchment England front 1 Lewis T272 front MSS 0021 Promissory Note
Lewis T272 Lewis T272 reverse mcat082722 Parchment England reverse 2 Lewis T272 reverse MSS 0021 Promissory Note
Lewis T273 Lewis T273 front mcat082731 Parchment England front 1 Lewis T273 front MSS 0021 Note and Receipt
Lewis T273 Lewis T273 reverse mcat082732 Parchment England reverse 2 Lewis T273 reverse MSS 0021 Note and Receipt
Lewis T274 Lewis T274 front a mcat092741 Parchment England front 1 Lewis T274 front MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 reverse a mcat092742 Parchment England reverse 2 Lewis T274 reverse MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 front b mcat092743 Parchment England front 3 Lewis T274 front MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 reverse b mcat092744 Parchment England reverse 4 Lewis T274 reverse MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 front c mcat092745 Parchment England front 5 Lewis T274 front MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 reverse c mcat092746 Parchment England reverse 6 Lewis T274 reverse MSS 0021 Anna Peirce vs. John Stevens
Lewis T274 Lewis T274 front d mcat092747 Parchment England front 7 Lewis T274 front MSS 0021 Anna Peirce vs. John Stevens
Lewis T275 Lewis T275 front mcat092751 Parchment England front 1 Lewis T275 front MSS 0021 Document
Lewis T275 Lewis T275 reverse mcat092752 Parchment England reverse 2 Lewis T275 reverse MSS 0021 Document
Lewis T276 Lewis T276 front mcat092761 Parchment England front 1 Lewis T276 front MSS 0021 Document
Lewis T276 Lewis T276 reverse mcat092762 Parchment England reverse 2 Lewis T276 reverse MSS 0021 Document
Lewis T277 Lewis T277 front mcat092771 Parchment France front 1 Lewis T277 front MSS 0021 Grant
Lewis T277 Lewis T277 reverse mcat092772 Parchment France reverse 2 Lewis T277 reverse MSS 0021 Grant
Lewis T278 Lewis T278 mcat092781 Parchment Germany front 1 Lewis T278 front MSS 0022 Latin text leaf
Lewis T449 Lewis T449 front mcat094491 Parchment Kufic Unknown front 1 Lewis T449 front MSS 0022 Koran
Lewis T449 Lewis T449 reverse mcat094492 Parchment Kufic Unknown reverse 2 Lewis T449 reverse MSS 0022 Koran
Lewis T450 Lewis T450 mcat094501 Parchment Kufic Unknown front 1 Lewis T450 front MSS 0022 Koran
Lewis T451 Lewis T451 front mcat094511 Parchment Armenian Unknown front 1 Lewis T451 front MSS 0022 Armenian
Lewis T451 Lewis T451 reverse mcat094512 Parchment Unknown reverse 2 Lewis T451 reverse MSS 0022 Armenian
Lewis T452 Lewis T452 front mcat094521 Parchment Unknown front 1 Lewis T452 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T452 Lewis T452 reverse mcat094522 Parchment Unknown reverse 2 Lewis T452 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T453 Lewis T453 front mcat094531 Parchment Unknown front 1 Lewis T453 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T453 Lewis T453 reverse mcat094532 Parchment Unknown reverse 2 Lewis T453 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T454 Lewis T454 front mcat094541 Parchment Unknown front 1 Lewis T454 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T454 Lewis T454 reverse mcat094542 Parchment Unknown reverse 2 Lewis T454 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T455 Lewis T455 front mcat094551 Parchment Unknown front 1 Lewis T455 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T455 Lewis T455 reverse mcat094552 Parchment Unknown reverse 2 Lewis T455 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T456 Lewis T456 front mcat094561 Parchment Unknown front 1 Lewis T456 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T456 Lewis T456 reverse mcat094562 Parchment Unknown reverse 2 Lewis T456 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T457 Lewis T457 front mcat094571 Parchment Unknown front 1 Lewis T457 front MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T457 Lewis T457 reverse mcat094572 Parchment Unknown reverse 2 Lewis T457 reverse MSS 0022 Coptic (from an Egyptian mummy case)
Lewis T458 Lewis T458 mcat094581 February 12, 1646 1646 Parchment English Lancashire, England front 1 Lewis T458 front MSS 0022 Charter (in English)
Lewis T459 Lewis T459 front mcat094591 July 15, 1521 1521 Parchment English London, England front 1 Lewis T459 front MSS 0022 Charter (in English)
Lewis T459 Lewis T459 reverse mcat094592 1521 Parchment England reverse 2 Lewis T459 reverse MSS 0022 Charter (in English)
Lewis T460 Lewis T460 front mcat094601 April 10, 1383 1383 Parchment French Warwick, England front 1 Lewis T460 front MSS 0022 Charter (in French)
Lewis T460 Lewis T460 reverse mcat094602 1383 Parchment Warwick, England reverse 2 Lewis T460 reverse MSS 0022 Charter (in French)
Lewis T461 Lewis T461 front mcat094611 Parchment Unknown front 1 Lewis T461 front MSS 0022 Book of Hours (in French)
Lewis T461 Lewis T461 reverse mcat094612 Parchment Unknown reverse 2 Lewis T461 reverse MSS 0022 Book of Hours (in French)
Lewis T462 Lewis T462 front mcat094621 1234 DiRicci Number 225 Parchment French France front 1 Lewis T462 front MSS 0022 Deed Recording a Grant (in French)
Lewis T462 Lewis T462 reverse mcat094622 1234 Parchment French France reverse 2 Lewis T462 reverse MSS 0022 Deed Recording a Grant (in French)
Lewis T463 Lewis T463 front mcat094631 1265 DiRicci #227 Parchment France front 1 Lewis T463 front MSS 0022 Indenture
Lewis T463 Lewis T463 reverse mcat094632 1265 Parchment France reverse 2 Lewis T463 reverse MSS 0022 Indenture
Lewis T464 Lewis T464 front mcat094641 1271 &nbsp;De Ricci 226 Parchment French France front 1 Lewis T464 front MSS 0022 Deed Recording a Grant (in French)
Lewis T464 Lewis T464 reverse mcat094642 1271 Parchment France reverse 2 Lewis T464 reverse MSS 0022 Deed Recording a Grant (in French)
Lewis T465 Lewis T465 front mcat094651 1295 DeRicci #228D Parchment France front 1 Lewis T465 front MSS 0022 Charter
Lewis T465 Lewis T465 reverse mcat094652 1295 DeRicci #228D Parchment France reverse 2 Lewis T465 reverse MSS 0023 Charter
Lewis T469 Lewis T469 front a mcat094691 Parchment Greek Unknown front 1 Lewis T469 front MSS 0023 Greek text
Lewis T469 Lewis T469 reverse a mcat094692 Parchment Greek Unknown reverse 2 Lewis T469 reverse MSS 0023 Greek text
Lewis T469 Lewis T469 front b mcat094693 Parchment Greek Unknown front 3 Lewis T469 front MSS 0023 Greek text
Lewis T469 Lewis T469 reverse b mcat094694 Parchment Greek Unknown reverse 4 Lewis T469 reverse MSS 0023 Greek text
Lewis T470 Lewis T470 front mcat094701 Parchment Greek Unknown front 1 Lewis T470 front MSS 0023 Greek text
Lewis T470 Lewis T470 reverse mcat094702 Parchment Greek Unknown reverse 2 Lewis T470 reverse MSS 0023 Greek text
Lewis T471 Lewis T471 front mcat094711 Parchment Greek Unknown front 1 Lewis T471 front MSS 0023 Greek text
Lewis T471 Lewis T471 reverse mcat094712 Parchment Greek Unknown reverse 2 Lewis T471 reverse MSS 0023 Greek text
Lewis T472 Lewis T472 front mcat094721 Parchment Greek Unknown front 1 Lewis T472 front MSS 0023 Greek text
Lewis T472 Lewis T472 reverse mcat094722 Parchment Greek Unknown reverse 2 Lewis T472 reverse MSS 0023 Greek text
Lewis T473 Lewis T473 front mcat094731 Parchment Greek Unknown front 1 Lewis T473 front MSS 0023 Greek text
Lewis T473 Lewis T473 reverse mcat094732 Parchment Greek Unknown reverse 2 Lewis T473 reverse MSS 0023 Greek text
Lewis T474 Lewis T474 front mcat094741 Parchment Greek Unknown front 1 Lewis T474 front MSS 0023 Greek text
Lewis T474 Lewis T474 reverse mcat094742 Parchment Greek Unknown reverse 2 Lewis T474 reverse MSS 0023 Greek text
Lewis T475 Lewis T475 front mcat094751 Goes with Lewis T470 Parchment Greek Unknown front 1 Lewis T475 front MSS 0023 Greek text
Lewis T475 Lewis T475 reverse mcat094752 Parchment Unknown reverse 2 Lewis T475 reverse MSS 0023 Greek text
Lewis T476 Lewis T476 front mcat094761 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown front 1 Lewis T476 front MSS 0023 Greek text
Lewis T476 Lewis T476 reverse mcat094762 Parchment Unknown reverse 2 Lewis T476 reverse MSS 0023 Greek text
Lewis T477 Lewis T477 front mcat094771 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown front 1 Lewis T477 front MSS 0023 Greek text
Lewis T477 Lewis T477 reverse mcat094772 Parchment Greek Unknown reverse 2 Lewis T477 reverse MSS 0023 Greek text
Lewis T478 Lewis T478 front mcat094781 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown front 1 Lewis T478 front MSS 0023 Greek text
Lewis T478 Lewis T478 reverse mcat094782 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown reverse 2 Lewis T478 reverse MSS 0023 Greek text
Lewis T479 Lewis T479 front mcat094791 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown front 1 Lewis T479 front MSS 0023 Greek text
Lewis T479 Lewis T479 reverse mcat094792 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown reverse 2 Lewis T479 reverse MSS 0023 Greek text
Lewis T480 Lewis T480 front mcat094801 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown front 1 Lewis T480 front MSS 0023 Greek text
Lewis T480 Lewis T480 reverse mcat094802 Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves). Parchment Greek Unknown reverse 2 Lewis T480 reverse MSS 0023 Greek text
Lewis T481 Lewis T481 front mcat094811 293 x 210 mm Parchment Hebrew Unknown front 1 Lewis T481 front MSS 0024 Machsor (in Hebrew)
Lewis T481 Lewis T481 reverse mcat094812 Parchment Hebrew Unknown reverse 2 Lewis T481 reverse MSS 0024 Machsor (in Hebrew)
Lewis T482 Lewis T482 front a mcat094821 Undated. Lewis T482-484 consist of 3 separate leaves. Parchment Unknown front 1 Lewis T482 front MSS 0024 Persian manuscript
Lewis T482 Lewis T482 reverse a mcat094822 3 separate leaves (Lewis T482-484). Parchment Unknown reverse 2 Lewis T482 reverse MSS 0024 Persian manuscript
Lewis T482 Lewis T482 front b mcat094823 3 separate leaves (Lewis T482-484). Parchment Unknown front 3 Lewis T482 front MSS 0024 Persian manuscript
Lewis T482 Lewis T482 reverse b mcat094824 3 separate leaves (Lewis T482-484). Parchment Unknown reverse 4 Lewis T482 reverse MSS 0024 Persian manuscript
Lewis T483 Lewis T483 front mcat094831 Undated. Lewis T482-484 consist of 3 separate leaves. Parchment Persian front 1 Lewis T483 front MSS 0024 Persian manuscript
Lewis T483 Lewis T483 reverse mcat094832 Undated. Lewis T482-484 consist of 3 separate leaves. Parchment Persian reverse 2 Lewis T483 reverse MSS 0024 Persian manuscript
Lewis T484 Lewis T484 front mcat094841 Undated. Lewis T482-484 consist of 3 separate leaves. Parchment Persian front 1 Lewis T484 front MSS 0024 Persian manuscript
Lewis T484 Lewis T484 reverse mcat094842 Undated. Lewis T482-484 consist of 3 separate leaves. Parchment Persian reverse 2 Lewis T484 reverse MSS 0024 Persian manuscript
Lewis T485 Lewis T485 front mcat094851 ca. 1400 1550 158 x 216 mm Parchment Slavonic Bohemia? Gothic front 1 Lewis T485 front MSS 0024 Bible: Colossians 4 - Thessalonians 1
Lewis T485 Lewis T485 reverse mcat094852 ca. 1400 1550 Parchment Bohemia? Gothic reverse 2 Lewis T485 reverse MSS 0024 Bible: Colossians 4 - Thessalonians 1
Lewis T496 Lewis T496 front a mcat094961 Parchment Unknown front 1 Lewis T496 front MSS 0024 Missal
Lewis T496 Lewis T496 reverse a mcat094962 Parchment Unknown reverse 2 Lewis T496 reverse MSS 0024 Missal
Lewis T496 Lewis T496 front b mcat094963 Parchment Unknown front 3 Lewis T496 front MSS 0024 Missal
Lewis T496 Lewis T496 reverse b mcat094964 Parchment Unknown reverse 4 Lewis T496 reverse MSS 0024 Missal
Lewis T497 Lewis T497 front a mcat094971 186 x 249 mm Parchment Unknown front 1 Lewis T497 front MSS 0024 Missal
Lewis T497 Lewis T497 reverse a mcat094972 Parchment Unknown reverse 2 Lewis T497 reverse MSS 0024 Missal
Lewis T497 Lewis T497 front b mcat094973 Parchment Unknown front 3 Lewis T497 front MSS 0024 Missal
Lewis T497 Lewis T497 reverse b mcat094974 Parchment Unknown reverse 4 Lewis T497 reverse MSS 0025 Missal
Lewis T498 Lewis T498 front mcat094981 ca. 1400 1600 Parchment England Gothic front 1 Lewis T498 front MSS 0025 Betrothal and Marriage Ritual (perhaps from a Missal)
Lewis T498 Lewis T498 reverse mcat094982 Parchment Unknown reverse 2 Lewis T498 reverse MSS 0025 Betrothal and Marriage Ritual (perhaps from a Missal)
Lewis T499 Lewis T499 front mcat094991 Parchment Unknown front 1 Lewis T499 front MSS 0025 Book of Hours, in Latin and French (printed)
Lewis T499 Lewis T499 reverse mcat094992 Parchment Unknown reverse 2 Lewis T499 reverse MSS 0025 Book of Hours, in Latin and French (printed)
Lewis T500 Lewis T500 front mcat095001 Parchment Unknown front 1 Lewis T500 front MSS 0025 Prayers, with rubrics in French
Lewis T500 Lewis T500 reverse mcat095002 Parchment Unknown reverse 2 Lewis T500 reverse MSS 0025 Prayers, with rubrics in French
Lewis T501 Lewis T501 front mcat095011 Parchment Unknown front 1 Lewis T501 front MSS 0025 Peter Comestor, "Historia Scholastica," Incunabulum printed at Basel by Amerbach, 1486
Lewis T501 Lewis T501 reverse mcat095012 Parchment Unknown reverse 2 Lewis T501 reverse MSS 0025 Peter Comestor, "Historia Scholastica," Incunabulum printed at Basel by Amerbach, 1486
Lewis T502 Lewis T502 front a mcat095021 Parchment Unknown front 1 Lewis T502 front MSS 0025 John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502 Lewis T502 reverse a mcat095022 Parchment Unknown reverse 2 Lewis T502 reverse MSS 0025 John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502 Lewis T502 front b mcat095023 Parchment Unknown front 3 Lewis T502 front MSS 0025 John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502 Lewis T502 reverse b mcat095024 Parchment Unknown reverse 4 Lewis T502 reverse MSS 0025 John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T503 Lewis T503 front mcat095031 Parchment Unknown front 1 Lewis T503 front MSS 0025 John Gerson, Sermon of Saint Bernard, Incunabulum printed at Strasbourg by Flack, 1494
Lewis T503 Lewis T503 reverse mcat095032 Parchment Unknown reverse 2 Lewis T503 reverse MSS 0025 John Gerson, Sermon of Saint Bernard, Incunabulum printed at Strasbourg by Flack, 1494
Lewis T504 Lewis T504 front mcat095041 Parchment Unknown front 1 Lewis T504 front MSS 0025 Saint Vincent Ferrer, Sermons, Incunabulum printed at Cologne by Quentell (), 1485
Lewis T504 Lewis T504 reverse mcat095042 Parchment Unknown reverse 2 Lewis T504 reverse MSS 0025 Saint Vincent Ferrer, Sermons, Incunabulum printed at Cologne by Quentell (), 1485
Lewis T505 Lewis T505 front a mcat095051 Parchment Unknown front 1 Lewis T505 front MSS 0025 The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505 Lewis T505 reverse a mcat095052 Parchment Unknown reverse 2 Lewis T505 reverse MSS 0025 The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505 Lewis T505 front b mcat095053 Parchment Unknown front 3 Lewis T505 front MSS 0025 The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505 Lewis T505 reverse b mcat095054 Parchment Unknown reverse 4 Lewis T505 reverse MSS 0026 The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T41 Lewis T41 front a mcat100411 1100 1199 The initial M on the top fragment begins the antiphon benediction for Lauds on the 22nd Sunday after Pentecost, &ldquo;Magister, scimus quia verax es et viam dei in veritate doces&rdquo; (Master, we know that You speak the truth and teach the way of God in all sincerity). There are two staff lines used in this chant: the obvious one is red, the yellow one is barely visible. The red line is the F line and the yellow line is the A line. These two leaves are not sequential: the top leaf has several selections from the Book of Matthew that are usually used during the 21st to 24th Sunday after Pentecost; the bottom leaf quotes Jeremiah 31:12 and Psalm 4. The notation is very similar to Beneventan chant; however, Beneventan chant is accompanied by an entirely different script from the one seen in these leaves. Extant examples of Beneventan chant are also extremely rare, hence it is unlikely that these leaves are from a Beneventan monastery. De Ricci #223 Free Library of Philadelphia Lewis Text Leaves 2:41 Parchment Latin Southern, Italy Rotunda front 1 Lewis T041 front MSS 0026 Antiphonary
Lewis T41 Lewis T41 reverse a mcat100412 1100 1199 Parchment Southern, Italy reverse 2 Lewis T041 reverse MSS 0026 Antiphonary
Lewis T41 Lewis T41 front b mcat100413 Parchment Unknown front 3 Lewis T041 front MSS 0026 Antiphonary
Lewis T41 Lewis T41 reverse b mcat100414 Parchment Unknown reverse 4 Lewis T041 reverse MSS 0026 Antiphonary
Lewis T85 Lewis T85 front mcat100851 950 1050 The ancient Greeks had developed a system of musical notation that differentiated between instrumental and sung music, and even indicated rhythmic value. The practice of writing music, as well as the practice of many arts, vanished after the fall of Rome. Charlemagne, the first Holy Roman emperor (742&ndash;814) restored learning and education to the Western world and the empire over which he reigned. He implemented a standardization of written text and music throughout his empire, which extended through much of modern-day Western and Central Europe. The emperor employed Alcuin, a scholar from England, to run a school and scriptorium in Aix-la-Chapelle, Charlemagne&rsquo;s favored residence. The resulting, highly legible script was Caroline minuscule. A musical notation was developed, too, in the form of the so-called St. Gall notation, named after the abbey in St. Gall, modern-day Switzerland. This leaf is written in Caroline minuscule, with unheightened or nondiastematic neumes. Neumes are the earliest notes used in plainchant, which is the monophonic unison chant of the Christian liturgies. Early on, they were squiggles and dots, like the ones displayed here. These neumes do not show the relative pitch between notes, and there is no indicated base pitch. None of these were necessary to the singer, however; the notation served as a reminder of the relative pitches to singers who would already have been familiar with the melody. The text is 2 Corinthians 6:1-10, &ldquo;Exhortamur (vos) ne in vacuum gratiam Dei recipiatis. . .&rdquo; (We exhort you that you receive not the grace of God in vain), which is the Epistle of the Mass for the First Sunday in Lent. It is followed by Psalm 90, which is sung as the Gradual of the Mass: &ldquo;Angelis suis mandavit de te ut custodiant te in omnibus viis tuis. . .&rdquo; (God has given His Angels charge over thee, to keep thee in all thy ways). Free Library of Philadelphia Lewis Text Leaf 3:85&nbsp; Parchment Latin Germany Caroline Minuscule front 1 Lewis T085 front MSS 0026 Missal: Saturday after Ash Wednesday, First Sunday in Lent
Lewis T85 Lewis T85 reverse mcat100852 900 999 The ancient Greeks had developed a system of musical notation that differentiated between instrumental and sung music, and even indicated rhythmic value. The practice of writing music, as well as the practice of many arts, vanished after the fall of Rome. Charlemagne, the first Holy Roman emperor (742&ndash;814) restored learning and education to the Western world and the empire over which he reigned. He implemented a standardization of written text and music throughout his empire, which extended through much of modern-day Western and Central Europe. The emperor employed Alcuin, a scholar from England, to run a school and scriptorium in Aix-la-Chapelle, Charlemagne&rsquo;s favored residence. The resulting, highly legible script was Caroline minuscule. A musical notation was developed, too, in the form of the so-called St. Gall notation, named after the abbey in St. Gall, modern-day Switzerland. This leaf is written in Caroline minuscule, with unheightened or nondiastematic neumes. Neumes are the earliest notes used in plainchant, which is the monophonic unison chant of the Christian liturgies. Early on, they were squiggles and dots, like the ones displayed here. These neumes do not show the relative pitch between notes, and there is no indicated base pitch. None of these were necessary to the singer, however; the notation served as a reminder of the relative pitches to singers who would already have been familiar with the melody. The text is 2 Corinthians 6:1-10, &ldquo;Exhortamur (vos) ne in vacuum gratiam Dei recipiatis. . .&rdquo; (We exhort you that you receive not the grace of God in vain), which is the Epistle of the Mass for the First Sunday in Lent. It is followed by Psalm 90, which is sung as the Gradual of the Mass: &ldquo;Angelis suis mandavit de te ut custodiant te in omnibus viis tuis. . .&rdquo; (God has given His Angels charge over thee, to keep thee in all thy ways). Parchment Latin Unknown Caroline Minuscule reverse 2 Lewis T085 reverse MSS 0026 Missal: Saturday after Ash Wednesday, First Sunday in Lent
Lewis T239 Lewis T239 front mcat102391 1572 Box 10 Parchment England front 1 Lewis T239 front MSS 0026 Record of an Agreement made in the Queen's Court, Westminster, 1572
Lewis T239 Lewis T239 reverse mcat102392 1572 Parchment England reverse 2 Lewis T239 reverse MSS 0026 Record of an Agreement made in the Queen's Court, Westminster, 1572
Lewis T279 Lewis T279 front mcat102791 ca. 1200 1300 235 x 325 mm Parchment Unknown Early gothic minuscule front 1 Lewis T279 front MSS 0026 Bible: Exodus 22:28 - 23:3,11-15
Lewis T279 Lewis T279 reverse mcat102792 ca. 1200 1300 235 x 325 mm Parchment Unknown Early gothic minuscule reverse 2 Lewis T279 reverse MSS 0026 Bible: Exodus 22:28 - 23:3,11-15
Lewis T280 Lewis T280 front mcat102801 ca. 1100 1200 Bought from Thomas F. Richardson of Boston. Parchment Unknown Early Gothic front 1 Lewis T280 front MSS 0026 Bible: Kings III 22:54 - Kings IV 1:3
Lewis T280 Lewis T280 reverse mcat102802 Bought from Thomas F. Richardson of Boston. Parchment Unknown reverse 2 Lewis T280 reverse MSS 0026 Bible: Kings III 22:54 - Kings IV 1:3
Lewis T281 Lewis T281 front a mcat102811 ca. 1200 1400 Associated with LT282. The Esdras part seems to be in a non-vulgate translation Parchment France? Gothic Script front 1 Lewis T281 front MSS 0026 Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281 Lewis T281 reverse a mcat102812 ca. 1200 1400 Associated with LT282. The Esdras part seems to be in a non-vulgate translation Parchment France? Gothic Script reverse 2 Lewis T281 reverse MSS 0026 Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281 Lewis T281 front b mcat102813 Associated with LT282. The Esdras part seems to be in a non-vulgate translation Parchment France? Gothic front 3 Lewis T281 front MSS 0026 Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281 Lewis T281 reverse b mcat102814 ca. 1200 1400 Associated with LT282. The Esdras part seems to be in a non-vulgate translation Parchment Unknown Gothic reverse 4 Lewis T281 reverse MSS 0026 Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T282 Lewis T282 front a mcat102821 ca. 1200 1400 223 x 230 mm L281, 282, 283 go together. Parchment France? Gothic front 1 Lewis T282 front MSS 0026 Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282 Lewis T282 reverse a mcat102822 ca. 1200 1400 Parchment France? reverse 2 Lewis T282 reverse MSS 0026 Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282 Lewis T282 front b mcat102823 ca. 1200 1400 Parchment Unknown front 3 Lewis T282 front MSS 0026 Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282 Lewis T282 reverse b mcat102824 ca. 1200 1400 L281, 282, 283 go together. Parchment Unknown Gothic reverse 4 Lewis T282 reverse MSS 0026 Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T283 Lewis T283 front mcat102831 ca. 1200 1400 L281, 282, 283 go together. Parchment France? Gothic front 1 Lewis T283 front MSS 0027 Bible: Judith 8:1 - 11:10
Lewis T283 Lewis T283 reverse mcat102832 ca. 1200 1400 L281, 282, 283 go together. Parchment Gothic France? reverse 2 Lewis T283 reverse MSS 0027 Bible: Judith 8:1 - 11:10
Lewis T284 Lewis T284 front a mcat102841 ca. 1200 1400 Parchment France? Gothic front 1 Lewis T284 front MSS 0027 Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284 Lewis T284 reverse a mcat102842 ca. 1200 1400 2 folios forming a bifolium Parchment Unknown Gothic reverse 2 Lewis T284 reverse MSS 0027 Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284 Lewis T284 front b mcat102843 ca. 1200 1400 2 folios forming a bifolium Parchment France? Gothic front 3 Lewis T284 front MSS 0027 Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284 Lewis T284 reverse b mcat102844 ca. 1200 1400 Parchment France? Gothic reverse 4 Lewis T284 reverse MSS 0027 Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T285 Lewis T285 front mcat102851 ca. 1200 1300 Lewis T285 and 286, 2 contiguous folios mounted separately. Parchment France Gothic front 1 Lewis T285 front MSS 0027 Bible: Ecclesiastes 16:18 - 25:2
Lewis T285 Lewis T285 reverse mcat102852 ca. 1200 1300 Lewis T285 and 286, 2 contiguous folios mounted separately. Parchment Unknown Gothic reverse 2 Lewis T285 reverse MSS 0027 Bible: Ecclesiastes 16:18 - 25:2
Lewis T286 Lewis T286 front mcat102861 ca. 1200 1300 Lewis T285 and 286, 2 contiguous folios mounted separately. Parchment Unknown front 1 Lewis T286 front MSS 0027 Bible: Ecclesiastes 16:18 - 25:2
Lewis T286 Lewis T286 reverse mcat102862 ca. 1200 1300 Lewis T285 and 286, 2 contiguous folios mounted separately. Parchment Unknown reverse 2 Lewis T286 reverse MSS 0027 Bible: Ecclesiastes 16:18 - 25:2
Lewis T287 Lewis T287 front mcat102871 ca. 1000 1100 391 x 363 mm Used to bind Duns Scotus" Commentary on the second book of Peter Lombard's Sentences, printed in Venice by N. Jenson 1481. Parchment Italy Caroline Minuscule Duns Scotus | Peter Lombard Author front 1 Lewis T287 front MSS 0027 Bible: Jeremiah 5:27 - 6:27
Lewis T287 Lewis T287 reverse mcat102872 ca. 1000 1100 Parchment Unknown reverse 2 Lewis T287 reverse MSS 0027 Bible: Jeremiah 5:27 - 6:27
Lewis T288 Lewis T288 front a mcat102881 ca. 1200 1300 De Ricci # 306 2 folios forming a bifolium, the second from the center of a quire, vellum. Parchment Unknown Gothic Minuscule front 1 Lewis T288 front MSS 0027 Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288 Lewis T288 reverse a mcat102882 Parchment Unknown Gothic Minuscule reverse 2 Lewis T288 reverse MSS 0028 Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288 Lewis T288 front b mcat102883 Show the modern chapter division introduced by the Dominican Hugh of St. Cher in the 1230s. Parchment Unknown Gothic Minuscule front 3 Lewis T288 front MSS 0028 Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288 Lewis T288 reverse b mcat102884 Parchment Unknown Gothic Minuscule reverse 4 Lewis T288 reverse MSS 0028 Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T289 Lewis T289 front mcat102891 ca. 1100 1300 190 x 285 mm Acquired from Thomas F.Richardson, Boston Parchment Unknown Early Gothic front 1 Lewis T289 front MSS 0028 Bible: Romans
Lewis T289 Lewis T289 reverse mcat102892 ca. 1100 1300 190 x 285 mm Parchment Unknown Early Gothic reverse 2 Lewis T289 reverse MSS 0028 Bible: Romans
Lewis T290 Lewis T290 front mcat102901 ca. 1175 1200 197 x 288 mm DeRicci 293 or 355. Apparently sold by Hiersemann of Leipizig in 1907. Obtained from Thomas F. Richardson Collection of Boston. Parchment Italy (northern) Early Gothic front 1 Lewis T290 front MSS 0028 Bible: Hebrews 1:1-9
Lewis T290 Lewis T290 reverse mcat102902 ca. 1175 1200 Parchment Unknown reverse 2 Lewis T290 reverse MSS 0028 Bible: Hebrews 1:1-9
Lewis T291 Lewis T291 front mcat102911 ca. 1200 1300 213 x 345 mm Concordance to the Bible (Conrad of Halberstadt's?). The binding also has three small parchment strips with a Latin text, possibly of the 12th century, and two early printed leaves with a German text. Parchment Germany Gothic front 1 Lewis T291 front MSS 0028 Bible Concordance, Conrad of Halberstadt's
Lewis T291 Lewis T291 reverse mcat102912 ca. 1100 1200 Parchment German Unknown reverse 2 Lewis T291 reverse MSS 0028 Bible Concordance, Conrad of Halberstadt's
Lewis T292 Lewis T292 front mcat102921 ca. 1300 1400 Possibly Conrad Halberstadt's Parchment Germany Gothic Script front 1 Lewis T292 front MSS 0028 Bible Concordance: Luc - Lus
Lewis T292 Lewis T292 reverse mcat102922 Parchment Germany Gothic Script reverse 2 Lewis T292 reverse MSS 0028 Bible Concordance: Luc - Lus
Lewis T293 Lewis T293 front mcat102931 ca. 1100 1300 153 x 369 mm De Ricci no. 356 Formerly in the Thomas F. Richardson Collection in Boston Parchment Unknown Gothic Script front 1 Lewis T293 front MSS 0028 Bible Commentary: Rabanus Maurus on Deuteronomy
Lewis T293 Lewis T293 reverse mcat102932 Parchment Unknown Gothic Script reverse 2 Lewis T293 reverse MSS 0028 Bible Commentary: Rabanus Maurus on Deuteronomy
Lewis T294 Lewis T294 front mcat102941 ca. 1300 1400 202 x 327 mm Parchment Unknown Gothic front 1 Lewis T294 front MSS 0029 Bible Commentary on the Book of Job, Chapter 10
Lewis T294 Lewis T294 reverse mcat102942 Parchment Unknown reverse 2 Lewis T294 reverse MSS 0029 Bible Commentary on the Book of Job, Chapter 10
Lewis T295 Lewis T295 front mcat102951 ca. 1300 1400 Nos. 1431-1433 placed opposite Psalm verses 11-13 seem to represent a continuous numbering of the verses from the beginning of the first Psalm. Parchment Unknown Gothic front 1 Lewis T295 front MSS 0029 Commentary on Psalm 82:10-13
Lewis T295 Lewis T295 reverse mcat102952 ca. 1300 1500 Parchment Unknown reverse 2 Lewis T295 reverse MSS 0029 Commentary on Psalm 82:10-13
Lewis T296 Lewis T296 front mcat102961 800 AD 899 230 x 294 mm De Ricci no. 275 Inc. recto: GRAVATI SOMNO ET EVIDILANTES VIDERUNT... Espl. verso: ? The date given above is that of Bischoff, 1959. Parchment Unknown Caroline Minuscule Bede Author front 1 Lewis T296 front MSS 0029 Commentary on Luke 9:32-38
Lewis T296 Lewis T296 reverse mcat102962 800 AD 899 DeRicci no.275 Date assigned by Professor B. Bisshoff of Munich, 1959. Parchment Unknown Caroline Minuscule reverse 2 Lewis T296 reverse MSS 0029 Commentary on Luke 9:32-38
Lewis T297 Lewis T297 front mcat102971 ca. 1100 1300 Parchment Unknown Early Gothic front 1 Lewis T297 front MSS 0029 Commentary on John 3:12-13
Lewis T297 Lewis T297 reverse mcat102972 ca. 1100 1300 Parchment Unknown reverse 2 Lewis T297 reverse MSS 0029 Commentary on John 3:12-13
Lewis T298 Lewis T298 front mcat102981 ca. 1300 1500 293 x 413 mm Parchment Unknown Gothic front 1 Lewis T298 front MSS 0029 Commentary on Romans 3-4
Lewis T298 Lewis T298 reverse mcat102982 ca. 1300 1500 Parchment Unknown Gothic reverse 2 Lewis T298 reverse MSS 0029 Commentary on Romans 3-4
Lewis T299 Lewis T299 front mcat102991 ca. 1100 1300 226 x 344 mm Modern unoriginal entries in German. No DeRicci number Parchment Unknown Early gothic minuscule front 1 Lewis T299 front MSS 0029 Commentary on the Apocalypse 16:1-3
Lewis T299 Lewis T299 reverse mcat102992 ca. 1100 1300 Parchment Unknown Early gothic minuscule reverse 2 Lewis T299 reverse MSS 0029 Commentary on the Apocalypse 16:1-3
Lewis T300 Lewis T300, fol. 1r mcat113001 ca. 1400 1500 247 x 321 mm Used to bind accounts from Trinity Sunday 1687 to Trinity Sunday 1688 in the Kurfurst's Amt ertelburg. Parchment Germany Gothic f. 1r 1 Lewis T300 f. 1r MSS 0030 Leaf from an antiphonary
Lewis T300 Lewis T300, fol. 1v mcat113002 Parchment Unknown Gothic f. 1v 2 Lewis T300 f. 1v MSS 0030 Leaf from an antiphonary
Lewis T300 Lewis T300, fol. 2r mcat113003 Parchment Unknown f. 2r 3 Lewis T300 f. 2r MSS 0030 Leaf from an antiphonary
Lewis T300 Lewis T300, fol. 2v mcat113004 ca. 1400 1500 Parchment Unknown Gothic f. 2v 4 Lewis T300 f. 2v MSS 0030 Leaf from an antiphonary
Lewis T301 Lewis T301 front mcat113011 Parchment Unknown front 1 Lewis T301 front MSS 0030 Leaf from an antiphonary
Lewis T301 Lewis T301 reverse mcat113012 ca. 1300 1400 Parchment Unknown Gothic reverse 2 Lewis T301 reverse MSS 0030 Leaf from an antiphonary
Lewis T302 Lewis T302 front mcat113021 ca. 1400 1500 294 x 446 mm For Sunday at Prime. Parchment Unknown Gothic front 1 Lewis T302 front MSS 0030 Leaf from an antiphonary
Lewis T302 Lewis T302 reverse mcat113022 Parchment Unknown reverse 2 Lewis T302 reverse MSS 0030 Leaf from an antiphonary
Lewis T303 Lewis T303 front mcat113031 ca. 1100 1300 Parchment Unknown Early Gothic front 1 Lewis T303 front MSS 0030 Leaf from a breviary
Lewis T303 Lewis T303 reverse mcat113032 Parchment Unknown reverse 2 Lewis T303 reverse MSS 0030 Leaf from a breviary
Lewis T304 Lewis T304 front mcat113041 ca. 1200 1300 Used to bind monastic accounts for the year 1658. Parchment Germany front 1 Lewis T304 front MSS 0030 Leaf from an antiphonary
Lewis T304 Lewis T304 reverse mcat113042 Parchment Unknown reverse 2 Lewis T304 reverse MSS 0030 Leaf from an antiphonary
Lewis T305 Lewis T305 mcat113051 ca. 1000 1100 Feast of Assumption, August 15. Parchment Unknown Caroline Minuscule front 1 Lewis T305 front MSS 0030 Leaf from an antiphonary
Lewis T306 Lewis T306, fol. 1r mcat113061 ca. 1100 1300 223 x 311 mm From Rosenthal Catalogue 120, no.19 September 1-14. Parchment Unknown Early Gothic f. 1r 1 Lewis T306 f. 1r MSS 0031 Leaf from an antiphonary
Lewis T306 Lewis T306, fol. 1v mcat113062 Parchment Unknown f. 1v 2 Lewis T306 f. 1v MSS 0031 Leaf from an antiphonary
Lewis T306 Lewis T306, fol. 2r mcat113063 Parchment Unknown f. 2r 3 Lewis T306 f. 2r MSS 0031 Leaf from an antiphonary
Lewis T306 Lewis T306, fol. 2v mcat113064 Parchment Unknown f. 2v 4 Lewis T306 f. 2v MSS 0031 Leaf from an antiphonary
Lewis T307 Lewis T307 front mcat113071 ca. 1300 1500 250 x 356 mm Nativity of the B.V.M., September 8. Parchment Unknown Gothic front 1 Lewis T307 front MSS 0031 Leaf from an antiphonary
Lewis T307 Lewis T307 reverse mcat113072 Parchment Unknown reverse 2 Lewis T307 reverse MSS 0031 Leaf from an antiphonary
Lewis T308 Lewis T308, fol. 1r mcat113081 ca. 1400 1500 210 x 330 mm Second bifolium from the center of a quire. Used for binding accounts for Duerode. Parchment Netherlands Gothic f. 1r 1 Lewis T308 f. 1r MSS 0031 Leaf from an antiphonary
Lewis T308 Lewis T308, fol. 1v mcat113082 Parchment Unknown f. 1v 2 Lewis T308 f. 1v MSS 0031 Leaf from an antiphonary
Lewis T308 Lewis T308, fol. 2r mcat113083 Parchment Unknown f. 2r 3 Lewis T308 f. 2r MSS 0031 Leaf from an antiphonary
Lewis T308 Lewis T308, fol. 2v mcat113084 Parchment Unknown f. 2v 4 Lewis T308 f. 2v MSS 0031 Leaf from an antiphonary
Lewis T309 Lewis T309 front mcat113091 ca. 1400 1500 179 x 337 mm Parchment Germany Gothic front 1 Lewis T309 front MSS 0031 Leaf from a choir book
Lewis T309 Lewis T309 reverse mcat113092 Parchment Unknown reverse 2 Lewis T309 reverse MSS 0031 Leaf from a choir book
Lewis T310 Lewis T310 front mcat113101 ca. 1400 1500 267 x 367 mm Communion of a martyr? Parchment Unknown Gothic front 1 Lewis T310 front MSS 0031 Leaf from an antiphonary
Lewis T310 Lewis T310 reverse mcat113102 Parchment Unknown reverse 2 Lewis T310 reverse MSS 0031 Leaf from an antiphonary
Lewis T311 Lewis T311 front mcat113111 ca. 1400 1550 Parchment Unknown Gothic front 1 Lewis T311 front MSS 0032 Leaf from an antiphonary
Lewis T311 Lewis T311 reverse mcat113112 Parchment Unknown reverse 2 Lewis T311 reverse MSS 0032 Leaf from an antiphonary
Lewis T312 Lewis T312 front a mcat11312a ca. 1400 1600 These may be the initials which DeRicci (p.2082) says Lewis bought at Sotheby's 16.XI, 1925 from John Lord Northwick. Parchment Italy Round Gothic front 1 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse a mcat11312b Parchment Unknown reverse 2 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front b mcat11312c Parchment Unknown front 3 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse b mcat11312d Parchment Unknown reverse 4 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front c mcat11312e Parchment Unknown front 5 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse c mcat11312f Parchment Unknown reverse 6 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front d mcat11312g Parchment Unknown front 7 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse d mcat11312h Parchment Unknown reverse 8 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front e mcat11312i Parchment Unknown front 9 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse e mcat11312j Parchment Unknown reverse 10 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front f mcat11312k Parchment Unknown front 11 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse f mcat11312l Parchment Unknown reverse 12 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front g mcat11312m Parchment Unknown front 13 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse g mcat11312n Parchment Unknown reverse 14 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front h mcat11312o Parchment Unknown front 15 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse h mcat11312p Parchment Unknown reverse 16 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 front i mcat11312q Parchment Unknown front 17 Lewis T312 front MSS 0032 Cutting from an antiphonary
Lewis T312 Lewis T312 reverse i mcat11312r Parchment Unknown reverse 18 Lewis T312 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front a mcat11313a ca. 1400 1600 These may be the initials which DeRicci (p.2082) says Lewis bought at Sotheby's 16.XI, 1925 from John Lord Northwick. Parchment Italy Round Gothic front 1 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse a mcat11313b Parchment Unknown reverse 2 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front b mcat11313c Parchment Unknown front 3 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse b mcat11313d Parchment Unknown reverse 4 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front c mcat11313e Parchment Unknown front 5 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse c mcat11313f Parchment Unknown reverse 6 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front d mcat11313g Parchment Unknown front 7 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse d mcat11313h Parchment Unknown reverse 8 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front e mcat11313i Parchment Unknown front 9 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse e mcat11313j Parchment Unknown reverse 10 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front f mcat11313k Parchment Unknown reverse 11 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse f mcat11313l Parchment Unknown reverse 12 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front g mcat11313m Parchment Unknown front 13 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse g mcat11313n Parchment Unknown reverse 14 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front h mcat11313o Parchment Unknown front 15 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse h mcat11313p Parchment Unknown reverse 16 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 front i mcat11313q Parchment Unknown front 17 Lewis T313 front MSS 0032 Cutting from an antiphonary
Lewis T313 Lewis T313 reverse i mcat11313r Parchment Unknown reverse 18 Lewis T313 reverse MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 front a mcat113141 ca. 1400 1600 82 x 96 mm Parchment Italy front 1 Lewis T314 front MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 reverse a mcat113142 Parchment Unknown reverse 2 Lewis T314 reverse MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 front b mcat113143 Parchment Unknown front 3 Lewis T314 front MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 reverse b mcat113144 Parchment Unknown reverse 4 Lewis T314 reverse MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 front c mcat113145 Parchment Unknown front 5 Lewis T314 front MSS 0032 Cutting from an antiphonary
Lewis T314 Lewis T314 reverse c mcat113146 Parchment Unknown reverse 6 Lewis T314 reverse MSS 0032 Cutting from an antiphonary
Lewis T315 Lewis T315, fol. 1r mcat11315a ca. 1300 1500 Bought from Rosenthal (of fols. 5, 2). Goes with 316, 317 Parchment Unknown Round Gothic f. 1r 1 Lewis T315 f. 1r MSS 0032 Breviary
Lewis T315 Lewis T315, fol. 1v mcat11315b Parchment Unknown f. 1v 2 Lewis T315 f. 1v MSS 0032 Breviary
Lewis T315 Lewis T315, fol. 2r mcat11315c Parchment Unknown f. 2r 3 Lewis T315 f. 2r MSS 0032 Breviary
Lewis T315 Lewis T315, fol. 2v mcat11315d Parchment Unknown f. 2v 4 Lewis T315 f. 2v MSS 0032 Breviary
Lewis T315 Lewis T315, fol. 3r mcat11315e Parchment Unknown f. 3r 5 Lewis T315 f. 3r MSS 0032 Breviary
Lewis T315 Lewis T315, fol. 3v mcat11315f Parchment Unknown f. 3v 6 Lewis T315 f. 3v MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 4r mcat11315g Parchment Unknown f. 4r 7 Lewis T315 f. 4r MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 4v mcat11315h Parchment Unknown f. 4v 8 Lewis T315 f. 4v MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 5r mcat11315i Parchment Unknown f. 5r 9 Lewis T315 f. 5r MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 5v mcat11315j Parchment Unknown f. 5v 10 Lewis T315 f. 5v MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 6r mcat11315k Parchment Unknown f. 6r 11 Lewis T315 f. 6r MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 6v mcat11315l Parchment Unknown f. 6v 12 Lewis T315 f. 6v MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 7r mcat11315m Parchment Unknown f. 7r 13 Lewis T315 f. 7r MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 7v mcat11315n Parchment Unknown f. 7v 14 Lewis T315 f. 7v MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 8r mcat11315o Parchment Unknown f. 8r 15 Lewis T315 f. 8r MSS 0033 Breviary
Lewis T315 Lewis T315, fol. 8v mcat11315p Parchment Unknown f. 8v 16 Lewis T315 f. 8v MSS 0033 Breviary
Lewis T316 Lewis T316, fol. 1r mcat11316a ca. 1300 1400 8 folios forming one gathering. Belong with 315 and 317. Parchment Italy Round Gothic f. 1r 1 Lewis T316 f. 1r MSS 0033 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 1v mcat11316b Parchment Unknown f. 1v 2 Lewis T316 f. 1v MSS 0033 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 2r mcat11316c Parchment Unknown f. 2r 3 Lewis T316 f. 2r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 2v mcat11316d Parchment Unknown f. 2v 4 Lewis T316 f. 2v MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 3r mcat11316e Parchment Unknown f. 3r 5 Lewis T316 f. 3r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 3v mcat11316f Parchment Unknown f. 3v 6 Lewis T316 f. 3v MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 4r mcat11316g Parchment Unknown f. 4r 7 Lewis T316 f. 4r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 4v mcat11316h Parchment Unknown f. 4v 8 Lewis T316 f. 4v MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 5r mcat11316i Parchment Unknown f. 5r 9 Lewis T316 f. 5r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 5r mcat11316j Parchment Unknown f. 5r 10 Lewis T316 f. 5r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 6r mcat11316k Parchment Unknown f. 6r 11 Lewis T316 f. 6r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 6v mcat11316l Parchment Unknown f. 6v 12 Lewis T316 f. 6v MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 7r mcat11316m Parchment Unknown f. 7r 13 Lewis T316 f. 7r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 7v mcat11316n Parchment Unknown f. 7v 14 Lewis T316 f. 7v MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 8r mcat11316o Parchment Unknown f. 8r 15 Lewis T316 f. 8r MSS 0034 Psalter of the Breviary
Lewis T316 Lewis T316, fol. 8v mcat11316p Parchment Unknown f. 8v 16 Lewis T316 f. 8v MSS 0034 Psalter of the Breviary
Lewis T317 Lewis T317 front mcat113171 ca. 1300 1400 234 x 305 mm Goes with 315, 316 Parchment Italy Round Gothic front 1 Lewis T317 front MSS 0035 Psalter of the Breviary
Lewis T317 Lewis T317 reverse mcat113172 Parchment Unknown reverse 2 Lewis T317 reverse MSS 0035 Psalter of the Breviary
Lewis T318 Lewis T318 front mcat113181 ca. 1400 1500 128 x 362 mm Excerpts from Advent, Christmas, and the Common of a Virgin) Parchment Unknown Gothic front 1 Lewis T318 front MSS 0035 Breviary
Lewis T318 Lewis T318 reverse mcat113182 Parchment Unknown reverse 2 Lewis T318 reverse MSS 0035 Breviary
Lewis T319 Lewis T319 front a mcat113191 ca. 1400 1500 265 x 338 mm 3rd and 4th Sundays after Easter. Used to bind a "korn Register" of 1606-1607. Parchment Germany Gothic front 1 Lewis T319 front MSS 0035 Breviary
Lewis T319 Lewis T319 reverse a mcat113192 Parchment Unknown reverse 2 Lewis T319 reverse MSS 0035 Breviary
Lewis T319 Lewis T319, fol. 2r mcat113193 Parchment Unknown f. 2r 3 Lewis T319 f. 2r MSS 0035 Breviary
Lewis T319 Lewis T319, fol. 2v mcat113194 Parchment Unknown f. 2v 4 Lewis T319 f. 2v MSS 0035 Breviary
Lewis T320 Lewis T320 front a mcat113201 ca. 1300 1500 142 x 380 mm Pentecost and the day after. Fragments not from the same leaf. Parchment Germany Gothic front 1 Lewis T320 front MSS 0035 Breviary
Lewis T320 Lewis T320 reverse a mcat113202 Parchment Unknown reverse 2 Lewis T320 reverse MSS 0035 Breviary
Lewis T320 Lewis T320 front b mcat113203 Parchment Unknown front 3 Lewis T320 front MSS 0035 Breviary
Lewis T320 Lewis T320 reverse b mcat113204 Parchment Unknown reverse 4 Lewis T320 reverse MSS 0035 Breviary
Lewis T321 Lewis T321 front a mcat113211 ca. 1200 1300 50 x 350 mm Parchment Unknown Gothic Minuscule front 1 Lewis T321 front MSS 0035 Breviary
Lewis T321 Lewis T321 reverse a mcat113212 72 x 330 mm Goes with 322 Parchment Unknown reverse 2 Lewis T321 reverse MSS 0035 Breviary
Lewis T321 Lewis T321 front b mcat113213 Parchment Unknown front 3 Lewis T321 front MSS 0035 Breviary
Lewis T321 Lewis T321 reverse b mcat113214 Parchment Unknown reverse 4 Lewis T321 reverse MSS 0035 Breviary
Lewis T322 Lewis T322 front mcat113221 Goes with 321 Parchment Unknown Gothic front 1 Lewis T322 front MSS 0036 Breviary
Lewis T322 Lewis T322 reverse mcat113222 Parchment Unknown reverse 2 Lewis T322 reverse MSS 0036 Breviary
Lewis T323 Lewis T323 front mcat113231 ca. 1300 1500 142 x 198 mm 2-25 February Parchment Unknown Gothic front 1 Lewis T323 front MSS 0036 Breviary
Lewis T323 Lewis T323 reverse mcat113232 Parchment Unknown reverse 2 Lewis T323 reverse MSS 0036 Breviary
Lewis T324 Lewis T324 front mcat123241 333 x 412 mm Parchment Unknown Gothic front 1 Lewis T324 front MSS 0036 Nicene Creed
Lewis T324 Lewis T324 reverse mcat123242 ca. 1500 1600 Parchment Spain reverse 2 Lewis T324 reverse MSS 0036 Nicene Creed
Lewis T325 Lewis T325 front mcat123251 ca. 1420 &nbsp;<i>Te deum is the verso, &lsquo;contratenor&rsquo; the recto.</i> <i>The pencil annotation should be corrected to: English origin, 1420s.</i> Upper half leaf from an English choirbook probably of the 1420s. Overall height of the half-leaf is 23.4, width &nbsp;32.2 cm. Red staves ruled with a 15mm rastrum. Stave length on verso 210mm, on recto 211mm.&nbsp; Text in a good liturgical gothic. Recto: Complete contratenor part of an Agnus dei on 7 staves. Red text for Agnus 2 probably indicates that it was set as a duet, the Contratenor here serving for that section as the tenor part. This side lacks a capital letter and also lacks the yellow wash used on the verso. Mensurations O] C O, with void semiminims and red imperfection coloration. Stems of another part (either a tenor with significant minim movement or a different piece) are visible from the missing 8th stave. Verso: First seven staves of the top part of a setting of the Te deum, with red capital T (not indented). Plainsong intonation in red, and chant paraphrase continued in this part. Unsigned tempus perfectum with red imperfection coloration which, on this side of the leaf seems to be partly entered over black or back void notes. No concordances are so far identified. The script shows some variation, and in general appearance the fragment is not unlike the main hand of the lost royal choirbook partially reassembled by Margaret Bent (&quot;The Progeny of Old Hall:&nbsp; More Leaves from a Royal English Choirbook,&quot;&nbsp;<i>Gordon Athol Anderson (1929-1981) in Memoriam.</i>&nbsp; Musicological Studies 49, vol. 1, 1-54.&nbsp; 2 vols.&nbsp; Henryville, Ottawa, and Binningen:&nbsp; Institute of Mediaeval Music, 1984). However, there is not yet sufficiently strong reason to add this leaf to that collection. Our thanks to Dr. Margaret Bent of All Souls College, Oxford for the information on this leaf. Parchment Latin England Gothic bookhand front 1 Lewis T325 front MSS 0036 Gradual: Hymn, "Te deum laudamus, Agnus dei"
Lewis T325 Lewis T325 reverse mcat123252 Parchment Unknown Gothic reverse 2 Lewis T325 reverse MSS 0036 Gradual: Hymn, "Te deum laudamus, Agnus dei"
Lewis T326 Lewis T326 front a mcat123261 ca. 1300 1525 245 x 337 mm Parchment Unknown Gothic front 1 Lewis T326 front MSS 0036 Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326 Lewis T326 reverse a mcat123262 Parchment Unknown reverse 2 Lewis T326 reverse MSS 0036 Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326 Lewis T326 front b mcat123263 Parchment Unknown front 3 Lewis T326 front MSS 0036 Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326 Lewis T326 reverse b mcat123264 Parchment Unknown reverse 4 Lewis T326 reverse MSS 0037 Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T327 Lewis T327 front mcat123271 ca. 1400 1600 340 x 470 mm Parchment Unknown Gothic front 1 Lewis T327 front MSS 0037 Music and Text Leaf
Lewis T327 Lewis T327 reverse mcat123272 Parchment Unknown reverse 2 Lewis T327 reverse MSS 0037 Music and Text Leaf
Lewis T328 Lewis T328 front mcat123281 ca. 1300 1600 Edward Anthonius Blincem listed. Parchment Unknown front 1 Lewis T328 front MSS 0037 Gradual: Second to Fourth Sundays after Easter, with neumes
Lewis T328 Lewis T328 reverse mcat123282 Parchment Unknown reverse 2 Lewis T328 reverse MSS 0037 Gradual: Second to Fourth Sundays after Easter, with neumes
Lewis T330 Lewis T330 front a mcat123301 ca. 1000 1200 Parchment Unknown Caroline Minuscule front 1 Lewis T330 front MSS 0037 Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330 Lewis T330 reverse a mcat123302 Parchment Unknown reverse 2 Lewis T330 reverse MSS 0037 Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330 Lewis T330 front b mcat123303 Parchment Unknown front 3 Lewis T330 front MSS 0037 Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330 Lewis T330 reverse b mcat123304 Parchment Unknown reverse 4 Lewis T330 reverse Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T331 Lewis T331 front a mcat123311 ca. 1100 1200 Parchment Unknown Caroline Minuscule front 1 Lewis T331 front MSS 0037 Lectionary
Lewis T331 Lewis T331 reverse a mcat123312 Parchment Unknown reverse 2 Lewis T331 reverse MSS 0037 Lectionary
Lewis T331 Lewis T331 front b mcat123313 Parchment Unknown front 3 Lewis T331 front MSS 0037 Lectionary
Lewis T331 Lewis T331 reverse b mcat123314 Parchment Unknown reverse 4 Lewis T331 reverse MSS 0037 Lectionary
Lewis T332 Lewis T332 front a mcat123321 ca. 1100 1200 Bought from L. Rosenthal, Catal. 120 (1910) no. 54. De Ricci no. 359 Parchment Unknown Early gothic minuscule front 1 Lewis T332 front MSS 0037 Lectionary
Lewis T332 Lewis T332 front b mcat123321 ca. 1100 1200 Bought from L. Rosenthal, Catal. 120 (1910) no. 54. De Ricci no. 359 Parchment Unknown Early gothic minuscule front 3 Lewis T332 front MSS 0037 Lectionary
Lewis T332 Lewis T332 reverse a mcat123322 Parchment Unknown reverse 2 Lewis T332 reverse MSS 0038 Lectionary
Lewis T333 Lewis T333 front mcat123331 ca. 1100 1200 215 x 326 mm Goes with 333,334,335. Parchment Unknown Early Gothic front 1 Lewis T333 front MSS 0038 Lectionary
Lewis T333 Lewis T333 reverse mcat123332 Parchment Unknown reverse 2 Lewis T333 reverse MSS 0038 Lectionary
Lewis T334 Lewis T334 front mcat123341 ca. 1100 1200 Acquired in 1910. Goes with 333,334,335. Parchment Unknown Early Gothic front 1 Lewis T334 front MSS 0038 Lectionary
Lewis T334 Lewis T334 reverse mcat123342 Parchment Unknown reverse 2 Lewis T334 reverse MSS 0038 Lectionary
Lewis T335 Lewis T335 front mcat123351 ca. 1100 1200 Goes with T333,T334,T335. Acquired in 1910 Parchment Unknown Early Gothic front 1 Lewis T335 front MSS 0038 Lectionary
Lewis T335 Lewis T335 reverse mcat123352 Parchment Unknown reverse 2 Lewis T335 reverse MSS 0038 Lectionary
Lewis T336 Lewis T336 front mcat123361 ca. 1300 1500 Parchment Unknown Gothic front 1 Lewis T336 front MSS 0038 Lectionary: Palm Sunday
Lewis T336 Lewis T336 reverse mcat123362 Parchment Unknown reverse 2 Lewis T336 reverse MSS 0038 Lectionary: Palm Sunday
Lewis T337 Lewis T337 front mcat123371 ca. 1000 1100 Parchment Unknown front 1 Lewis T337 front MSS 0038 Missal: Holy Saturday, with neumes and interlinear glosses
Lewis T337 Lewis T337 reverse mcat123372 Parchment Unknown reverse 2 Lewis T337 reverse MSS 0038 Missal: Holy Saturday, with neumes and interlinear glosses
Lewis T338 Lewis T338 front a mcat123381 178 x 247 mm De Ricci #325 Parchment Unknown Caroline Minuscule front 1 Lewis T338 front MSS 0038 Missal: May 1-3 and June 23-24
Lewis T338 Lewis T338 reverse a mcat123382 Parchment Unknown reverse 2 Lewis T338 reverse MSS 0038 Missal: May 1-3 and June 23-24
Lewis T338 Lewis T338 front b mcat123383 Parchment Unknown front 3 Lewis T338 front MSS 0038 Missal: May 1-3 and June 23-24
Lewis T338 Lewis T338 reverse b mcat123384 Parchment Unknown reverse 4 Lewis T338 reverse MSS 0039 Missal: May 1-3 and June 23-24
Lewis T339 Lewis T339 front mcat123391 ca. 1100 1200 Parchment Unknown Early Gothic front 1 Lewis T339 front MSS 0039 Missal: July 3-4, July 29-August 1, with neumes
Lewis T339 Lewis T339 reverse mcat123392 Parchment Unknown reverse 2 Lewis T339 reverse MSS 0039 Missal: July 3-4, July 29-August 1, with neumes
Lewis T340 Lewis T340 front mcat123401 ca. 1150 1200 211 x 323 mm 340 and 341 go together Parchment Unknown front 1 Lewis T340 front MSS 0039 Missal: Sunday within the Octave and the Octave of Ephiphany
Lewis T340 Lewis T340 reverse mcat123402 ca. 1150 1200 Parchment Unknown Early Gothic reverse 2 Lewis T340 reverse MSS 0039 Missal: Sunday within the Octave and the Octave of Ephiphany
Lewis T341 Lewis T341 front mcat123411 ca. 1150 1200 340 and 341 go together Parchment Unknown Early Gothic front 1 Lewis T341 front MSS 0039 Missal: Sexagesima Sunday and part of an earlier Mass, not of Septuagesima
Lewis T341 Lewis T341 reverse mcat123412 Parchment Unknown reverse 2 Lewis T341 reverse MSS 0039 Missal: Sexagesima Sunday and part of an earlier Mass, not of Septuagesima
Lewis T342 Lewis T342 front mcat123421 ca. 1200 1300 229 x 329 mm Parchment Unknown Gothic front 1 Lewis T342 front MSS 0039 Missal: February 3-5, with neumes
Lewis T342 Lewis T342 reverse mcat123422 Parchment Unknown Gothic reverse 2 Lewis T342 reverse MSS 0039 Missal: February 3-5, with neumes
Lewis T343 Lewis T343 front mcat123431 ca. 1300 1400 222 x 310 mm Parchment Unknown Gothic front 1 Lewis T343 front MSS 0039 Missal: Second to Third Sundays after Epiphany
Lewis T343 Lewis T343 reverse mcat123432 ca. 1300 1500 240 x 372 mm Used for Bookbinding Parchment Unknown Gothic reverse 2 Lewis T343 reverse MSS 0039 Missal: Second to Third Sundays after Epiphany
Lewis T344 Lewis T344 front mcat123441 ca. 1300 1500 208 x 333 mm Used for binding a book. Parchment Germany Gothic front 1 Lewis T344 front MSS 0039 Missal: First Sunday in Lent and Following Monday
Lewis T344 Lewis T344 reverse mcat123442 Parchment Germany Gothic reverse 2 Lewis T344 reverse MSS 0039 Missal: First Sunday in Lent and Following Monday
Lewis T345 Lewis T345 front a mcat123451 ca. 1300 1500 Used for binding a "korn Register" from Ducrode. Parchment Unknown Gothic front 1 Lewis T345 front MSS 0039 Missal: May 1-25
Lewis T345 Lewis T345 reverse a mcat123452 Parchment Unknown reverse 2 Lewis T345 reverse MSS 0040 Missal: May 1-25
Lewis T345 Lewis T345 front b mcat123453 Parchment Unknown front 3 Lewis T345 front MSS 0040 Missal: May 1-25
Lewis T345 Lewis T345 reverse b mcat123454 Parchment Unknown reverse 4 Lewis T345 reverse MSS 0040 Missal: May 1-25
Lewis T346 Lewis T346 front mcat123461 ca. 1300 1500 242 x 351 mm Parchment Unknown Gothic front 1 Lewis T346 front MSS 0040 Missal: Feast of the Assumption of the Virgin Mary, August 15
Lewis T346 Lewis T346 reverse mcat123462 Parchment Unknown reverse 2 Lewis T346 reverse MSS 0040 Missal: Feast of the Assumption of the Virgin Mary, August 15
Lewis T347 Lewis T347 front a mcat123471 ca. 1300 1500 206 x 307 mm Parchment Unknown Gothic front 1 Lewis T347 front MSS 0040 Missal: October 4-9 and September 21
Lewis T347 Lewis T347 reverse a mcat123472 Parchment Unknown reverse 2 Lewis T347 reverse MSS 0040 Missal: October 4-9 and September 21
Lewis T347 Lewis T347 front b mcat123473 Parchment Unknown front 3 Lewis T347 front MSS 0040 Missal: October 4-9 and September 21
Lewis T347 Lewis T347 reverse b mcat123474 Parchment Unknown reverse 4 Lewis T347 reverse MSS 0040 Missal: October 4-9 and September 21
Lewis T348 Lewis T348 front mcat133481 ca. 1400 1500 Possibly Dominican Liturgy. Parchment Unknown Gothic front 1 Lewis T348 front MSS 0040 Missal: Ordinary for the Mass, Offertory, Dominican Liturgy
Lewis T348 Lewis T348 reverse mcat133482 Parchment Unknown reverse 2 Lewis T348 reverse MSS 0040 Missal: Ordinary for the Mass, Offertory, Dominican Liturgy
Lewis T349 Lewis T349 front mcat133491 ca. 1400 1500 161 x 322 mm Parchment Unknown Gothic front 1 Lewis T349 front MSS 0040 Missal: Special Prefaces, Communicantes, and Hanc Igitur
Lewis T349 Lewis T349 reverse mcat133492 ca. 1400 1500 Parchment Unknown Gothic reverse 2 Lewis T349 reverse MSS 0040 Missal: Special Prefaces, Communicantes, and Hanc Igitur
Lewis T350 Lewis T350 front mcat133501 293 x 413 mm Parchment Unknown Gothic front 1 Lewis T350 front MSS 0041 Missal: Good Friday and Holy Saturday
Lewis T350 Lewis T350 reverse mcat133502 Parchment Unknown reverse 2 Lewis T350 reverse MSS 0041 Missal: Good Friday and Holy Saturday
Lewis T351 Lewis T351 front a mcat133511 ca. 1400 1500 351, 352, 353 and 354 go together. Parchment Unknown Gothic front 1 Lewis T351 front MSS 0041 Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351 Lewis T351 reverse a mcat133512 Parchment Unknown Gothic reverse 2 Lewis T351 reverse MSS 0041 Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351 Lewis T351 front b mcat133513 Parchment Unknown front 3 Lewis T351 front MSS 0041 Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351 Lewis T351 reverse b mcat133514 ca. 1400 1500 Parchment Unknown Gothic reverse 4 Lewis T351 reverse MSS 0041 Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T352 Lewis T352 front mcat133521 351, 352, 353 and 354 go together. Parchment Unknown front 1 Lewis T352 front MSS 0041 Missal: Ninth Sunday after Pentecost, Gospel Lesson from Mark 9:37-47
Lewis T352 Lewis T352 reverse mcat133522 Parchment Unknown reverse 2 Lewis T352 reverse MSS 0041 Missal: Ninth Sunday after Pentecost, Gospel Lesson from Mark 9:37-47
Lewis T353 Lewis T353 front mcat133531 ca. 1400 1500 351, 352, 353 and 354 go together. Parchment Unknown Gothic front 1 Lewis T353 front MSS 0041 Missal: August 10-13
Lewis T353 Lewis T353 reverse mcat133532 351, 352, 353 and 354 go together. Parchment Unknown reverse 2 Lewis T353 reverse MSS 0041 Missal: August 10-13
Lewis T354 Lewis T354 front mcat133541 ca. 1400 1500 351, 352, 353 and 354 go together. Parchment Unknown Gothic front 1 Lewis T354 front MSS 0041 Mass of Ordination with neumes for the Gradual
Lewis T354 Lewis T354 reverse mcat133542 Parchment Unknown reverse 2 Lewis T354 reverse MSS 0041 Mass of Ordination with neumes for the Gradual
Lewis T355 Lewis T355 front mcat133551 Parchment Unknown front 1 Lewis T355 front MSS 0042 Missal: July 2-4
Lewis T355 Lewis T355 reverse mcat133552 Parchment Unknown reverse 2 Lewis T355 reverse MSS 0042 Missal: July 2-4
Lewis T356 Lewis T356 front mcat133561 ca. 1400 1500 Used for binding. Parchment Unknown Gothic front 1 Lewis T356 front MSS 0042 Missal: May 1-3
Lewis T356 Lewis T356 reverse mcat133562 Parchment Unknown reverse 2 Lewis T356 reverse MSS 0042 Missal: May 1-3
Lewis T357 Lewis T357 front mcat133571 ca. 1400 1500 Used to bind an Urbarium and taxbook in 1580, Herrschaft Windegg and Schiberperg. Accompanies Parchment Germany front 1 Lewis T357 front MSS 0042 Missal: August 15, November 10-11
Lewis T357 Lewis T357 reverse mcat133572 Parchment Unknown reverse 2 Lewis T357 reverse MSS 0042 Missal: August 15, November 10-11
Lewis T357 Lewis T357, fol. 2r mcat133573 Parchment Unknown f. 2r 3 Lewis T357 f. 2r MSS 0042 Missal: August 15, November 10-11
Lewis T357 Lewis T357, fol. 2v mcat133574 Parchment Unknown f. 2v 4 Lewis T357 f. 2v MSS 0042 Missal: August 15, November 10-11
Lewis T358 Lewis T358 front mcat133581 1400 1500 Accompanies 357-362 Parchment Germany Gothic front 1 Lewis T358 front MSS 0042 Missal: Third Mass of Christmas
Lewis T358 Lewis T358 reverse mcat133582 Accompanies 357-362 Parchment Unknown reverse 2 Lewis T358 reverse MSS 0042 Missal: Third Mass of Christmas
Lewis T359 Lewis T359 front mcat133591 1400 1500 Accompanies 358-362 Parchment Unknown Gothic front 1 Lewis T359 front MSS 0042 Missal: Sunday within the Octave of Christmas and the Epiphany
Lewis T359 Lewis T359 reverse mcat133592 Accompanies 358-362 Parchment Unknown reverse 2 Lewis T359 reverse MSS 0042 Missal: Sunday within the Octave of Christmas and the Epiphany
Lewis T360 Lewis T360 front mcat133601 1400 1500 Accompanies 358-362 Parchment Unknown Gothic front 1 Lewis T360 front MSS 0043 Missal: Octave and the Second Sunday after Epiphany
Lewis T360 Lewis T360 reverse mcat133602 Accompanies 358-362 Parchment Unknown reverse 2 Lewis T360 reverse MSS 0043 Missal: Octave and the Second Sunday after Epiphany
Lewis T361 Lewis T361 front mcat133611 1400 1500 Accompanies 357-362 Parchment Unknown Gothic front 1 Lewis T361 front MSS 0043 Missal: Third to Fourth Sundays after Epiphany
Lewis T361 Lewis T361 reverse mcat133612 1400 1500 Accompanies 357-362 Parchment Germany Gothic reverse 2 Lewis T361 reverse MSS 0043 Missal: Third to Fourth Sundays after Epiphany
Lewis T362 Lewis T362 front mcat133621 1400 1500 Accompanies 357-361 Parchment Germany front 1 Lewis T362 front MSS 0043 Missal: Twentieth Sunday after Pentecost, with Gospel from the Nineteenth
Lewis T362 Lewis T362 reverse mcat133622 Accompanies 357-361 Parchment Unknown reverse 2 Lewis T362 reverse MSS 0043 Missal: Twentieth Sunday after Pentecost, with Gospel from the Nineteenth
Lewis T363 Lewis T363 front mcat133631 Parchment Unknown front 1 Lewis T363 front MSS 0043 Missal: Tuesday and Wednesday after the Second Sunday in Lent, with neumes
Lewis T363 Lewis T363 reverse mcat133632 Parchment Unknown reverse 2 Lewis T363 reverse MSS 0043 Missal: Tuesday and Wednesday after the Second Sunday in Lent, with neumes
Lewis T364 Lewis T364 front mcat133641 Parchment Unknown front 1 Lewis T364 front MSS 0043 Missal: Third Sunday in Lent and Second Feria of the Third Week in Lent
Lewis T364 Lewis T364 reverse mcat133642 Parchment Unknown reverse 2 Lewis T364 reverse MSS 0043 Missal: Third Sunday in Lent and Second Feria of the Third Week in Lent
Lewis T365 Lewis T365 front mcat133651 Parchment Unknown front 1 Lewis T365 front MSS 0043 Missal: Third and Fourth Feriae after the Third Sunday in Lent
Lewis T365 Lewis T365 reverse mcat133652 Parchment Unknown reverse 2 Lewis T365 reverse MSS 0043 Missal: Third and Fourth Feriae after the Third Sunday in Lent
Lewis T366 Lewis T366 front mcat133661 Parchment Unknown front 1 Lewis T366 front MSS 0044 Music manuscript
Lewis T366 Lewis T366 reverse mcat133662 Parchment Unknown reverse 2 Lewis T366 reverse MSS 0044 Music manuscript
Lewis T367 Lewis T367 front mcat133671 Parchment Unknown front 1 Lewis T367 front MSS 0044 Missal: Sixth Feria after the Third Sunday in Lent
Lewis T367 Lewis T367 reverse mcat133672 Parchment Unknown reverse 2 Lewis T367 reverse MSS 0044 Missal: Sixth Feria after the Third Sunday in Lent
Lewis T368 Lewis T368 front mcat133681 1400 1500 Parchment Unknown Gothic front 1 Lewis T368 front MSS 0044 Missal: Monday and Tuesday after the Third Sunday in Lent
Lewis T368 Lewis T368 reverse mcat133682 Parchment Unknown reverse 2 Lewis T368 reverse MSS 0044 Missal: Monday and Tuesday after the Third Sunday in Lent
Lewis T369 Lewis T369 front mcat133691 1400 1500 Later used for binding the Rudimenta of Moshe Run...(?) with the shelfmark RIII40. An index of breviary prayers for the feasts of Sts. Peter, Mary Magdalen and Anne were added on fol. 2 verso. Various marginal scribbles in Greek and Hebrew. Parchment Germany Gothic front 1 Lewis T369 front MSS 0044 Masses, Summary Index of Prayers for the Proper of the Mass
Lewis T369 Lewis T369 reverse mcat133692 Parchment Unknown reverse 2 Lewis T369 reverse MSS 0044 Masses, Summary Index of Prayers for the Proper of the Mass
Lewis T370 Lewis T370 front mcat133701 900 1000 De Ricci no. 295. Parchment Unknown Caroline Minuscule front 1 Lewis T370 front MSS 0044 Pope Gregory the Great, Epistulae
Lewis T370 Lewis T370 reverse mcat133702 Parchment Unknown reverse 2 Lewis T370 reverse MSS 0044 Pope Gregory the Great, Epistulae
Lewis T371 Lewis T371 front mcat133711 1200 1400 De Ricci no.354 The incipit does not agree with that given by P.Glorieux in Repertoire des ma&#238;tres en theolgie de Paris au XIII si&#232;cle, vol. I, P.55. Parchment Unknown Gothic front 1 Lewis T371 front MSS 0044 Guerric of Saint-Quentin, On the Epistles of Paul
Lewis T371 Lewis T371 reverse mcat133712 Parchment Unknown reverse 2 Lewis T371 reverse MSS 0044 Guerric of Saint-Quentin, On the Epistles of Paul
Lewis T372 Lewis T372 front mcat133721 1100 1300 Parchment Unknown front 1 Lewis T372 front MSS 0044 Petrus Comestor, Historia Scholastica, IV Regum, Tobias
Lewis T372 Lewis T372 reverse mcat133722 Parchment Unknown reverse 2 Lewis T372 reverse MSS 0044 Petrus Comestor, Historia Scholastica, IV Regum, Tobias
Lewis T373 Lewis T373 front a mcat133731 1200 1400 Parchment France Gothic front 1 Lewis T373 front MSS 0045 Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373 Lewis T373 reverse a mcat133732 Parchment Unknown reverse 2 Lewis T373 reverse MSS 0045 Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373 Lewis T373 front b mcat133733 Parchment Unknown front 3 Lewis T373 front MSS 0045 Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373 Lewis T373 reverse b mcat133734 Parchment Unknown reverse 4 Lewis T373 reverse MSS 0045 Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T374 Lewis T374 front mcat133741 1200 1400 Parchment France Gothic front 1 Lewis T374 front MSS 0045 Peter Lombard, Sentences, Liber IV, with marginal glosses
Lewis T374 Lewis T374 reverse mcat133742 Parchment Unknown reverse 2 Lewis T374 reverse MSS 0045 Peter Lombard, Sentences, Liber IV, with marginal glosses
Lewis T375 Lewis T375 front mcat133751 ca. 1300 The headband (?) of the binding has fragments of another manuscript attached text. Thomas Aquinas quoted in col2 line 10 from bottom. the insertion at the foot of col. 2 appears to be from Italy. Parchment Unknown Gothic front 1 Lewis T375 front MSS 0045 Theological Notes and References
Lewis T375 Lewis T375 reverse mcat133752 Parchment Unknown reverse 2 Lewis T375 reverse MSS 0045 Theological Notes and References
Lewis T376 Lewis T376 front mcat143761 1100 1300 Parchment Unknown Early Gothic front 1 Lewis T376 front MSS 0045 Bernard of Clairvaux, Sermons, Canticum Canticorum 61-63
Lewis T376 Lewis T376 reverse mcat143762 Parchment Unknown reverse 2 Lewis T376 reverse MSS 0045 Bernard of Clairvaux, Sermons, Canticum Canticorum 61-63
Lewis T377 Lewis T377 front a mcat143771 1000 1100 Used to bind Ethica Aristotelia with I and 38. 604 and 30 acquired from Ludwing Rosenthal in 1908. De Ricci no.274 Parchment Italy (northern) Caroline Minuscule front 1 Lewis T377 front MSS 0045 Sermons
Lewis T377 Lewis T377 reverse a mcat143772 Parchment Unknown reverse 2 Lewis T377 reverse MSS 0045 Sermons
Lewis T377 Lewis T377 front b mcat143773 Parchment Unknown front 3 Lewis T377 front MSS 0045 Sermons
Lewis T377 Lewis T377 reverse b mcat143774 Parchment Unknown reverse 4 Lewis T377 reverse MSS 0045 Sermons
Lewis T378 Lewis T378 front mcat143781 1000 1200 Parchment France Caroline Minuscule front 1 Lewis T378 front MSS 0046 Homilary: Beati Augustini Episcopi
Lewis T378 Lewis T378 reverse mcat143782 Parchment Unknown reverse 2 Lewis T378 reverse MSS 0046 Homilary: Beati Augustini Episcopi
Lewis T378 Lewis T378, fol. 2r mcat143783 Parchment Unknown f. 2r 3 Lewis T378 f. 2r MSS 0046 Homilary: Beati Augustini Episcopi
Lewis T378 Lewis T378, fol. 2v mcat143784 Parchment Unknown f. 2v 4 Lewis T378 f. 2v MSS 0046 Homilary: Beati Augustini Episcopi
Lewis T379 Lewis T379 front a mcat143791 1000 1200 Parchment Unknown Caroline Minuscule front 1 Lewis T379 front MSS 0046 Homilary
Lewis T379 Lewis T379 reverse a mcat143792 Parchment Unknown reverse 2 Lewis T379 reverse MSS 0046 Homilary
Lewis T379 Lewis T379 front b mcat143793 Parchment Unknown front 3 Lewis T379 front MSS 0046 Homilary
Lewis T379 Lewis T379 reverse b mcat143794 Parchment Unknown reverse 4 Lewis T379 reverse MSS 0046 Homilary
Lewis T380 Lewis T380 front mcat143801 1200 1300 De Ricci no. 282 Parchment Unknown Gothic front 1 Lewis T380 front MSS 0046 Sermon on the Trinity
Lewis T380 Lewis T380 reverse mcat143802 Accompanies 381 Parchment Unknown reverse 2 Lewis T380 reverse MSS 0046 Sermon on the Trinity
Lewis T381 Lewis T381 front mcat143811 1200 1300 Accompanies 380 Parchment Unknown Gothic front 1 Lewis T381 front MSS 0046 Sermon on Patience
Lewis T381 Lewis T381 reverse mcat143812 Parchment Unknown reverse 2 Lewis T381 reverse MSS 0046 Sermon on Patience
Lewis T382 Lewis T382 front mcat143821 1000 1100 Parchment Unknown Caroline Minuscule front 1 Lewis T382 front MSS 0046 John the Baptist
Lewis T382 Lewis T382 reverse mcat143822 Parchment Unknown reverse 2 Lewis T382 reverse MSS 0046 John the Baptist
Lewis T383 Lewis T383 front a mcat143831 1200 1400 Parchment Unknown Gothic rotunda front 1 Lewis T383 front MSS 0046 Treatise on the Blessed Virgin Mary
Lewis T383 Lewis T383 reverse a mcat143832 Parchment Unknown reverse 2 Lewis T383 reverse MSS 0046 Treatise on the Blessed Virgin Mary
Lewis T383 Lewis T383 front b mcat143833 Parchment Unknown front 3 Lewis T383 front MSS 0046 Treatise on the Blessed Virgin Mary
Lewis T383 Lewis T383 reverse b mcat143834 Parchment Unknown reverse 4 Lewis T383 reverse MSS 0046 Treatise on the Blessed Virgin Mary
Lewis T384 Lewis T384 front mcat143841 1200 1400 Perhaps a pharmaceutical treatise. Parchment Unknown Gothic front 1 Lewis T384 front MSS 0047 Scientific Treatise, Pharmaceutical
Lewis T384 Lewis T384 reverse mcat143842 Parchment Unknown reverse 2 Lewis T384 reverse MSS 0047 Scientific Treatise, Pharmaceutical
Lewis T385 Lewis T385 front mcat143851 1300 1500 Goes with 386. Parchment France Gothic front 1 Lewis T385 front MSS 0047 Life of Saint Anthony
Lewis T385 Lewis T385 reverse mcat143852 Parchment Unknown reverse 2 Lewis T385 reverse MSS 0047 Life of Saint Anthony
Lewis T386 Lewis T386 front mcat143861 1300 1500 Goes with 385. Parchment Unknown Gothic front 1 Lewis T386 front MSS 0047 Life of Saint Anthony
Lewis T386 Lewis T386 reverse mcat143862 Parchment Unknown reverse 2 Lewis T386 reverse MSS 0047 Life of Saint Anthony
Lewis T387 Lewis T387 front mcat143871 1489 Parchment Germany Gothic front 1 Lewis T387 front MSS 0047 Life of Saint Wendelin
Lewis T387 Lewis T387 reverse mcat143872 Parchment Unknown reverse 2 Lewis T387 reverse MSS 0047 Life of Saint Wendelin
Lewis T388 Lewis T388 front mcat143881 1100 1300 Used as a wrapper for Phillipss MS 33395 Parchment France front 1 Lewis T388 front MSS 0047 Gratian, Decretum, Causa XXIV, with later marginal glosses
Lewis T388 Lewis T388 reverse mcat143882 Parchment Unknown reverse 2 Lewis T388 reverse MSS 0047 Gratian, Decretum, Causa XXIV, with later marginal glosses
Lewis T389 Lewis T389 front mcat143891 1300 1400 Parchment Unknown Gothic front 1 Lewis T389 front MSS 0047 Canon Law, Commentary
Lewis T389 Lewis T389 reverse mcat143892 Parchment Unknown reverse 2 Lewis T389 reverse MSS 0047 Canon Law, Commentary
Lewis T390 Lewis T390 front mcat143901 1300 1500 Used later for binding a volume of Cicero's Tusculan Disputations. Parchment Unknown Gothic front 1 Lewis T390 front MSS 0047 Monastic Rule of the Carthusians
Lewis T390 Lewis T390 reverse mcat143902 Parchment Unknown reverse 2 Lewis T390 reverse MSS 0048 Monastic Rule of the Carthusians
Lewis T391 Lewis T391 front mcat143911 1200 1400 Goes with 392. Parchment Unknown Gothic front 1 Lewis T391 front MSS 0059 Codex Justinianus, Book III, with marginal glosses
Lewis T391 Lewis T391 reverse mcat143912 Goes with 392. Parchment Unknown reverse 2 Lewis T391 reverse MSS 0059 Codex Justinianus, Book III, with marginal glosses
Lewis T392 Lewis T392 front mcat143921 1200 1400 Goes with 391. Parchment Unknown Gothic front 1 Lewis T392 front MSS 0059 Codex Justinianus, Book III, with marginal glosses
Lewis T392 Lewis T392 reverse mcat143922 Goes with 391. Parchment Unknown reverse 2 Lewis T392 reverse MSS 0059 Codex Justinianus, Book III, with marginal glosses
Lewis T393 Lewis T393 front mcat143931 1300 1400 Parchment Italy Round Gothic front 1 Lewis T393 front MSS 0059 Civil Law, with marginal commentary
Lewis T393 Lewis T393 reverse mcat143932 1200 1300 Parchment Unknown reverse 2 Lewis T393 reverse MSS 0059 Civil Law, with marginal commentary
Lewis T394 Lewis T394 front a mcat143941 1200 1300 DeRicci no.283 Parchment Unknown Gothic front 1 Lewis T394 front MSS 0048 Medical Treatise
Lewis T394 Lewis T394 reverse a mcat143942 Parchment Unknown reverse 2 Lewis T394 reverse MSS 0048 Medical Treatise
Lewis T394 Lewis T394 front b mcat143943 Parchment Unknown front 3 Lewis T394 front MSS 0048 Medical Treatise
Lewis T394 Lewis T394 reverse b mcat143944 Parchment Unknown reverse 4 Lewis T394 reverse MSS 0048 Medical Treatise
Lewis T395 Lewis T395 front mcat143951 1200 1400 Parchment France Gothic Minuscule front 1 Lewis T395 front MSS 0048 Thomas Aquinas, Commentary on Aristotle's Ethics, Book X, Chapter 2
Lewis T395 Lewis T395 reverse mcat143952 Parchment Unknown reverse 2 Lewis T395 reverse MSS 0048 Thomas Aquinas, Commentary on Aristotle's Ethics, Book X, Chapter 2
Lewis T396 Lewis T396 front a mcat143961 1100 1200 Parchment England Caroline Minuscule front 1 Lewis T396 front MSS 0048 Philosophical Text: De Definitione
Lewis T396 Lewis T396 reverse a mcat143962 Parchment Unknown reverse 2 Lewis T396 reverse MSS 0048 Philosophical Text: De Definitione
Lewis T396 Lewis T396 front b mcat143963 Parchment Unknown front 3 Lewis T396 front MSS 0048 Philosophical Text: De Definitione
Lewis T396 Lewis T396 reverse b mcat143964 1200 1400 Parchment Unknown reverse 4 Lewis T396 reverse MSS 0048 Philosophical Text: De Definitione
Lewis T397 Lewis T397 front mcat143971 1200 1400 Parchment Unknown Script front 1 Lewis T397 front MSS 0048 Treatise on Greek Philosophy: On the Vaccuum, according to Leucippus, etc.
Lewis T397 Lewis T397 reverse mcat143972 Parchment Unknown reverse 2 Lewis T397 reverse MSS 0048 Treatise on Greek Philosophy: On the Vaccuum, according to Leucippus, etc.
Lewis T398 Lewis T398 front a mcat143981 Parchment Unknown front 1 Lewis T398 front MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398 Lewis T398 reverse a mcat143982 Parchment Unknown reverse 2 Lewis T398 reverse MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398 Lewis T398 front b mcat143983 Parchment Unknown front 3 Lewis T398 front MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398 Lewis T398 reverse b mcat143984 Parchment Unknown reverse 4 Lewis T398 reverse MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398 Lewis T398 front c mcat143985 Parchment Unknown front 5 Lewis T398 front MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398 Lewis T398 reverse c mcat143986 Parchment Unknown reverse 6 Lewis T398 reverse MSS 0048 Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T399 Lewis T399 mcat153991 1423 Goes with 399a Parchment Unknown front 1 Lewis T399 front MSS 0048 Letter to the Church of Cologne
Lewis T399a Lewis T399a mcat153992 Goes with 399. Letter addressed to archbishop and clergy of the cathedral of Cologne, by Peter, bishop of Alet concerning prebends and benefices in the Cologne church. Parchment Unknown front 1 Lewis T399a front MSS 0049 Letter to the Church of Cologne
Lewis T400 Lewis T400 mcat154001 1523, May, 5. 1523 Indenture between Giles Bassett, esq., and John Bournett] and his wife Edith and their daughter Agnes whereby Bassett leases them some property. Dated at Yewley, May 5, 1523 (15th year of Henry VIII. Parchment Yewley, England front 1 Lewis T400 front MSS 0049 Charter of Indenture, England
Lewis T401 Lewis T401 mcat154011 March 10, 1569 1569 Indenture of March 10, 1569 whereby Thomas Payne of Hutton, County of Somerset for a sum of money received, acknowledged that he has leased and herewith confirms] a tenement in Weston super Mare to John Cocher] of Wynscombe in the same county, his wife Alice, and their son Peter. Signed by Thomas Payne. Parchment Somerset, England front 1 Lewis T401 front MSS 0049 Charter of Indenture, England
Lewis T401 Lewis T401 reverse mcat154012 Parchment Unknown reverse 2 Lewis T401 reverse MSS 0049 Charter of Indenture, England
Lewis T402 Lewis T402 front mcat154021 9/21/1576 1576 Record of court held Sept. 21 1576 at Pemsex (portreeve's) and Langney, with mention of those who paid homage to the Queen. Parchment England front 1 Lewis T402 front MSS 0049 Court Record, Pemsey and Langney, England
Lewis T402 Lewis T402 reverse mcat154022 Parchment Unknown reverse 2 Lewis T402 reverse MSS 0049 Court Record, Pemsey and Langney, England
Lewis T403 Lewis T403 front a mcat154031 10/5/1577 1577 Notification of its having been probated by William Drury, master of the Canterbury prerogative court, January 29, 1577/78 in Latin. Parchment Middle Sex Country, England front 1 Lewis T403 front MSS 0049 Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T403 Lewis T403 reverse a mcat154032 1/29/1577 1577 1578 Notification of its having been probated by William Drury, master of the Canterbury prerogative court, January 29, 1577/1578. Parchment English England reverse 2 Lewis T403 reverse MSS 0049 Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T403 Lewis T403 front b mcat154033 Parchment Unknown front 3 Lewis T403 front MSS 0049 Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T404 Lewis T404 front mcat154041 10/22/1600 1600 Recognizance in which John Ruffold of Condham], Kent, promises before Justice of the Peace Samuel Lemard to pay 10 lbs and 5 lbs each to Stephan Allen of Chelsfeld and Thomas Cowper of Coudham(?)if Rufford does not appear at the next general session of the Justices of the Peace at Maidstone, or if he's not of good behavior according to the condition endorsed on the back. Signed by Justice Samuel Lenard. Parchment Kent, England front 1 Lewis T404 front MSS 0049 Recognizance, England
Lewis T404 Lewis T404 reverse mcat154042 12/17/1600 1600 Parchment Kent, England reverse 2 Lewis T404 reverse MSS 0049 Recognizance, England
Lewis T405 Lewis T405 front mcat154051 12/17/1600 1600 Recognizance in which William Walkelin of Chiddingstone, Kent, acknowledges before Justice of the Peace George Ry..ers a debt to the crown of 10 lbs and his sureties Drewe Web of Witham and Robert Stretfyld of ?] 5 lbs each if Walkelin does not keep the conditions endorsed in English viz. his appearance at the next general session of the Justices of the Peace in Maidstone and be of good behavior especially towards Katheren Beanes of Chiddingestone. Signed by Justice George R.] Parchment Unknown front 1 Lewis T405 front MSS 0049 Recognizance, England
Lewis T405 Lewis T405 reverse mcat154052 Parchment Unknown reverse 2 Lewis T405 reverse MSS 0049 Recognizance, England
Lewis T406 Lewis T406 mcat154061 Recognizance of Thomas Beechinge, barber, of Cranbrook, Kent, before Justices Thomas Roberts and Samuel Boys with Thomas Smith and John Hollande, yeomen of Cranbrook, acting as sureties. Signed by Thomas Roberts and Samuel Boys. Parchment Unknown front 1 Lewis T406 front MSS 0049 Recognizance, England
Lewis T407 Lewis T407 front mcat154071 2/3/1631 1631 Latin Charter recording an agreement made at Westminster Feb 3, 1631before Justices Thomas Richardson, Richard Hutton and Francis Ha...] between Thomas Wyatt? a noble and George, a noble,and Judith] ?] and John Grey over some land and other real estate in Mogeshanger. Parchment Westminster, England front 1 Lewis T407 front MSS 0049 Charter, England
Lewis T407 Lewis T407 reverse mcat154072 Parchment Unknown reverse 2 Lewis T407 reverse MSS 0049 Charter, England
Lewis T408 Lewis T408 mcat154081 9/29/1964 1964 Memorandum announcing that Judge Sir Thomas Rokeby will take care of the essoins at the court of the King's Bench at Westminster for 3 weeks beginning September 29, 1964. Signed by W. Halk] clerk of essoins. Parchment Unknown front 1 Lewis T408 front MSS 0049 Memorandum, England
Lewis T409 Lewis T409 mcat154091 9/29/1580 1580 Recognizance of an agreement before Judges James Dyer, Thomas Meade, and Francis Wyndam whereby Giles Allen and his wife Anna have sold certain lands in Mogerhanger, Chalton, Southwylle]and Clouham] to William Spencer and has paid them 40 lbs sterling. Dated with octave of St. Michael September, 29] 1580. Parchment Moggerhanger, England front 1 Lewis T409 front MSS 0050 Recognizance, England
Lewis T410 Lewis T410 front mcat154101 7/4/1729 Admission tot he manor of Anthony Drute by the Court Baron of Baron John Monson and Thomas Bennett, with Richard Levermore as deputy, in Bradford, Wiltshire, July 4, 1729. Signed by Monson and Bennett. Parchment England front 1 Lewis T410 front MSS 0050 Charter, England
Lewis T410 Lewis T410 reverse mcat154102 Parchment Unknown reverse 2 Lewis T410 reverse MSS 0050 Charter, England
Lewis T486 Lewis T486 front mcat154861 Parchment Unknown front 1 Lewis T486 front MSS 0050 Coptic Gospel Lectionary
Lewis T486 Lewis T486 reverse mcat154862 Parchment Unknown reverse 2 Lewis T486 reverse MSS 0050 Coptic Gospel Lectionary
Lewis T487 Lewis T487 front mcat154871 1430 1500 De Ricci no.314. This was folio 42 in the original manuscript. Parchment England Bastarda front 1 Lewis T487 front MSS 0050 John Lydgate, Fall of Princes (in English)
Lewis T487 Lewis T487 reverse mcat154872 Parchment Unknown reverse 2 Lewis T487 reverse MSS 0050 John Lydgate, Fall of Princes (in English)
Lewis T488 Lewis T488 front a mcat154881 1450 1500 Acquired from the Thomas F. Richardson Collection,Boston. DeRicci no. 304 Parchment England Gothic front 1 Lewis T488 front John Lydgate, Secreta Secretorum (in English)
Lewis T488 Lewis T488 reverse a mcat154882 Parchment Unknown reverse 2 Lewis T488 reverse John Lydgate, Secreta Secretorum (in English)
Lewis T488 Lewis T488 front b mcat154883 Parchment Unknown front 3 Lewis T488 front John Lydgate, Secreta Secretorum (in English)
Lewis T488 Lewis T488 reverse b mcat154884 Parchment Unknown reverse 4 Lewis T488 reverse John Lydgate, Secreta Secretorum (in English)
Lewis T489 Lewis T489 front mcat154891 5/24/1572 1572 Indenture of May 24, 1572 whereby John Payne of ?] in Somerset in consideration of three pounds and a yearly rent of 12 pence leases an acre of meadow or pasture to Dorothye Alse], and Elyzabethe Least, daughters of John Least, also of Somerset. Signed and sealed by John Payne, witnesses signed on the back. Parchment Somerset, England front 1 Lewis T489 front Charter of Indenture, England
Lewis T489 Lewis T489 reverse mcat154892 Parchment Unknown reverse 2 Lewis T489 reverse Charter of Indenture, England
Lewis T490 Lewis T490 front mcat154901 1300 1500 De Ricci No. 290. The text is not from Boccaccio's Cas de Nobles as DeRicci suggests. Parchment France Gothic front 1 Lewis T490 front Giovanni Boccaccio, Les Nobles et Cleres Dames (in French)
Lewis T490 Lewis T490 reverse mcat154902 Parchment Unknown reverse 2 Lewis T490 reverse Giovanni Boccaccio, Les Nobles et Cleres Dames (in French)
Lewis T491 Lewis T491 front mcat154911 7/28/1426 1426 Guillame Breton, bailiff of Caen, concerning John Demmuille] and English squire, and some land and revenue in Hermanville, dateat Bayeux, Normandy, July 28, 1426. Parchment French Unknown front 1 Lewis T491 front MSS 0050 Charter, Normandy
Lewis T491 Lewis T491 reverse mcat154912 Parchment Unknown reverse 2 Lewis T491 reverse MSS 0050 Charter, Normandy
Lewis T492 Lewis T492 front mcat154921 7/28/1426 1426 Parchment English Unknown front 1 Lewis T492 front MSS 0050 Deposition, Antwerp
Lewis T492 Lewis T492 reverse mcat154922 Parchment Unknown reverse 2 Lewis T492 reverse MSS 0050 Deposition, Antwerp
Lewis T493 Lewis T493 front mcat154931 1500 1700 Parchment French France front 1 Lewis T493 front MSS 0050 Account Book (in French)
Lewis T493 Lewis T493 reverse mcat154932 Parchment Unknown reverse 2 Lewis T493 reverse MSS 0050 Account Book (in French)
Lewis T494 Lewis T494 front mcat154941 From L. Rosenthal,Catalogue 120 (1910, no. 45 Parchment Hebrew Unknown front 1 Lewis T494 front MSS 0050 Bible: Jeremiah (in Hebrew)
Lewis T494 Lewis T494 reverse mcat154942 Parchment Unknown reverse 2 Lewis T494 reverse MSS 0051 Bible: Jeremiah (in Hebrew)
Lewis T506 Lewis T506 front a mcat155061 1400 1600 Used to bind German account of the year 1706 Parchment Unknown Round Gothic front 1 Lewis T506 front MSS 0051 Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506 Lewis T506 reverse a mcat155062 Parchment Unknown reverse 2 Lewis T506 reverse MSS 0051 Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506 Lewis T506 front b mcat155063 Parchment Unknown front 3 Lewis T506 front MSS 0051 Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506 Lewis T506 reverse b mcat155064 Parchment Unknown reverse 4 Lewis T506 reverse MSS 0051 Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T507 Lewis T507 front a mcat155071 1400 1600 Parchment Unknown front 1 Lewis T507 front MSS 0051 Missal: From the Canon, "Te Igitur..."
Lewis T507 Lewis T507 reverse a mcat155072 Parchment Unknown reverse 2 Lewis T507 reverse MSS 0051 Missal: From the Canon, "Te Igitur..."
Lewis T507 Lewis T507 front b mcat155073 Parchment Unknown front 3 Lewis T507 front MSS 0051 Missal: From the Canon, "Te Igitur..."
Lewis T507 Lewis T507 reverse b mcat155074 Parchment Unknown reverse 4 Lewis T507 reverse MSS 0051 Missal: From the Canon, "Te Igitur..."
Lewis T508 Lewis T508 front mcat155081 Koberger edition, Nuremberg, 1491 or later. Hain no. 3540; Stillwellno. P442. Acquired from Thos.F.Richardson Collection,Boston. Parchment Unknown front 1 Lewis T508 front MSS 0051 Saint Bonaventure, Commentary on the Sentences of Peter Lombard
Lewis T508 Lewis T508 reverse mcat155082 ca. 1491 Hain no. 3540, Stillwell no. P442. Parchment Unknown reverse 2 Lewis T508 reverse MSS 0051 Saint Bonaventure, Commentary on the Sentences of Peter Lombard
Lewis T509 Lewis T509 front mcat155091 1470 1477 Parchment Basel, Switzerland Berthold Ruppel Artist front 1 Lewis T509 front MSS 0051 Theological Treatise
Lewis T509 Lewis T509 reverse mcat155092 Parchment Unknown reverse 2 Lewis T509 reverse MSS 0051 Theological Treatise
Lewis T510 Lewis T510 front a mcat155101 ca. 1480 Printed at Speyer. Hain no.7530 Parchment Unknown front 1 Lewis T510 front MSS 0051 Dominicus de Sancto Geminiano, Lecturae
Lewis T510 Lewis T510 reverse a mcat155102 Parchment Unknown reverse 2 Lewis T510 reverse MSS 0052 Dominicus de Sancto Geminiano, Lecturae
Lewis T510 Lewis T510 front b mcat155103 Parchment Unknown front 3 Lewis T510 front MSS 0052 Dominicus de Sancto Geminiano, Lecturae
Lewis T510 Lewis T510 reverse b mcat155104 Parchment Unknown reverse 4 Lewis T510 reverse MSS 0052 Dominicus de Sancto Geminiano, Lecturae
Lewis T511 Lewis T511 front mcat155111 Parchment Unknown front 1 Lewis T511 front MSS 0052 Greek Text
Lewis T511 Lewis T511 reverse mcat155112 Parchment Unknown reverse 2 Lewis T511 reverse MSS 0052 Greek Text
Lewis T329 Lewis T329 front mcat163291 ca. 1400 1600 Parchment Italy or Spain Gothic front 1 Lewis T329 front MSS 0052 Music Text
Lewis T329 Lewis T329 reverse mcat163292 Parchment Unknown reverse 2 Lewis T329 reverse MSS 0052 Music Text
Lewis T329a Lewis T329a front mcat163293 Parchment Unknown front 1 Lewis T329a front MSS 0052 Music Text
Lewis T329a Lewis T329a reverse mcat163294 Parchment Unknown reverse 2 Lewis T329a reverse MSS 0052 Music Text
Lewis T411 Lewis T411 front mcat164111 1100 1200 Parchment Italy (northern) Caroline Minuscule, early rotunda front 1 Lewis T411 front MSS 0052 Bible: Jeremiah 30:7-36:32
Lewis T411 Lewis T411 reverse mcat164112 Parchment Unknown reverse 2 Lewis T411 reverse MSS 0052 Bible: Jeremiah 30:7-36:32
Lewis T412 Lewis T412 front mcat164121 Parchment Unknown front 1 Lewis T412 front MSS 0052 Bible: Baruch, Chapter 6
Lewis T412 Lewis T412 reverse mcat164122 Parchment Unknown reverse 2 Lewis T412 reverse MSS 0053 Bible: Baruch, Chapter 6
Lewis T413 Lewis T413 front a mcat164131 Parchment Unknown front 1 Lewis T413 front MSS 0053 Bible: Ezekiel
Lewis T413 Lewis T413 reverse a mcat164132 Parchment Unknown reverse 2 Lewis T413 reverse MSS 0053 Bible: Ezekiel
Lewis T413 Lewis T413 front b mcat164133 Parchment Unknown front 3 Lewis T413 front MSS 0053 Bible: Ezekiel
Lewis T413 Lewis T413 reverse b mcat164134 Parchment Unknown reverse 4 Lewis T413 reverse MSS 0053 Bible: Ezekiel
Lewis T414 Lewis T414 front mcat164141 1300 1500 DeRicci No 361? Parchment Unknown Gothic front 1 Lewis T414 front MSS 0053 Bible: End of Ezekiel, Beginning of Jerome's Prologue
Lewis T414 Lewis T414 reverse mcat164142 Parchment Unknown reverse 2 Lewis T414 reverse MSS 0053 Bible: End of Ezekiel, Beginning of Jerome's Prologue
Lewis T415 Lewis T415 front mcat164151 1100 1200 Parchment Unknown front 1 Lewis T415 front MSS 0053 Bible: Haggai 1:9-end, Preface to Zechariah
Lewis T415 Lewis T415 reverse mcat164152 Parchment Unknown reverse 2 Lewis T415 reverse MSS 0053 Bible: Haggai 1:9-end, Preface to Zechariah
Lewis T416 Lewis T416 front mcat164161 1100 1200 Parchment Unknown front 1 Lewis T416 front MSS 0053 Bible: Romans
Lewis T416 Lewis T416 reverse mcat164162 Parchment Unknown reverse 2 Lewis T416 reverse MSS 0053 Bible: Romans
Lewis T417 Lewis T417 front mcat164171 1100 1200 Parchment Italy front 1 Lewis T417 front MSS 0053 Bible: Apocrypha
Lewis T417 Lewis T417 reverse mcat164172 Parchment Italy reverse 2 Lewis T417 reverse MSS 0053 Bible: Apocrypha
Lewis T418 Lewis T418 front mcat164181 1100 1200 Parchment Italy front 1 Lewis T418 front MSS 0053 Bede, Exposition on Luke
Lewis T418 Lewis T418 reverse mcat164182 1100 1200 Parchment Unknown reverse 2 Lewis T418 reverse MSS 0053 Bede, Exposition on Luke
Lewis T419 Lewis T419 front mcat164191 Parchment Italy front 1 Lewis T419 front MSS 0054 Jerome, Homily on Luke
Lewis T419 Lewis T419 reverse mcat164192 Parchment Unknown reverse 2 Lewis T419 reverse MSS 0054 Jerome, Homily on Luke
Lewis T420 Lewis T420 front mcat164201 1100 1200 Parchment Italy front 1 Lewis T420 front Sermons
Lewis T420 Lewis T420 reverse mcat164202 Parchment Unknown reverse 2 Lewis T420 reverse Sermons
Lewis T421 Lewis T421 front mcat164211 1300 1400 Parchment Italy Gothic front 1 Lewis T421 front Antiphonary: Feast of the Epiphany
Lewis T421 Lewis T421 reverse mcat164212 1300 1400 Parchment Italy reverse 2 Lewis T421 reverse Antiphonary: Feast of the Epiphany
Lewis T422 Lewis T422 front mcat164221 1300 1400 Parchment Italy Gothic front 1 Lewis T422 front Antiphonary: Feast of Saints John and Paul, June 26
Lewis T422 Lewis T422 reverse mcat164222 Parchment Unknown reverse 2 Lewis T422 reverse Antiphonary: Feast of Saints John and Paul, June 26
Lewis T423 Lewis T423 front mcat164231 1300 1400 Seems to relate to 421 Parchment Italy Gothic front 1 Lewis T423 front MSS 0054 Antiphonary
Lewis T423 Lewis T423 reverse mcat164232 Parchment Unknown reverse 2 Lewis T423 reverse MSS 0054 Antiphonary
Lewis T424 Lewis T424 front mcat164241 1300 1400 On original mat in the hand of J.F. Lewis. Parchment Unknown Round Gothic front 1 Lewis T424 front MSS 0054 Breviary: Office of Saint Anthony of Padua, June 13
Lewis T424 Lewis T424 reverse mcat164242 Parchment Unknown reverse 2 Lewis T424 reverse MSS 0054 Breviary: Office of Saint Anthony of Padua, June 13
Lewis T425 Lewis T425 front mcat164251 1300 1500 In original mat written in the hand of J.F. Lewis. Parchment France Gothic front 1 Lewis T425 front Book of Hours: Little Office of the Virgin Mary
Lewis T425 Lewis T425 reverse mcat164252 Parchment Unknown reverse 2 Lewis T425 reverse Book of Hours: Little Office of the Virgin Mary
Lewis T426 Lewis T426 front mcat164261 1300 1400 Goes with 427,428,429. Parchment Unknown Gothic front 1 Lewis T426 front MSS 0054 Gradual
Lewis T426 Lewis T426 reverse mcat164262 Parchment Unknown reverse 2 Lewis T426 reverse MSS 0054 Gradual
Lewis T427 Lewis T427 front mcat164271 1300 1400 Goes with 426,428,429 Parchment Unknown Gothic front 1 Lewis T427 front MSS 0054 Gradual
Lewis T427 Lewis T427 reverse mcat164272 1300 1400 Parchment Unknown reverse 2 Lewis T427 reverse MSS 0054 Gradual
Lewis T428 Lewis T428 front mcat164281 1300 1400 4.26427429E8 Parchment Unknown Gothic front 1 Lewis T428 front MSS 0054 Gradual
Lewis T428 Lewis T428 reverse mcat164282 Parchment Unknown reverse 2 Lewis T428 reverse MSS 0054 Gradual
Lewis T429 Lewis T429 front mcat164291 1300 1400 Goes with 426,427,428 Parchment Unknown Gothic front 1 Lewis T429 front MSS 0054 Gradual
Lewis T429 Lewis T429 reverse mcat164292 Parchment Unknown reverse 2 Lewis T429 reverse MSS 0055 Gradual
Lewis T430 Lewis T430 front mcat164301 1300 1400 Related to 431. Parchment Unknown Gothic front 1 Lewis T430 front MSS 0055 Gradual
Lewis T430 Lewis T430 reverse mcat164302 Related to 430. Parchment Unknown reverse 2 Lewis T430 reverse MSS 0055 Gradual
Lewis T431 Lewis T431 front mcat164311 Parchment Unknown front 1 Lewis T431 front MSS 0055 Gradual
Lewis T431 Lewis T431 reverse mcat164312 Parchment Unknown reverse 2 Lewis T431 reverse MSS 0055 Gradual
Lewis T432 Lewis T432 front mcat164321 Parchment Unknown front 1 Lewis T432 front MSS 0055 Gradual: Tuesday after Pentecost
Lewis T432 Lewis T432 reverse mcat164322 Parchment Unknown reverse 2 Lewis T432 reverse MSS 0055 Gradual: Tuesday after Pentecost
Lewis T433 Lewis T433 front mcat164331 Parchment Unknown front 1 Lewis T433 front MSS 0055 Gradual: Friday and Saturday after Pentecost
Lewis T433 Lewis T433 reverse mcat164332 Parchment Unknown reverse 2 Lewis T433 reverse MSS 0055 Gradual: Friday and Saturday after Pentecost
Lewis T434 Lewis T434 front mcat164341 Parchment Unknown front 1 Lewis T434 front MSS 0055 Gradual: First and Second Sundays after Pentecost
Lewis T434 Lewis T434 reverse mcat164342 Parchment Unknown reverse 2 Lewis T434 reverse MSS 0055 Gradual: First and Second Sundays after Pentecost
Lewis T435 Lewis T435 front mcat164351 Parchment Unknown front 1 Lewis T435 front MSS 0055 Gradual: Second and Third Sundays after Pentecost
Lewis T435 Lewis T435 reverse mcat164352 Parchment Unknown reverse 2 Lewis T435 reverse MSS 0055 Gradual: Second and Third Sundays after Pentecost
Lewis T436 Lewis T436 front mcat164361 Parchment Unknown front 1 Lewis T436 front MSS 0055 Gradual: Fourth and Fifth Sundays after Pentecost
Lewis T436 Lewis T436 reverse mcat164362 Parchment Unknown reverse 2 Lewis T436 reverse MSS 0055 Gradual: Fourth and Fifth Sundays after Pentecost
Lewis T438 Lewis T438 front a mcat164381 Parchment Unknown front 1 Lewis T438 front MSS 0056 Sermons or Missal
Lewis T438 Lewis T438 reverse a mcat164382 Parchment Unknown reverse 2 Lewis T438 reverse MSS 0056 Sermons or Missal
Lewis T438 Lewis T438 front b mcat164383 Parchment Unknown front 3 Lewis T438 front MSS 0056 Sermons or Missal
Lewis T438 Lewis T438 reverse b mcat164384 Parchment Unknown reverse 4 Lewis T438 reverse MSS 0056 Sermons or Missal
Lewis T439 Lewis T439 front mcat164391 Parchment Unknown front 1 Lewis T439 front MSS 0056 Missal: Feasts of Saint Sylvester and the Circumcision, December 31 - January 1
Lewis T439 Lewis T439 reverse mcat164392 Parchment Unknown reverse 2 Lewis T439 reverse MSS 0056 Missal: Feasts of Saint Sylvester and the Circumcision, December 31 - January 1
Lewis T440 Lewis T440 front a mcat164401 Parchment Unknown front 1 Lewis T440 front MSS 0056 Missal: November 29, February 2, with most missing in between
Lewis T440 Lewis T440 reverse a mcat164402 Parchment Unknown reverse 2 Lewis T440 reverse MSS 0056 Missal: November 29, February 2, with most missing in between
Lewis T440 Lewis T440 front b mcat164403 Parchment Unknown front 3 Lewis T440 front MSS 0056 Missal: November 29, February 2, with most missing in between
Lewis T440 Lewis T440 reverse b mcat164404 Parchment Unknown reverse 4 Lewis T440 reverse MSS 0056 Missal: November 29, February 2, with most missing in between
Lewis T441 Lewis T441 front mcat164411 Parchment Unknown front 1 Lewis T441 front MSS 0056 Missal: First Sunday in Advent
Lewis T441 Lewis T441 reverse mcat164412 Parchment Unknown reverse 2 Lewis T441 reverse MSS 0056 Missal: First Sunday in Advent
Lewis T442 Lewis T442 front mcat164421 Parchment Unknown front 1 Lewis T442 front MSS 0056 400 ppi Sermons
Lewis T442 Lewis T442 reverse mcat164422 Parchment Unknown reverse 2 Lewis T442 reverse MSS 0056 400 ppi Sermons
Lewis T443 Lewis T443 front mcat164431 Parchment Unknown front 1 Lewis T443 front MSS 0057 Sermons
Lewis T443 Lewis T443 reverse mcat164432 Parchment Unknown reverse 2 Lewis T443 reverse MSS 0057 Sermons
Lewis T444 Lewis T444 front mcat164441 Parchment Unknown front 1 Lewis T444 front MSS 0057 Sermons
Lewis T444 Lewis T444 reverse mcat164442 Parchment Unknown reverse 2 Lewis T444 reverse MSS 0057 Sermons
Lewis T445 Lewis T445 front mcat164451 Parchment Unknown front 1 Lewis T445 front MSS 0057 Sermon (Maximus of Turin)
Lewis T445 Lewis T445 reverse mcat164452 Parchment Unknown reverse 2 Lewis T445 reverse MSS 0057 Sermon (Maximus of Turin)
Lewis T446 Lewis T446 front mcat164461 Parchment Unknown front 1 Lewis T446 front MSS 0057 Sermons
Lewis T446 Lewis T446 reverse mcat164462 Parchment Unknown reverse 2 Lewis T446 reverse MSS 0057 Sermons
Lewis T447 Lewis T447 front mcat164471 Parchment Unknown front 1 Lewis T447 front MSS 0057 Sermons
Lewis T447 Lewis T447 reverse mcat164472 Parchment Unknown reverse 2 Lewis T447 reverse MSS 0057 Sermons
Lewis T437 Lewis T437, fol. 1r mcat164671 ca. 1300 1500 De Ricci no. 346? 362? Acquired from the Thomas F. Richardson Collection, Boston. On original mat in hand of J.F. Lewis: Initial "D" from a gradual with musical notes. English, possibly Flemish. Parchment English England f. 1r 2 Lewis T437 f. 1r MSS 0057 Gradual or Missal with Neumes
Lewis T437 Lewis T437, fol. 1v mcat164672 ca. 1300 1500 De Ricci no. 346? 362? Acquired from the Thomas F. Richardson Collection, Boston. On original mat in hand of J.F. Lewis: Initial "D" from a gradual with musical notes. English, possibly Flemish. Parchment England f. 1v 3 Lewis T437 f. 1v MSS 0057 Gradual or Missal with Neumes
Lewis T618 Lewis T618 front mcat174491 Parchment Unknown front 3 Lewis T618 front MSS 0060 Music Manuscript
Lewis T618 Lewis T618 reverse mcat174492 Parchment Unknown reverse 4 Lewis T618 reverse MSS 0060 Music Manuscript
Lewis T619 Lewis T619 front mcat174501 Box 17 Parchment Unknown front 3 Lewis T619 front MSS 0060 Latin Text
Lewis T619 Lewis T619 reverse mcat174502 Parchment Unknown reverse 4 Lewis T619 reverse MSS 0061 Latin Text
Lewis T620 Lewis T620 front mcat174511 Parchment Unknown front 3 Lewis T620 front MSS 0061 King Ladislaus of Naples, regarding the Monastery of Saint Lucy at Bari
Lewis T620 Lewis T620 reverse mcat174512 Parchment Unknown reverse 4 Lewis T620 reverse MSS 0061 King Ladislaus of Naples, regarding the Monastery of Saint Lucy at Bari
Lewis T621 Lewis T621 front mcat174521 Box 17 Parchment Unknown front 3 Lewis T621 front MSS 0061 Music Manuscript
Lewis T621 Lewis T621 reverse mcat174522 Parchment Unknown reverse 4 Lewis T621 reverse MSS 0061 Music Manuscript
Lewis T622 Lewis T622 front mcat174531 Parchment Unknown front 3 Lewis T622 front MSS 0061 Music Manuscript
Lewis T622 Lewis T622 reverse mcat174532 Parchment Unknown reverse 4 Lewis T622 reverse MSS 0061 Music Manuscript
Lewis T623 Lewis T623 front mcat174541 Parchment Unknown front 3 Lewis T623 front MSS 0061 Music Manuscript
Lewis T623 Lewis T623 reverse mcat174542 Parchment Unknown reverse 4 Lewis T623 reverse MSS 0061 Music Manuscript
Lewis T624 Lewis T624 front mcat174551 Parchment Unknown front 3 Lewis T624 front MSS 0061 Bible: Ezra, Chapter 6
Lewis T624 Lewis T624 reverse mcat174552 Parchment Unknown reverse 4 Lewis T624 reverse MSS 0062 Bible: Ezra, Chapter 6
Lewis T625 Lewis T625 front mcat174561 Parchment Unknown front 3 Lewis T625 front MSS 0062 Music Manuscript
Lewis T625 Lewis T625 reverse mcat174562 Parchment Unknown reverse 4 Lewis T625 reverse MSS 0062 Music Manuscript
Lewis T626 Lewis T626 front mcat174571 Parchment Unknown front 3 Lewis T626 front MSS 0062 Music Manuscript
Lewis T626 Lewis T626 reverse mcat174572 Parchment Unknown reverse 4 Lewis T626 reverse MSS 0062 Music Manuscript
Lewis T627 Lewis T627 front mcat174581 Parchment Unknown front 2 Lewis T627 front MSS 0062 Music Manuscript
Lewis T627 Lewis T627 reverse mcat174582 Parchment Unknown reverse 3 Lewis T627 reverse MSS 0062 Music Manuscript
Lewis T628 Lewis T628 front mcat174591 Parchment Unknown front 3 Lewis T628 front MSS 0062 Music Manuscript
Lewis T628 Lewis T628 reverse mcat174592 Parchment Unknown reverse 4 Lewis T628 reverse MSS 0062 Music Manuscript
Lewis T629 Lewis T629 front mcat174601 Parchment Unknown front 3 Lewis T629 front MSS 0062 Music Manuscript
Lewis T629 Lewis T629 reverse mcat174602 Parchment Unknown reverse 4 Lewis T629 reverse MSS 0062 Music Manuscript
Lewis T630 Lewis T630 front mcat174611 Parchment Unknown front 3 Lewis T630 front MSS 0062 Music Manuscript
Lewis T630 Lewis T630 reverse mcat174612 Parchment Unknown reverse 4 Lewis T630 reverse MSS 0063 Music Manuscript
Lewis T631 Lewis T631 front mcat174621 Parchment Unknown front 3 Lewis T631 front MSS 0063 Music Manuscript
Lewis T631 Lewis T631 reverse mcat174622 Parchment Unknown reverse 4 Lewis T631 reverse MSS 0063 Music Manuscript
Lewis T632 Lewis T632 front mcat174631 Parchment Unknown front 3 Lewis T632 front MSS 0063 Catholicon of Johannes Balbus
Lewis T632 Lewis T632 reverse mcat174632 Parchment Unknown reverse 4 Lewis T632 reverse MSS 0063 Catholicon of Johannes Balbus
Lewis T633 Lewis T633 front mcat174641 Parchment Unknown front 3 Lewis T633 front MSS 0063 Music Manuscript
Lewis T633 Lewis T633 reverse mcat174642 Parchment Unknown reverse 4 Lewis T633 reverse MSS 0063 Music Manuscript
Lewis T634 Lewis T634 front mcat174651 Parchment Unknown front 3 Lewis T634 front MSS 0063 Missal
Lewis T634 Lewis T634 reverse mcat174652 Parchment Unknown reverse 4 Lewis T634 reverse MSS 0063 Missal
Lewis T635 Lewis T635 front mcat174661 Parchment Unknown front 3 Lewis T635 front MSS 0058 Latin Text
Lewis T635 Lewis T635 reverse mcat174662 Parchment Unknown reverse 4 Lewis T635 reverse MSS 0058 Latin Text
Lewis T636 Lewis T636 front mcat174671 Parchment Unknown front 4 Lewis T636 front MSS 0058 Glossary of Names, A-B
Lewis T636 Lewis T636 reverse mcat174672 Parchment Unknown reverse 5 Lewis T636 reverse MSS 0058 Glossary of Names, A-B
Lewis T637 Lewis T637 front mcat174681 1400 1499 Leaf from a missal This leaf is an example of music from the Exultet or Easter Proclamation: &ldquo;Flammas eius Lucifer matutinus inveniat, ille inquam, lucifer, qui nescit occasum&rdquo; (May the morning-star find its flame alight, that Morning-Star which knows no setting&hellip;). The Proclamation would be intoned during the Easter Vigil, or the night before Easter Sunday. Missals were usually in two-column format: most missals did not contain music. This leaf has been simply rubricated (initials drawn in blue and red ink for delineation and ease of reading). Additionally, it is clear that there are many erasures and rewritings of the music in this leaf. Erasing parchment involved scraping the page (which is animal skin) with pumice or other scraping tools. It is possible or even probable that the leaf was meant to be decorated in the borders and that it was never completed. This leaf and the other leaf in this case are wonderful artifacts that allow us to see some of the stages of manuscript preparation from the Middle Ages.&nbsp; Parchment Latin Flanders Gothic bookhand front 2 Lewis T637 front MSS 0058 Exultet--music manuscript
Lewis T637 Lewis T637 reverse mcat174682 Parchment Unknown reverse 3 Lewis T637 reverse MSS 0058 Music Manuscript
Lewis T638 Lewis T638 front mcat174691 Parchment Unknown front 5 Lewis T638 front MSS 0058 Bible: Job 35:10-37:21
Lewis T638 Lewis T638 reverse mcat174692 Parchment Unknown reverse 6 Lewis T638 reverse MSS 0058 Bible: Job 35:10-37:21
Lewis T639 Lewis T639 front mcat174701 Parchment Unknown front 3 Lewis T639 front MSS 0058 Miscellaneous Text
Lewis T639 Lewis T639 reverse mcat174702 Parchment Unknown reverse 4 Lewis T639 reverse MSS 0058 Miscellaneous Text
Lewis T640 Lewis T640 front mcat174711 Parchment Unknown front 3 Lewis T640 front MSS 0058 Music Manuscript
Lewis T640 Lewis T640 reverse mcat174712 Parchment Unknown reverse 4 Lewis T640 reverse MSS 0058 Music Manuscript
Lewis T641 Lewis T641 front mcat174721 Box 18 Parchment Unknown front 3 Lewis T641 front MSS 0058 Music Manuscript
Lewis T641 Lewis T641 reverse mcat174722 Box 18&nbsp; Parchment Unknown reverse 4 Lewis T641 reverse MSS 0058 Music Manuscript
Lewis T642 Lewis T642 front mcat174731 Box 18 Parchment Unknown front 3 Lewis T642 front MSS 0058 Music Manuscript
Lewis T642 Lewis T642 reverse mcat174732 Box 18&nbsp; Parchment Unknown reverse 4 Lewis T642 reverse MSS 0059 Music Manuscript
Lewis T643 Lewis T643 front mcat174741 Box 18&nbsp; Parchment Unknown front 3 Lewis T643 front MSS 0059 Music Manuscript
Lewis T643 Lewis T643 reverse mcat174742 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T643 reverse MSS 0059 Music Manuscript
Lewis T644 Lewis T644 front mcat174751 Box 18&nbsp; Parchment Unknown front 3 Lewis T644 front MSS 0063 Music Manuscript
Lewis T644 Lewis T644 reverse mcat174752 Box 18&nbsp; Parchment Unknown reverse 4 Lewis T644 reverse MSS 0064 Music Manuscript
Lewis T645 Lewis T645 front mcat174761 Box 18&nbsp; Parchment Unknown front 3 Lewis T645 front MSS 0064 Music Manuscript
Lewis T645 Lewis T645 reverse mcat174762 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T645 reverse MSS 0064 Music Manuscript
Lewis T646 Lewis T646 front mcat174771 &nbsp;Box 18 Parchment Unknown front 3 Lewis T646 front MSS 0064 Music Manuscript
Lewis T646 Lewis T646 reverse mcat174772 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T646 reverse MSS 0064 Music Manuscript
Lewis T647 Lewis T647 front mcat174781 &nbsp;Box 18 Parchment Unknown front 3 Lewis T647 front MSS 0064 Music Manuscript
Lewis T647 Lewis T647 reverse mcat174782 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T647 reverse MSS 0064 Music Manuscript
Lewis T648 Lewis T648 front mcat174791 &nbsp;Box 18 Parchment Unknown front 3 Lewis T648 front MSS 0064 Music Manuscript
Lewis T648 Lewis T648 reverse mcat174792 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T648 reverse MSS 0064 Music Manuscript
Lewis T649 Lewis T649 front mcat174801 &nbsp;Box 18 Parchment Unknown front 3 Lewis T649 front MSS 0064 Music Manuscript
Lewis T649 Lewis T649 reverse mcat174802 Box 18&nbsp; Parchment Unknown reverse 4 Lewis T649 reverse MSS 0064 Music Manuscript
Lewis T650 Lewis T650 front mcat174811 &nbsp;Box 18 Parchment Unknown front 3 Lewis T650 front MSS 0064 Music Manuscript
Lewis T650 Lewis T650 reverse mcat174812 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T650 reverse MSS 0065 Music Manuscript
Lewis T651 Lewis T651 front mcat174821 &nbsp;Box 18 Parchment Unknown front 5 Lewis T651 front MSS 0065 Music Manuscript
Lewis T651 Lewis T651 reverse mcat174822 &nbsp;Box 18 Parchment Unknown reverse 6 Lewis T651 reverse MSS 0065 Music Manuscript
Lewis T652 Lewis T652 front mcat174831 &nbsp;Box 18 Parchment Unknown front 3 Lewis T652 front MSS 0065 Music Manuscript
Lewis T652 Lewis T652 reverse mcat174832 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T652 reverse MSS 0065 Music Manuscript
Lewis T653 Lewis T653 front mcat174841 Box 18&nbsp; Parchment Unknown front 3 Lewis T653 front MSS 0065 Music Manuscript
Lewis T653 Lewis T653 reverse mcat174842 Box 18 Parchment Unknown reverse 4 Lewis T653 reverse MSS 0065 Music Manuscript
Lewis T654 Lewis T654 front mcat174851 Box 18 Parchment Unknown front 3 Lewis T654 front MSS 0065 Music Manuscript
Lewis T654 Lewis T654 reverse mcat174852 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T654 reverse MSS 0065 Music Manuscript
Lewis T655 Lewis T655 front mcat174861 Box 18 Parchment Unknown front 3 Lewis T655 front MSS 0065 Music Manuscript
Lewis T655 Lewis T655 reverse mcat174862 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T655 reverse MSS 0065 Music Manuscript
Lewis T656 Lewis T656 front mcat174871 &nbsp;Box 18 Parchment Unknown front 3 Lewis T656 front MSS 0065 Music Manuscript
Lewis T656 Lewis T656 reverse mcat174872 &nbsp;Box 18 Parchment Unknown reverse 4 Lewis T656 reverse MSS 0066 Music Manuscript
Lewis T657 Lewis T657 front mcat174881 &nbsp;Box 18 Parchment Unknown front 5 Lewis T657 front MSS 0066 Music Manuscript
Lewis T657 Lewis T657 reverse mcat174882 Parchment Unknown reverse 6 Lewis T657 reverse MSS 0066 Music Manuscript
Lewis T658 Lewis T658 front a mcat184891 1200 1300 &nbsp;Box 19 Parchment France front 1 Lewis T658 front MSS 0059 Illuminated Initial
Lewis T658 Lewis T658 reverse a mcat184892 &nbsp;Box 19 Parchment Unknown reverse 2 Lewis T658 reverse MSS 0059 Illuminated Initial
Lewis T658 Lewis T658 front b mcat184893 &nbsp;Box 19 Parchment Unknown front 1 Lewis T658 front MSS 0066 Music Manuscript
Lewis T658 Lewis T658 reverse b mcat184894 &nbsp;Box 19 Parchment Unknown reverse 2 Lewis T658 reverse MSS 0066 Music Manuscript
Lewis T659 Lewis T659 front mcat184901 1200 1300 &nbsp;Box 19 Parchment France front 3 Lewis T659 front MSS 0066 Illuminated Letter and Partial Border
Lewis T659 Lewis T659 reverse mcat184902 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T659 reverse MSS 0066 Illuminated Letter and Partial Border
Lewis T660 Lewis T660 mcat184911 &nbsp;Box 19 Parchment Unknown front 2 Lewis T660 front Marginal Miniatures
Lewis T660 Lewis T660 mcat184912 &nbsp;Box 19 Parchment Unknown reverse 1 Lewis T660 reverse Marginal Miniatures
Lewis T660 Lewis T660 mcat184913 &nbsp;Box 19 Parchment Unknown front 5 Lewis T660 front Marginal Miniatures
Lewis T660 Lewis T660 mcat184914 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T660 reverse Marginal Miniatures
Lewis T660 Lewis T660 mcat184915 &nbsp;Box 19 Parchment Unknown front 7 Lewis T660 front MSS 0059 Marginal Miniatures
Lewis T660 Lewis T660 mcat184916 &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T660 reverse MSS 0059 Marginal Miniatures
Lewis T661 Lewis T661 front a mcat184921 &nbsp;Box 19 Parchment Unknown front 3 Lewis T661 front MSS 0066 Marginal Miniatures
Lewis T661 Lewis T661 reverse a mcat184922 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T661 reverse MSS 0066 Marginal Miniatures
Lewis T661 Lewis T661 front b mcat184923 &nbsp;Box 19 Parchment Unknown front 5 Lewis T661 front MSS 0066 Marginal Miniatures
Lewis T661 Lewis T661 reverse b mcat184924 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T661 reverse MSS 0066 Marginal Miniatures
Lewis T661 Lewis T661 front c mcat184925 &nbsp;Box 19 Parchment Unknown front 7 Lewis T661 front MSS 0066 Marginal Miniatures
Lewis T661 Lewis T661 reverse c mcat184926 &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T661 reverse MSS 0066 Marginal Miniatures
Lewis T662 Lewis T662 front mcat184931 &nbsp;Box 19 Parchment Unknown front 3 Lewis T662 front MSS 0066 Music Manuscript
Lewis T662 Lewis T662 reverse mcat184932 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T662 reverse MSS 0067 Music Manuscript
Lewis T663 Lewis T663 front mcat184941 &nbsp;Box 19 Parchment Unknown front 3 Lewis T663 front MSS 0067 Illuminated Border
Lewis T663 Lewis T663 reverse mcat184942 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T663 reverse MSS 0067 Illuminated Border
Lewis T664 Lewis T664 front a mcat184951 &nbsp;Box 19 Parchment Unknown front 1 Lewis T664 front MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 reverse a mcat184952 &nbsp;Box 19 Parchment Unknown reverse 2 Lewis T664 reverse MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 front b mcat184953 &nbsp;Box 19 Parchment Unknown front 3 Lewis T664 front MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 reverse b mcat184954 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T664 reverse MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 front c mcat184955 &nbsp;Box 19 Parchment Unknown front 5 Lewis T664 front MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 reverse c mcat184956 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T664 reverse MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 front d mcat184957 &nbsp;Box 19 Parchment Unknown front 7 Lewis T664 front MSS 0067 Illuminated Initial
Lewis T664 Lewis T664 reverse d mcat184958 &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T664 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front a mcat18496a &nbsp;Box 19 Parchment Unknown front 5 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse a mcat18496b &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front b mcat18496c &nbsp;Box 19 Parchment Unknown front 7 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse b mcat18496d &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front c mcat18496e &nbsp;Box 19 Parchment Unknown front 9 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse c mcat18496f &nbsp;Box 19 Parchment Unknown reverse 10 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front d mcat18496g &nbsp;Box 19 Parchment Unknown front 11 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse d mcat18496h &nbsp;Box 19 Parchment Unknown reverse 12 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front e mcat18496i &nbsp;Box 19 Parchment Unknown front 13 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse e mcat18496j &nbsp;Box 19 Parchment Unknown reverse 14 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front f mcat18496k &nbsp;Box 19 Parchment Unknown front 15 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse f mcat18496l &nbsp;Box 19 Parchment Unknown reverse 16 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 front g mcat18496m &nbsp;Box 19 Parchment Unknown front 17 Lewis T665 front MSS 0067 Illuminated Initial
Lewis T665 Lewis T665 reverse g mcat18496n Parchment Unknown reverse 18 Lewis T665 reverse MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 front a mcat184971 &nbsp;Box 19 Parchment Unknown front 5 Lewis T666 front MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 reverse a mcat184972 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T666 reverse MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 front b mcat184973 &nbsp;Box 19 Parchment Unknown front 7 Lewis T666 front MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 reverse b mcat184974 &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T666 reverse MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 front c mcat184975 &nbsp;Box 19 Parchment Unknown front 9 Lewis T666 front MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 reverse c mcat184976 &nbsp;Box 19 Parchment Unknown reverse 10 Lewis T666 reverse MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 front d mcat184977 &nbsp;Box 19 Parchment Unknown front 11 Lewis T666 front MSS 0067 Illuminated Initial
Lewis T666 Lewis T666 reverse d mcat184978 &nbsp;Box 19 Parchment Unknown reverse 12 Lewis T666 reverse MSS 0067 Illuminated Initial
Lewis T667 Lewis T667 front a mcat184981 &nbsp;Box 19 Parchment Unknown front 3 Lewis T667 front MSS 0067 Pen Flourished Initial
Lewis T667 Lewis T667 reverse a mcat184982 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T667 reverse MSS 0067 Pen Flourished Initial
Lewis T667 Lewis T667 front b mcat184983 &nbsp;Box 19 Parchment Unknown front 5 Lewis T667 front MSS 0068 Pen Flourished Initial
Lewis T667 Lewis T667 reverse b mcat184984 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T667 reverse MSS 0068 Pen Flourished Initial
Lewis T667 Lewis T667 front c mcat184985 &nbsp;Box 19 Parchment Unknown front 7 Lewis T667 front MSS 0068 Pen Flourished Initial
Lewis T667 Lewis T667 reverse c mcat184986 &nbsp;Box 19 Parchment Unknown reverse 8 Lewis T667 reverse MSS 0068 Pen Flourished Initial
Lewis T667 Lewis T667 front d mcat184987 &nbsp;Box 19 Parchment Unknown front 9 Lewis T667 front MSS 0068 Pen Flourished Initial
Lewis T667 Lewis T667 reverse d mcat184988 &nbsp;Box 19 Parchment Unknown reverse 10 Lewis T667 reverse MSS 0068 Pen Flourished Initial
Lewis T668 Lewis T668 front a mcat184991 &nbsp;Box 19 Parchment Unknown front 3 Lewis T668 front MSS 0068 Pen Flourished Initial
Lewis T668 Lewis T668 reverse a mcat184992 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T668 reverse MSS 0068 Pen Flourished Initial
Lewis T668 Lewis T668 front b mcat184993 &nbsp;Box 19 Parchment Unknown front 5 Lewis T668 front MSS 0068 Pen Flourished Initial
Lewis T668 Lewis T668 reverse b mcat184994 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T668 reverse MSS 0068 Pen Flourished Initial
Lewis T669 Lewis T669 front a mcat185001 &nbsp;Box 19 Parchment Unknown front 3 Lewis T669 front MSS 0068 Pen Flourished Initial
Lewis T669 Lewis T669 reverse a mcat185002 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T669 reverse MSS 0068 Pen Flourished Initial
Lewis T669 Lewis T669 front b mcat185003 &nbsp;Box 19 Parchment Unknown front 5 Lewis T669 front MSS 0068 Pen Flourished Initial
Lewis T669 Lewis T669 reverse b mcat185004 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T669 reverse MSS 0068 Pen Flourished Initial
Lewis T670 Lewis T670 front mcat185011 &nbsp;Box 19 Parchment Unknown front 3 Lewis T670 front MSS 0068 Music Manuscript
Lewis T670 Lewis T670 reverse mcat185012 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T670 reverse MSS 0068 Music Manuscript
Lewis T671 Lewis T671 front a mcat185021 &nbsp;Box 19 Parchment Unknown front 5 Lewis T671 front MSS 0068 Illuminated Border
Lewis T671 Lewis T671 reverse a mcat185022 &nbsp;Box 19 Parchment Unknown front 6 Lewis T671 front MSS 0068 Illuminated Border
Lewis T671 Lewis T671 front b mcat185023 &nbsp;Box 19 Parchment Unknown front 7 Lewis T671 front MSS 0068 Illuminated Border
Lewis T672 Lewis T672 front mcat185031 &nbsp;Box 19 Parchment Unknown front 3 Lewis T672 front MSS 0068 Illuminated Initial from Music Manuscript
Lewis T672 Lewis T672 reverse mcat185032 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T672 reverse MSS 0068 Illuminated Initial from Music Manuscript
Lewis T673 Lewis T673 front mcat185041 1200 1300 &nbsp;Box 19 Parchment Austria front 3 Lewis T673 front MSS 0069 Music Manuscript
Lewis T673 Lewis T673 reverse mcat185042 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T673 reverse MSS 0069 Music Manuscript
Lewis T674 Lewis T674 front mcat185051 1400 1500 &nbsp;Box 19 Parchment Germany front 5 Lewis T674 front MSS 0069 Music Manuscript
Lewis T674 Lewis T674 reverse mcat185052 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T674 reverse MSS 0069 Music Manuscript
Lewis T675 Lewis T675 front mcat185061 1400 1500 &nbsp;Box 19 Parchment Austria front 5 Lewis T675 front MSS 0069 Music Manuscript
Lewis T675 Lewis T675 reverse mcat185062 &nbsp;Box 19 Parchment Unknown reverse 6 Lewis T675 reverse MSS 0069 Music Manuscript
Lewis T676 Lewis T676 front a mcat185071 &nbsp;Box 19 Parchment Unknown front 1 Lewis T676 front MSS 0069 Will, in English
Lewis T676 Lewis T676 front b mcat185072 &nbsp;Box 19 Parchment Unknown front overleaf 2 Lewis T676 front overleaf MSS 0069 Will, in English.
Lewis T676 Lewis T676 reverse b mcat185073 &nbsp;Box 19 Parchment Unknown front overleaf reverse 3 Lewis T676 front overleaf reverse MSS 0069 Will, in English.
Lewis T677 Lewis T677 front mcat185081 &nbsp;Box 19 Parchment Unknown front 3 Lewis T677 front Latin Text
Lewis T677 Lewis T677 reverse mcat185082 &nbsp;Box 19 Parchment Unknown reverse 4 Lewis T677 reverse Latin Text
Lewis T678 Lewis T678 mcat185091 &nbsp;Box 19 Parchment Unknown front 3 Lewis T678 front MSS 0069 Papyrus Fragments with Hieroglyphs
Lewis T679 Lewis T679 mcat185101 &nbsp;Box 19 Parchment Unknown front 5 Lewis T679 front MSS 0069 Papyrus Fragments with Hieroglyphs
Lewis T680 Lewis T680 mcat185111 &nbsp;Box 20 Parchment Unknown front 3 Lewis T680 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T512 Lewis T512 mcat185121 Parchment Unknown front 1 Lewis T512 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T513 Lewis T513 mcat185131 Parchment Unknown front 1 Lewis T513 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T514 Lewis T514 mcat185141 Parchment Unknown front 1 Lewis T514 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T515 Lewis T515 mcat185151 Parchment Unknown front 1 Lewis T515 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T516 Lewis T516 mcat185161 Parchment Unknown front 1 Lewis T516 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T517 Lewis T517 mcat185171 Parchment Unknown front 1 Lewis T517 front MSS 0070 Papyrus Fragments with Hieroglyphs
Lewis T518 Lewis T518 front mcat185181 Parchment Unknown front 1 Lewis T518 front MSS 0070 Bible: Numbers
Lewis T518 Lewis T518 reverse mcat185182 Parchment Unknown reverse 2 Lewis T518 reverse MSS 0070 Bible: Numbers
Lewis T519 Lewis T519 front mcat185191 Parchment Unknown front 1 Lewis T519 front MSS 0070 Latin Religious Text
Lewis T519 Lewis T519 reverse mcat185192 Parchment Unknown reverse 2 Lewis T519 reverse MSS 0070 Latin Religious Text
Lewis T520 Lewis T520 front mcat185201 Parchment Unknown front 1 Lewis T520 front MSS 0070 Bible: Mark and Prologue to Luke
Lewis T520 Lewis T520 reverse mcat185202 Parchment Unknown reverse 2 Lewis T520 reverse MSS 0071 Bible: Mark and Prologue to Luke
Lewis T521 Lewis T521 front mcat185211 Parchment Unknown front 1 Lewis T521 front MSS 0071 Latin Religious Text
Lewis T521 Lewis T521 reverse mcat185212 Parchment Unknown reverse 2 Lewis T521 reverse MSS 0071 Latin Religious Text
Lewis T522 Lewis T522 front mcat185221 &nbsp;Illuminated &quot;P&quot; marked &quot;Austria-15th century. Parchment Unknown front 1 Lewis T522 front MSS 0071 Historiated Initial
Lewis T522 Lewis T522 reverse mcat185222 Parchment Unknown reverse 2 Lewis T522 reverse MSS 0071 Historiated Initial
Lewis T523 Lewis T523 front mcat185231 Parchment Unknown front 1 Lewis T523 front MSS 0071 Bible: Ecclesiastes
Lewis T523 Lewis T523 reverse mcat185232 Parchment Unknown reverse 2 Lewis T523 reverse MSS 0071 Bible: Ecclesiastes
Lewis T524 Lewis T524 front mcat185241 Parchment Unknown front 1 Lewis T524 front MSS 0071 Music Manuscript
Lewis T524 Lewis T524 reverse mcat185242 Parchment Unknown reverse 2 Lewis T524 reverse MSS 0071 Music Manuscript
Lewis T525 Lewis T525 front mcat185251 Parchment Unknown front 1 Lewis T525 front MSS 0071 Music Manuscript
Lewis T525 Lewis T525 reverse mcat185252 Parchment Unknown reverse 2 Lewis T525 reverse MSS 0071 Music Manuscript
Lewis T466 Lewis T466 front mcat194661 Box 9 Parchment Unknown front 5 Lewis T466 front MSS 0059 Monastic account book
Lewis T466 Lewis T466 reverse mcat194662 1430 Parchment Germany reverse 6 Lewis T466 reverse MSS 0059 Monastic account book
Lewis T467 Lewis T467 mcat194671 Parchment German Unknown front 6 Lewis T467 front MSS 0059 Pastor's schedule in four German dialects
Lewis T468 Lewis T468 mcat194681 Parchment Greek Unknown front 4 Lewis T468 front MSS 0059 Greek or Coptic on papyrus
Lewis T526 Lewis T526 front mcat195261 Parchment Unknown front 1 Lewis T526 front MSS 0072 Antiphonal
Lewis T526 Lewis T526 reverse mcat195262 Parchment Unknown reverse 2 Lewis T526 reverse MSS 0072 Antiphonal
Lewis T527 Lewis T527 front mcat195271 Parchment Unknown front 1 Lewis T527 front MSS 0072 Illuminated Initial and Partial Border
Lewis T527 Lewis T527 reverse mcat195272 Parchment Unknown reverse 2 Lewis T527 reverse MSS 0072 Illuminated Initial and Partial Border
Lewis T528 Lewis T528 front mcat195281 Parchment Unknown front 1 Lewis T528 front MSS 0072 Music Manuscript
Lewis T528 Lewis T528 reverse mcat195282 Parchment Unknown reverse 2 Lewis T528 reverse MSS 0072 Music Manuscript
Lewis T529 Lewis T529 front mcat195291 Parchment Unknown front 1 Lewis T529 front MSS 0072 Music Manuscript
Lewis T529 Lewis T529 reverse mcat195292 Parchment Unknown reverse 2 Lewis T529 reverse MSS 0072 Music Manuscript
Lewis T530 Lewis T530 front mcat195301 Parchment Unknown front 1 Lewis T530 front MSS 0072 Music Manuscript
Lewis T530 Lewis T530 reverse mcat195302 Parchment Unknown reverse 2 Lewis T530 reverse MSS 0072 Music Manuscript
Lewis T531 Lewis T531 front mcat195311 Parchment Unknown front 1 Lewis T531 front MSS 0072 Music Manuscript
Lewis T531 Lewis T531 reverse mcat195312 Parchment Unknown reverse 2 Lewis T531 reverse MSS 0072 Music Manuscript
Lewis T532 Lewis T532 front mcat195321 Parchment Unknown front 1 Lewis T532 front MSS 0073 Music Manuscript
Lewis T532 Lewis T532 reverse mcat195322 Parchment Unknown reverse 2 Lewis T532 reverse MSS 0073 Music Manuscript
Lewis T533 Lewis T533 front mcat195331 Parchment Unknown front 1 Lewis T533 front MSS 0073 Music Manuscript
Lewis T533 Lewis T533 reverse mcat195332 Parchment Unknown reverse 2 Lewis T533 reverse MSS 0073 Music Manuscript
Lewis T534 Lewis T534 front mcat195341 Parchment Unknown front 1 Lewis T534 front MSS 0073 Music Manuscript
Lewis T534 Lewis T534 reverse mcat195342 Parchment Unknown reverse 2 Lewis T534 reverse MSS 0073 Music Manuscript
Lewis T535 Lewis T535 front mcat195351 Parchment Unknown front 1 Lewis T535 front MSS 0073 Music Manuscript
Lewis T535 Lewis T535 reverse mcat195352 Parchment Unknown reverse 2 Lewis T535 reverse MSS 0073 Music Manuscript
Lewis T536 Lewis T536 front mcat195361 Parchment Unknown front 1 Lewis T536 front MSS 0073 Music Manuscript
Lewis T536 Lewis T536 reverse mcat195362 Parchment Unknown reverse 2 Lewis T536 reverse MSS 0073 Music Manuscript
Lewis T537 Lewis T537 front mcat195371 Parchment Unknown front 1 Lewis T537 front MSS 0073 Music Manuscript
Lewis T537 Lewis T537 reverse mcat195372 Parchment Unknown reverse 2 Lewis T537 reverse MSS 0074 Music Manuscript
Lewis T538 Lewis T538 front mcat195381 Parchment Unknown front 1 Lewis T538 front MSS 0074 Music Manuscript
Lewis T538 Lewis T538 reverse mcat195382 Parchment Unknown reverse 2 Lewis T538 reverse MSS 0074 Music Manuscript
Lewis T539 Lewis T539 front mcat195391 Parchment Unknown front 1 Lewis T539 front MSS 0074 Music Manuscript
Lewis T539 Lewis T539 reverse mcat195392 Parchment Unknown reverse 2 Lewis T539 reverse MSS 0074 Music Manuscript
Lewis T540 Lewis T540 front mcat195401 Parchment Unknown front 1 Lewis T540 front MSS 0074 Music Manuscript
Lewis T540 Lewis T540 reverse mcat195402 Parchment Unknown reverse 2 Lewis T540 reverse MSS 0074 Music Manuscript
Lewis T541 Lewis T541 front mcat195411 Parchment Unknown front 1 Lewis T541 front MSS 0074 Music Manuscript
Lewis T541 Lewis T541 reverse mcat195412 Parchment Unknown reverse 2 Lewis T541 reverse MSS 0074 Music Manuscript
Lewis T542 Lewis T542 front mcat195421 Parchment Unknown front 1 Lewis T542 front MSS 0074 Music Manuscript
Lewis T542 Lewis T542 reverse mcat195422 Parchment Unknown reverse 2 Lewis T542 reverse MSS 0074 Music Manuscript
Lewis T543 Lewis T543 front mcat195431 Parchment Unknown front 1 Lewis T543 front MSS 0075 Music Manuscript
Lewis T543 Lewis T543 reverse mcat195432 Parchment Unknown reverse 2 Lewis T543 reverse MSS 0075 Music Manuscript
Lewis T544 Lewis T544 front mcat195441 Parchment Unknown front 1 Lewis T544 front MSS 0075 Music Manuscript
Lewis T544 Lewis T544 reverse mcat195442 Parchment Unknown reverse 2 Lewis T544 reverse MSS 0075 Music Manuscript
Lewis T545 Lewis T545 front mcat195451 Parchment Unknown front 1 Lewis T545 front MSS 0075 Music Manuscript
Lewis T545 Lewis T545 reverse mcat195452 Parchment Unknown reverse 2 Lewis T545 reverse MSS 0075 Music Manuscript
Lewis T546 Lewis T546 front mcat195461 Parchment Unknown front 1 Lewis T546 front MSS 0075 Music Manuscript
Lewis T546 Lewis T546 reverse mcat195462 Parchment Unknown reverse 2 Lewis T546 reverse MSS 0075 Music Manuscript
Lewis T547 Lewis T547 front mcat195471 Parchment Unknown front 1 Lewis T547 front MSS 0075 Music Manuscript
Lewis T547 Lewis T547 reverse mcat195472 Parchment Unknown reverse 2 Lewis T547 reverse MSS 0075 Music Manuscript
Lewis T548 Lewis T548 front mcat195481 Parchment Unknown front 1 Lewis T548 front Music Manuscript
Lewis T548 Lewis T548 reverse mcat195482 Parchment Unknown reverse 2 Lewis T548 reverse Music Manuscript
Lewis T549 Lewis T549 front mcat195491 Parchment Unknown front 1 Lewis T549 front Music Manuscript
Lewis T549 Lewis T549 reverse mcat195492 Parchment Unknown reverse 2 Lewis T549 reverse Music Manuscript
Lewis T550 Lewis T550 front mcat195501 Parchment Unknown front 1 Lewis T550 front Music Manuscript
Lewis T550 Lewis T550 reverse mcat195502 Parchment Unknown reverse 2 Lewis T550 reverse Music Manuscript
Lewis T551 Lewis T551 front mcat195511 Parchment Unknown front 1 Lewis T551 front Music Manuscript
Lewis T551 Lewis T551 reverse mcat195512 Parchment Unknown reverse 2 Lewis T551 reverse Music Manuscript
Lewis T552 Lewis T552 front mcat195521 Parchment Unknown front 1 Lewis T552 front Music Manuscript
Lewis T552 Lewis T552 reverse mcat195522 Parchment Unknown reverse 2 Lewis T552 reverse Music Manuscript
Lewis T553 Lewis T553 front mcat195531 Parchment Unknown front 1 Lewis T553 front Medieval Manuscript
Lewis T553 Lewis T553 reverse mcat195532 Parchment Unknown reverse 2 Lewis T553 reverse Medieval Manuscript
Lewis T554 Lewis T554 front mcat195541 Parchment Unknown front 1 Lewis T554 front Music Manuscript
Lewis T554 Lewis T554 reverse mcat195542 Parchment Unknown reverse 2 Lewis T554 reverse Music Manuscript
Lewis T555 Lewis T555 front mcat205551 Parchment Unknown front 1 Lewis T555 front MSS 0075 Office of the Dead
Lewis T555 Lewis T555 reverse mcat205552 Parchment Unknown reverse 2 Lewis T555 reverse MSS 0075 Office of the Dead
Lewis T556 Lewis T556 front mcat205561 Parchment Unknown front 1 Lewis T556 front MSS 0076 Music Manuscript
Lewis T556 Lewis T556 reverse mcat205562 Parchment Unknown reverse 2 Lewis T556 reverse MSS 0076 Music Manuscript
Lewis T557 Lewis T557 front mcat205571 Box 22 Parchment Unknown front 1 Lewis T557 front MSS 0076 Music Manuscript
Lewis T557 Lewis T557 reverse mcat205572 Parchment Unknown reverse 2 Lewis T557 reverse MSS 0076 Music Manuscript
Lewis T558 Lewis T558 front mcat205581 Parchment Unknown front 1 Lewis T558 front MSS 0076 Music Manuscript
Lewis T558 Lewis T558 reverse mcat205582 Parchment Unknown reverse 2 Lewis T558 reverse MSS 0076 Music Manuscript
Lewis T559 Lewis T559 front a mcat205591 Parchment Unknown front 1 Lewis T559 front MSS 0076 Bible: Book of Tobit
Lewis T559 Lewis T559 reverse a mcat205592 Parchment Unknown reverse 2 Lewis T559 reverse MSS 0076 Bible: Book of Tobit
Lewis T559 Lewis T559 front b mcat205593 Parchment Unknown front 3 Lewis T559 front MSS 0076 Bible: Book of Tobit
Lewis T559 Lewis T559 reverse b mcat205594 Parchment Unknown reverse 4 Lewis T559 reverse MSS 0076 Bible: Book of Tobit
Lewis T560 Lewis T560 front a mcat205601 Parchment Unknown front 1 Lewis T560 front MSS 0076 Music Manuscript
Lewis T560 Lewis T560 reverse a mcat205602 Parchment Unknown reverse 2 Lewis T560 reverse MSS 0076 Music Manuscript
Lewis T560 Lewis T560 front b mcat205603 Parchment Unknown front 3 Lewis T560 front MSS 0077 Music Manuscript
Lewis T560 Lewis T560 reverse b mcat205604 Parchment Unknown reverse 4 Lewis T560 reverse MSS 0077 Music Manuscript
Lewis T561 Lewis T561 front a mcat205611 Parchment Unknown front 1 Lewis T561 front MSS 0077 Music Manuscript
Lewis T561 Lewis T561 reverse a mcat205612 Parchment Unknown reverse 2 Lewis T561 reverse MSS 0077 Music Manuscript
Lewis T561 Lewis T561 front b mcat205613 Parchment Unknown front 3 Lewis T561 front MSS 0077 Music Manuscript
Lewis T561 Lewis T561 reverse b mcat205614 Parchment Unknown reverse 4 Lewis T561 reverse MSS 0077 Music Manuscript
Lewis T562 Lewis T562 front mcat205621 Parchment Unknown front 1 Lewis T562 front MSS 0077 Music Manuscript
Lewis T562 Lewis T562 reverse mcat205622 Parchment Unknown reverse 2 Lewis T562 reverse MSS 0077 Music Manuscript
Lewis T562 Lewis T562 front mcat205623 Parchment Unknown front 3 Lewis T562 front MSS 0077 Music Manuscript
Lewis T562 Lewis T562 reverse mcat205624 Parchment Unknown reverse 4 Lewis T562 reverse MSS 0077 Music Manuscript
Lewis T563 Lewis T563 front mcat205631 Parchment Unknown front 1 Lewis T563 front MSS 0077 Music Manuscript
Lewis T563 Lewis T563 reverse mcat205632 Parchment Unknown reverse 2 Lewis T563 reverse MSS 0078 Music Manuscript
Lewis T564 Lewis T564 front mcat205641 Parchment Unknown front 1 Lewis T564 front MSS 0078 Music Manuscript
Lewis T564 Lewis T564 reverse mcat205642 Parchment Unknown reverse 2 Lewis T564 reverse MSS 0078 Music Manuscript
Lewis T565 Lewis T565 front mcat205651 Parchment Unknown front 1 Lewis T565 front MSS 0078 Music Manuscript
Lewis T565 Lewis T565 reverse mcat205652 Parchment Unknown reverse 2 Lewis T565 reverse MSS 0078 Music Manuscript
Lewis T566 Lewis T566 front mcat205661 Parchment Unknown front 1 Lewis T566 front MSS 0078 Text Fragment
Lewis T566 Lewis T566 reverse mcat205662 Parchment Unknown reverse 2 Lewis T566 reverse MSS 0078 Text Fragment
Lewis T567 Lewis T567 front mcat205671 Parchment Unknown front 1 Lewis T567 front MSS 0078 Music Manuscript
Lewis T567 Lewis T567 reverse mcat205672 Parchment Unknown reverse 2 Lewis T567 reverse MSS 0078 Music Manuscript
Lewis T572 Lewis T572 front mcat205721 Parchment Unknown front 1 Lewis T572 front MSS 0079 Music Manuscript
Lewis T572 Lewis T572 reverse mcat205722 Parchment Unknown reverse 2 Lewis T572 reverse MSS 0079 Music Manuscript
Lewis T568 Lewis T568 front mcat215681 Parchment Unknown front 1 Lewis T568 front Text Fragment
Lewis T568 Lewis T568 reverse mcat215682 Parchment Unknown reverse 2 Lewis T568 reverse Text Fragment
Lewis T569 Lewis T569 front mcat215691 Parchment Unknown front 1 Lewis T569 front Music Manuscript Fragment
Lewis T569 Lewis T569 reverse mcat215692 Parchment Unknown reverse 2 Lewis T569 reverse Music Manuscript Fragment
Lewis T570 Lewis T570 front a mcat215701 Parchment Unknown front 1 Lewis T570 front Book of Hours by the Master of the Dark Eyes
Lewis T570 Lewis T570 reverse a mcat215702 Parchment Holland, Netherlands reverse 2 Lewis T570 reverse Book of Hours by the Master of the Dark Eyes
Lewis T570 Lewis T570 front b mcat215703 Parchment Unknown recto 3 Lewis T570 recto Book of Hours by the Master of the Dark Eyes
Lewis T570 Lewis T570 reverse b mcat215704 Parchment Unknown Verso 4 Lewis T570 Verso Book of Hours by the Master of the Dark Eyes
Lewis T571 Lewis T571 front mcat215711 Parchment Unknown front 1 Lewis T571 front Illuminated Initial
Lewis T571 Lewis T571 reverse mcat215712 Parchment Unknown reverse 2 Lewis T571 reverse Illuminated Initial
Lewis T573 Lewis T573 front mcat215731 Parchment Unknown front 1 Lewis T573 front Illuminated Initial
Lewis T573 Lewis T573 reverse mcat215732 Parchment Unknown reverse 2 Lewis T573 reverse Illuminated Initial
Lewis T574 Lewis T574 front mcat215741 Parchment Unknown front 1 Lewis T574 front Border Fragment
Lewis T574 Lewis T574 reverse mcat215742 Parchment Unknown reverse 2 Lewis T574 reverse Border Fragment
Lewis T575 Lewis T575 front a mcat215751 Parchment Unknown front 1 Lewis T575 front Antiphonal
Lewis T575 Lewis T575 reverse a mcat215752 Parchment Unknown reverse 2 Lewis T575 reverse Antiphonal
Lewis T575 Lewis T575 front b mcat215753 Parchment Unknown front 3 Lewis T575 front Antiphonal
Lewis T575 Lewis T575 reverse b mcat215754 Parchment Unknown reverse 4 Lewis T575 reverse Antiphonal
Lewis T576 Lewis T576 mcat215761 Misc. Mss. V.B. 12<br /> #12 Parchment Flanders, Belgium folio 1 16 Lewis T576 folio 1 Illuminated Initials Recto
Lewis T576 Lewis T576 mcat215762 Parchment Unknown Folio 1 17 Lewis T576 Folio 1 Illuminated Initials Verso
Lewis T576 Lewis T576 mcat215763 Parchment Unknown Folio 1 18 Lewis T576 Folio 1 Illuminated Initial D
Lewis T576 Lewis T576 mcat215764 Parchment Unknown Folio 1 19 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 mcat215765 Parchment Unknown Lewis T576 20 Lewis T576 Lewis T576 Illuminated Initial E
Lewis T576 Lewis T576 mcat215766 Parchment Unknown Folio 1 21 Lewis T576 Folio 1 Illuminated Initial E, Verso
Lewis T576 Lewis T576 front a mcat21576a Parchment Unknown front 1 Lewis T576 front Illuminated Initial A
Lewis T576 Lewis T576 reverse a mcat21576b Parchment Unknown front 2 Lewis T576 front Illuminated Initial A,Verso
Lewis T576 Lewis T576 front b mcat21576c Parchment Unknown front 3 Lewis T576 front Illuminated Initial A
Lewis T576 Lewis T576 reverse b mcat21576d Parchment Unknown front 4 Lewis T576 front Illuminated Initial A, Verso
Lewis T576 Lewis T576 front c mcat21576e Parchment Unknown front 5 Lewis T576 front Illuminated Initial A
Lewis T576 Lewis T576 reverse c mcat21576f Parchment Unknown front 6 Lewis T576 front Illuminated Initial A, Verso
Lewis T576 Lewis T576 front d mcat21576g Parchment Unknown front 7 Lewis T576 front Illuminated Initial A
Lewis T576 Lewis T576 reverse d mcat21576h Parchment Unknown front 8 Lewis T576 front Illuminated Initial A, Verso
Lewis T576 Lewis T576 front e mcat21576i Parchment Unknown front 9 Lewis T576 front Illuminated Initial C
Lewis T576 Lewis T576 reverse e mcat21576j Parchment Unknown front 10 Lewis T576 front Illuminated Initial C, Verso
Lewis T576 Lewis T576 front f mcat21576k Parchment Unknown front 11 Lewis T576 front Illuminated Initial C
Lewis T576 Lewis T576 reverse f mcat21576l Parchment Unknown front 12 Lewis T576 front Illuminated Initial C, Verso
Lewis T576 Lewis T576 front g mcat21576m Parchment Unknown front 13 Lewis T576 front Illuminated Initial D
Lewis T576 Lewis T576 reverse g mcat21576n Parchment Unknown front 14 Lewis T576 front Illuminated Initial D, Verso
Lewis T576 Lewis T576 front h mcat21576o Parchment Unknown front 15 Lewis T576 front Illuminated Initial D
Lewis T576 Lewis T576 reverse h mcat21576p Parchment Unknown Folio 1 22 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 front i mcat21576q Parchment Unknown Folio 23 Lewis T576 Folio Illuminated Initial D
Lewis T576 Lewis T576 reverse i mcat21576r Parchment Unknown Folio 1 24 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 front j mcat21576s Parchment Unknown Folio 1 25 Lewis T576 Folio 1 Illuminated Initial D
Lewis T576 Lewis T576 reverse j mcat21576t Parchment Unknown Folio 1 26 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 front k mcat21576u Parchment Unknown Folio 1 27 Lewis T576 Folio 1 Illuminated Initial D
Lewis T576 Lewis T576 reverse k mcat21576v Parchment Unknown Folio 1 28 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 front l mcat21576w Parchment Unknown Folio 1 29 Lewis T576 Folio 1 Illuminated Initial D
Lewis T576 Lewis T576 reverse l mcat21576x Parchment Unknown Folio 1 30 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T576 Lewis T576 front m mcat21576y Parchment Unknown Folio 1 31 Lewis T576 Folio 1 Illuminated Initial D
Lewis T576 Lewis T576 reverse m mcat21576z Parchment Unknown Folio 1 32 Lewis T576 Folio 1 Illuminated Initial D, Verso
Lewis T577 Lewis T577 front mcat215771 Parchment Unknown front 1 Lewis T577 front Music Manuscript
Lewis T577 Lewis T577 reverse mcat215772 Parchment Unknown reverse 2 Lewis T577 reverse Music Manuscript
Lewis T578 Lewis T578 front mcat215781 Parchment Unknown front 1 Lewis T578 front Antiphonal with Historiated Initial 'D'
Lewis T578 Lewis T578 reverse mcat215782 Parchment Unknown reverse 2 Lewis T578 reverse Antiphonal with Historiated Initial 'D'